Complete Works of Lewis Carroll

by Lewis Carroll

  “Tom Tower,” as it is called, overlooks that portion of the Great Quadrangle popularly known as “Tom Quad,” and it was in this corner of the Great Quadrangle that Lewis Carroll had his rooms. He speaks of it often in his many reminiscences, as he also spoke of the new bell tower over the hall staircase in the southeast corner. This new tower was built to hold the twelve bells which form the famous Christ Church peal, some twenty years after his entrance as an undergraduate. This, and the new entrance to the cathedral from “Tom Quad,” were designed by the architect, George Bodley, and Lewis Carroll, who was then a very dignified and retiring “don,” ridiculed his work in a clever little booklet called “The Vision of the Three T’s.”

  In it he calls the new tower the “Tea-chest,” the passage to the cathedral the “Trench,” the entrance itself the “Tunnel” (here we have the three T’s). The architect, whose initials are G. B., he thinly disguises as “Jeeby,” and his disapproval is expressed through “Our Willie,” meaning William E. Gladstone, who gives vent to his rage in this fashion:

  “For as I’m true knight, a fouler sight,

  I’d never live to see.

  Before I’d be the ruffian dark,

  Who planned this ghastly show,

  I’d serve as secretary’s clerk [pronounced clark]

  To Ayrton or to Lowe.

  Before I’d own the loathly thing,

  That Christ Church Quad reveals,

  I’d serve as shoeblack’s underling

  To Odger and to Beales.”

  But no thought of ridicule entered the earnest young scholar’s mind during those early days at Oxford. Everything he saw in his surroundings was most impressive. There was much about the college routine to remind him of the old Rugby days. Indeed, it was not so very long before his time that the birch-rod was laid aside in Oxford; the rules were still very strict, and the student was forced to work hard to gain any standing whatever.

  Young Dodgson went into his studies, as he did into everything else, with his whole soul. He devoted a great deal of his time to mathematics, and quite as much to divinity, but just as he had settled down for months of serious work, the news of his mother’s sudden death sent him hurrying back to Croft Rectory to join the sorrowing household. It was a terrible blow to them all; with this young family growing up around her, she could ill be spared, and the loss of her filled those first Oxford days with dark shadows for the boy—he was only a boy still for all his nineteen years—and we can imagine how deeply he mourned for his mother.

  What we know of her is very faint and shadowy. That her influence was keenly felt for many years, we can only glean from the love and reverence with which the memory of her was guarded; for this English home hid its grief in the depths of its heart, and only the privileged few might enter and console.

  This was the first and only break in the family for many years. Charles went back to Oxford immediately after the funeral, and took up his studies again with redoubled zeal.

  Thomas Gaisford was dean of Christ Church during the four years that Charles Dodgson was an undergraduate. He was a most able man, well known as scholar, writer, and thinker, but he died, much lamented, in 1855, just as the young student was thinking seriously of a life devoted to his college. George Henry Liddell came into residence as dean of Christ Church, an office which he held for nearly forty years, and as Dean Liddell stood for a great deal in the life of Charles Dodgson, we shall hear much of him from time to time, dating more especially from the comradeship of his three little daughters, who were the first “really truly” friends of Lewis Carroll.

  But we are jumping over too many years at once, and must go back a few steps. His hard study during the first year won him a Boulter scholarship; the next year he took First Class honors in mathematics, and a second in classical studies, and on Christmas Eve, 1852, he was made a Student of Christ Church College.

  To become a Student of Christ Church was not only a great honor, conferred only on one altogether worthy of it, but it was a very serious step in life for a young man. A Student remained unmarried and always took Holy Orders; he was of course compelled to be very regular at chapel service, and to be devoted, heart and soul, to the interests of Christ Church, all of which this special young Student had no difficulty in following to the letter.

  From that time forth he ordered his life as he planned his mathematics, clearly and simply, and once his career was settled, Charles Lutwidge Dodgson dropped from his young shoulders—he was only twenty—the mantle of over-seriousness, and looked about for young companionship. He found what he needed in the households of the masters and the tutors, whose homes looked out upon the Great Quadrangle. Here on sunny days the nurses brought the children for an airing; chubby little boys in long trousers and “roundabouts,” dainty little girls, with corkscrew ringlets and long pantalets and muslin “frocks” and poke bonnets, in the depths of which were hidden the rosebud faces. These were the favorites of the young Student, whose slim figure in cap and gown was often the center of an animated group of tiny girls; one on his lap, one perhaps on his shoulder, several at his knee, while he told them stories of the animals he knew, and drew funny little pictures on stray bits of paper. The “roundabouts” went to the wall: they were only boys!

  His coming was always hailed with delight. Sometimes he would take them for a stroll, always full of wonder and interest to the children, for alone, with these chosen friends of his, his natural shyness left him, the sensitive mouth took smiling curves, the deep blue eyes were full of laughter, and he spun story after story for them in his quaint way, filling their little heads with odd fancies which would never have been there but for him. The “bunnies” held animated conversations with these small maids; every chirp and twitter of the birds grew to mean something to them. He took them across the meadow, and showed them the turtles swimming on the river bank; sometimes even—oh, treat of treats!—he took them in his boat, and pulling gently down the pretty rippling stream, told them stories of the shining fish they could see darting here and there in its depths, and of wonderful creatures they could not see, who would not show themselves while curious little girls were staring into the water.

