Gone Missing (Kate Burkholder 4)

by Castillo, Linda

  “He that spareth the rod hateth his son.”

  “T alt shall not kill.”

  Mast sighs, as if none of this is his plea sure, but a burden placed upon him by a merciless God. “I took no plea sure in that. Annie King was an accident. She ran …” He shrugs, his words trailing off. “It made my heart heavy. But it is a burden I must bear. A sacrifice I have been asked to make.”

  I want to tell him that’s a total crock of shit, but I hold my tongue. “You’re hurting people,” I whisper. “This is not what God wants you to do.”

  “The young people have lost their way, Chief Burkholder. Surely you see that in your line of work. Our youth have become morally corrupt. Spiritually destitute.” He shakes his head, a parent ravaged by disappointment. “Ruth Wagler had become a slave to the white powder. She sold her body, her very soul to get it. Bonnie Fisher murdered her unborn child. Leah Stuckey seduced her own uncle. Young Sadie Miller lies with the English boys. She gives freely of her body. She drinks alcohol and her head is filled with prideful ideas.

  “The Lord has burdened me with the task of punishing the disobedient and sinners, and when they manifest repentance, He will receive them back.” Fervor rings in his voice. “I bring them back to the Amish way. Back to the Lord. In essence, Chief Burkholder, I save their souls.”

  “By torturing and murdering?”

  “It is extreme,” he admits. “But they have strayed far. In time, they will be thankful.” For the first time, I see the glint of insanity in his eyes. “Leah Stuckey was beyond redemption. But she did not die at my hand. God took her into His loving hands and returned her to the earth.”

  I stare at him, knowing God had nothing to do with it. She died a slow death of starvation, exposure, and neglect.

  Knowing there will be no negotiating, that his thought processes are beyond reason, I steal a quick glance around. The shovel leans against the wall, four feet away. I wonder if I can reach it before Mast brings down the rifle and gets off a shot.

  “Did you dig these tunnels?” I ask, though I vaguely recall someone telling me this farm was once part of the Underground Railroad.

  “These passages have been here since the Civil War. For the African slaves, you know. They could flee the house and hide in the forest—”

  I lunge at the shovel, grab the handle above the spade. Pain rips up my side as I swing. The steel spade smashes against Mast’s chest. A guttural sound tears from his throat. His knees buckle and the rifle falls to the ground. I clamber to my feet. He lunges at me, but I lurch back, scramble out of reach. I look around for my weapon, but it’s nowhere in sight. Where the hell is my gun?

  The next thing I know, his arms clamp around my thighs. He’s trying to knock me off balance, get me on the ground so he can overpower me. I raise the shovel, bring the spade down hard. The blade strikes his shoulder. Yowling, he reels backward, lands on his ass. I lunge at the flashlight a few feet away, but he reaches out and his hand closes around my ankle. I hit him with the shovel again, but my angle is bad and the blade only grazes his elbow. I lash out with my other foot, catch him in the chin. The impact snaps his head back, but he doesn’t let go. If he gets me on the ground, I’m done. The rifle lies on the ground, three feet away. Even if I get away and run, he’ll shoot me in the back.

  I glance up, my eyes seeking the bulb. It’s too far away for me to reach. But the cord is right above me. I upend the shovel, stab the cord as hard as I can. Sparks fly as the blade severs it. Electricity cracks and darkness descends. Working blind, I drive the shovel’s spade in the direction where I last saw Mast, hear it make purchase. He releases my ankle. But I feel him grapple for the shovel. I thrust it at him but lose my grip as I stumble away. The blade grazes my hip. He’s swinging it at me, trying to hit me.

  And then I’m running, completely blind, arms outstretched, feeling my way along the walls. I planned to exit the tunnel the same way I’d entered, but Mast is blocking my way. I think I’m heading in the general direction of the house, which is sixty yards from the slaughter shed.

  I’ve gone only a few strides when my shoulder brushes the wall. The impact spins me around. Barely maintaining my balance, I re orient myself and keep going. Dirt crumbles beneath my fingertips. Cobwebs stick to my hands. I want to try my phone, but I don’t dare take the time. Mast has my flashlight and my .38. Not to mention the rifle. There’s no doubt in my mind he’ll fire blind to stop me.

