Primrose and the Dreadful Duke: Garland Cousins #1

by Larkin, Emily

  Lady Westcote thumbed through the Ladies’ Monthly Museum, barely glancing at the pages, her lips pursed. Anthea was bent over the dish of sugarplums, choosing the plumpest.

  Charlotte rethreaded her needle and started on the border around her uncle’s monogram.

  Lady Westcote tossed the magazine aside. “Charity.”

  Charlotte lifted her head. “Yes, Aunt?”

  “Fetch my shawl. The cashmere with the pink border.”

  Charlotte obediently laid down her sewing. She let herself out of the parlor and climbed the sweeping oak staircase. Calm, she told herself. Calm. But her resentment was sharp today—she almost tasted it on her tongue, as bitter as bile—and the tight knot of anger in her chest only seemed to grow larger with each step she took.

  She knew why: Today was her birthday. Her twenty-fifth. And instead of everything I dreamed of, I have life at Westcote Hall.

  Charlotte pushed her spectacles firmly up her nose. What she had was better than many others had—a roof over her head, food in her stomach. She was lucky.

  Lady Westcote’s maid, Litton, was laying out evening clothes in her aunt’s dressing room: a gown of puce silk, a turban crowned with curling ostrich plumes, satin slippers. Beneath the cloying scent of Lady Westcote’s perfume was the sour undertone of her perspiration.

  “My aunt would like her cashmere shawl, Litton. The one with the pink border.”

  Litton nodded and turned to the clothes press.

  For a moment they were both framed in the cheval mirror: Litton dressed in a gown of kerseymere that was in the latest fashion; herself in one of Anthea’s castoffs, taken in at the waist and let down at the hem. Alongside the maid, she looked shabby, her wrists protruding from cuffs that were slightly too short.

  I look more like a servant than Litton does.

  “Here you are, Miss Charity.”

  Charlotte took the proffered shawl. “Thank you.”

  She let herself out of the dressing room. I could run away and become a lady’s maid. At least she’d be paid for her drudgery. And no one would call her Charity.

  Charlotte tried to imagine what it would be like. Appleby, this petticoat is ripped. Darn it. Appleby, my hair needs to be curled again. Make sure you do a better job this time. Fetch my tooth powder, Appleby—and be quick about it!

  She pulled a face. No, Litton’s job wasn’t to be envied.

  Charlotte went back downstairs, her hand gliding over the cool oak balustrade. As she stepped onto the half-landing, the hairs on the back of her neck stood upright.

  She jerked a glance behind her. The staircase rose in empty, curving flights.

  Charlotte rubbed her neck. Idiot. She walked briskly down the last half-flight, pushed her spectacles up her nose again, and opened the door to the parlor. “Your shawl, Aunt.”

  Lady Westcote took the shawl without a word of thanks.

  Charlotte gritted her teeth. I am grateful to my aunt and uncle for giving me a home, she told herself. Grateful. She took her seat in the corner of the parlor and bent her head over Uncle Neville’s handkerchief, trying to find a calm place in her mind.

  “Only five months until I make my début.” Anthea clapped her hands in delight. “Oh, I can’t wait, Mama!”

  Charlotte halted mid-stitch. She lifted her head and stared across the parlor at her aunt. And what of my début? What of the promise you made my father on his deathbed?

  “I shall do better than Eliza,” Anthea declared. “I shall catch a husband in my first Season.”

  “Your sister did extremely well.” Lady Westcote arranged her shawl around her shoulders. “Tunbridge is a wealthy man. And well-connected.”

  Charlotte snorted silently. And as stout as a pig that’s been fattened for the Christmas spit.

  Anthea pouted. Her gaze slid to Charlotte. “Even if it does take me two Seasons, at least I shan’t be an old maid.”

  Charlotte pretended the barb hadn’t struck home. She curved her mouth into a smile—cheerful, unruffled.

  Anthea tossed her ringlets and looked away.

