Angles & Demons

by Dan Brown

  There must be something in that church! Langdon racked his brain, picturing the inside of the church. He could think of no Bernini works at all inside, much less anything to do with water. The arrangement on the map was bothering him too. A diamond. It was far too accurate to be coincidence, but it was not accurate enough to make any sense. A kite? Langdon wondered if he had chosen the wrong point. What am I missing!

  The answer took another thirty seconds to hit him, but when it did, Langdon felt an exhilaration like nothing he had ever experienced in his academic career.

  The Illuminati genius, it seemed, would never cease.

  The shape he was looking at was not intended as a diamond at all. The four points only formed a diamond because Langdon had connected adjacent points. The Illuminati believe in opposites! Connecting opposite vertices with his pen, Langdon’s fingers were trembling. There before him on the map was a giant cruciform. It’s a cross! The four elements of science unfolded before his eyes . . . sprawled across Rome in an enormous, city-wide cross.

  As he stared in wonder, a line of poetry rang in his mind . . . like an old friend with a new face.

  ’Cross Rome the mystic elements unfold . . .

  ’Cross Rome . . .

  The fog began to clear. Langdon saw that the answer had been in front of him all night! The Illuminati poem had been telling him how the altars were laid out. A cross!

  ’Cross Rome the mystic elements unfold!

  It was cunning wordplay. Langdon had originally read the word ’Cross as an abbreviation of Across. He assumed it was poetic license intended to retain the meter of the poem. But it was so much more than that! Another hidden clue.

  The cruciform on the map, Langdon realized, was the ultimate Illuminati duality. It was a religious symbol formed by elements of science. Galileo’s path of Illumination was a tribute to both science and God!

  The rest of the puzzle fell into place almost immediately.

  Piazza Navona.

  Dead center of Piazza Navona, outside the church of St. Agnes in Agony, Bernini had forged one of his most celebrated sculptures. Everyone who came to Rome went to see it.

  The Fountain of the Four Rivers!

  A flawless tribute to water, Bernini’s Fountain of the Four Rivers glorified the four major rivers of the Old World—The Nile, Ganges, Danube, and Rio Plata.

  Water, Langdon thought. The final marker. It was perfect.

  And even more perfect, Langdon realized, the cherry on the cake, was that high atop Bernini’s fountain stood a towering obelisk.

  Leaving confused firemen in his wake, Langdon ran across the church in the direction of Olivetti’s lifeless body.

  10:31 P.M., he thought. Plenty of time. It was the first instant all day that Langdon felt ahead of the game.

  Kneeling beside Olivetti, out of sight behind some pews, Langdon discreetly took possession of the commander’s semiautomatic and walkie-talkie. Langdon knew he would call for help, but this was not the place to do it. The final altar of science needed to remain a secret for now. The media and fire department racing with sirens blaring to Piazza Navona would be no help at all.

  Without a word, Langdon slipped out the door and skirted the press, who were now entering the church in droves. He crossed Piazza Barberini. In the shadows he turned on the walkie-talkie. He tried to hail Vatican City but heard nothing but static. He was either out of range or the transmitter needed some kind of authorization code. Langdon adjusted the complex dials and buttons to no avail. Abruptly, he realized his plan to get help was not going to work. He spun, looking for a pay phone. None. Vatican circuits were jammed anyway.

  He was alone.

  Feeling his initial surge of confidence decay, Langdon stood a moment and took stock of his pitiful state—covered in bone dust, cut, deliriously exhausted, and hungry.

  Langdon glanced back at the church. Smoke spiraled over the cupola, lit by the media lights and fire trucks. He wondered if he should go back and get help. Instinct warned him however that extra help, especially untrained help, would be nothing but a liability. If the Hassassin sees us coming . . . He thought of Vittoria and knew this would be his final chance to face her captor.

  Piazza Navona, he thought, knowing he could get there in plenty of time and stake it out. He scanned the area for a taxi, but the streets were almost entirely deserted. Even the taxi drivers, it seemed, had dropped everything to find a television. Piazza Navona was only about a mile away, but Langdon had no intention of wasting precious energy on foot. He glanced back at the church, wondering if he could borrow a vehicle from someone.