  Light flashes in my peripheral vision. I glance over my shoulder, see the flashlight beam behind me, and I know Mast is closing in. My foot strikes something solid. I stumble, land on my hands and knees, but in an instant, I’m back on my feet,

  Keeping my left arm extended in front of me, I reach for my cell with my right, flip it open. Relief flits through me when two tiny bars glint up at me, and I hit the speed dial button for Tomasetti.

  He picks up on the first ring. “Kate.”

  I can tell by his tone that he’s been trying to reach me. He knows something’s wrong. “I’m in trouble.” My voice is breathless and high.

  “Where are you?”

  “Mast farm. There are underground tunnels. Mast is armed.”

  No response.

  “Tomasetti?”

  Nothing.

  “Damn it.” I look down and see that the call has been dropped. Cursing, I snap the phone onto my belt.

  My shoulder scrapes the wall, knocking me to one side. I slow to a walk, reach out with both hands, and touch the walls to orient myself. I hear Mast behind me, his footfalls heavy on the ground. He’s breathing hard, muttering words I can’t make out. I jerk my head around, see a misty beam of yellow light. He’s just yards away.

  “Shit.” A hot burst of adrenaline catapults me back into a run. I stumble over a step, nearly lose my footing, somehow manage to stay on my feet. I don’t know how far I’ve traveled or how far I have yet to go. I’m not even sure where I’m going or if I’ll be able to escape when I get there. But I have no choice but to continue and pray for an exit. If Mast catches me, he’ll kill me.

  The tunnel veers left. I hear a sound behind me, but I don’t dare turn to look. That’s when I spot the small square of light a dozen yards ahead. The outline of a door, I realize. A hatch.

  I barrel toward it, running as fast as I can. Definitely a hatch. Closed. But I can see the frame of light slanting through at the seams.

  I’m a few feet from the stairs when a gunshot rings out.

  CHAPTER 22

  The bullet ricochets off a brick a foot from my head. Fragments of brick sting my face. I throw myself onto the steps, clamber up them, using my hands. At the top, I ram the hatch with my shoulder hard enough to jar my spine. The double wooden doors fly open. I scramble up the remaining steps, look around wildly. I’m in a basement or cellar with a dirt floor and stone walls. I see shelves filled with canning jars. Gardening tools. Wood steps twenty feet away.

  Another shot rings out. Bending, I slam the doors closed. They’re heavy, fabricated of ancient wood planks with old-fashioned handles on the outside. There’s no lock, and I have scant seconds before Mast climbs the steps and jams that rifle in my face.

  Spotting a sickle hanging on the wall, I rush to it, yank it down, and dash back to the hatch. I jam the blade through both handles.

  An instant later, the doors rattle as Mast tries to pound his way out. I back away, praying the sickle will hold, and grapple for my cell. Relief flits through me when I see four bars. I hit 911 as I dart toward the stairs.

  “Nine one one. What’s your emergency?”

  Quickly, I identify myself. “Shots fired at the Mast farm! I’ve got an armed suspect! One fatality!”

  “Ma’am, the deputy is ten-twenty-three.”

  Ten-twenty-three means he’s arrived on-scene. If that’s the case, where is he? I reach the steps and look up. A horizontal line of light bleeds from beneath the door. I lower my voice. “Get another deputy out here. Perry Mast is armed with a rifle. I’m under fire.�
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  “Stand by.”

  I hear the pop of a gunshot, spin toward the hatch behind me, see a chunk of wood fly. Mast is shooting his way through. I end the call, clip the phone to my belt, and take the stairs two at a time to the top. I have no idea if Irene Mast is waiting for me on the other side with a rifle. The one thing I do know is that if I want to live, I have to get the hell out of here.

  I open the door a crack. I see a hallway with plank floors, a homemade rug. To my right is a small living area. Looking to my left, I can see the linoleum floor of the kitchen. If I can get through the kitchen and out the back door, I’ll be able to take cover until backup arrives.

  I listen for sirens. For Perry Mast pounding up the basement stairs. All I hear is the hard thrum of my heart and my survival instinct screaming Run!

