Delphi Collected Works of W. Somerset Maugham (Illustrated)

by William Somerset Maugham

  Yours ever,

  Frederick Lawson.

  Philip wrote to Cronshaw and received in reply the following letter. It was written on a half-sheet of common note-paper, and the flimsy envelope was dirtier than was justified by its passage through the post.

  Dear Carey,

  Of course I remember you very well. I have an idea that I had some part in rescuing you from the Slough of Despond in which myself am hopelessly immersed. I shall be glad to see you. I am a stranger in a strange city and I am buffeted by the philistines. It will be pleasant to talk of Paris. I do not ask you to come and see me, since my lodging is not of a magnificence fit for the reception of an eminent member of Monsieur Purgon’s profession, but you will find me eating modestly any evening between seven and eight at a restaurant yclept Au Bon Plaisir in Dean Street.

  Your sincere

  J. Cronshaw.

  Philip went the day he received this letter. The restaurant, consisting of one small room, was of the poorest class, and Cronshaw seemed to be its only customer. He was sitting in the corner, well away from draughts, wearing the same shabby great-coat which Philip had never seen him without, with his old bowler on his head.

  “I eat here because I can be alone,” he said. “They are not doing well; the only people who come are a few trollops and one or two waiters out of a job; they are giving up business, and the food is execrable. But the ruin of their fortunes is my advantage.”

  Cronshaw had before him a glass of absinthe. It was nearly three years since they had met, and Philip was shocked by the change in his appearance. He had been rather corpulent, but now he had a dried-up, yellow look: the skin of his neck was loose and winkled; his clothes hung about him as though they had been bought for someone else; and his collar, three or four sizes too large, added to the slatternliness of his appearance. His hands trembled continually. Philip remembered the handwriting which scrawled over the page with shapeless, haphazard letters. Cronshaw was evidently very ill.

  “I eat little these days,” he said. “I’m very sick in the morning. I’m just having some soup for my dinner, and then I shall have a bit of cheese.”

  Philip’s glance unconsciously went to the absinthe, and Cronshaw, seeing it, gave him the quizzical look with which he reproved the admonitions of common sense.

  “You have diagnosed my case, and you think it’s very wrong of me to drink absinthe.”

  “You’ve evidently got cirrhosis of the liver,” said Philip.

  “Evidently.”

  He looked at Philip in the way which had formerly had the power of making him feel incredibly narrow. It seemed to point out that what he was thinking was distressingly obvious; and when you have agreed with the obvious what more is there to say? Philip changed the topic.

  “When are you going back to Paris?”

  “I’m not going back to Paris. I’m going to die.”

  The very naturalness with which he said this startled Philip. He thought of half a dozen things to say, but they seemed futile. He knew that Cronshaw was a dying man.

  “Are you going to settle in London then?” he asked lamely.

  “What is London to me? I am a fish out of water. I walk through the crowded streets, men jostle me, and I seem to walk in a dead city. I felt that I couldn’t die in Paris. I wanted to die among my own people. I don’t know what hidden instinct drew me back at the last.”

  Philip knew of the woman Cronshaw had lived with and the two draggle-tailed children, but Cronshaw had never mentioned them to him, and he did not like to speak of them. He wondered what had happened to them.

  “I don’t know why you talk of dying,” he said.

  “I had pneumonia a couple of winters ago, and they told me then it was a miracle that I came through. It appears I’m extremely liable to it, and another bout will kill me.”

  “Oh, what nonsense! You’re not so bad as all that. You’ve only got to take precautions. Why don’t you give up drinking?”

  “Because I don’t choose. It doesn’t matter what a man does if he’s ready to take the consequences. Well, I’m ready to take the consequences. You talk glibly of giving up drinking, but it’s the only thing I’ve got left now. What do you think life would be to me without it? Can you understand the happiness I get out of my absinthe? I yearn for it; and when I drink it I savour every drop, and afterwards I feel my soul swimming in ineffable happiness. It disgusts you. You are a puritan and in your heart you despise sensual pleasures. Sensual pleasures are the most violent and the most exquisite. I am a man blessed with vivid senses, and I have indulged them with all my soul. I have to pay the penalty now, and I am ready to pay.”

  Philip looked at him for a while steadily.

  “Aren’t you afraid?”

  For a moment Cronshaw did not answer. He seemed to consider his reply.

  “Sometimes, when I’m alone.” He looked at Philip. “You think that’s a condemnation? You’re wrong. I’m not afraid of my fear. It’s folly, the Christian argument that you should live always in view of your death. The only way to live is to forget that you’re going to die. Death is unimportant. The fear of it should never influence a single action of the wise man. I know that I shall die struggling for breath, and I know that I shall be horribly afraid. I know that I shall not be able to keep myself from regretting bitterly the life that has brought me to such a pass; but I disown that regret. I now, weak, old, diseased, poor, dying, hold still my soul in my hands, and I regret nothing.”

  “D’you remember that Persian carpet you gave me?” asked Philip.

  Cronshaw smiled his old, slow smile of past days.

  “I told you that it would give you an answer to your question when you asked me what was the meaning of life. Well, have you discovered the answer?”