  Charlotte returned her attention to the handkerchief. She tried to concentrate on her sewing, tried to make each stitch as small and even as possible, but her cousin’s voice kept intruding. “For my coming-out ball, I want spider-gauze sewn all over with pearls, and a white satin gown underneath. And white satin dancing slippers tied with ribbons.”

  Resentful anger mounted in Charlotte’s chest. It was a dangerous, reckless emotion. It made her want to throw down her sewing. It made her want to tell her aunt and cousin exactly what she thought of them. Made her want to storm out of the parlor and slam the door.

  Made her want to risk being turned out of Westcote Hall.

  Charlotte stabbed the needle into the handkerchief. Gratitude. She had a roof over her head. Clothes on her back. Food in her belly. Those were all things the Westcotes gave her. All things she was grateful for.

  “Charity, pour me another cup of tea.”

  The pressure in her chest increased. My name is Charlotte. “Of course, Cousin.”

  Anthea curled a ringlet around one plump finger. “I shall catch myself a duke. You will all have to call me Your Grace.”

  Charlotte walked to the tea service. She picked up the teapot and poured. In her mind’s eye, she saw herself throw the pot across the room, saw it shatter against the silk-covered wall, spraying tea and shards of porcelain.

  “Your Grace,” Anthea repeated, with a self-satisfied giggle.

  Charlotte glanced at the door, wishing she was on the other side of it. A few hours of silence, of privacy—

  If you want that, you know what you have to do.

  Charlotte took a deep breath. She placed the teacup and saucer on the table alongside Anthea. “Your tea, Cousin,” she said, and flicked the cup with a finger as she stepped back.

  The cup fell over in its saucer with a delicate clang. The porcelain handle broke off. Tea flooded the saucer, spilling onto the tabletop, trickling to the floor.

  “Look what you’ve done!” Anthea cried, pulling her skirts out of the way.

  Lady Westcote surged to her feet with all the majesty of a walrus. “You clumsy creature!”

  Charlotte turned to face her aunt. She felt marvelously calm. Send me to my room for the rest of the day. Please, Aunt.

  “Broken!” Lady Westcote’s face suffused with color. She advanced, one hand upraised. “One of my best Staffordshire teacups!”

  The slap almost dislodged Charlotte’s spectacles.

  “Go to your room! I don’t want to see you until tomorrow.”

  Thank you. Charlotte straightened her spectacles. Heat rushed to her cheek, but beneath the heat was a cool, serene calmness.

  “And don’t think you can ask one of the servants for food!” Lady Westcote cried shrilly. “You can starve until tomorrow morning! Do you hear me?”

  “I do, Aunt.” Charlotte curtsied and let herself out of the parlor.

  She closed the door with a quiet snick and stood for a moment in the corridor. She felt light, as if she’d grown wings and was hovering a foot off the ground. A whole evening to myself. No aunt and uncle. No cousin.

  Relief filled her lungs and spread across her face as a smile.

  A whole evening alone.

  * * *

  Her bedchamber was next to the schoolroom, a small room that had once been the governess’s. Charlotte closed the door and let the silence sink into her skin. The rug was threadbare and the furniture had seen better days, but this room was hers. No one else came here.

  She touched her cheek, feeling the heat, the stinging residue of pain. It had been worth breaking the teacup for this: silence and solitude.

  Across the room, her reflection stared at her from the mirror. Brown hair, brown eyes, a face that was neither pretty nor plain.

  Charlotte grimaced at herself. Happy birthday.

  She curled up on the bed, hugging a blanket around her, enjoying the silence. Daylight drai
ned from the sky. When the room was dark, Charlotte lit a candle and closed the shutters. The clock on the narrow mantelpiece told her it was dinnertime.

  Hunger stirred in her belly. Charlotte ignored it.

  She took the candle next door to the schoolroom. Here, she’d tutored the Westcote boys until their entry to Rugby. Here, she’d taught Eliza and Anthea until their seventeenth birthdays. No words had been spoken in the schoolroom for months, no fires lit in the grate. The air was inert. Cold had soaked into the floorboards, into the walls.

