Shadow Raiders tdb-1

by Margaret Weis

  Rodrigo smiled. “You would never know I was forced to pawn your dress sword to pay for the carriage.”

  “You did what?” Stephano demanded, rounding on his friend. “My sword with the gold basket hilt? That was a gift-”

  “And we will get it back from the pawn shop,” said Rodrigo soothingly. “Just mention to the countess that you could use an advance on payment, will you?”

  “I haven’t agreed to take this job yet,” said Stephano angrily. He snatched his best tricorn hat, which was the current fashion, since it could be folded and tucked under the arm, and stomped down the stairs.

  Benoit was there to see them off. The old man smiled to see Stephano and a wistful look came into the weak eyes. “I wish your father could see you, sir. You do him proud.”

  “He wouldn’t be proud of the fact that I’m selling my soul to the king,” Stephano muttered.

  “He would, sir,” said Benoit stoutly. “Your father, Lord Julian, God rest him, was a practical man.”

  “My father wasn’t practical at all, you know,” said Stephano somberly to Rodrigo, as they entered the carriage. “Julian de Guichen was a man who sacrificed his wealth, his lands, and eventually his life for a hopeless cause, all in the name of honor and loyalty and friendship.”

  “The apple did not fall far from the tree,” observed Rodrigo.

  “Don’t try flattering me,” said Stephano, glowering. “It won’t work.”

  “Take the rest of the day off, Benoit,” Rodrigo called out the carriage window before shutting it. “We will dine out.”

  Rodrigo told the driver their destination and shut the carriage door. The driver nodded his head at his boy, who released the mooring line that secured the carriage to the ground, then took his place at the rear. The wyvern was harnessed to the carriage by long tethers attached to breast and shoulders. Magic used in the construction of the carriage added strength to the thin wooden walls while keeping the weight as low as possible. Internal reservoirs or “lift tanks” held the refined and purified “Breath of God” that provided much of the vehicle’s buoyancy, with a balloon for additional lift.

  The balloon was red in color, the carriage blue. One could always tell a rented carriage by the red balloons. The driver, mounted on the seat in front of the carriage, began channeling the magical energy that existed naturally in the world into a brass control panel. A series of constructs, set into the brass itself, allowed the driver control over the levels of buoyancy in the two primary lift tanks located on either side of the carriage, and the forward and rear stabilizing tanks. From the brass panel, the driver could also control the large multichambered red balloon tethered to the top of carriage.

  The carriage’s passenger compartment could seat four comfortably. The leaded glass windows were covered with lace curtains to provide the occupants a degree of privacy. The blue-lacquered exterior was waxed till it shone and was set off by polished brass fixtures and lanterns.

  When the carriage was clear of the ground, the driver gave three short tweets from a whistle, letting anyone nearby know that they were preparing to leave. Next, he clucked at the wyvern and poked the creature in the back with a prod.

  The wyvern angrily whipped around its head and snapped at the prod. Wyverns are temperamental and stupid, but the driver was used to such behavior from his steed. He poked the wyvern again, and the beast sullenly flapped its wings and took off.

  Stephano threw himself into a corner of the conveyance and sat there, brooding. As always, when he was forced to pay a visit to his mother, he was in a foul mood. His thoughts carried him back to the past. He blamed Benoit for having brought up his father, but it wasn’t the old man’s fault. Stephano would have thought about his father in any case. He could not help thinking about his father whenever he was forced to visit his mother.

  Cecile de Marjolaine, daughter of the wealthy and powerful Count de Marjolaine, was introduced at court when she was sixteen, having the honor to become one of the ladies-in-waiting to the queen. Cecile was an extraordinarily beautiful young woman, as well as being the only heir to her father’s vast fortune. Both wealthy and lovely, she was the jewel of the court. Nobles and princes cast their hearts at her feet. Even King Alaric, newly ascended to the throne on the sudden death of his father, was said to be enamored of her.