  These were hours of pure recreation for him. The small girls could not know what genuine pleasure they gave; the young undergraduates could never understand his lack of sympathy with their many sports. Athletics never appealed to him, even boating he enjoyed in his own mild way; a quiet pull up or down the river, a shady bank, an hour’s rest under the trees, a companion perhaps, generally some small girl, whose round-eyed interest inspired some remarkable tale—this was what he liked best. On other days a tramp of miles gave just the exercise he needed.

  His busy day began at a quarter past six, with breakfast at seven, and chapel at eight. Then came the day’s lectures in Greek and Latin, mathematics, divinity, and the classics.

  Meals were served to the undergraduates in the Hall. The men were divided into “messes” just as in military posts; each “mess” consisted of about six men, who were served at a small table. There were many such tables scattered over the Hall, a vast and ancient room, completed at the time of Wolsey’s fall, 1529, an interesting spot full of memorials of Henry VIII and Wolsey. The great west window with its two rows of shields, some with a Cardinal’s hat, others with the royal arms of Henry VIII, is most interesting, while the wainscoting, decorated with shields also arranged in orderly fashion, is very attractive. The Hall is filled with portraits of celebrities, from Henry VIII, Wolsey and Elizabeth to the many students, and famous deans, who have added luster to Christ Church.

  In Charles Dodgson’s time, the meals were poorly served. The Hall was lighted at night with candles in brass candlesticks made to hold three lights each. The undergraduates were served on pewter plates, and the poor young fellows were in the hands of the cook and butler, and consequently were cheated up to their eyes. They did not complain in Charles Dodgson’s time, but after he graduated and became a master himself he no d
oubt took part in what was known as the “Bread and Butter” campaign, when the undergraduates rose up in a body and settled the cook and butler for all time, appointing a steward who could overlook the doings of those below in the kitchen.

  This kitchen is a very wonderful old place, the first portion of Wolsey’s work to be completed, and so strongly was it built, and so well has it lasted, that it seems scarcely to have been touched by time. Of course there are some modern improvements, but the great ranges are still there, and the wide fireplace and spits worked by a “smoke jack.” Wolsey’s own gridiron hangs just above the fireplace, a large uncouth affair, fit for cooking the huge hunks of meat the Cardinal liked best.

  We must not imagine that the years at Oxford were “all work and no play,” for Charles Dodgson’s many vacations were spent either at home, where his father made much of him, his brothers looked up to him, and his sisters petted and spoiled him, or on little trips of interest and amusement.

  Once, during what is known as the “Long Vacation,” he visited London at the time of the Great Exhibition, and wrote a vivid letter of description to his sister Elizabeth. What seemed to interest him most was the vastness of everything he saw, the huge crystal fountain and the colossal statues on either side of the central aisle. One statue he particularly noticed. It was called the “Amazon and the Tiger,” and many of us have doubtless seen the picture, the strong, erect, girlish figure on horseback, and the tiger clinging to the horse, his teeth buried in his neck, the girl’s face full of terror, the horse rearing with fright and pain. He always liked anything that told a story, either in statues or in pictures, and in after years, when he became a skilled photographer, he was fond of taking his many girlfriends in costume, for somehow it always suggested a story.

  He was also very fond of the theater, and he made many a trip to London to see a special play. Shakespeare was his delight, and “Henry VIII” was certainly the most appropriate play for a Student of Christ Church College to see. The great actor, Charles Kean, took the part of Cardinal Wolsey, and Mrs. Kean shone forth as poor Queen Katharine, the discarded wife of Henry VIII. What impressed him most was the vision of the sleeping queen, the troops of floating angels with palm branches in their hands, which they waved slowly over her, while shafts of light fell upon them from above. Then as the Queen awoke they vanished, and raising her arms she called “Spirits of peace, where are ye?” Poor Queen, no wonder her audience shed tears! Henry VIII was not an easy man to get along with, even in his sweetest mood!

  In 1854, Charles Dodgson began hard study for final examinations, working sometimes as many as thirteen hours a day during the last three weeks, but the subjects which he had to prepare were philosophy and history, neither of which were special favorites, and though he passed fairly well, his name was not among the first.

  During the following Long Vacation he went to Whitby, where he prepared for final examination in mathematics, and so well did he work that he took First Class honors and became quite a distinguished personage among the undergraduates. His prowess in so difficult a subject traveled even beyond the college walls, and congratulations poured in upon him until he laughingly declared that if he had shot the Dean there could not have been more commotion. This meant a great deal to him; to begin with, he stood head on the list of five very able men who were close to him in the marking. He came out number 279 and the lowest of the five was 213, so it was a hard fight in a hard subject, and Lewis Carroll might be forgiven for a little quiet “bragging” in the letter he wrote his father, telling the result of the examinations. Of one thing he was now quite sure—a future lectureship in Christ Church College.

