The Passage: A Novel

by Justin Cronin

  “What is it?”

  Her gaze settled on the line of trees to their left, away from the open valley.

  “There,” she said.

  But there was nothing, only the wall of trees. The trees and the snow and the indifferent wind.

  Then he saw it: a gap in the undergrowth. Amy was already moving toward it. As they neared, he realized what he was seeing: the gate of a half-fallen fence. It ran the length of the woods on either side of them, entwined with a dense mass of camouflaging vines, now denuded of leaves and covered in snow, making the fence all but invisible, a part of the landscape. Who knew how long they had been walking along it without his noticing. Beyond the opening stood a small hut, more suggestion than actual structure. The building, not more than five meters square, seemed tipped, one part of its foundation having collapsed beneath it; the door stood half open, angled on its hinges. He peered inside. Nothing, only snow and leaves, rivers of rot running down the walls.

  He turned. “Amy, where—”

  He saw her darting through the trees, away, and lumbered after her. Amy was moving more quickly now, practically running. Through the fog of his exhaustion and the trudge of his frozen feet, Peter had become aware that they had reached the end of their journey, or nearly. Something was leaving him; his strength, stripped away by the cold, was leaving him at last.

  “Amy,” he called. “Stop.”

  She seemed not to hear him.

  “Amy, please.”

  She turned to face him.

  “What’s here?” he pleaded. “There’s nothing here.”

  “There is, Peter.” Her face was lit with joy. “There is.”

  “Then where is it?” he said, and heard the anger in his voice. His hands were on his knees; he was panting for breath. “Tell me where it is.”

  She lifted her face to the darkening sky, letting her eyes fall shut. “It’s … everywhere,” she said. “Listen.”

  He did his best; with every ounce of his remaining strength he sent his mind outward. But all he heard was the wind.

  “There’s nothing,” he said again, and felt his hopes collapsing. “Amy, there’s nothing here.”

  But then he heard it.

  A voice. A human voice.

  Somebody, somewhere, was singing.

  • • •

  They saw the beacon first, rising in the trees.

  They had come into a clearing, the forest parting. All around them Peter could discern evidence of human habitation, the suggestive shapes of ruined buildings and abandoned vehicles under the snow. The antenna stood at the edge of a wide depression in the earth, full of debris—a foundation of some kind, for a building long since gone. The antenna was positioned to the side of it, a four-legged metal tower rising high above them, anchored in place by steel cables sunk in concrete. Affixed to its apex was a gray orb studded with spikes. Beneath the orb, encircling the tower and jutting from the sides like the petals of a flower, was a series of paddle-like objects. Perhaps these were solar panels; Peter didn’t know. He placed a hand on the cold metal. Something appeared to be written on one of the struts. He brushed the snow aside, revealing the words UNITED STATES ARMY CORPS OF ENGINEERS.

  “Amy—”

  But the place beside him was empty. He detected movement at the edge of the clearing and quickly followed her, into the underbrush. The sound of singing was stronger now. Not words but a wash of notes in phrased patterns, rising and falling. It seemed to be drifting toward them from all directions on the wind. They were close now, very close. He sensed the presence of something up ahead, an openness. The trees separating, the sky exposed. He reached the place where Amy stood, and then stopped.

  It was a woman. She was facing away, standing in the dooryard of a small log house. The windows of the house were lighted, and curls of smoke coiled from the chimney. She was shaking out a blanket; more blankets sagged on a line that stretched between a pair of trees. The incredible thought reached him that this woman, whoever she was, was taking in her laundry. Taking in her laundry and singing. The woman was wearing a heavy woolen cloak; her hair, dense and dark with streaks of snowy white, flowed over her shoulders in a cloudlike mass. The lines of her bare legs descended from the edge of the cloak to her feet, on which she appeared to be wearing nothing more than a pair of rope sandals, her toes in the snow.