  Cecile was flattered by the attention, but her own heart remained untouched until she met the handsome and dashing young Dragon Knight, Sir Julian de Guichen. The two fell deeply, hopelessly in love-hopeless because the count had determined that his only child, his beautiful daughter, would marry well. De Guichen was merely the son of a knight and not a particularly wealthy knight at that. To make matters worse, the de Guichens were loyal friends with the king’s avowed enemy, the Duke de Bourlet.

  The two young people knew only that they adored each other. None of the rest mattered. And then Cecile discovered she was pregnant. She was frightened, but was also ecstatic. She and Julian would run away to be married and live happily ever after. Before she could tell Julian the wonderful news, however, the Dragon Brigade was summoned to duty and he had to leave. The two had only a few fleeting moments together before he was gone.

  Cecile had no mother in whom to confide; her mother having died when she was young, and she continued to dream her pretty dreams until the day she was confronted by Lady Adele, an older woman, who was also one of the queen’s ladies-in-waiting. The sharp-eyed Adele had noted Cecile’s swelling breasts, expanding waistline, and her unfortunate tendency to vomit on a daily basis. Lady Adele spoke to the girl in private and in a few stark words shattered the pretty dreams by making Cecile face cold, ugly reality.

  Did Cecile honestly think the Count de Marjolaine would allow his only daughter, who stood to inherit one of the largest fortunes in the kingdom, to marry a penniless knight?

  “Your noble father would have Julian killed first,” said Lady Adele pitilessly. “And don’t think he could not do it and get away with it. If you truly love Julian, you will cast him off and never speak to him again.”

  Cecile was forced to admit the lady was right. Her father was known by everyone to be a cold-blooded, ruthless, calculating man. She cried herself to sleep every night, Julian’s letters in her hand.

  Cecile was fast reaching the point where she could no longer hide her pregnancy. She had planned to travel to Lady Adele’s country estate to have the child in secret, when she received an abrupt summons to return home. The count did not ask her if the rumors he had heard about her were true. One look at her swollen belly provided the answer.

  He demanded to know the name of the father. Cecile steadfastly refused to tell him. He called her a whore and struck her across the face, knocking her to the floor. His large emerald ring split her lip, leaving a small, white scar visible to this day. He sent his daughter to a nunnery, where she remained in seclusion until her baby, a son, was born.

  Cecile had not written to tell Julian of her pregnancy, for she knew he would come to her and that would place his life in danger. She had determined to keep the name of the baby’s father a secret. But her labor was long and difficult and at one point Cecile was in such agony and was so exhausted that she feared she would die. In her despair, she confided the name of the baby’s father to the Mother Superior.

  Cecile gave birth to a son. The nuns allowed her to spend a day-one glorious day-with her baby. Then, on the count’s orders, the child was taken away to be placed in the Church orphanage.

  The Mother Superior was a woman of strong convictions. She came from a noble family herself and did not think it proper that the child of a knight should be raised in an orphanage, never knowing his father. The Mother Superior wrote to Sir Julian, telling him he had a son.

  Julian was astounded and confused. He could not help but wonder why Cecile had not told him. He traveled with the family retainer, Benoit, to the nunnery and demanded to see Cecile, but was told she had returned home. She had left no message for him. All he could think was that sh
e no longer loved him. The Mother Superior brought the baby to him. Heartbroken and bewildered, Julian took his son home.

  Several months later, after she had recovered from her ordeal, Cecile returned to court. She was more beautiful than before, if that were possible, but her beauty, which had been warm and vibrant, seemed now cold and glittering. She became the open and avowed lover of King Alaric, a calculated move, meant to ward off the men her father would have forced her to marry. Whenever she received an offer, she was able to manipulate the jealous and grasping Alaric into refusing to give his consent.

  Julian had secretly dreamed his own pretty dream. He nursed the fond belief that Cecile still loved him and that someday they would be together. Then he heard about the affair. Not only was she openly involved with another man, that man was the enemy of Julian’s liege lord, the Duke de Bourlet. If Cecile had stabbed Julian in the heart with a dagger, she could have caused no greater pain.

