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Sharon Tate: A Life

Page 37

by Ed Sanders


  infidelities, Polanski’s, 77–78, 119–120, 164, 169, 231–232, 237

  Inge, William, 15

  Internal Revenue Service (IRS), 264–265

  Jakobson, Gregg, 122, 131, 217, 259

  James, Catherine, 52

  Jewish oppression during World War II, 1–3

  Johnson, Rafer, 102

  Jones, Christopher, 136–138

  Kaczanowski, Witold, 148–149, 170–171, 216

  Kaiser Robert, 94

  Kamen, Stan, 35, 66

  Kasabian, Linda, 158, 197(fig.)

  Beausoleil’s arrest, 174

  Cielo Drive killings, 192–193

  crime scene, 195

  flight from the state, 243

  Hinman murder, 161

  impetus for the murders, 181

  invasion of Cielo Drive house, 186

  LaBianca murders, 211–212

  preparing for the murders, 177–178

  “Katie.” See Krenwinkel, Patricia

  Katzman, Allen, 223

  Kaufman, Phil, 74

  Kaufmann, Christine, 54

  Kennedy, Edward, 146

  Kennedy, Ethel, 93–96, 101, 106

  Kennedy, Robert F., 92–106

  Manson’s association, 264

  Sammy Davis, Jr. and, 111

  Sirhan trial, 115–116

  Sirhan-Satanist link, 265–267

  Kerouac, Jack, 188

  Kerr, Deborah, 37–39

  Kersh, Kelly, 33–34

  Kiernan, Thomas, 119

  King, Greg, 42

  Knife in the Water (film), 9–10, 12, 15, 21–22, 26, 35, 113

  Komeda, Krzysztof, 49, 58, 112–113

  Korda, Michael, 126

  Kosinski, Jerzy, 166, 216, 224

  Krenwinkel, Patricia, 197(fig.)

  arrest of, 251

  auto theft charge, 244

  Cielo Drive killings, 189, 191–192, 194

  crime scene, 195–196

  English Satanists, 75

  flight, 260

  homicide investigation, 183, 214

  Manson trial, 270

  Manson’s connection to the English Satanists, 263–264

  preparing for the murders, 177–178

  Kroger, William S., 162

  Kunkin, Art, 223

  LaBianca, Leno, 210–212, 217

  LaBianca, Rosemary, 210–212

  LaBianca murders, 180, 210–212, 216–219, 241–242, 257

  Lake, Dianne, 264

  Lane, Robert Ivan, 251

  Larsen, Larry, 214, 264–268

  Leaming, Barbara, 229–230

  Leary, Timothy, 168, 265

  Lee, Bruce, 107, 231

  leftist movements, 89–92

  Leigh, Janet, 54

  Leland-St. John, Sharmagne, 52, 77, 81–82, 88, 97, 147–148, 152, 171, 228

  Lennon, John, 87, 89, 95

  LePage, Paul, 218, 241

  Lewis, Barbara, 167–169

  Lewis, John, 100

  light shows, 75

  The Longest Day (film), 12, 14–15

  Lownes, Victor, 42–43, 52–53, 88

  LSD, 88, 112, 142, 180, 258

  Lucifer Rising (film), 157–158

  Luminol, Polanski’s use of, 232–233

  Lutesinger, Kitty, 156–157, 161, 213, 241–242, 248, 253

  MacGowran, Jack, 43–47

  Mackendrick, Alexander, 54–55, 60

  MacMillan, Iain, 166

  Magick Power-house of Oz, 157

  Maharishi Mahesh Yogi, 86–87

  The Man from U.N.C.L.E. (television program), 32–34

  Manson, Charles, 176(fig.), 196(fig.)