  A fire truck? A press van? Be serious.

  Sensing options and minutes slipping away, Langdon made his decision. Pulling the gun from his pocket, he committed an act so out of character that he suspected his soul must now be possessed. Running over to a lone Citroën sedan idling at a stoplight, Langdon pointed the weapon through the driver’s open window. "Fuori!" he yelled.

  The trembling man got out.

  Langdon jumped behind the wheel and hit the gas.

  101

  Gunther Glick sat on a bench in a holding tank inside the office of the Swiss Guard. He prayed to every god he could think of. Please let this NOT be a dream. It had been the scoop of his life. The scoop of anyone’s life. Every reporter on earth wished he were Glick right now. You are awake, he told himself. And you are a star. Dan Rather is crying right now.

  Macri was beside him, looking a little bit stunned. Glick didn’t blame her. In addition to exclusively broadcasting the camerlegno’s address, she and Glick had provided the world with gruesome photos of the cardinals and of the Pope—that tongue!—as well as a live video feed of the antimatter canister counting down. Incredible!

  Of course, all of that had all been at the camerlegno’s behest, so that was not the reason Glick and Macri were now locked in a Swiss Guard holding tank. It had been Glick’s daring addendum to their coverage that the guards had not appreciated. Glick knew the conversation on which he had just reported was not intended for his ears, but this was his moment in the sun. Another Glick scoop!

  "The 11th Hour Samaritan?" Macri groaned on the bench beside him, clearly unimpressed.

  Glick smiled. "Brilliant, wasn’t it?"

  "Brilliantly dumb."

  She’s just jealous, Glick knew. Shortly after the camerlegno’s address, Glick had again, by chance, been in the right place at the right time. He’d overheard Rocher giving new orders to his men. Apparently Rocher had received a phone call from a mysterious individual who Rocher claimed had critical information regarding the current crisis. Rocher was talking as if this man could help them and was advising his guards to prepare for the guest’s arrival.

  Although the information was clearly private, Glick had acted as any dedicated reporter would—without honor. He’d found a dark corner, ordered Macri to fire up her remote camera, and he’d reported the news.

  "Shocking new developments in God’s city," he had announced, squinting his eyes for added intensity. Then he’d gone on to say that a mystery guest was coming to Vatican City to save the day. The 11th Hour Samaritan, Glick had called him—a perfect name for the faceless man appearing at the last moment to do a good deed. The other networks had picked up the catchy sound bite, and Glick was yet again immortalized.

  I’m brilliant, he mused. Peter Jennings just jumped off a bridge.

  Of course Glick had not stopped there. While he had the world’s attention, he had thrown in a little of his own conspiracy theory for good measure.

  Brilliant. Utterly brilliant.

  "You screwed us," Macri said. "You totally blew it."

  "What do you mean? I was great!"

  Macri stared disbelievingly. "Former President George Bush? An Illuminatus?"

  Glick smiled. How much more obvious could it be? George Bush was a well-documented, 33rd-degree Mason, and he was the head of the CIA when the agency closed their Illuminati investigation for lack of evidence. And all th
ose speeches about "a thousand points of light" and a "New World Order" . . . Bush was obviously Illuminati.

  "And that bit about CERN?" Macri chided. "You are going to have a very big line of lawyers outside your door tomorrow."

  "CERN? Oh come on! It’s so obvious! Think about it! The Illuminati disappear off the face of the earth in the 1950s at about the same time CERN is founded. CERN is a haven for the most enlightened people on earth. Tons of private funding. They build a weapon that can destroy the church, and oops! . . . they lose it!"

  "So you tell the world that CERN is the new home base of the Illuminati?"

  "Obviously! Brotherhoods don’t just disappear. The Illuminati had to go somewhere. CERN is a perfect place for them to hide. I’m not saying everyone at CERN is Illuminati. It’s probably like a huge Masonic lodge, where most people are innocent, but the upper echelons—"

  "Have you ever heard of slander, Glick? Liability?"