  At the back of the schoolroom was the old pianoforte.

  Charlotte pulled out the stool and sat, resting her fingers on the keys, feeling their smooth coolness.

  She visualized the score, heard the music in her ears, and played the first notes. Quiet. Beautiful. The last of her resentment and anger evaporated. Joy flowered inside her like a rose unfurling its petals. The world receded. Westcote Hall was gone. Her aunt and uncle and cousin were gone.

  The hairs stood up on the back of her neck.

  Charlotte jerked around, lifting her hands from the keys. The schoolroom was empty except for shadows, and so was the doorway.

  The echoes of music died away. She held her breath and heard only silence. No creaking floorboards, no furtive footsteps.

  Stop this foolishness! Charlotte placed her fingers firmly on the piano keys and filled the room with sound. A jaunty, cheerful tune that begged to be danced to—

  “Miss Charity?”

  Charlotte jerked around on the stool. The piano strings vibrated with a discordant hum.

  A housemaid stood in the doorway. “Mrs. Heslop said to give you this. Venison pie. And a newspaper that were in Sir’s fireplace.”

  “Oh, Lizzie.” Foolish tears rushed to her eyes. Charlotte blinked them back and stood. Her footsteps echoed hollowly on the floorboards. “Please thank Mrs. Heslop from me.” The newspaper was charred at the edges, the linen-wrapped pie warm and fragrant.

  Back in her bedroom, she slipped off her shoes, climbed up on the bed, and unfolded the newspaper. A warm glow of happiness spread through her. What a perfect evening: the precious solitude, the music, the kindness of the housekeeper.

  Charlotte ate hungrily, read hungrily. A rich and varied world existed beyond the walls of Westcote Hall and the newspaper brought it vividly to life: the war with France, political debates and criminal trials, the doings of the Prince Regent and the ton, concerts and exhibitions and theatrical performances.

  When she’d finished the pie, Charlotte gave a deep sigh of contentment. This was the best birthday she’d had since her father had died.

  The thought was sobering. She frowned down at the columns of closely typeset print. Her eyes fastened on an advertisement.

  Wanted by a Gentleman’s Family in the county of Hertfordshire, a GOVERNESS competent to instruct two young girls in Music, Geography, and English. A thorough knowledge of the French language is required.

  Charlotte reread the advertisement. She could do that.

  Her gaze skipped down the page. Wanted immediately, a single YOUNG MAN to act as a Gentleman’s secretary. A strict Character required. Good wages will be given.

  She could do that, too. Hadn’t she been her father’s secretary until his death? And a secretary would earn more than a governess.

  But she wasn’t a man.

  Charlotte pulled a face and read further.

  A position exists for a JUNIOR SCHOOLMISTRESS well-qualified to teach English, French, and Latin grammatically. Applications to Mrs. Bolton, of Mrs. Bolton’s Ladies’ Boarding School, near Basingstoke. Testimonials of Character will be required.

  Charlotte read the advertisement again. If she worked at a school, she’d have colleagues, other teachers she could become friends with.

  Friends.

  Charlotte raised her head and stared across the bedchamber, not seeing the stiff wooden chair in the corner. I should like a friend. Someone she could talk with, share confidences with, laugh with.

  But who was to say that she’d find a friend at Mrs. Bolton’s Boarding School?

  And did she really want to be a junior schoolmistress?

  It couldn’t possibly be any worse than life at Westcote Hall and quite likely much better—at the very least, she’d be paid for her labor—and yet . . .

  She recognized the uneasy, twisting sensation beneath her breastbone: fear.

  The Westcotes were her only family. They might treat her little better than a servant, but they gave her a home, gave her safety and security. If she left, there’d be no coming back; her uncle had made that quite clear.

  Charlotte frowned at the wooden chair in the corner. What was more important?

  Family? Security?

  Or independence?

  If I leave, will I regret it? Or will I regret it more if I stay? Without foresight, there was no way of knowing—

  The wooden chair was no longer empty. A woman sat there.