  Peter and Amy moved toward her, the words of her song resolving as they approached. Her voice had a rich, full-throated sound to it, full of a mysterious contentment. She sang and went about her work, placing the blankets in a basket at her feet, apparently oblivious to their presence. The two of them were standing just a few meters behind her now. Sleep, my child, and peace attend thee, the woman sang,

  All through the night.

  Guardian angels God will send thee,

  All through the night.

  Soft the drowsy hours are creeping,

  Hill and dale in slumber sleeping,

  I my loved ones’ watch am keeping,

  All through the night.

  She halted, her hands poised over the line.

  “Amy.”

  The woman turned. She had a broad, handsome face and dark skin, like Auntie’s. But it was not an old woman he saw. Her skin was firm, her eyes clear and bright. Her face bloomed with a radiant smile.

  “Oh, it is good to see you.” Her voice was like music, as if she were singing the words. She advanced toward them on her sandaled feet and took Amy by the hands, holding them with a maternal tenderness. “My little Amy, all grown up.” She let her eyes drift past Amy toward Peter, appearing to notice him for the first time. “And here he is, your Peter.” She gave her head a little shake of wonder. “Just as I knew he would be. Do you remember, Amy, when I said to you, Who is Peter? It was when I first met you. You were very small.”

  Tears had begun to fall from Amy’s eyes. “I left him.”

  “Hush now. It is as it had to be.”

  “He told me to run!” she cried out. “I left him! I left him!”

  The woman jostled Amy’s hands. “And you will find him again, Amy. That’s what you have come to find out, isn’t it? I was not the only one to watch over you, through all the years and years. That sadness you feel is not your own. It’s his sadness you feel in your heart, Amy, for missing you.”

  The sun was down. Cold darkness crowded around them, standing in the snow outside the woman’s house. And yet Peter could make himself neither move nor speak. That he was a part of what had just unfolded he did not doubt, and yet he did not know what part.

  He found his voice at last. “Tell me,” he said. “Please. Tell me who you are.”

  The woman’s eyes sparkled with sudden mischief. “Shall we tell him, Amy? Shall we tell your Peter who I am?”

  Amy nodded; the woman raised her face, wearing a shining smile.

  “I am the one who’s been waiting for you,” she said. “My name is Sister Lacey Antoinette Kudoto.”

  SIXTY-THREE

  Private Sancho was dying.

  Sara was riding at the back of the convoy, in one of the big trucks. Bunks had been slung from the sides of the rear compartment to carry the injured men. The space was crowded with crates of supplies; it was all Sara could do to wedge herself between them, to offer what comfort she could.

  The other one, Withers, wasn’t as bad off; most of the burns were on his arms and hands. Probably he would survive, if sepsis didn’t set in. But not Sancho.

  Something had happened when they’d winched down the bomb. A cable had jammed. The fuse wouldn’t light. Something. The story had come to Sara in bits and pieces from a dozen different sources, all with a slightly different version of events. It was Sancho who had entered the mine shaft, shimmying down the cable on a harness, to fix whatever had gone wrong; he had either still been down the hole or was just emerging, Withers running toward him, reaching for him, pulling him free, when the drums of fuel exploded.

  The flames had engulfed him utterly. She could see the pa
th the fire had taken, moving up his body, fusing his uniform to his flesh. That he had survived was a miracle, though not, Sara thought, a happy one; she could still hear the screams that had torn from his lips as, with the help of two soldiers, she had peeled the blackened remains of his uniform from his body, taking most of the skin of his legs and chest with it, and again, as she had done her best to scrub away the debris, revealing a raw, red flesh beneath it. Already the burns on his legs and feet had begun to suppurate, mixing the sick-sweet odor of charred skin with the stink of infection. His chest and arms and hands and shoulders: the fire had consumed them all. His face was a smooth pink nub, like the eraser on a pencil. After she’d finished the abrasion—a horrible ordeal—he’d made scarcely any sound at all, lapsing into a fitful sleep from which he awoke only to beg for water. She was surprised when, in the morning, he was still alive, and then the next day also. The night before their departure, she had offered, in a moment of bravery that surprised her, to stay behind with him. But Greer would have none of it. We’ve left enough men in these woods, he said. Do your best to make him comfortable.