  On December 18, 1854, he graduated, taking the degree of Bachelor of Arts, and the following year, October 15, 1855, to celebrate the appointment of Dean Liddell, he was made a “Master of the House,” meaning that under the roof of Christ Church College he had all the privileges of a Master of Arts, which is the next higher degree; but he did not become a Master of Arts in the University until two years later. When a college graduate puts B.A. after his name, we know that means Bachelor of Arts, the first college degree, and M.A. means Master of Arts, the second degree.

  The young Student was glad to be free of college restraint and to begin work. Archdeacon Dodgson was not a rich man, and though his son had never faced the trials of poverty, he was anxious to become independent. Now that the “grinding” study was over, his thoughts turned fondly to a literary life. His numerous clever sketches, too, gave him hope of better work hereafter, and this we know had been his dream through his boyish years; it was his dream still, but where his talent would lie he had no idea, though hazy poems and queer jumbles of words popped into his mind on the slightest notice. Still he could not settle down seriously to such work just at first; there was other work at hand and he must learn to wait. During the first year of tutorship he took many private pupils, besides lecturing in mathematics, his chosen profession, from three to three and a half hours a day. The next year he was one of the regular lecturers, and often lectured seven hours a day, not counting the time it took him to prepare his work.

  Mathematicians are born, not made; this young fellow had not only the power of solving problems, but the rare gift of being able to teach others to solve them also, and many a student has been heard to declare that mathematics was never a dull study with Mr. Dodgson to explain. We can imagine the slight, youthful figure of the young college “don,” his clean-cut, refined face, full of light and interest, his blue eyes flashing as he tackled some difficult problem, wrestled with it before his class in the lecture-hall, and undid the tangle without the slightest trouble.

  He “took to” problems as naturally as a duck to water; the harder they were the more resolutely he bent to his task. Sometimes the tussle kept him awake half the night, often he was up at dawn to renew the battle, but he usually “won out,” and this is what made him so good a teacher—he never “let go.” Whatever mathematical ax he had to grind, he always managed to put a keen edge upon it sooner or later.

  To his many friends, especially his many girl friends, this side of his character was most remarkable. How this fun-making, fun-loving, story-telling nonsense rhymer could turn in a twinkling into the grave, precise “don” and discourse on rectangles, and polygons, and parallel lines, and unknown quantities was more than they could understand.

  Girls, the best of them, the rarest and finest of them, are not, as a rule, fond of mathematics. They “take” it in school, as they “take” whooping cough and measles at home, but in those days they seldom went further than the “first steps” in plain arithmetic. Girls, especially the little girls of Charles Dodgson’s immediate circle, rarely went to school; they were usually in the care of governesses who helped them along the narrow path of learning which they themselves had trod, and these little maids could truly say, with all their hearts:

  “Multiplication is vexation,

  Division is as bad,

  The Rule of Three, it puzzles me,

  And Fractions drive me mad!”

  It was certainly thought quite unnecessary to educate girls in higher mathematics; those were not the days when colleges for girls were thought of. The little daughters of the wise Oxford men were considered finely grounded if they had mastered the three R’s—(“Reading, ’Riting, and ’Rithmetic”) and the young “don” knew pretty well how far they were led along these paths, for if we remember our “Alice in Wonderland” we may easily recall that interesting conversation between Alice, the Mock Turtle and the Gryphon, about schools, the Mock Turtle remarking with a sigh:

  “I took only the regular course.”

  “What was that?” inquired Alice.

  “Reeling and Writhing, of course, to begin with,” the Mock Turtle replied, “and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.”

  “What else had you to learn?” asks Alice later on.

  “Well, there was Mystery,” the Mock Tur
tle replied, counting off the subjects on his flappers, “Mystery—ancient and modern—with Seography; then Drawling—the Drawling-master was an old Conger-eel that used to come once a week; he taught us Drawling, Stretching, and Fainting in Coils.” [Drawing, sketching, and painting in oils.] Lewis Carroll loved this play upon words.

  “What was that like?” said Alice.

  “Well, I can’t show it you myself,” the Mock Turtle said, “I’m too stiff. And the Gryphon never learnt it.”

  “Hadn’t time,” said the Gryphon. “I went to the Classical master though. He was an old Crab, he was.”

  “I never went to him,” the Mock Turtle said, with a sigh; “he taught Laughing and Grief, they used to say.”

  “So he did, so he did,” said the Gryphon, sighing in his turn, and both creatures hid their faces in their paws.

  It is doubtful if any little girl in Lewis Carroll’s time ever learned “Laughing and Grief” unless she was very ambitious, but many a quick, active young mind absorbed the simple problems which he was constantly turning into games for them.

  So the years passed over the head of this young Student of Christ Church. They were pleasantly broken by long vacations at Croft Rectory, by trips through the beautiful English country, by one special journey to the English lakes, where Wordsworth, Southey, and Coleridge lived and wrote their poems. These trips were often afoot, and Charles Dodgson was very proud of the long distances he could tramp, no matter what the wind or the weather. There was nothing he liked better unless it was the occasional visits he made to the Princess’s Theatre in London.