Angles & Demons

by Dan Brown

  The docent shook his head. "To my knowledge the Pantheon is unique." He paused. "But . . ."

  "But what!" Vittoria and Langdon said in unison.

  Now the docent cocked his head, stepping toward them again. "A demon’s hole?" He muttered to himself and picked at his teeth. "Demon’s hole . . . that is . . . buco diàvolo?"

  Vittoria nodded. "Literally, yes."

  The docent smiled faintly. "Now there’s a term I have not heard in a while. If I’m not mistaken, a buco diàvolo refers to an undercroft."

  "An undercroft?" Langdon asked. "As in a crypt?"

  "Yes, but a specific kind of crypt. I believe a demon’s hole is an ancient term for a massive burial cavity located in a chapel . . . underneath another tomb."

  "An ossuary annex?" Langdon demanded, immediately recognizing what the man was describing.

  The docent looked impressed. "Yes! That is the term I was looking for!"

  Langdon considered it. Ossuary annexes were a cheap ecclesiastic fix to an awkward dilemma. When churches honored their most distinguished members with ornate tombs inside the sanctuary, surviving family members often demanded the family be buried together . . . thus ensuring they too would have a coveted burial spot inside the church. However, if the church did not have space or funds to create tombs for an entire family, they sometimes dug an ossuary annex—a hole in the floor near the tomb where they buried the less worthy family members. The hole was then covered with the Renaissance equivalent of a manhole cover. Although convenient, the ossuary annex went out of style quickly because of the stench that often wafted up into the cathedral. Demon’s hole, Langdon thought. He had never heard the term. It seemed eerily fitting.

  Langdon’s heart was now pounding fiercely. From Santi’s earthly tomb with demon’s hole. There seemed to be only one question left to ask. "Did Raphael design any tombs that had one of these demon’s holes?"

  The docent scratched his head. "Actually. I’m sorry . . . I can only think of one."

  Only one? Langdon could not have dreamed of a better response.

  "Where!" Vittoria almost shouted.

  The docent eyed them strangely. "It’s called the Chigi Chapel. Tomb of Agostino Chigi and his brother, wealthy patrons of the arts and sciences."

  "Sciences?" Langdon said, exchanging looks with Vittoria.

  "Where?" Vittoria asked again.

  The docent ignored the question, seeming enthusiastic again to be of service. "As for whether or not the tomb is earthly, I don’t know, but certainly it is . . . shall we say differénte."

  "Different?" Langdon said. "How?"

  "Incoherent with the architecture. Raphael was only the architect. Some other sculptor did the interior adornments. I can’t remember who."

  Langdon was now all ears. The anonymous Illuminati master, perhaps?

  "Whoever did the interior monuments lacked taste," the docent said. "Dio mio! Atrocitàs! Who would want to be buried beneath pirámides?"

  Langdon could scarcely believe his ears. "Pyramids? The chapel contains pyramids?"

  "I know," the docent scoffed. "Terrible, isn’t it?"

  Vittoria grabbed the docent’s arm. "Signore, where is this Chigi Chapel?"

  "About a mile north. In the church of Santa Maria del Popolo."

  Vittoria exhaled. "Thank you. Let’s—"

  "Hey," the docent said, "I just thought of something. What a fool I am."

  Vittoria stopped short. "Please don’t tell me you made a mistake."

  He shook his head. "No, but it should have dawned on me earlier. The Chigi Chapel was not always known as the Chigi. It used to be called Capella della Terra."

  "Chapel of the Land?" Langdon asked.

  "No," Vittoria said, heading for the door. "Chapel of the Earth."

  Vittoria Vetra whipped out her cell phone as she dashed into Piazza della Rotunda. "Commander Olivetti," she said. "This is the wrong place!"

  Olivetti sounded bewildered. "Wrong? What do you mean?"

  "The first altar of science is at the Chigi Chapel!"

  "Where?" Now Olivetti sounded angry. "But Mr. Langdon said—"

  "Santa Maria del Popolo! One mile north. Get your men over there now! We’ve got four minutes!"

  "But my men are in position here! I can’t possibly—"

  "Move!" Vittoria snapped the phone shut.

  Behind her, Langdon emerged from the Pantheon, dazed.