  For a while the convoy had traveled east, but now they were moving south again, on what felt to Sara like a road; the worst of the bouncing, the lurching from side to side and the sound of spinning mud and snow, spattering against the wheel wells beneath her, had stopped. She felt nauseated and cold, chilled to the core, her limbs achy from the hours of banging in the back of the truck. The convoy of vehicles and horses and men proceeded in fits and starts, as Alicia’s scouting party gave the all clear. The goal for their first day of travel was Durango, where a fortified shelter in an old grain elevator, one of nine such refuges along the supply road to Roswell, offered safety for the night.

  She had decided she wasn’t angry that Peter had left without telling her. She had been at first, when Hollis came to the mess to give her the news; but with Sancho and Withers to take care of, she hadn’t dwelt on these feelings for long. And the truth was, she’d sensed it coming—if not Peter’s and Amy’s departure exactly, then something like it. Something final. When she and Hollis had discussed leaving with the convoy, always in the background, unstated, was the feeling that Peter and Amy wouldn’t be going with them.

  But Michael had been angry. More than angry—furious. Hollis had practically had to restrain him from heading off after the two of them, into the snow. Strange how Michael had become so brave, almost recklessly so, over the months. She had always felt herself to be a kind of stand-in parent, responsible for him in some deep, incontrovertible way. Somewhere along the way, she had let these feelings go. So maybe it wasn’t Michael who had changed; perhaps it was she herself.

  She wanted to see Kerrville. The name hung in her mind with a shimmering weightlessness. To think: thirty thousand souls. It gave her a hope she hadn’t felt since the day Teacher had taken her out the door of the Sanctuary, into the broken world. Because it wasn’t broken, after all; the little girl Sara had been, the one who slept in the Big Room and played with her friends and felt the sun on her face as she swung on the tire in the courtyard, believing the world to be a fine place that she could be a part of—that little girl had been right all along. Such a simple thing to want. To be a person; to live a human life. That was what she would have in Kerrville, with Hollis. Hollis, who loved her, and told her so, again and again. It was as if he’d opened something up inside her, something long clenched; for the feeling had filled her at once, that first night on watch, somewhere in Utah, when he’d put his rifle down and kissed her; and again each time he said the words in his quiet, almost embarrassed way, their faces so close she could feel the tangles of his beard on her cheeks, as if he were confessing the deepest truth of himself. He told her he loved her and she loved him in return, at once and infinitely. She did not believe in fate; the world seemed far chancier than that, a series of mishaps and narrow escapes you somehow managed to survive until, one day, you didn’t. Yet that’s what loving Hollis felt like: like fate. As if the words were already written down someplace, and all she had to do was live out the story. She wondered if her parents had felt that way about each other. Though she did not like to think about them and avoided this whenever she could, she found herself, riding in the back of the cold truck, wishing they were still alive, so she could ask this question.

  It wasn’t fair, what they had done. It was Michael, poor Michael, who had found the two of them in the shed that terrible morning. He was eleven; Sara had just turned fifteen. Part of her believed that their parents waited until she was old enough to look after her brother, that her age was part of the rationale for what they’d done. By the time Michael’s yells had pulled her out of bed and down the stairs and across the yard to the shed behind their house, he had flung his arms around their legs, trying to hold them up; she’d stood in the door, speechless and immobile, Michael crying and begging her to help him, and known that they were dead. What she had felt at that moment was not horror or grief but something like wonder—a mute amazement at the factually declarative nature of the scene, its merciless mechanics. They had used ropes and a pair of wooden stools. They had tied the ropes around their necks, slipping the knots tight, and kicked the stools aside, employing the weight of their bodies to strangle themselves. She wondered: Did they do it together? Had they counted to three? Did first one go and then the other? Michael was pleading, Please Sara, help me, help me save them, and yet that was all she saw. The night before, her mother had made johnnycake; the pan was still sitting on the kitchen table. Sara had searched her mind for some evidence that her mother had gone about this task in any way that seemed different, knowing, as she must have, that she was preparing a breakfast she would not eat, for children she would never see again. And yet Sara could remember nothing.