  arrest of, 252–253, 257

  arrival in Topanga Canyon, 74–75

  author’s correspondence with, 215, 270–271

  Beausoleil’s arrest, 174–176

  Beausoleil’s rivalry with, 157, 159

  car theft charge, 243–244

  Cielo Drive killings, 176–180, 192–193

  disappointment at low body count, 194–195

  Family members’ attempts to escape, 173

  Hinman murder, 156, 160–161

  homicide investigation, 215

  LaBianca murders, 211–212, 241

  Paul Tate’s view of, 260–261

  relocating the Family, 243, 246–248

  return to Los Angeles, 128–129

  return to the scene of the crime, 195–196

  searching for The Hole, 250–251

  Terry Melcher and, 130

  See also homicide investigations

  Manson Family

  Beatles’ “Sexy Sadie,” 87

  Cielo Drive killings, 176–179, 184–196

  flight and capture in Death Valley, 247–253

  George Spahn and, 153–154

  Hinman murder, 155–161, 174

  Manson’s first visit to Cielo Drive, 131

  Moon Landing, 146

  motive for Sharon’s murder, 263

  relocating to Death Valley, 246–249

  Shorty Shea murder, 246–247

  Tate’s unexplained presence at the house, 214–215

  theft and drug deals, 128–129

  Mao Tse-tung, 78–80

  marijuana imports, 149

  marriage

  Forquet’s proposal to Tate, 22–24

  Polanski’s defense of his and Tate’s, 229–230

  Ransohoff’s friction with Tate over, 88

  Sebring’s proposal to Tate, 34–35

  Tate ending her contract with Ransohoff, 78

  Tate-Polanski wedding, 81–84

  Tate’s domesticity, 107

  Martin, Dean, 92, 107–108, 121

  Mayne, Ferdy, 43

  McCarthy, Eugene, 102

  McCartney, Paul, 25, 65–66, 89, 166

  McGovern, George, 98

  McGovern, Michael, 221–223, 269–270

  McKean, Margaret, 56

  McQueen, Steve, 147, 257

  affection for Tate, 28–29

  Hawaii vacation, 34

  occult experiences and beliefs, 139–140, 268–269

  Sebring’s drug use, 236

  Sebring’s friendship with, 31

  Sebring’s funeral, 227

  Summer of Love, 71

  Tate signing with William Morris, 35

  MDA (methlenedioxyl-amphetamine), 149, 165–166, 181, 188–189, 206

  Melanson, Philip, 105

  Melcher, Terry, 89, 121–122, 126, 128, 130, 132, 223–224

  mental illness, Doris Tate’s, 13

  Merle, Robert, 126

  The Merv Griffin Show (television program), 53–54

  MGM Studios, 29, 40–44, 50, 55, 57–58, 76

  Milosz, Czeslaw, 77

  Mister Ed (television program), 21

  Mitchum, Wende Wagner. See Wagner, Wende

  Moffat, Ivan, 117–119

  Möllinger, Hans, 43

  Mondo Hollywood (film), 228

  Moon Landing, 145–146

  Morehouse, Dean, 122

  Morris, Brian, 149

  Murderer (film), 6

  Murphy, Dennis, 37

  Muscle Beach (Wallach), 54–55

  muscle-building, 54–55

  Musel, Robert, 14–15, 18

  Myers, Cathy Gillies, 156

  Myra Breckinridge (film), 131, 165, 225, 232

  narcotics investigation, 268–270

  national security concerns, 266–267

  Nazi Germany, 1–4

  New York Film Festival, 15

  Newman, Paul, 39, 227

  Newmar, Julie, 54

  Nicholson, Jack, 67

  Nielson, Mike, 260

  Nike-Hercules missiles, 4–5, 7, 9(fig.), 13, 150–151, 235

  Niven, David, 38–40

  Nixon, Richard M., 267–268

  Noguchi, Thomas, 103, 204–205, 205(fig.), 212, 224

  Novak, Kim, 37

  nuclear weapons, 3–7, 9(fig.), 13, 150–151, 235

  nudity i
n films and photographs, Tate’s, 124(fig.)

