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———. Edge of the Taos Desert. Albuquerque: University of New Mexico Press, 1987.
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———. Findings and Keepings. New York: Harcourt, Brace, 1971.
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———. Some Memories of Drawings. Edited by Doris Bry. Albuquerque: University of New Mexico Press, 1988.
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———. Carr, O’Keeffe, Kahlo: Places of Their Own. New Haven: Yale University Press, 2000.
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Catalogues, Monographs, and Dissertations
Arrowsmith, Alexandra, and Thomas West, eds. Georgia O’Keeffe and Alfred Stieglitz: Two Lives. New York: Callaway Editions in association with the Phillips Collection, Washington, D.C., 1993.
Bry, Doris. An Exhibition of Photographs by Alfred Stieglitz. National Gallery of Art, Smithsonian Institution, Washington, D.C., 1958.
———. Alfred Stieglitz: Photographer. Boston: Museum of Fine Arts, 1965.
Bry, Doris, and Nicholas Callaway, eds. Georgia O’Keeffe: In The West. New York: Alfred A. Knopf in association with Callaway, 1989.
———. Georgia O’Keeffe: The New York Years. New York: Alfred A. Knopf in association with Callaway, 1991.
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Callaway, Nicholas, ed. Georgia O’Keeffe: One Hundred Flowers. New York: Alfred A. Knopf in association with Callaway Editions, 1987.
Campbell, Suzan. “In The Shadow of the Sun: The Life and Art of Rebecca Salsbury James.” Ph.D. dissertation, University of New Mexico, 2002.
Cowart, Jack, and Juan Hamilton, Georgia O’Keeffe: Art and Letters. Edited by Sarah Greenough. Washington, D.C.: National Gallery of Art in association with New York Graphic Society Books and Little, Brown and Company, Boston, 1987.
D’Emilio, Sandra, and Suzan Campbell. Spirit and Vision: Images of Ranchos de Taos Church. Santa Fe: Museum of New Mexico Press, 1987.
Eldredge, Charles C., Julie Schimmel, and William H. Truettner. Art in Mexico, 1900–1945: Paths to Taos and Santa Fe. Washington, D.C.: National Museum of American Art, Smithsonian Institution, in association with Abbeville Press, New York, 1986.
Eldredge, Charles C. Georgia O’Keeffe: American and Modern. New Haven: Yale University Press in association with InterCultura, Fort Worth, Tex., and the Georgia O’Keeffe Foundation, Abiquiu, N.M., 1993.
Fine, Ruth E., and Barbara Buhler Lynes, with Elizabeth Glassman and Judith C. Walsh. O’Keeffe on Paper. Washington, D.C.: National Gallery of Art and the Georgia O’Keeffe Museum, Santa Fe, N.M., distributed by Harry N. Abrams, New York, 2000.
Goodrich, Lloyd, and Doris Bry. Georgia O’Keeffe: Retrospective Exhibtion. New York: Whitney Museum of American Art, 1970.
Green, Jonathan, ed. Camera Work: A Critical Anthology. New York: Aperture, 1973.
Green, Nancy E., and Jessie Poesch. Arthur Wesley Dow and American Arts & Crafts. New York: American Federation of Arts, 1999.
Greenough, Sarah. Paul Strand: An American Vision. Aperture Foundation in association with the National Gallery of Art, Washington, D.C., 1990.
———. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, D.C.: National Gallery of Art with Harry N. Abrams, New York, 2002.
Greenough, Sarah, and Juan Hamilton. Alfred Stieglitz: Photographs and Writings. Washington, D.C.: National Gallery of Art with Callaway Editions, New York, 1983.
Greenough, Sarah, et al. Modern Art and America: Alfred Stieglitz and His New York Galleries. Boston: Little, Brown and Company, 2000.
Hambourg, Maria Morris. Paul Strand: Circa 1916. New York: Metropolitan Museum of Art, distributed by Harry N. Abrams, 1998.
Haskell, Barbara. Charles Demuth. New York: Whitney Museum of American Art in association with Harry N. Abrams, 1987.
———. Edward Steichen. New York: Whitney Museum of American Art, 2000.
Hassrick, Peter H., ed. The Georgia O’Keeffe Museum. New York: Harry N. Abrams, 1997.
Lorenz, Richard. Imogen Cunningham: Flora. Boston: Little, Brown and Company, 1996.
Lynes, Barbara Buhler. Georgia O’Keeffe: Catalogue Raisonné. 2 vols. New Haven: Yale University Press and the National Gallery of Art, Washington, D.C., and the Georgia O’Keeffe Foundation, Abiquiu, N.M., 1999.
———. Georgia O’Keeffe and the Calla Lily in American Art, 1860–1940. New Haven: Yale University Press in association with the Georgia O’Keeffe Museum, Santa Fe, N.M., 2002.
Lynes, Barbara Buhler, and Russell Bowman. O’Keeffe’s O’Keeffes: The Artist’s Collection. Milwaukee, Wis.: Milwaukee Art Museum and the Georgia O’Keeffe Museum, Santa Fe, N.M., in association with Thames and Hudson, New York, 2001.
Madonia, Ann C. Georgia O’Keeffe in Williamsburg. Williamsburg, Va.: Muscarelle Museum of Art, College of William and Mary, 2001.