  Easing open the door, I step into the hall. Another layer of relief goes through me when I spot the skeleton key sticking out. Closing the door behind me, I twist the key. I know the lock is no match for a rifle, but it’s one more barrier between me and Perry Mast. It might buy me some time.

  My boots are silent against the floor as I start toward the kitchen. The smell of cooking tomatoes hangs in the air. Pots rattle on the stovetop, and I realize Irene is in there, canning vegetables, a chore my own mamm did a hundred times when I was growing up.

  I stop short of the doorway and peer into the kitchen. Irene Mast stands at the stove, her back to me. The faucet is running. She’s holding a towel in her left hand, has another slung over her shoulder. She’s lowering a rack of mason jars into a large steaming pot.

  The sight is so utterly benign that I can barely reconcile it with the scene that just transpired in the tunnel. I stand frozen in place, wondering if she knows about the missing girls. Has she been kept in the dark? Has she turned a blind eye because she can’t handle the truth? Or is she part of it?

  She’s so intent on her chore that she doesn’t hear me enter. I’ve gone only a couple of steps when it strikes me that if the deputy had indeed arrived, she wouldn’t be in here canning tomatoes. She’d be outside, answering some disturbing questions about missing girls and how her husband spends his spare time.

  I’m about to call out to her, when I spot the rifle leaning against the cabinet. It’s an older .22 lever action with a scuffed walnut stock and a pitted barrel. The hairs on my neck stand straight up. She knows, a little voice whispers in my ear.

  I’m ten feet away from her. She’s standing between me and the rifle, the weapon within easy reach. All she’d have to do is bend and pick it up. I measure the distance to the back door, wonder if I can reach it before she snatches it up and shoots me in the back.

  The Amish woman turns. Her eyes find mine, but her expression doesn’t change. There’s no shock. No realization of culpability. No anger or fear. It’s as if she knew I was here all along. The only thought processes I see are intent and a cold conviction that chills my blood. And in that instant, I know she’s part of this. I know if I don’t act quickly, she’ll kill me.

  “Don’t fucking move,” I tell her. “Keep your hands where I can see them.”

  Unfazed, she reaches for the rifle with the calm of a woman picking up the broom to sweep the floor… .

  I lunge at the weapon just as she’s bringing up the muzzle. I grab the barrel and yank it toward me. At the same time, I try to ram my knee into her abdomen, but there’s too much space between us. She’s a heavy woman; she’s got a better grip and maintains her balance. Her mouth contorts as she wrenches the rifle toward her. I stumble forward, and for an instant, we engage in a tug-of-war, the rifle between us. She’s got the advantage of weight. But I have training and youth on my side. I shove the rifle upward as hard as I can. The stock strikes the base of her chin, snapping her teeth together. Growling, she steps forward and slams her body into mine. The momentum knocks me off balance, but I come forward quickly, get beneath the rifle, jam it upward again. The stock hits her left cheekbone this time, hard enough to open the skin.

  A guttural sound tears from her throat as she yanks back on the rifle. I catch a glimpse of her eyes. The rage reflecting back shocks me. The next thing I know, she’s charging forward, using the rifle to drive me backward. My backside hits the table. The legs screech across the linoleum. I twist the rifle, but she doesn’t release it. When I get her close enough, I bring up my knee, ram it into her abdomen.

  The breath rushes from her in a sound that’s part roar, part scream. She lets go of the rifle, reels backward into the stove.

  “Do not move!” I shout. “Do not fucking move!”

  I’m checking to see if there’s a bullet in the chamber when she turns toward the stove.

  “I will shoot you!” I scream. “Get down on the floor!”

  She yanks the pot from the stove. Water sloshes over the side as she spins toward me. The jars clank together as she hurls the pot at me. Boiling water spews onto my clothes, my face and neck. I know I’m being scalded, but there’s too much adrenaline for me to feel pain. I use the rifle like a bat, slam it against the side of her head with such force that she’s knocked off her feet.

  Somewhere in the periphery of my consciousness, I hear a mason jar shatter as it hits the floor. Blood spatters the counter as Irene Mast goes down. The sensation of heat streaks down my neck, my right shoulder, my breast.

  Irene Mast is lying on her side, not moving. Glass crunches beneath my feet as I cross to her, nudge her with my toe. She’s deadweight. Her eyes are open, but she’s not quite conscious. The blow opened a gash the size of my index finger just in front of her ear.

