John Dryden - Delphi Poets Series

by John Dryden

  The maxim noscitur a sociis is entirely in Walton’s favour, for his ecclesiastical heroes are the flower of the Church of England of his day. His treatment is in general very satisfactory, entirely sympathetic, the first qualification of biography, and much less marred by prejudice and party spirit than was to have been expected from the agitated character of the times. The simple unaffected style almost verges upon garrulity. Though not a scholar, Walton seems to have possessed sufficient acquaintance with theology to avoid misrepresentation of eminent divines; while the chief value of his work consists in its portrayal of almost ideal charity, meekness, and learning; and in the curious anecdotes embedded in it, such as Pope Clement VIII.’s high appreciation of Hooker, James I.’s influence upon the composition of Sarpi’s History of the Council of Trent, Charles I.’s translation of Sanderson (unfortunately lost), and his infatuated regret expressed to the same divine for having consented to the abolition of episcopacy in Scotland. Walton, into whose composition mirth entered, but not humour, records this with the same gravity with which he chronicles Charles’s injunction to the Merry Monarch to be above all things diligent in the study of Richard Hooker. Some light may possibly be thrown upon the vexed question of the interpolation of the last three books of the Ecclesiastical Polity, by the statement of Hoole, a contemporary schoolmaster, when exhorting his scholars to good penmanship, that many of Hooker’s sermons had been destroyed after his death from the impossibility of deciphering his handwriting.

  CHAPTER XII. DIVINITY.

  The Pulpit in the Restoration epoch.

  Passing from the biographers of divines to the divines themselves, we observe that, with the signal exception of Pilgrim’s Progress, nearly all the writers in this department whose productions have established a claim to rank among English classics belong to ‘the company of the preachers.’ This is not in itself surprising; preaching stimulates eloquence, and the homilist enjoys a much greater freedom of range, and a fuller exemption from restraint, than the writer upon strictly technical or professional subjects. It does, however, at first sight seem remarkable, that an age so generally decried for immorality as the Restoration should, with the decade immediately preceding, have been the golden age of the English pulpit. In fact, as we have implied when treating of the drama, the apparent licence of the age did not really extend much beyond gay and fashionable circles, which could not greatly affect the pulpit except to its advantage, by furnishing it with impressive topics. Even in these circles immorality was far from necessarily implying irreligion; and the sober citizens who crowded churches and meeting-houses, and the universities, whose routine afforded so many opportunities for the delivery of discourses from the pulpit, were much as heretofore. In the rudimentary condition of the press as an organ of public information and education, and when the meeting was hardly an institution as yet, the spoken word possessed a power of which the newspaper has since gone far to deprive it. In times of public disquiet, such as the days of the Exclusion Bill or those which preceded the Revolution, churches and chapels were crowded with people seeking guidance, popular sermons went through edition after edition, and popular divines were almost tribunes of the people. Theological considerations moulded political opinion to a degree now hardly conceivable; the storm of pamphlets on both sides called forth by the resipiscence or tergiversation of a leading divine like Sherlock shows what importance attached to his conduct upon either view of it. The age, moreover, was in the stage of literary development most favourable for pulpit eloquence. As a huge glacier takes longer to melt than a small one, the quaint and involved periods of the Elizabethan pulpit stood out longer than ordinary prose against the disintegrating influence of seventeenth century taste, and while the new movement was triumphant in most branches of literature, it in general only affected the style of the sermon so far as to chasten and mellow it, leaving it still that sonorous dignity and that flavour of the antique with which stately and impressive eloquence can rarely dispense. The two greatest preachers, Barrow and South, stand just upon this culminating point of excellence, uniting the majesty of the old style to the ease and clearness of the new. Tillotson, going a step further, and bringing the pulpit down to the level of ordinary educated society, performed indeed a most useful work, but inevitably prepared the way for the sensible but unimpressive preaching of the next century.

  Isaac Barrow (1630-1677).

  Isaac Barrow, Master of Trinity College, was the son of a respectable tradesman, linendraper to Charles I. His royalist and Arminian opinions kept him back under the Commonwealth, but after the Restoration he was acknowledged as the first mathematician of his country, except, as he was the first to allow, another Isaac whose surname was Newton. Newton, who had been Barrow’s pupil, revised his lectures on optics (1669), an epoch-making work, but composed in Latin, as were his scarcely less celebrated lectures on geometry. His reputation as an English classic rests upon two great theological works, his Treatise on the Pope’s Supremacy (edited, after his death, by Tillotson) and his Exposition of the Creed, and upon his sermons, which do not seem to have been extremely popular in his own day, though gaining the suffrage of such dissimilar men as Locke and Charles II., who called Barrow ‘an unfair preacher, because he exhausted every topic, and left no room for anything to be said by anyone who came after him.’ It may be reasonably conjectured that when Barrow preached before Charles he did not indulge in the inordinate expansiveness, it was not prolixity, that sometimes drove away his congregation. It is to the king’s honour that his bestowal of the mastership of Trinity upon Barrow was entirely his own act.

  Robert South (1633-1716).