  She grabbed his hand and pulled him toward the queue of seemingly driverless taxis waiting by the curb. She pounded on the hood of the first car in line. The sleeping driver bolted upright with a startled yelp. Vittoria yanked open the rear door and pushed Langdon inside. Then she jumped in behind him.

  "Santa Maria del Popolo," she ordered. "Presto!"

  Looking delirious and half terrified, the driver hit the accelerator, peeling out down the street.

  63

  Gunther Glick had assumed control of the computer from Chinita Macri, who now stood hunched in the back of the cramped BBC van staring in confusion over Glick’s shoulder.

  "I told you," Glick said, typing some more keys. "The British Tattler isn’t the only paper that runs stories on these guys."

  Macri peered closer. Glick was right. The BBC database showed their distinguished network as having picked up and run six stories in the past ten years on the brotherhood called the Illuminati. Well, paint me purple, she thought. "Who are the journalists who ran the stories," Macri asked. "Schlock jocks?"

  "BBC doesn’t hire schlock jocks."

  "They hired you."

  Glick scowled. "I don’t know why you’re such a skeptic. The Illuminati are well documented throughout history."

  "So are witches, UFOs, and the Loch Ness Monster."

  Glick read the list of stories. "You ever heard of a guy called Winston Churchill?"

  "Rings a bell."

  "BBC did a historical a while back on Churchill’s life. Staunch Catholic by the way. Did you know that in 1920 Churchill published a statement condemning the Illuminati and warning Brits of a worldwide conspiracy against morality?"

  Macri was dubious. "Where did it run? In the British Tattler?"

  Glick smiled. "London Herald. February 8, 1920."

  "No way."

  "Feast your eyes."

  Macri looked closer at the clip. London Herald. Feb. 8, 1920. I had no idea. "Well, Churchill was a paranoid."

  "He wasn’t alone," Glick said, reading further. "Looks like Woodrow Wilson gave three radio broadcasts in 1921 warning of growing Illuminati control over the U.S. banking system. You want a direct quote from the radio transcript?"

  "Not really."

  Glick gave her one anyway. "He said, ‘There is a power so organized, so subtle, so complete, so pervasive, that none had better speak above their breath when they speak in condemnation of it.’ "

  "I’ve never heard anything about this."

  "Maybe because in 1921 you were just a kid."

  "Charming." Macri took the jab in stride. She knew her years were showing. At forty-three, her bushy black curls were streaked with gray. She was too proud for dye. Her mom, a Southern Baptist, had taught Chinita contentedness and self-respect. When you’re a black woman, her mother said, ain’t no hiding what you are. Day you try, is the day you die. Stand tall, smile bright, and let ’em wonder what secret’s making you laugh.

  "Ever heard of Cecil Rhodes?" Glick asked.

  Macri looked up. "The British financier?"

  "Yeah. Founded the Rhodes Scholarships."

  "Don’t tell me—"

  "Illuminatus."

  "BS."

  "BBC, actually. November 16, 1984."

  "We wrote that Cecil Rhodes was Illuminati?"

  "Sure did. And according to our network, the Rhodes Scholarships were funds set up centuries ago to recruit the world’s brightest young minds into the Illuminati."

  "That’s ridiculous! My uncle was a Rhodes Scholar!"

  Glick winked. "So was Bill Clinton."r />
  Macri was getting mad now. She had never had tolerance for shoddy, alarmist reporting. Still, she knew enough about the BBC to know that every story they ran was carefully researched and confirmed.

  "Here’s one you’ll remember," Glick said. "BBC, March 5, 1998. Parliament Committee Chair, Chris Mullin, required all members of British Parliament who were Masons to declare their affiliation."

  Macri remembered it. The decree had eventually extended to include policemen and judges as well. "Why was it again?"

  Glick read. ". . . concern that secret factions within the Masons exerted considerable control over political and financial systems."

  "That’s right."

  "Caused quite a bustle. The Masons in parliament were furious. Had a right to be. The vast majority turned out to be innocent men who joined the Masons for networking and charity work. They had no clue about the brotherhood’s past affiliations."

  "Alleged affiliations."

  "Whatever." Glick scanned the articles. "Look at this stuff. Accounts tracing the Illuminati back to Galileo, the Guerenets of France, the Alumbrados of Spain. Even Karl Marx and the Russian Revolution."

  "History has a way of rewriting itself."