  My hand shakes as I reach for my cuffs, only I’m not wearing my uniform belt. I look around for something with which to secure her hands, spot a towel on the floor. Using my teeth, I tear it into three strips and tie them together. Kneeling, I roll her over, pull her arms behind her back. As I secure her wrists, I glance toward the basement door behind me, half-expecting an armed Perry Mast to burst out shooting. I don’t think I’m in any condition to go another round.

  I get to my feet, give Irene Mast a final look. “Don’t go anywhere,” I mutter. Picking up the rifle, I start toward the back door.

  Midway through the mudroom, I pull out my phone, punch 911. Standing to one side, I move the curtain with the muzzle and peer out. I notice two things simultaneously. My Explorer is nowhere in sight. And a Trumbull County Crown Vic is parked in the same place my Explorer had been parked just a short time earlier. Where the hell is the deputy?

  “Nine one one. What’s your emergency?”

  Once more, I identify myself and tell her the sheriff’s cruiser is here but that there’s no sign of the deputy. “He could be down. Perry Mast is armed with a rifle and shooting at cops.”

  “Ten-four. Stand by.”

  The cruiser is too far away for me to discern if the deputy is inside, injured or otherwise. He could be in the barn or one of the outbuildings, searching for me. Unless Mast shot him …

  I look down at the rifle in my hands. It’s an old Winchester with a tubular magazine. There’s no quick way to tell how much ammo is inside. When I pump the lever, I see a single bullet move into place. Better make it count.

  “There’s another deputy en route,” says the dispatcher.

  “What’s the ETA?”

  “Six minutes.”

  It’s not an unreasonable amount of time for a rural call. But a lot can happen in six minutes.

  Clipping the phone to my belt, I peer through the window again. The yard between the house and barn is deserted. No sign of the deputy. No sign of Perry Mast. I hate not knowing where he is. It would take only a few minutes for him to double back and exit through the slaughter shed. He could be anywhere.

  I open the door and step into a light rain. Feeling exposed, keeping low, with the rifle at the ready, I descend the porch steps and jog toward the cruiser. The headlights and wipers are on, but the engine is off. I’m twenty feet away when I notice blood spatter on the passenger windo
w. From ten feet away, I can make out the silhouette of the deputy. He’s slumped over the steering wheel, still wearing his hat.

  “Shit,” I mutter, my steps quickening. “Shit.”

  Keeping an eye on the barn, the slaughter shed, listening for any sound from the house behind me, I try the passenger door, but it’s locked. I sidle around the front of the car. The hood is warm, the engine ticking as it cools. I approach the driver’s side. The window is shattered. I look inside, see blood and glass on the deputy’s shoulders. There’s more on the headrest, on the sleeves of his uniform shirt.

  I reach through the broken window, unlock the door, and open it. The deputy’s hands are at his sides, knuckles down. Blood covers the steering wheel and the thighs of his uniform slacks. Chunks of glass glitter on the seat. The scene is almost too much to process.

  “Deputy,” I whisper. “Deputy. Can you hear me?”

  No response.

  The stench of blood assails me when I reach in and remove his hat. The bullet penetrated his left jaw. His face has been devastated. Most of the flesh of his cheek has peeled away. Some of the teeth have blown out, along with part of his tongue. The cup of his ear is filled with blood and has trickled down, soaking his collar. Even before I press my finger against his carotid artery, I know he’s dead.

  “Goddamn it.”

  Under normal circumstances I wouldn’t touch anything at a crime scene or risk contaminating evidence. But with an armed suspect at large in the immediate vicinity, I’m in imminent danger. I need a weapon. Unsnapping the leather strap of the deputy’s holster, I slide a .40-caliber Glock from its nest and back away from the vehicle.

  Using the lever, I eject six bullets from the rifle, drop them in my pocket, and toss the rifle on the ground. I look toward the house. No movement. Aside from the steady rap of rain against the car, the muddy slap of it against the ground, the farm stands in absolute silence. But I know I’m being watched. I feel it as surely as I feel the rain streaming down my face. Did Mast double back and exit through the slaughter shed? Or is he watching me from the house, his finger itchy on the trigger?