  As if obeying some final, tacit command, she and Michael had eaten it all, every bite. And by the time they were done, Sara knew, as Michael surely did as well, that she would take care of her brother from that day forward, and that part of this care was the unspoken agreement that they would never speak of their parents again.

  The convoy had slowed. Sara heard a shout from up ahead, calling them to halt, and then the sound of a single horse, galloping past them through the snow. She climbed to her feet and saw that Withers’s eyes were open and looking about. His bandaged arms lay over his chest, on top of the blankets. His face was flushed, damp with sweat.

  “Are we there?”

  Sara felt his forehead with the base of her wrist. He didn’t seem to have a fever; if anything, his skin was too cold. She retrieved a canteen from the floor and dribbled a bit into his waiting mouth. No fever, and yet he looked much worse; he couldn’t seem to lift his head at all.

  “I don’t think so.”

  “This itching is driving me crazy. Like my arms are crawling with ants.”

  Sara capped the canteen and put it aside. Fever or no fever, his color had her worried.

  “That’s a good sign. It means you’re healing under there.”

  “It doesn’t feel like it.” Withers took a long breath and let the air out slowly. “Fuck.”

  Sancho was in the berth beneath him, swaddled in bandages; only the small pink circle of his face was showing. Sara knelt and took a stethoscope from her med kit to listen to his chest. She heard a wet rattle, like water sloshing in a can. It was dehydration, as much as anything, that was killing him; and yet he was drowning in his own lungs. His cheeks were blazing to the touch; the air around him was sharp with the smell of infection. She tucked the blanket around him and moistened a rag and held it to his lips.

  “How’s he doing?” Withers asked from above.

  Sara rose.

  “He’s close, isn’t he? I can see it in your face.”

  She nodded. “I don’t think it will be long now.”

  Withers closed his eyes once more.

  She pulled on her parka and climbed from the back of the truck, into the snow and sunlight. The orderly lines of soldiers had dissol
ved into clusters of three or four men, standing around with scowls of bored impatience on their faces, hoods drawn up over their heads, their noses runny from the cold. Up ahead, she saw where the problem lay. One of the trucks sat with its hood open, exhaling a plume of steam into the air. It was ringed by a group of soldiers, who were looking at it with bewilderment, as if it were a giant carcass they’d happened upon in the road.

  Michael was standing on the bumper, his arms buried to the elbows in the engine. Greer, from atop his horse, said, “Can you fix it?”

  Michael’s head emerged from under the hood. “I think it’s just a hose. I can replace it if the housing isn’t cracked. We’ll need more coolant, too.”

  “How long?”

  “Not more than half a hand.”

  Greer lifted his head and shouted to the men, “Let’s tighten that perimeter! Blue up front, and mind that line of trees! Donadio! Where the hell’s Donadio?”

  Alicia came riding from the front, her rifle slung, wreaths of steam swirling around her face. Despite the cold she had shucked her parka and was wearing only a compartmented vest over her jersey.

  Greer said, “Looks like we’re stuck here for a while. Might as well have a look at what’s down the road. We’re going to have to make up some time.”

  Alicia heeled her horse and galloped away, riding without a glance past Hollis, who was advancing toward them from the front of the line. Greer had assigned him to one of the supply trucks, handing out food and water to the men.

  “What’s going on?” he asked Sara.

  “Hang on a minute. Major Greer,” she called.

  Greer was already moving down the line. He turned his horse to face her.

  “It’s Sancho, sir. I think he’s dying.”

  Greer nodded. “I see. Thank you for telling me.”

  “You’re his CO, sir. I thought he might appreciate a visit from you.”