  "Have you ever heard of real journalism!"

  "Journalism? You were pulling bullshit out of thin air! I should have turned off the camera! And what the hell was that crap about CERN’s corporate logo? Satanic symbology? Have you lost your mind?"

  Glick smiled. Macri’s jealousy was definitely showing. The CERN logo had been the most brilliant coup of all. Ever since the camerlegno’s address, all the networks were talking about CERN and antimatter. Some stations were showing the CERN corporate logo as a backdrop. The logo seemed standard enough—two intersecting circles representing two particle accelerators, and five tangential lines representing particle injection tubes. The whole world was staring at this logo, but it had been Glick, a bit of a symbologist himself, who had first seen the Illuminati symbology hidden in it.

  "You’re not a symbologist," Macri chided, "you’re just one lucky-ass reporter. You should have left the symbology to the Harvard guy."

  "The Harvard guy missed it," Glick said.

  The Illuminati significance in this logo is so obvious!

  He was beaming inside. Although CERN had lots of accelerators, their logo showed only two. Two is the Illuminati number of duality. Although most accelerators had only one injection tube, the logo showed five. Five is the number of the Illuminati pentagram. Then had come the coup—the most brilliant point of all. Glick pointed out that the logo contained a large numeral "6—clearly formed by one of the lines and circles—and when the logo was rotated, another six appeared . . . and then another. The logo contained three sixes! 666! The devil’s number! The mark of the beast!

  Glick was a genius.

  Macri looked ready to slug him.

  The jealousy would pass, Glick knew, his mind now wandering to another thought. If CERN was Illuminati headquarters, was CERN where the Illuminati kept their infamous Illuminati Diamond? Glick had read about it on the Internet—"a flawless diamond, born of the ancient elements with such perfection that all those who saw it could only stand in wonder."

  Glick wondered if the secret whereabouts of the Illuminati Diamond might be yet another mystery he could unveil tonight.

  102

  Piazza Navona. Fountain of the Four Rivers.

  Nights in Rome, like those in the desert, can be surprisingly cool, even after a warm day. Langdon was huddled now on the fringes of Piazza Navona, pulling his jacket around him. Like the distant white noise of traffic, a cacophony of news reports echoed across the city. He checked his watch. Fifteen minutes. He was grateful for a few moments of rest.

  The piazza was deserted. Bernini’s masterful fountain sizzled before him with a fearful sorcery. The foaming pool sent a magical mist upward, lit from beneath by underwater floodlights. Langdon sensed a cool electricity in the air.

  The fountain’s most arresting quality was its height. The central core alone was over twenty feet tall—a rugged mountain of travertine marble riddled with caves and grottoes through which the water churned. The entire mound was draped with pagan figures. Atop this stood an obelisk that climbed another forty feet. Langdon let his eyes climb. On the obelisk’s tip, a faint shadow blotted the sky, a lone pigeon perched silently.

  A cross, Langdon thought, still amazed by the arrangement of the markers across Rome. Bernini’s Fountain of the Four Rivers was the last altar of science. Only hours ago Langdon had been standing in the Pantheon convinced the Path of Illumination had been broken and he would never get this far. It had been a foolish blunder. In fact, the entire path was intact. Earth, Air, Fire, Water. And Langdon had followed it . . . from beginning to end.

  Not quite to the end, he reminded himself. The path had five stops, not four. This fourth marker fountain somehow pointed to the ultimate destiny—the Illuminati’s sacred lair—the Church of Illumination. Langdon wondered if the lair were still standing. He wondered if that was where the Hassassin had taken Vittoria.

  Langdon found his eyes probing the figures in the fountain, looking for any clue as to the direction of the lair. Let angels guide you on your lofty quest. Almost immediately, though, he was overcome by an unsettling awareness. This fountain contained no angels whatsoever. It certainly contained none Langdon could see from where he was standing . . . and none he had ever seen in the past. The Fountain of the Four Rivers was a pagan work. The carvings were all profane—humans, animals, even an awkward armadillo. An angel here would stick out like a sore thumb.