  A scream choked in Charlotte’s throat. She jerked backwards on the bed. The hairs on the back of her neck, on her scalp, stood upright.

  The woman snapped her fingers. A fire flared alight in the fireplace, flames filling the narrow grate and roaring up the chimney. Four blazing beeswax candles appeared on the mantelpiece.

  “That’s better.” The woman folded her pale hands on her lap. She was dressed in a gown that had been fashionable hundreds of years ago, blood-red velvet trimmed with gold. A high white lace ruff framed her throat and head. Her face was as pale as wax, her eyes as black as obsidian, not reflecting the candlelight, but swallowing it. “Charlotte Christina Albinia Appleby?”

  Like to read the rest?

  Join my Readers’ Group and receive a free digital copy.

  Or you can find Unmasking Miss Appleby at your e-bookstore.

  Acknowledgments

  A number of people helped to make this book what it is. Foremost among them is my developmental editor, Laura Cifelli Stibich, but I also owe many thanks to my copyeditor, Maria Fairchild, and proofreader, Martin O’Hearn.

  The series logo was designed by Kim Killion, of the Killion Group, and the cover is the work of the talented Jane D. Smith. Thank you, Jane!

  And last—but definitely not least—my thanks go to my parents, without whose support this book would not have been published.

  Emily Larkin grew up in a house full of books—her mother was a librarian and her father a novelist—so perhaps it’s not surprising that she became a writer.

  Emily has studied a number of subjects, including geology and geophysics, canine behavior, and ancient Greek. Her varied career includes stints as a field assistant in Antarctica and a waitress on the Isle of Skye, as well as five vintages in New Zealand’s wine industry.

  She loves to travel and has lived in Sweden, backpacked in Europe and North America, and traveled overland in the Middle East, China, and North Africa.

  She enjoys climbing hills, yoga workouts, watching reruns of Buffy the Vampire Slayer and Firefly, and reading.

  Emily writes historical romances as Emily Larkin and fantasy novels as Emily Gee.

  Never miss a new Emily Larkin book. Join her Readers’ Group and receive free digital copies of The Fey Quartet and Unmasking Miss Appleby.

  www.emilylarkin.com

  Also by Emily Larkin

  THE BALEFUL GODMOTHER SERIES

  * * *

  Prequel

  The Fey Quartet novella collection

  Maythorn’s Wish ~ Hazel’s Promise ~ Ivy’s Choice ~ Larkspur’s Quest

  * * *

  Original Series

  Unmasking Miss Appleby

  Resisting Miss Merryweather

  Trusting Miss Trentham

  Claiming Mister Kemp

  Ruining Miss Wrotham

  Discovering Miss Dalrymple

  * * *

  Garland Cousins

  Primrose and the Dreadful Duke

  Violet and the Bow Street Runner

  * * *

/>   Pryor Cousins

  (Coming soon)

  * * *

  OTHER HISTORICAL ROMANCES

  * * *

  The Earl’s Dilemma

  My Lady Thief

  Lady Isabella’s Ogre

  * * *

  The Midnight Quill Trio

  The Countess’s Groom

  The Spinster’s Secret

  The Baronet’s Bride

  * * *

  FANTASY NOVELS

  (Written as Emily Gee)

  * * *

  Thief With No Shadow

  The Laurentine Spy

  * * *

  The Cursed Kingdoms Trilogy

  The Sentinel Mage

  The Fire Prince

  The Blood Curse

  Copyright © 2018 by Emily Larkin

  All rights reserved.

  No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

  www.emilylarkin.com

  Publisher’s Note: This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Locales and public names are sometimes used for atmospheric purposes. Any resemblance to actual people, living or dead, or to businesses, companies, events, institutions, or locales is completely coincidental.

  Primrose and the Dreadful Duke / Emily Larkin. -- 1st ed.

  ISBN 978-0-9951050-6-5

  Cover Design: JD Smith Design

  Created with Vellum