  Don’t Make Waves, 60

  during her pregnancy, 124

  Evans’s book of the Polanskis, 142

  Maoist satire, 79–80

  Playboy magazine series, 61

  publicity portfolio, 28

  Sebring’s displeasure with, 51

  The Thirteen Chairs, 135–136

  Valley of the Dolls, 64–65, 77

  On the Road (Kerouac), 188

  O’Reilly, Peter, 226

  Paganini, Niccolo, 117

  Paramount Pictures, 66, 84, 92, 119, 126, 139

  Parent, Steven, 182–186, 195, 200, 206, 240

  Parkins, Barbara, 62–64, 76

  The Pat Boone-Chevy Showroom (program), 10

  Patchett, Frank, 218, 257

  Pearl, Ruby, 153, 155

  Peppard, George, 150

  Pettet, Joanna

  Aherne’s beach house, 68

  baby shower for Tate, 128

  background and career, 169

  Christmas at Cortina, 113

  events leading up to the murders, 167–168, 170–171

  meeting Tate, 52–53

  news of the murders, 206–207

  occult interests and activities, 269

  on Sebring and Tate, 145

  Polanski’s control of Tate, 50–51

  Tate’s matchmaking, 75–76

  Tate’s pregnancy, 128, 150

  Petticoat Junction (television program), 17–18

  Phillips, John, 148, 187, 230

  accusing Doyle and Dawson of murder, 238–239

  allegations of revenge, 237

  drugs and voodoo, 230

  English Satanist cult and, 264

  events leading up to the murders, 165, 172

  Polanski housewarming party, 125–126

  Polanski’s investigation of the murders, 233, 237

  Polanski’s suspicions of Tate and, 231–232

  psychic void-scan of the crime scene, 228

  Robert Kennedy and, 92

  Summer of Love, 69

  Tate’s pregnancy, 132–133

  Phillips, Michelle, 126, 132–133, 164, 169, 223–224, 231–232

  Pittman, Nancy, 194, 251

  Playboy magazine, 61, 168

  Plumlee, Vern, 177, 180, 214–215

  Poe Zone, 116–118

  Polanski, Annette, 9

  Polanski, Roman, 113(fig.)

  A Day at the Beach, 138–139

  Aimez-Vous les Femmes?, 25–26

  Cannes Film Festival, 90–91

  Chateau Marmont, 85–86

  Cielo Drive house, 107, 131

  Cielo Drive killings, 167, 170

  defeat and disaster films, 115

  discovery of the bodies, 203, 209–210

  dissolution of Cadre Films, 127

  education, 6

  enforced exile, 121

  fling with Michelle Phillips, 164, 169, 237

  Gutowski collaboration, 26

  homicide investigation, 215–216, 224–225, 228–233

  infidelity, 77–78, 119–120, 164, 169, 231–232, 237

  Joanna Pettet meeting Tate, 52–53

  Knife in the Water, 12, 15, 21–22

  marital troubles, 151

  material and professional success, 140–141

  meeting Paul Tate, 71–72

  New Age spirituality, 109–110

  occult movie style, 84–85, 116–118

  Paramount upheaval, 92

  Paris trip, 9–10

  Peter Sellers and, 73

  Poe Zone projects, 116–118

  polygraph test, 220, 235–236

  psychic void-scan of the crime scene, 228–229

  RFK assassination, 106

  RFK nomination, 97

  Rosemary’s Baby, 66–73, 78, 109, 112

  Summer of Love, 69

  Tate moving in with, 50–52

  Tate’s domesticity, 107

  Tate’s first meeting with, 40, 42–50

  Tate’s funeral, 226–227

  Tate’s pregnancy, 116, 120–121, 132–133, 141

  Tate’s return to America, 143, 168–169

  Tate’s work on Valley of the Dolls, 64

  The Day of the Dolphin, 126–127, 138–139, 167

  The Fearless Vampire Killers, 41–42, 57–61, 76

  wedding to Tate, 81–84

  World War II, 2

  political activism, 89–92

  pornographic films

  objections to Rosemary’s Baby, 116

  Polanski-Gutowski collaboration on, 35

  Polanski’s enjoyment of, 53

  Valley of the Dolls, 62–64

  See also The Fearless Vampire Killers; home movies, Polanski’s

  Poston, Brooks, 129

  Powell, Richard, 249

  pregnancy, Tate’s, 169(fig.)