  "Fine, you want something current? Have a look at this. Here’s an Illuminati reference from a recent Wall Street Journal."

  This caught Macri’s ear. "The Journal?"

  "Guess what the most popular Internet computer game in America is right now?"

  "Pin the tail on Pamela Anderson."

  "Close. It’s called, Illuminati: New World Order."

  Macri looked over his shoulder at the blurb. "Steve Jackson Games has a runaway hit . . . a quasi-historical adventure in which an ancient satanic brotherhood from Bavaria sets out to take over the world. You can find them on-line at . . ." Macri looked up, feeling ill. "What do these Illuminati guys have against Christianity?"

  "Not just Christianity," Glick said. "Religion in general." Glick cocked his head and grinned. "Although from the phone call we just got, it appears they do have a special spot in their hearts for the Vatican."

  "Oh, come on. You don’t really think that guy who called is who he claims to be, do you?"

  "A messenger of the Illuminati? Preparing to kill four cardinals?" Glick smiled. "I sure hope so."

  64

  Langdon and Vittoria’s taxi completed the one-mile sprint up the wide Via della Scrofa in just over a minute. They skidded to a stop on the south side of the Piazza del Popolo just before eight. Not having any lire, Langdon overpaid the driver in U.S. dollars. He and Vittoria jumped out. The piazza was quiet except for the laughter of a handful of locals seated outside the popular Rosati Café—a hot spot of the Italian literati. The breeze smelled of espresso and pastry.

  Langdon was still in shock over his mistake at the Pantheon. With a cursory glance at this square, however, his sixth sense was already tingling. The piazza seemed subtly filled with Illuminati significance. Not only was it laid out in a perfectly elliptical shape, but dead center stood a towering Egyptian obelisk—a square pillar of stone with a distinctively pyramidal tip. Spoils of Rome’s imperial plundering, obelisks were scattered across Rome and referred to by symbologists as "Lofty Pyramids"—skyward extensions of the sacred pyramidal form.

  As Langdon’s eyes moved up the monolith, though, his sight was suddenly drawn to something else in the background. Something even more remarkable.

  "We’re in the right place," he said quietly, feeling a sudden exposed wariness. "Have a look at that." Langdon pointed to the imposing Porta del Popolo—the high stone archway at the far end of the piazza. The vaulted structure had been overlooking the piazza for centuries. Dead center of the archway’s highest point was a symbolic engraving. "Look familiar?"

  Vittoria looked up at the huge carving. "A shining star over a triangular pile of stones?"

  Langdon shook his head. "A source of Illumination over a pyramid."

  Vittoria turned, her eyes suddenly wide. "Like . . . the Great Seal of the United States?"

  "Exactly. The Masonic symbol on the one-dollar bill."

  Vittoria took a deep breath and scanned the piazza. "So where’s this damn church?"

  The Church of Santa Maria del Popolo stood out like a misplaced battleship, askew at the base of a hill on the southeast corner of the piazza. The eleventh-century stone aerie was made even more clumsy by the tower of scaffolding covering the façade.

  Langdon’s thoughts were a blur as they raced toward the edifice. He stared up at the church in wonder. Could a murder really be about to take place inside? He wished Olivetti would hurry. The gun felt awkward in his pocket.

  The church’s front stairs were ventaglio—a welcoming, curved fan—ironic in this case because they were blocked with scaffolding, construction equipment, and a sign warning: CONSTRUZZIONE. NON ENTRARE.

  Langdon realized that a church closed for renovation meant total privacy for a killer. Not like the Pantheon. No fancy tricks needed here. Only to find a way in.

  Vittoria slipped without hesitation between the sawhorses and headed up the staircase.

  "Vittoria," Langdon cautioned. "If he’s still in there . . ."

  Vittoria did not seem to hear. She ascended the main portico to the church’s sole wooden door. Langdon hurried up the stairs behind her. Before he could say a word she had grasped the handle and pulled. Langdon held his breath. The door did not budge.

  "There must be another entrance," Vittoria said.

  "Probably," Langdon said, exhaling, "but Olivetti will be here in a minute. It’s too dangerous to go in. We should cover the church from out here until—"

  Vittoria turned, her eyes blazing. "If there’s another way in, there’s another way out. If this guy disappears, we’re fungito."