  Sir Julian was a chivalrous and honorable knight. He would not say a word against Cecile to anyone. Her name never crossed his lips. There were those in his household who knew the truth-or thought they did-and they were free in venting their rage against the woman who had hurt their beloved friend and master.

  Only one man, Julian’s friend, Sir Ander Martel, the baby’s godfather, knew Cecile, knew her father, and knew or was able to guess both sides of the tragic tale. He tried at one point to tell Julian that Cecile had done this for his sake, because she feared for his life. The moment Sir Ander mentioned her name, Julian told him coldly that if he wanted to continue to be friends, he would never speak of her again. Julian de Guichen would eventually learn the truth, but, sadly, only on the night before his execution. Too late to tell his son.

  Stephano, growing up, knew he was different from other children in that he did not have a mother. He was not particularly bothered by this lack. He and his father were extremely close. Sir Julian always refused to speak ill of Cecile, but Stephano’s grandfather felt no such compunction. When Stephano was twelve, his embittered grandfather summoned the boy to his study and told Stephano the truth-his side of it, which had been further tainted over the years by a hatred of King Alaric and his mistress, who, on the death of her father, was now the wealthy and powerful Countess Cecile de Marjolaine.

  Sir Ander, as Stephano’s godfather, could have told the boy what he knew, but that was the time Julian’s friend and patron, the Duke de Bourlet, had openly split from the king. The seeds of rebellion were being sown. Sir Ander did not like King Alaric, but he believed a man should be loyal to the Crown and, although he knew the duke was in the right, in that he had been goaded past endurance into fighting, Sir Ander did not join in the rebellion. He and Julian remained friends, though they were on opposing sides of the terrible conflict.

  As Stephano sat in the carriage, his hat on his knee, he heard again his grandfather’s bitter, hate-filled tirade against his mother, words forever seared in the boy’s memory. He was jolted from his dark reverie when Rodrigo got into a heated argument with the carriage driver, claiming that the man was deliberately taking them out of their way in order to charge them more money.

  “Look, Stephano!” Rodrigo cried, pointing out the carriage’s glass window, “Look where this son of a goat has taken us! Out past the Rim!”

  The continent of Rosia was surrounded by an ocean of air, as were all the continents-the Seven Sisters-of the world of Aeronne. The air, the Breath of God, with its magical properties, was the “sea” on which floated the continents and islands that made up the world of Aeronne.

  Similar to the water in the greater inland seas and lakes, the Breath had currents and moods. The wispy, peach-colored mist of a calm day could quickly darken to the deep reddish orange of a coming water storm with winds that would whip the surface of the Breath to a froth, lifting the heavier clouds from below to wreak havoc with the controls on an airship.

  The mists that were wispy and thin as silken scarves grew thicker as one sank deeper into the Breath, becoming almost liquid at the bottom, or so learned men theorized. No one knew for certain what lay at the bottom because no one had ever been able to penetrate that deep and survive.

  Where the Breath met the shoreline of the continents was called the Rim. To sail beyond the Rim meant leaving land behind and venturing into the mists of the Breath.

  The view out the carriage window was spectacular and, as always, caused Stephano’s heart to contract with both pain and pleasure. When he had been a Dragon Knight, riding the thermals of the Breath, flying among the tendrillike mists, he would always take a moment to view the continent from this angle: the jagged edges of distant mountains, the green of hills, the smoky haze rising from the multitude of chimneys, the airships of all sizes and types sailing in and out of the bustling port of Evreux, the capital city of Rosia and one of the largest and busiest ports in the world.

  He and his dragon mount, Lady Cam, would always share this moment. He would laughingly point out his family’s former small estate, tucked somewhere in those green hills, and she would, with more gravity, mention her family’s estate in the Montagnes Imperiale, the mountain range which the dragons called home. The two would ride the mists, knowing themselves-in the dragon’s grace and beauty and Stephano’s skills as a rider-superior to those who were forced to rely on wood and magic and silk balloons to sail the Breath.