  “No,” smiled Philip. “Won’t you tell it me?”

  “No, no, I can’t do that. The answer is meaningless unless you discover it for yourself.”

  LXXXIII

  Cronshaw was publishing his poems. His friends had been urging him to do this for years, but his laziness made it impossible for him to take the necessary steps. He had always answered their exhortations by telling them that the love of poetry was dead in England. You brought out a book which had cost you years of thought and labour; it was given two or three contemptuous lines among a batch of similar volumes, twenty or thirty copies were sold, and the rest of the edition was pulped. He had long since worn out the desire for fame. That was an illusion like all else. But one of his friends had taken the matter into his own hands. This was a man of letters, named Leonard Upjohn, whom Philip had met once or twice with Cronshaw in the cafes of the Quarter. He had a considerable reputation in England as a critic and was the accredited exponent in this country of modern French literature. He had lived a good deal in France among the men who made the Mercure de France the liveliest review of the day, and by the simple process of expressing in English their point of view he had acquired in England a reputation for originality. Philip had read some of his articles. He had formed a style for himself by a close imitation of Sir Thomas Browne; he used elaborate sentences, carefully balanced, and obsolete, resplendent words: it gave his writing an appearance of individuality. Leonard Upjohn had induced Cronshaw to give him all his poems and found that there were enough to make a volume of reasonable size. He promised to use his influence with publishers. Cronshaw was in want of money. Since his illness he had found it more difficult than ever to work steadily; he made barely enough to keep himself in liquor; and when Upjohn wrote to him that this publisher and the other, though admiring the poems, thought it not worth while to publish them, Cronshaw began to grow interested. He wrote impressing upon Upjohn his great need and urging him to make more strenuous efforts. Now that he was going to die he wanted to leave behind him a published book, and at the back of his mind was the feeling that he had produced great poetry. He expected to burst upon the world like a new star. There was something fine in keeping to himself these treasures of beaut
y all his life and giving them to the world disdainfully when, he and the world parting company, he had no further use for them.

  His decision to come to England was caused directly by an announcement from Leonard Upjohn that a publisher had consented to print the poems. By a miracle of persuasion Upjohn had persuaded him to give ten pounds in advance of royalties.

  “In advance of royalties, mind you,” said Cronshaw to Philip. “Milton only got ten pounds down.”

  Upjohn had promised to write a signed article about them, and he would ask his friends who reviewed to do their best. Cronshaw pretended to treat the matter with detachment, but it was easy to see that he was delighted with the thought of the stir he would make.

  One day Philip went to dine by arrangement at the wretched eating-house at which Cronshaw insisted on taking his meals, but Cronshaw did not appear. Philip learned that he had not been there for three days. He got himself something to eat and went round to the address from which Cronshaw had first written to him. He had some difficulty in finding Hyde Street. It was a street of dingy houses huddled together; many of the windows had been broken and were clumsily repaired with strips of French newspaper; the doors had not been painted for years; there were shabby little shops on the ground floor, laundries, cobblers, stationers. Ragged children played in the road, and an old barrel-organ was grinding out a vulgar tune. Philip knocked at the door of Cronshaw’s house (there was a shop of cheap sweetstuffs at the bottom), and it was opened by an elderly Frenchwoman in a dirty apron. Philip asked her if Cronshaw was in.

  “Ah, yes, there is an Englishman who lives at the top, at the back. I don’t know if he’s in. If you want him you had better go up and see.”

  The staircase was lit by one jet of gas. There was a revolting odour in the house. When Philip was passing up a woman came out of a room on the first floor, looked at him suspiciously, but made no remark. There were three doors on the top landing. Philip knocked at one, and knocked again; there was no reply; he tried the handle, but the door was locked. He knocked at another door, got no answer, and tried the door again. It opened. The room was dark.

  “Who’s that?”

  He recognised Cronshaw’s voice.

  “Carey. Can I come in?”

  He received no answer. He walked in. The window was closed and the stink was overpowering. There was a certain amount of light from the arc-lamp in the street, and he saw that it was a small room with two beds in it, end to end; there was a washing-stand and one chair, but they left little space for anyone to move in. Cronshaw was in the bed nearest the window. He made no movement, but gave a low chuckle.

  “Why don’t you light the candle?” he said then.

  Philip struck a match and discovered that there was a candlestick on the floor beside the bed. He lit it and put it on the washing-stand. Cronshaw was lying on his back immobile; he looked very odd in his nightshirt; and his baldness was disconcerting. His face was earthy and death-like.

  “I say, old man, you look awfully ill. Is there anyone to look after you here?”

  “George brings me in a bottle of milk in the morning before he goes to his work.”

  “Who’s George?”

  “I call him George because his name is Adolphe. He shares this palatial apartment with me.”

  Philip noticed then that the second bed had not been made since it was slept in. The pillow was black where the head had rested.

  “You don’t mean to say you’re sharing this room with somebody else?” he cried.

  “Why not? Lodging costs money in Soho. George is a waiter, he goes out at eight in the morning and does not come in till closing time, so he isn’t in my way at all. We neither of us sleep well, and he helps to pass away the hours of the night by telling me stories of his life. He’s a Swiss, and I’ve always had a taste for waiters. They see life from an entertaining angle.”