  Langdon knew enough Italian to know she was right.

  The alley on the right side of the church was pinched and dark, with high walls on both sides. It smelled of urine—a common aroma in a city where bars outnumbered public rest rooms twenty to one.

  Langdon and Vittoria hurried into the fetid dimness. They had gone about fifteen yards down when Vittoria tugged Langdon’s arm and pointed.

  Langdon saw it too. Up ahead was an unassuming wooden door with heavy hinges. Langdon recognized it as the standard porta sacra—a private entrance for clergy. Most of these entrances had gone out of use years ago as encroaching buildings and limited real estate relegated side entrances to inconvenient alleyways.

  Vittoria hurried to the door. She arrived and stared down at the doorknob, apparently perplexed. Langdon arrived behind her and eyed the peculiar donut-shaped hoop hanging where the doorknob should have been.

  "An annulus," he whispered. Langdon reached out and quietly lifted the ring in his hand. He pulled the ring toward him. The fixture clicked. Vittoria shifted, looking suddenly uneasy. Quietly, Langdon twisted the ring clockwise. It spun loosely 360 degrees, not engaging. Langdon frowned and tried the other direction with the same result.

  Vittoria looked down the remainder of the alley. "You think there’s another entrance?"

  Langdon doubted it. Most Renaissance cathedrals were designed as makeshift fortresses in the event a city was stormed. They had as few entrances as possible. "If there is another way in," he said, "it’s probably recessed in the rear bastion—more of an escape route than an entrance."

  Vittoria was already on the move.

  Langdon followed deeper into the alley. The walls shot skyward on both sides of him. Somewhere a bell began ringing eight o’clock . . .

  Robert Langdon did not hear Vittoria the first time she called to him. He had slowed at a stained-glass window covered with bars and was trying to peer inside the church.

  "Robert!" Her voice was a loud whisper.

  Langdon looked up. Vittoria was at the end of the alley. She was pointing around the back of the church and waving to him. Langdon jogged reluctantly toward her. At the base of the rear wall, a stone bulwark jutted out concealing a
narrow grotto—a kind of compressed passageway cutting directly into the foundation of the church.

  "An entrance?" Vittoria asked.

  Langdon nodded. Actually an exit, but we won’t get technical.

  Vittoria knelt and peered into the tunnel. "Let’s check the door. See if it’s open."

  Langdon opened his mouth to object, but Vittoria took his hand and pulled him into the opening.

  "Wait," Langdon said.

  She turned impatiently toward him.

  Langdon sighed. "I’ll go first."

  Vittoria looked surprised. "More chivalry?"

  "Age before beauty."

  "Was that a compliment?"

  Langdon smiled and moved past her into the dark. "Careful on the stairs."

  He inched slowly into the darkness, keeping one hand on the wall. The stone felt sharp on his fingertips. For an instant Langdon recalled the ancient myth of Daedelus, how the boy kept one hand on the wall as he moved through the Minotaur’s labyrinth, knowing he was guaranteed to find the end if he never broke contact with the wall. Langdon moved forward, not entirely certain he wanted to find the end.

  The tunnel narrowed slightly, and Langdon slowed his pace. He sensed Vittoria close behind him. As the wall curved left, the tunnel opened into a semicircular alcove. Oddly, there was faint light here. In the dimness Langdon saw the outline of a heavy wooden door.

  "Uh oh," he said.

  "Locked?"

  "It was."

  "Was?" Vittoria arrived at his side.

  Langdon pointed. Lit by a shaft of light coming from within, the door hung ajar . . . its hinges splintered by a wrecking bar still lodged in the wood.

  They stood a moment in silence. Then, in the dark, Langdon felt Vittoria’s hands on his chest, groping, sliding beneath his jacket.

  "Relax, professor," she said. "I’m just getting the gun."

  At that moment, inside the Vatican Museums, a task force of Swiss Guards spread out in all directions. The museum was dark, and the guards wore U.S. Marine issue infrared goggles. The goggles made everything appear an eerie shade of green. Every guard wore headphones connected to an antennalike detector that he waved rhythmically in front of him—the same devices they used twice a week to sweep for electronic bugs inside the Vatican. They moved methodically, checking behind statues, inside niches, closets, under furniture. The antennae would sound if they detected even the tiniest magnetic field.