  Robert South, on the whole perhaps the greatest preacher of his age, was born in 1633, and educated at Westminster and Christ Church. He is accused by Antony Wood, the principal authority for his life, of having been a time-server, who sided successively with the Independents, the Presbyterians, and the Church of England in the days of their power. Wood seems, however, to have had some private grievance against him; and if South was really at the same time so pliant and so able, it seems strange that he should have attained no higher preferment than stalls at Christ Church and Westminster. Quarrelsome he certainly was, and he entered into a most acrimonious controversy with Sherlock, which it required a royal proclamation to compose. He died in 1716.

  John Tillotson (1630-1694).

  Unlike South’s, the character of John Tillotson is no matter for controversy. With the possible exception of Archbishop Herring, he was the most amiable man that ever filled the see of Canterbury, and was pronounced by the discerning and experienced William III. the best friend he had ever had and the best man he had ever known. To the meekness of the pastor Tillotson added the qualities of the statesman, and happy was it for the Church of England that such a man could be found to fill the primacy at such a time. As a master of oratory he is greatly inferior in eloquence to both Barrow and South, but historically is more important than either, for Addison was influenced by him, and his discourses long gave the tone to the English pulpit, affording the almost universally accepted model throughout the greater part of the eighteenth century.

  Of these three great preachers South is certainly the greatest as respects eloquence and energy of diction. Almost every sentence is striking, and at the same time in perfect good taste. By so much, however, as he surpasses his rivals in purely literary qualities, does he fall below them in others even more essential to the preacher. His judgment is often greatly at fault, he commits himself to plainly untenable propositions, and enforces them with the confidence of one displaying self-evident truths. After a few experiences of this kind the reader begins to look upon him as a rhetorician, and to prefer the more cautious, but still vivid and vigorous ratiocination of Barrow; or the ‘sweet reasonableness’ of Tillotson, inferior to Barrow, as he to South, in the gifts of the consummate orator, but more truly persuasive in the gentleness of his expostulation and his transparent candour.

  Edward Stillingfleet, Bisho
p of Worcester (1635-1699), though a fine preacher, is less remembered in this capacity than for his unsuccessful controversy with Locke and his Origines Sacrae, a work of great learning in defence of the Church of England, which Coleridge in his Notes on Books emphatically prefers to the corresponding labours of Chillingworth. Coleridge was naturally prejudiced in favour of the antagonist of Locke, whose graces of mind and person, however, are attested by a dispassionate witness, Pepys.

  Theology, apart from eloquence, is hardly entitled to a place in literary history; yet some of the theologians of the period were too illustrious to be passed over without mention. John Pearson, Bishop of Chester (1612-1686), ranks among the Fathers of the Church of England by his standard work on the Creed. ‘Pearson’s very dust,’ says Bentley, ‘is gold.’ Barrow’s great controversial treatise has been mentioned. George Bull, Bishop of St. David’s (1634-1710), achieved even more, for he extorted the thanks of the clergy of France by his Nicaenae Fidei Defensio (1685), written in Latin, but afterwards translated into English. The author’s object was to prove the orthodoxy of the Ante-Nicene Fathers, which had been disputed by several Protestant divines; the cost of publication was borne by the munificent Bishop Fell. The French prelates further paid Bull the equivocal compliment of wondering why in the world so excellent a man did not join the Church of Rome. Talis cum sis, utinam noster esses. Bull expounded his difficulties in a treatise on the corruptions of that church, the most popular of his works at home, but which, being written in English, failed to vindicate his position in the eyes of the Frenchmen. Next to these giants of learning may be named a very dissimilar person, Richard Baxter (1615-1691), whom moderate men had designated for a bishopric at the Restoration, but whom the Bartholomew’s Day of 1662 made a Nonconformist. He wrote one hundred and sixty-eight books, two of which have survived, A Call to the Unconverted and The Saints’ Everlasting Rest. The latter Professor Minto calls ‘a volume of pious thoughts that have a peculiar interest when we view them as the aspirations of an infirm man turning wearily from the distractions of a time utterly out of joint.’ The writings of George Fox, the founder of Quakerism, mostly belong to a previous period; but the No Cross, no Crown of William Penn (1644-1718) falls within Restoration literature. A far more important work is the Apology of Robert Barclay (1648-1690). This remarkable book, which has been recommended by bishops to theological students as the best available for many purposes, is the standard exposition of Quakerism, and undoubtedly ranks among the classics of its period. Mr. Leslie Stephen describes it as ‘one of the most impressive theological writings of the century: grave, logical, and often marked by the eloquence of lofty moral convictions.’ ‘The St. Paul of the Quakers,’ says Coleridge of the author. Barclay, the descendant of an old Scotch family, became a Quaker in 1667, following the example of his father. He underwent some persecution, but was in the main shielded by the favour of James II. His works were collected by Penn in 1692.