  Is this the wrong place? He considered the cruciform arrangement of the four obelisks. He clenched his fists. This fountain is perfect.

  It was only 10:46 P.M. when a black van emerged from the alleyway on the far side of the piazza. Langdon would not have given it a second look except that the van drove with no headlights. Like a shark patrolling a moonlit bay, the vehicle circled the perimeter of the piazza.

  Langdon hunkered lower, crouched in the shadows beside the huge stairway leading up to the Church of St. Agnes in Agony. He gazed out at the piazza, his pulse climbing.

  After making two complete circuits, the van banked inward toward Bernini’s fountain. It pulled abreast of the basin, moving laterally along the rim until its side was flush with the fountain. Then it parked, its sliding door positioned only inches above the churning water.

  Mist billowed.

  Langdon felt an uneasy premonition. Had the Hassassin arrived early? Had he come in a van? Langdon had imagined the killer escorting his last victim across the piazza on foot, like he had at St. Peter’s, giving Langdon an open shot. But if the Hassassin had arrived in a van, the rules had just changed.

  Suddenly, the van’s side door slid open.

  On the floor of the van, contorted in agony, lay a naked man. The man was wrapped in yards of heavy chains. He thrashed against the iron links, but the chains were too heavy. One of the links bisected the man’s mouth like a horse’s bit, stifling his cries for help. It was then that Langdon saw the second figure, moving around behind the prisoner in the dark, as though making final preparations.

  Langdon knew he had only seconds to act.

  Taking the gun, he slipped off his jacket and dropped it on the ground. He didn’t want the added encumbrance of a tweed jacket, nor did he have any intention of taking Galileo’s Diagramma anywhere near the water. The document would stay here where it was safe and dry.

  Langdon scrambled to his right. Circling the perimeter of the fountain, he positioned himself directly opposite the van. The fountain’s massive centerpiece obscured his view. Standing, he ran directly toward the basin. He hoped the thundering water was drowning his footsteps. When he reached the fountain, he climbed over the rim and dropped into the foaming pool.

  The water was waist deep and like ice. Langdon grit his teeth and plowed through the water. The bottom was slippery, made doubly treacherous by a stratum of coins thrown for good luck. Langdon sensed he would need more than good luck. As the mist rose all around him, he wondered if it was the cold or the fear that was causing the gun in his hand to shake.

  He reached the interior of the fountain and circled back to his left. He waded hard,
clinging to the cover of the marble forms. Hiding himself behind the huge carved form of a horse, Langdon peered out. The van was only fifteen feet away. The Hassassin was crouched on the floor of the van, hands planted on the cardinal’s chain-clad body, preparing to roll him out the open door into the fountain.

  Waist-deep in water, Robert Langdon raised his gun and stepped out of the mist, feeling like some sort of aquatic cowboy making a final stand. "Don’t move." His voice was steadier than the gun.

  The Hassassin looked up. For a moment he seemed confused, as though he had seen a ghost. Then his lips curled into an evil smile. He raised his arms in submission. "And so it goes."

  "Get out of the van."

  "You look wet."

  "You’re early."

  "I am eager to return to my prize."

  Langdon leveled the gun. "I won’t hesitate to shoot."

  "You’ve already hesitated."

  Langdon felt his finger tighten on the trigger. The cardinal lay motionless now. He looked exhausted, moribund. "Untie him."

  "Forget him. You’ve come for the woman. Do not pretend otherwise."

  Langdon fought the urge to end it right there. "Where is she?"

  "Somewhere safe. Awaiting my return."

  She’s alive. Langdon felt a ray of hope. "At the Church of Illumination?"

  The killer smiled. "You will never find its location."

  Langdon was incredulous. The lair is still standing. He aimed the gun. "Where?"

  "The location has remained secret for centuries. Even to me it was only revealed recently. I would die before I break that trust."

  "I can find it without you."

  "An arrogant thought."

  Langdon motioned to the fountain. "I’ve come this far."