  Lady Cam was dead now. She had died in battle eight years ago, struck down by friendly cannon fire from a ship of their own fleet. She had died and so had the Dragon Brigade. And so had Stephano, in a way.

  Stephano looked at the clouds and took note of the wind speed and the direction the wind was blowing, and then endeavored to make Rodrigo understand that the carriage driver knew what he was doing. Given the conditions, he was taking the best route to the palace.

  “Otherwise, the ride would be bumpy. We would be blown all over the sky, and you would be air sick and complain about that,” said Stephano.

  Rodrigo gave way with such good grace that Stephano suspected his friend had started this row simply to shake Stephano out of his gloomy mood. By that time, they were once more over land and the palace was in view.

  The Sunset Palace was a breathtaking sight, whether seen by day, suspended in the air above the lake, mirrored in the waters below, or at night, when its lighted windows, shining in the darkness, rivaled the stars. The palace was, as its name implied, most beautiful in the twilight, when magical constructs set in the walls reflected the colors of the sky, causing the walls to change color from pink to orange, purple, and blue.

  Simple in design, the palace was a square with a tower at each of the four corners. The entrance consisted of another, smaller square constructed inside the first, with a smaller tower at each of those four corners. The palace’s beauty lay in the graceful magnificence of the towers and the fanciful construction of the one hundred chimneys, each of which was of a different design, so that the palace, from a distance, resembled the skyline of a city.

  The Sunset Palace was the largest floating structure in the known world. The construction of the palace had started during the reign of King Alaric’s grandfather. He had died while the building was still on the ground. Alaric’s father, the late king, had brought crafters from all over to place the magical constructs that had at last lifted the palace up to the heavens, elevating the King of Rosia to a somewhat equal footing with God.

  Stephano noted that several of those fancy new warships drifted in the air near the palace, keeping constant vigil. The ships used the liquid form of the Breath, known as the Blood of God, to stay afloat. The liquid was stored in lift tanks in the hull near the base of the wings and ballast tanks on the mast, which meant the ships had no balloons, only sails. Faster and lighter, these were the ships that had replaced the Dragon Brigade. The navy stood guard because the palace had minimal defenses. Though the towers and walls were strengthened by magical constructs, they were mainly for decoration. Most of the magic went into keeping the palace
up in the air. The warships and the palace guards, mounted on wyverns, patrolled the perimeter, turning away those who did not have business with the royal court.

  A series of buoys, marked with different colored flags, floated in the sky, forming lanes through which carriages were funneled. The large and splendid carriages of the nobility, sometimes drawn by as many as four wyverns, entered one lane. Delivery vehicles entered another. Hired hacks traveled yet another. Stephano’s carriage took its place in line with those.

  When they reached the arrival point, a palace guard looked inside the carriage and, recognizing Rodrigo, exchanged a few pleasantries and waved them on. The carriage flew to the entrance and dropped down onto the open-air paved courtyard. The wyvern rested, tucking its head beneath its wing. The driver dismounted and lowered the steps. Rodrigo and Stephano descended. Rodrigo paid the driver, who touched his hand to his hat and, prodding the wyvern into flight, sailed off.

  A line of footmen stood waiting at the entrance to greet visitors and escort them into the palace, taking them where they were supposed to go, prohibiting them (politely) from going where they weren’t wanted, and generally keeping people from getting lost. The palace had over four hundred rooms and a confusing number of hallways and staircases and corridors, and even Rodrigo, who visited the palace two or three days a week, found the footmen helpful.

  Stephano mentioned the name of the Countess de Marjolaine and showed the footman her letter with her seal. The footman nodded and started out.

  “I’ll come with you,” said Rodrigo.

  “To make sure I go through with this?” Stephano growled.

  “Yes. And I have nothing better to do until the royal levee, which is later this morning,” said Rodrigo.

  The halls of the palace were wide and spacious with wood-beam ceilings and parquet floors. Paintings, colorful tapestries, and deer with immense racks of antlers adorned the walls. Suits of armor from bygone days stood in niches in the walls.