  Two devotional writings of the age, besides Baxter’s, obtained sufficient currency to merit a place in the history of literature. The Whole Duty of Man, first published in 1658, is an excellent representative of the sobriety and sound sense characteristic of the Church of England. At the same time it must be confessed that it has more reason than unction, and seeks rather to menace and upbraid than to allure men into the religious life. At the present day it would be pronounced grievously deficient in fervour, servile in its political teachings, and too exclusive in its appeals to prudential and self-interested motives; but its adaptation to a positive and prosaic age was sufficiently evinced by a circulation enormous for the period. The authorship is involved in mystery: it is usually attributed to Archbishop Sterne or Lady Pakington; but Sterne can hardly have had time to write the seven other treatises ascribed, apparently with good ground, to the same author; and it is clearly not the composition of a woman. Evelyn attributes it on the authority of Archbishop Tenison to a Dr. Chaplin, of University College, Oxford, who cannot be traced. Lately Mr. Dobie, in the Academy, has ascribed it and its companions on strong grounds to Richard Allestree, Provost of Eton, an intimate friend of Bishop Fell. The Bishop appears to have copied some of them in his own hand, and certainly was acquainted with the authorship. The most important of the other works ascribed to the writer of The Whole Duty of Man are The Causes of the Decay of Christian Piety, The Gentleman and Ladies’ Calling, and The Government of the Tongue.

  Another work of edification, which almost rivalled the popularity of The Whole Duty of Man, was the Practical Discourse concerning Death (1689), by William Sherlock (1641-1707), Master of the Temple and Dean of St. Paul’s, the divine whose tergiversations respecting the oath of allegiance to William and Mary are so amusingly detailed by Macaulay. It is a model of clear and forcible writing, but on the lowest plane of unspiritual selfishness. ‘How unreasonable is it for us to trouble ourselves about this world longer than we are like to continue in it!’ exclaims Sherlock, with the air of one apologizing for enunciating a truism.

  John Ray (1628-1705).

  Natural theology had a representative of much higher moral calibre than professional theology found in Sherlock in John Ray (1628-1705). Ray, a Cambridge man, prevented by scruples from ministering in the Church of England after the fatal legislation of 1662, but substantially accepting her doctrines, was the first English naturalist of eminence, and wrote chiefly in Latin, but composed his treatise on The Wisdom of God in the Creation in his mother-tongue. The anthropomorphism of this earnest, lucid, and ingenious book, the prototype of Paley’s, is a defect hardly to be avoided in an age when the Deity was almost universally conceived as an artificer; and yet Ray comes very near indeed to the conception of a power immanent in Nature. His style is limpid and persuasive; his reasoning cogent; his good sense is apparent in his discussion of spontaneous generation and the stories related in its support, although the caution and modesty of his temper sometimes incline him to defer too much to authority. He has no mercy, for example, on frogs rained from the sky, but will not, in the face of the testimony of eye-witnesses, carry scepticism to the point of disputing that they may have been occasionally found immured in the middle of stones.

  Ray’s teleology had allies in Derham (1657-1735), an observant naturalist and author of Astro-Theology, and in the Hon. Robert Boyle, the best of men in disposition, and an admirable natural philosopher, but feeble and diffuse as a natural theologian.

  Thomas Burnet (1635?-1715).

  Thomas Burnet, Master of the Charter House, is the reverse of Boyle in most respects; a visionary as natural theologian and natural philosopher, but the only writer of his day, the great preachers excepted, who attained to sublimity in prose. A Cambridge man and a pupil of Tillotson, Burnet was elected Master of the Charter House in 1685, and signalized himself by his courage in resisting James II.’s attempted intrusion of Roman Catholics into the foundation. He became Clerk of the Closet to William III., which post he was obliged to resign from the freedom of his criticism of the Mosaic narrative, but retained his mastership unmolested to his death. He left behind him two theological works in Latin, privately printed, but soon afterwards published, De Fide et officiis Christianorum and De Statu mortuorum et resurgentium, in which he carried the liberty of speculation very far. The book on which his fame rests, The Sacred Theory of the Earth, was also originally composed in Latin, to which circumstance it is probably indebted for much of its exceptional dignity of style. It was intended by the author as sober natural philosophy, but to a scientific age appears a poetical vision of the former immersion and future conflagration of the earth, justly compared by Mr. Gosse to the gorgeous apocalyptic imaginings of Danby and Martin. According to Burnet the earth was originally an egg both in shape and smoothness, enclosing the waters in an ‘antediluvian abyss.’ At the universal deluge the earth sank into this internal cavity. Upon the subsidence of the waters the land partly emerged in the confused shapes into which it had been tumbled by the crash, partly remained beneath the sea. The ar
gument is very ingenious and entertaining, and instructive also, for it exhibits to perfection two of the most ordinary causes of fallacy, the assuming imaginary data as unquestionable premises and the enthusiast’s adoption of sublimity as the standard of truth. Burnet’s mind was the mind of a poet; he had just enough science to misguide him, and more than enough learning to gloss over the vagaries of his science. He is quite as much at home in expounding the catastrophe of the future, the final conflagration, as the watery catastrophe of which he believes the traces to be visible everywhere around him. At the same time he has a strong affinity to the rationalizing divines, even more visible in his strictly theological writings, and would not for the world propound anything of whose reasonableness he has not first convinced himself. As a writer he stands high, combining the splendour and melody of a former age with the ease and lucidity of his own. The following is a fair average specimen of his picturesque imagination and impassioned diction: