The Moon Pool

by Abraham Grace Merritt

  The wide, glistening road was gay with the coria. They darted in and out of the gardens; within them the fair-haired, extraordinarily beautiful women on their cushions were like princesses of Elfland, caught in gorgeous fairy webs, resting within the hearts of flowers. In some shells were flaxen-haired dwarfish men of Lugur's type; sometimes black-polled brother officers of Rador; often raven-tressed girls, plainly hand-maidens of the women; and now and then beauties of the lower folk went by with one of the blond dwarfs.

  We swept around the turn that made of the jewel-like roadway an enormous horseshoe and, speedily, upon our right the cliffs through which we had come in our journey from the Moon Pool began to march forward beneath their mantles of moss. They formed a gigantic abutment, a titanic salient. It had been from the very front of this salient's invading angle that we had emerged; on each side of it the precipices, faintly glowing, drew back and vanished into distance.

  The slender, graceful bridges under which we skimmed ended at openings in the upflung, far walls of verdure. Each had its little garrison of soldiers. Through some of the openings a rivulet of the green obsidian river passed. These were roadways to the farther country, to the land of the ladala, Rador told me; adding that none of the lesser folk could cross into the pavilioned city unless summoned or with pass.

  We turned the bend of the road and flew down that farther emerald ribbon we had seen from the great oval. Before us rose the shining cliffs and the lake. A half-mile, perhaps, from these the last of the bridges flung itself. It was more massive and about it hovered a spirit of ancientness lacking in the other spans; also its garrison was larger and at its base the tangent way was guarded by two massive structures, somewhat like blockhouses, between which it ran. Something about it aroused in me an intense curiosity.

  "Where does that road lead, Rador?" I asked.

  "To the one place above all of which I may not tell you, Goodwin," he answered. And again I wondered.

  We skimmed slowly out upon the great pier. Far to the left was the prismatic, rainbow curtain between the Cyclopean pillars. On the white waters graceful shells—lacustrian replicas of the Elf chariots—swam, but none was near that distant web of wonder.

  "Rador—what is that?" I asked.

  "It is the Veil of the Shining One!" he answered slowly.

  Was the Shining One that which we named the Dweller?

  "What is the Shining One?" I cried, eagerly. Again he was silent. Nor did he speak until we had turned on our homeward way.

  And lively as my interest, my scientific curiosity, were—I was conscious suddenly of acute depression. Beautiful, wondrously beautiful this place was—and yet in its wonder dwelt a keen edge of menace, of unease—of inexplicable, inhuman woe; as though in a secret garden of God a soul should sense upon it the gaze of some lurking spirit of evil which some way, somehow, had crept into the sanctuary and only bided its time to spring.

  CHAPTER XVII

  The Leprechaun

  The shell carried us straight back to the house of Yolara. Larry was awaiting me. We stood again before the tenebrous wall where first we had faced the priestess and the Voice. And as we stood, again the portal appeared with all its disconcerting, magical abruptness.

  But now the scene was changed. Around the jet table were grouped a number of figures—Lugur, Yolara beside him; seven others—all of them fair-haired and all men save one who sat at the left of the priestess—an old, old woman, how old I could not tell, her face bearing traces of beauty that must once have been as great as Yolara's own, but now ravaged, in some way awesome; through its ruins the fearful, malicious gaiety shining out like a spirit of joy held within a corpse!

  Began then our examination, for such it was. And as it progressed I was more and more struck by the change in the O'Keefe. All flippancy was gone, rarely did his sense of humour reveal itself in any of his answers. He was like a cautious swordsman, fencing, guarding, studying his opponent; or rather, like a chess-player who keeps sensing some far-reaching purpose in the game: alert, contained, watchful. Always he stressed the power of our surface races, their multitudes, their solidarity.

  Their questions were myriad. What were our occupations? Our system of government? How great were the waters? The land? Intensely interested were they in the World War, querying minutely into its causes, its effects. In our weapons their interest was avid. And they were exceedingly minute in their examination of us as to the ruins which had excited our curiosity; their position and surroundings—and if others than ourselves might be expected to find and pass through their entrance!

  At this I shot a glance at Lugur. He did not seem unduly interested. I wondered if the Russian had told him as yet of the girl of the rosy wall of the Moon Pool Chamber and the real reasons for our search. Then I answered as briefly as possible—omitting all reference to these things. The red dwarf watched me with unmistakable amusement—and I knew Marakinoff had told him. But clearly Lugur had kept his information even from Yolara; and as clearly she had spoken to none of that episode when O'Keefe's automatic had shattered the Keth-smitten vase. Again I felt that sense of deep bewilderment—of helpless search for clue to all the tangle.

  For two hours we were questioned and then the priestess called Rador and let us go.

  Larry was sombre as we returned. He walked about the room uneasily.

  "Hell's brewing here all right," he said at last, stopping before me. "I can't make out just the particular brand—that's all that bothers me. We're going to have a stiff fight, that's sure. What I want to do quick is to find the Golden Girl, Doc. Haven't seen her on the wall lately, have you?" he queried, hopefully fantastic.

  "Laugh if you want to," he went on. "But she's our best bet. It's going to be a race between her and the O'Keefe banshee—but I put my money on her. I had a queer experience while I was in that garden, after you'd left." His voice grew solemn. "Did you ever see a leprechaun, Doc?" I shook my head again, as solemnly. "He's a little man in green," said Larry. "Oh, about as high as your knee. I saw one once—in Carntogher Woods. And as I sat there, half asleep, in Yolara's garden, the living spit of him stepped out from one of those bushes, twirling a little shillalah.

  "'It's a tight box ye're gettin' in, Larry avick,' said he, 'but don't ye be downhearted, lad.'

  "'I'm carrying on,' said I, 'but you're a long way from Ireland,' I said, or thought I did.

  "'Ye've a lot o' friends there,' he answered. 'An' where the heart rests the feet are swift to follow. Not that I'm sayin' I'd like to live here, Larry,' said he.

  "'I know where my heart is now,' I told him. 'It rests on a girl with golden eyes and the hair and swan-white breast of Eilidh the Fair—but me feet don't seem to get me to her,' I said."

  The brogue thickened.

  "An' the little man in green nodded his head an' whirled his shillalah.

  "'It's what I came to tell ye,' says he. 'Don't ye fall for the Bhean-Nimher, the serpent woman wit' the blue eyes; she's a daughter of Ivor, lad—an' don't ye do nothin' to make the brown-haired coleen ashamed o' ye, Larry O'Keefe. I knew yer great, great grandfather an' his before him, aroon,' says he, 'an' wan o' the O'Keefe failin's is to think their hearts big enough to hold all the wimmen o' the world. A heart's built to hold only wan permanently, Larry,' he says, 'an' I'm warnin' ye a nice girl don't like to move into a place all cluttered up wid another's washin' an' mendin' an' cookin' an' other things pertainin' to general wife work. Not that I think the blue-eyed wan is keen for mendin' an' cookin'!' says he.

  "'You don't have to be comin' all this way to tell me that,' I answer.

  "'Well, I'm just a tellin' you,' he says. 'Ye've got some rough knocks comin', Larry. In fact, ye're in for a devil of a time. But, remember that ye're the O'Keefe,' says he. 'An' while the bhoys are all wid ye, avick, ye've got to be on the job yourself.'

  "'I hope,' I tell him, 'that the O'Keefe banshee can find her way here in time—that is, if it's necessary, which I hope it won't be.'

  "'Don't ye worry
about that,' says he. 'Not that she's keen on leavin' the ould sod, Larry. The good ould soul's in quite a state o' mind about ye, aroon. I don't mind tellin' ye, lad, that she's mobilizing all the clan an' if she has to come for ye, avick, they'll be wid her an' they'll sweep this joint clean before ye go. What they'll do to it'll make the Big Wind look like a summer breeze on Lough Lene! An' that's about all, Larry. We thought a voice from the Green Isle would cheer ye. Don't fergit that ye're the O'Keefe an' I say it again—all the bhoys are wid ye. But we want t' kape bein' proud o' ye, lad!'

  "An' I looked again and there was only a bush waving."

  There wasn't a smile in my heart—or if there was it was a very tender one.

  "I'm going to bed," he said abruptly. "Keep an eye on the wall, Doc!"

  Between the seven sleeps that followed, Larry and I saw but little of each other. Yolara sought him more and more. Thrice we were called before the Council; once we were at a great feast, whose splendours and surprises I can never forget. Largely I was in the company of Rador. Together we two passed the green barriers into the dwelling-place of the ladala.

  They seemed provided with everything needful for life. But everywhere was an oppressiveness, a gathering together of hate, that was spiritual rather than material—as tangible as the latter and far, far more menacing!

  "They do not like to dance with the Shining One," was Rador's constant and only reply to my efforts to find the cause.

  Once I had concrete evidence of the mood. Glancing behind me, I saw a white, vengeful face peer from behind a tree-trunk, a hand lift, a shining dart speed from it straight toward Rador's back. Instinctively I thrust him aside. He turned upon me angrily. I pointed to where the little missile lay, still quivering, on the ground. He gripped my hand.

  "That, some day I will repay!" he said. I looked again at the thing. At its end was a tiny cone covered with a glistening, gelatinous substance.

  Rador pulled from a tree beside us a fruit somewhat like an apple.

  "Look!" he said. He dropped it upon the dart—and at once, before my eyes, in less than ten seconds, the fruit had rotted away!

  "That's what would have happened to Rador but for you, friend!" he said.

  Come now between this and the prelude to the latter half of the drama whose history this narrative is—only scattering and necessarily fragmentary observations.

  First—the nature of the ebon opacities, blocking out the spaces between the pavilion-pillars or covering their tops like roofs, These were magnetic fields, light absorbers, negativing the vibrations of radiance; literally screens of electric force which formed as impervious a barrier to light as would have screens of steel.

  They instantaneously made night appear in a place where no night was. But they interposed no obstacle to air or to sound. They were extremely simple in their inception—no more miraculous than is glass, which, inversely, admits the vibrations of light, but shuts out those coarser ones we call air—and, partly, those others which produce upon our auditory nerves the effects we call sound.

  Briefly their mechanism was this:

  [For the same reason that Dr. Goodwin's exposition of the mechanism of the atomic engines was deleted, his description of the light-destroying screens has been deleted by the Executive Council.—J. B. F., President, I. A. of S.]

  There were two favoured classes of the ladala—the soldiers and the dream-makers. The dream-makers were the most astonishing social phenomena, I think, of all. Denied by their circumscribed environment the wider experiences of us of the outer world, the Murians had perfected an amazing system of escape through the imagination.

  They were, too, intensely musical. Their favourite instruments were double flutes; immensely complex pipe-organs; harps, great and small. They had another remarkable instrument made up of a double octave of small drums which gave forth percussions remarkably disturbing to the emotional centres.

  It was this love of music that gave rise to one of the few truly humorous incidents of our caverned life. Larry came to me—it was just after our fourth sleep, I remember.

  "Come on to a concert," he said.

  We skimmed off to one of the bridge garrisons. Rador called the two-score guards to attention; and then, to my utter stupefaction, the whole company, O'Keefe leading them, roared out the anthem, "God Save the King." They sang—in a closer approach to the English than might have been expected scores of miles below England's level. "Send him victorious! Happy and glorious!" they bellowed.

  He quivered with suppressed mirth at my paralysis of surprise.

  "Taught 'em that for Marakinoff's benefit!" he gasped. "Wait till that Red hears it. He'll blow up.

  "Just wait until you hear Yolara lisp a pretty little thing I taught her," said Larry as we set back for what we now called home. There was an impish twinkle in his eyes.

  And I did hear. For it was not many minutes later that the priestess condescended to command me to come to her with O'Keefe.

  "Show Goodwin how much you have learned of our speech, O lady of the lips of honeyed flame!" murmured Larry.