  “How long have you been in bed?”

  “Three days.”

  “D’you mean to say you’ve had nothing but a bottle of milk for the last three days? Why on earth didn’t you send me a line? I can’t bear to think of you lying here all day long without a soul to attend to you.”

  Cronshaw gave a little laugh.

  “Look at your face. Why, dear boy, I really believe you’re distressed. You nice fellow.”

  Philip blushed. He had not suspected that his face showed the dismay he felt at the sight of that horrible room and the wretched circumstances of the poor poet. Cronshaw, watching Philip, went on with a gentle smile.

  “I’ve been quite happy. Look, here are my proofs. Remember that I am indifferent to discomforts which would harass other folk. What do the circumstances of life matter if your dreams make you lord paramount of time and space?”

  The proofs were lying on his bed, and as he lay in the darkness he had been able to place his hands on them. He showed them to Philip and his eyes glowed. He turned over the pages, rejoicing in the clear type; he read out a stanza.

  “They don’t look bad, do they?”

  Philip had an idea. It would involve him in a little expense and he could not afford even the smallest increase of expenditure; but on the other hand this was a case where it revolted him to think of economy.

  “I say, I can’t bear the thought of your remaining here. I’ve got an extra room, it’s empty at present, but I can easily get someone to lend me a bed. Won’t you come and live with me for a while? It’ll save you the rent of this.”

  “Oh, my dear boy, you’d insist on my keeping my window open.”

  “You shall have every window in the place sealed if you like.”

  “I shall be all right tomorrow. I could have got up today, only I felt lazy.”

  “Then you can very easily make the move. And then if you don’t feel well at any time you can just go to bed, and I shall be there to look after you.”

  “If it’ll please you I’ll come,” said Cronshaw, with his torpid not unpleasant smile.

  “That’ll be ripping.”

  They settled that Philip should fetch Cronshaw next day, and Philip snatched an hour from his busy morning to arrange the change. He found Cronshaw dressed, sitting in his hat and great-coat on the bed, with a small, shabby portmanteau, containing his clothes and books, already packed: it was on the floor by his feet, and he looked as if he were sitting in the waiting-room of a station. Philip laughed at the sight of him. They went over to Kennington in a four-wheeler, of which the windows were carefully closed, and Philip installed his guest in his own room. He had gone out early in the morning and bought for himself a second-hand bedstead, a cheap chest of drawers, and a looking-glass. Cronshaw settled down at once to correct his proofs. He was much better.

  Philip found him, except for the irritability which was a symptom of his disease, an easy guest. He had a lecture at nine in the morning, so did not see Cronshaw till the night. Once or twice Philip persuaded him to share the scrappy meal he prepared for himself in the evening, but Cronshaw was too restless to stay in, and preferred generally to get himself something to eat in one or other of the cheapest restaurants in Soho. Philip asked him to see Dr. Tyrell, but he stoutly refused; he knew a doctor would tell him to stop drinking, and this he was resolved not to do. He always felt horribly ill in the morning, but his absinthe at mid-day put him on his feet again, and by the time he came home, at midnight, he was able to talk with the brilliancy which had astonished Philip when first he made his acquaintance. His proofs were corrected; and the volume was to come out among the publications of the early spring, when the public might be supposed to have recovered from the avalanche of Christmas books.

  LXXXIV

  At the new year Philip became dresser in the surgical out-patients’ department. The work was of the same character as that which he had just been engaged on, but with the greater directness which surgery has than medicine; and a larger proportion of the patients suffered from those two diseases which a supine public allows, in its prudishness, to be spread broadcast. The assistan
t-surgeon for whom Philip dressed was called Jacobs. He was a short, fat man, with an exuberant joviality, a bald head, and a loud voice; he had a cockney accent, and was generally described by the students as an ‘awful bounder’; but his cleverness, both as a surgeon and as a teacher, caused some of them to overlook this. He had also a considerable facetiousness, which he exercised impartially on the patients and on the students. He took a great pleasure in making his dressers look foolish. Since they were ignorant, nervous, and could not answer as if he were their equal, this was not very difficult. He enjoyed his afternoons, with the home truths he permitted himself, much more than the students who had to put up with them with a smile. One day a case came up of a boy with a club-foot. His parents wanted to know whether anything could be done. Mr. Jacobs turned to Philip.

  “You’d better take this case, Carey. It’s a subject you ought to know something about.”

  Philip flushed, all the more because the surgeon spoke obviously with a humorous intention, and his brow-beaten dressers laughed obsequiously. It was in point of fact a subject which Philip, since coming to the hospital, had studied with anxious attention. He had read everything in the library which treated of talipes in its various forms. He made the boy take off his boot and stocking. He was fourteen, with a snub nose, blue eyes, and a freckled face. His father explained that they wanted something done if possible, it was such a hindrance to the kid in earning his living. Philip looked at him curiously. He was a jolly boy, not at all shy, but talkative and with a cheekiness which his father reproved. He was much interested in his foot.