  baby shower, 128

  Cielo Drive house, 123

  events leading up to the murders, 165, 167–168

  Polanski’s attitude towards, 120–121, 141

  Sharon’s preparation for the birth, 149–150

  Tate concealing it from Polanski, 116, 132–133

  Tate’s return to America, 143, 168–169

  The Thirteen Chairs filming, 135

  Price, Vincent, 66

  Princess Italia liner, 76–77

  A Promise at Dawn (film), 15

  Pruszynski, Stanislaw, 105

  psychics, 162, 228–229

  Pursell, James, 249

  Quarrier, Iain, 44, 47–48

  Queen Elizabeth II, 141–142

  Ransohoff, Martin

  Don’t Make Waves, 54

  Eye of the Devil, 37–38

  friction with Tate over marriage, 83–84, 88

  hands-on business style, 54–55

  Jill St. John and, 41

  publicity photos, 28

  Tarzan casting, 32

  Tate ending her contract with, 78

  Tate’s contract with, 24

  Tate’s engagement to Sebring, 34–35

  Tate’s screen test, 17–18

  Tate’s training, 22–23

  The Cincinnati Kid, 29

  The Fearless Vampire Killers, 41–42, 58–59, 76

  rape of Sharon Tate, 10

  Redford, Robert, 66–67, 84

  Redgrave, Lynn, 92

  The Reivers (film), 139–140

  Remick, Lee, 19–20

  Repulsion (film), 35, 41, 87

  Retz, Frank, 161

  reward fund, 223, 234

  Richland, Washington, 6–7

  riots, 69, 89–90

  Ritchie, Michael, 84

  Ritt, Martin, 11–12

  Robson, Mark, 64, 80

  Rolls Royce, Tate’s, 138, 141, 143

  The Roman Polanski Story (Kiernan), 119

  Romero, Juan, 105–106

  Rosemary’s Baby (film), 113(fig.), 149

  Academy Awards, 138

  budget overrun, 78

  casting, 66–68

  filming, 69–71

  International Film Festival award, 126

  Polanski’s projects following, 117–118

  premiere, 109, 112, 116

  preview, 88

  Sinatra-Farrow conflict, 72–73

  Sylbert and, 22, 94

  Tate’s view of the Devil, 137

  Rossi, Ernest, 162

  Rostau, Joel, 171

  Roth, Ron, 51

  Ryan’s Daughter (film), 137–138

  “Sadie.” See Atkins, Susan

  St. John, Jill, 41, 43

  Sarne, Michael, 131, 165, 172, 224, 232

  Sartuche, Phil, 218, 257

  Satanism

  Beausoleil’s movies and music, 157

  crime scene investigation, 207

  Manson’s and Spiral Staircase, 74–75

  motivating the Tate-LaBianca murders, 219–224, 263–266, 268

  objections to Rosemary’s Baby, 116

  Sammy Davis, Jr.’s experienc
e, 111–112

  Steve McQueen’s involvement, 139–140, 268–269

  Tate’s view of the Devil, 137

  See also English Satanists

  Satyricon (film), 91–92

  Saunders, Alex, 39

  Saval, Dany, 12, 15

  Scheuer, Philip, 57

  Scott, John, 40

  screen test, 17–18

  Sea Hunt (television program), 40

  Sebring, Jay, 122, 166(fig.)

  burglary and vandalism, 147–148

  crime scene, 195–196, 202, 208

  devotion to Tate, 151

  discovery of the body, 203–205

  drug deals, 164, 223–224

  Eye of the Devil filming, 37, 39

  films, 165

  First Homicide Investigation Progress Report, 240

  funeral, 227

  house party footage, 110–111

  Manson’s first visit to Cielo Drive, 130

  MDA experiment, 165–166

  murder of, 170–172, 187, 189–190, 193

  party for his fifteen-year-old girlfriend, 52

  personal debt, 236

  Polanski replacing, 42, 50–51

  Polanski’s sexual practices, 120

  professional success, 150

  psychic reading, 162

  Satanism, 111–112

  sexual practices, 152

  Steve McQueen and, 140

  Tate’s first encounter with, 30–32

  Tate’s pregnancy, 116

  Tate’s return to America, 145

  Second Homicide Investigation Progress Report, 240–241

  Second International Film Festival, 126–127

  Sellers, Peter, 73, 82, 109–110, 112–113, 115, 139, 223, 234

  sex symbol, Tate as, 87

  sexual activities

  English satanic cult, 264–265, 269–270

  George Spahn, 153

  Maharishi Mahesh Yogi, 87

  Manson’s fellatio-miracle, 129

  Polanski’s home movies, 126, 219–220, 223–224

  Polanski’s infidelities, 77–78, 119–120, 164, 169, 231–232, 237

  Sebring’s strange practices, 31–32

  Tate’s affair in Rome, 136–137

  Tate’s desire for emotional and sexual freedom, 142

  The Story of O, 151

  video-bugger, 164

  “Sexy Sadie” (song), 87

  Shakespeare, William, 40

  Shea, Donald “Shorty,” 155, 232, 246–247, 253

  Sinatra, Frank, 66, 70–73, 150

  Sinatra, Nancy, 125

  Sirhan Sirhan, 86, 98–105, 115–116, 139, 265–267

  Smith, Richard, 86, 265–268

  Solomon, Carol, 163

  The Sound of Music (film), 26–27

  Southern, Terry, 29, 37, 164

  Spahn, George, 153, 155, 178

  Spahn Ranch, 73, 128, 146, 153–154, 154(fig.), 155(fig.), 161–162, 174–175, 178, 243–244

  Spiral Staircase, 73–75, 263–264

  spirituality

  Hinman’s devotion to Buddhism, 156

  Indian retreat, 86–87

  New Age, 109–110

 

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