Naef, Weston J. The Collection of Alfred Stieglitz: Fifty Pioneers of Photography. New York: Metropolitan Museum of Art, 1978.
O’Keeffe, Georgia. Georgia O’Keeffe: A Portrait by Alfred Stieglitz. New York: Metropolitan Museum of Art, distributed by Harry N. Abrams, 1978.
Peterson, Christian A. Alfred Stieglitz’s Camera Notes. Minneapolis, Minn.: Minneapolis Institute of Arts in association with W. W. Norton, New York, 1993.
Rubenstein, Meridel. “Georgia O’Keeffe: The Circles and the Symmetry; the Reciprocal Influence of Georgia O’Keeffe and Alfred Stieglitz.” MFA dissertation, University of New Mexico, 1977.
Stange, Maren, ed. Paul Strand: Essays on His Life and Work. New York: Aperture Foundation, 1990.
Tashjian, Dickran. William Carlos Williams and the American Scene, 1920–1940. New York: Whitney Museum of American Art in association with University of California Press, Berkeley, 1978.
Tomkins, Calvin. Paul Strand: Sixty Years of Photographs. New York: Aperture, Inc. 1976.
Turner, Elizabeth Hutton. In the American Grain: Arthur Dove, Marsden Hartley, John Marin, Georgia O’Keeffe, and Alfred Stieglitz: The Stieglitz Circle at the Phillips Collection. Washington, D.C.: Counterpoint in association with the Phillips Collection, 1995.
———. Georgia O’Keeffe: The Poetry of Things. Washington, D.C.: Phillips Collection and Yale University Press, New Haven, in association with the Dallas Museum of Art, Dallas, Tex., 1999.
Udall, Sharyn Rohlfsen. O’Keeffe and Texas. San Antonio, Tex.: Marion Koogler McNay Art Museum in association with Harry N. Abrams, New York, 1998.
Articles
Braggioti, Mary. “Her Worlds Are Many.” New York Post. May 16, 1946.
Chave, Anna C. “O’Keeffe and the Masculine Gaze.” Art in America 78 (Jan. 1990).
———. “ ‘Who Will Paint New York?’: ‘The World’s New Art Center’ and the Skyscraper Paintings of Georgia O’Keeffe.” American Art 5 (Winter/Spring 1991).
Drohojowska, Hunter. “Georgia O’Keeffe, 1887–1986.” Art News (Summer 1986).
Glueck, Grace. “ ‘It’s Just What’s in My Head.’ ” New York Times. Oct. 18, 1970.
Hurt, Frances Hallam. “The Virginia Years of Georgia O’Keeffe.” Commonwealth (Oct. 1980).
Kotz, Mary Lynn. “Georgia O’Keeffe at 90.” Art News 76 (Dec. 1977).
Messinger, Lisa Mintz. “Georgia O’Keeffe.” Metropolitan Museum of Art Bulletin (Fall 1984).
O’Keeffe, Georgi
a. “Stieglitz: His Pictures Collected Him.” New York Times Magazine. Nov. 11, 1949.
Plagens, Peter. “A Georgia O’Keeffe Retrospective in Texas.” Artforum (May 1966).
Rose, Barbara. “Georgia O’Keeffe, 1887–1986.” Vogue (May 1986).
Seiberling, Dorothy. “Horizons of a Pioneer.” Life. Mar. 1, 1968.
Tomkins, Calvin. “The Rose in the Eye Looked Pretty Fine.” The New Yorker 50 (Mar. 4, 1974).
Tryk, Sheila. “O’Keeffe.” New Mexico (Jan./Feb. 1973).
Zito, Tom. “Georgia O’Keeffe,” Washington Post. Nov. 9, 1977.
INDEX
Abbott, Berenice, 413
Abiquiu, N.Mex., 12, 330, 391, 503
—O’Keeffe’s property in, 402, 431–32, 434, 437, 532, 548, 549
Abstract Expressionism, 262, 397, 403, 414–15, 429, 434, 443, 492
Acker, Marjorie, 264
Adams, Ansel, 297, 322, 350, 412, 449, 518–19, 531, 539
—N.Y. shows of, 256, 342, 373
—O’Keeffe photographed by, 6, 370, 372, 377, 582n
Adams, Mary, 507
Adams, Virginia, 518–19, 582n
Adato, Perry Miller, 527–28
Adler, Dankmar, 39
Amarillo, Texas, 79–80, 118, 121, 543
American Academy of Arts and Letters, 486, 491
American Caravan, 250
Amitola, 51, 54, 159
Amon Carter Museum of Western Art, 490, 495
An American Place:
—artists exhibited by, 314, 335, 338, 342, 373, 378, 417
—closing of, 444
—location of, 313–14, 497
—management of, 6, 314, 326, 337, 379, 405, 419, 420, 438–39, 450
—O’Keeffe’s work shown at, 315–16, 326, 335, 358, 363, 368, 379, 389, 396, 404, 407, 444
—presentation style of, 314, 416
Anderson, Sherwood, 155, 217, 218, 228–29, 234, 243, 250, 571n
Anderson Galleries, 143, 166, 187, 204, 214, 218, 227, 233, 242, 283
Angelico, Fra, 452
Anshutz, Thomas, 233
Antelope (O’Keeffe,), 455
Archer, Ruby Cole, 563n
Archipenko, Alexander, 86
Arden, Elizabeth, 366–67, 376
Arensberg, Walter, 181