  She hesitated; smiled at him, and then from that perfect mouth, out of the exquisite throat, in the voice that was like the chiming of little silver bells, she trilled a melody familiar to me indeed:

  "She's only a bird in a gilded cage,

  A bee-yu-tiful sight to see—"

  And so on to the bitter end.

  "She thinks it's a love-song," said Larry when we had left. "It's only part of a repertoire I'm teaching her. Honestly, Doc, it's the only way I can keep my mind clear when I'm with her," he went on earnestly. "She's a devil-ess from hell—but a wonder. Whenever I find myself going I get her to sing that, or Take Back Your Gold! or some other ancient lay, and I'm back again—pronto—with the right perspective! POP goes all the mystery! 'Hell!' I say, 'she's only a woman!'"

  CHAPTER XVIII

  The Amphitheatre of Jet

  For hours the black-haired folk had been streaming across the bridges, flowing along the promenade by scores and by hundreds, drifting down toward the gigantic seven-terraced temple whose interior I had never as yet seen, and from whose towering exterior, indeed, I had always been kept far enough away—unobtrusively, but none the less decisively—to prevent any real observation. The structure, I had estimated, nevertheless, could not reach less than a thousand feet above its silvery base, and the diameter of its circular foundation was about the same.

  I wondered what was bringing the ladala into Lora, and where they were vanishing. All of them were flower-crowned with the luminous, lovely blooms—old and young, slender, mocking-eyed girls, dwarfed youths, mothers with their babes, gnomed oldsters—on they poured, silent for the most part and sullen—a sullenness that held acid bitterness even as their subtle, half-sinister, half-gay malice seemed tempered into little keen-edged flames, oddly, menacingly defiant.

  There were many of the green-clad soldiers along the way, and the garrison of the only bridge span I could see had certainly been doubled.

  Wondering still, I turned from my point of observation and made my way back to our pavilion, hoping that Larry, who had been with Yolara for the past two hours, had returned. Hardly had I reached it before Rador came hurrying up, in his manner a curious exultance mingled with what in anyone else I would have called a decided nervousness.

  "Come!" he commanded before I could speak. "The Council has made decision—and Larree is awaiting you."

  "What has been decided?" I panted as we sped along the mosaic path that led to the house of Yolara. "And why is Larry awaiting me?"

  And at his answer I felt my heart pause in its beat and through me race a wave of mingled panic and eagerness.

  "The Shining One dances!" had answered the green dwarf. "And you are to worship!"

  What was this dancing of the Shining One, of which so often he had spoken?

  Whatever my forebodings, Larry evidently had none.

  "Great stuff!" he cried, when we had met in the great antechamber now em
pty of the dwarfs. "Hope it will be worth seeing—have to be something damned good, though, to catch me, after what I've seen of shows at the front," he added.

  And remembering, with a little shock of apprehension, that he had no knowledge of the Dweller beyond my poor description of it—for there are no words actually to describe what that miracle of interwoven glory and horror was—I wondered what Larry O'Keefe would say and do when he did behold it!

  Rador began to show impatience.

  "Come!" he urged. "There is much to be done—and the time grows short!"

  He led us to a tiny fountain room in whose miniature pool the white waters were concentrated, pearl-like and opalescent in their circling rim.

  "Bathe!" he commanded; and set the example by stripping himself and plunging within. Only a minute or two did the green dwarf allow us, and he checked us as we were about to don our clothing.

  Then, to my intense embarrassment, without warning, two of the black-haired girls entered, bearing robes of a peculiar dull-blue hue. At our manifest discomfort Rador's laughter roared out. He took the garments from the pair, motioned them to leave us, and, still laughing, threw one around me. Its texture was soft, but decidedly metallic—like some blue metal spun to the fineness of a spider's thread. The garment buckled tightly at the throat, was girdled at the waist, and, below this cincture, fell to the floor, its folds being held together by a half-dozen looped cords; from the shoulders a hood resembling a monk's cowl.

  Rador cast this over my head; it completely covered my face, but was of so transparent a texture that I could see, though somewhat mistily, through it. Finally he handed us both a pair of long gloves of the same material and high stockings, the feet of which were gloved—five-toed.