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Clay Pots and Bones

Page 5

by Lindsay Marshall


  symphony as they caress the

  underside of my kwitn,

  my transport to lilies.

  Summer flies dance just above

  the surface, tempting the hungry

  ones from below the clear summer

  waters of Indian Lake.

  A transport truck rattles by,

  bellowing air, ending my travel

  back in time. The wind changes

  as I guide my kwitn back to

  shore, back to our time,

  back to now.

  The Blackened Hole

  A naked man runs out

  of a burning house,

  his screams silenced by

  the acrid by-product

  of toxins, varnished wood,

  and petrochemicals.

  The resourceful volunteers

  strain to hear his last sounds

  but only gasps and pained

  noises escape his charred

  mouth. He falls. No one

  catches him. His chest

  rises silently then stops

  in mid-breath.

  The fire continues to

  engulf, casting an illuminated

  shadow on the pitch dark

  night. Stars blink as they

  have always done. The

  morning stops the night

  in its tracks.

  The blackened hole where

  the house once stood holds

  secrets soon to be covered

  by the newly arrived

  idling bulldozer,

  standing at attention

  like a pallbearer,

  doubling as an anxious

  grave digger who gets

  paid by commission.

  The Church of the Council

  The room was packed with faces,

  young and old, from near and far,

  all here for one purpose – to discuss

  the state of affairs of the religion of

  The Church of the Council which

  was affiliated with The Thirteenth

  House of Whoever Was in Power.

  This was an annual event which drew

  many to hear the words of the old

  and wise ones who were elected to

  their positions on The Church of

  The Council. The Church was a

  not-for-profit organization and seldom

  ever in fiscal shape due to the

  lack of fiscal restraint and exercise.

  Now the white-haired ones

  had a plan but in order for this plan

  to pass and be implemented, it needed

  the support of the dark-haired ones

  who were the majority and unruly.

  The Speaker rose from his great seat

  and began to address the congregation

  in a slow and deliberate manner.

  The speech was long and between

  naps the wisest of the wise heard the

  words and was slowly lulled to his

  usual spot in dreamland, which was

  far more interesting than the speech

  of the Speaker, entering its second

  full hour. Then at the exact time when

  the Speaker was to launch his third

  hour, a sound was heard from the back of

  the room. A dark-haired one stood. The room

  fell quiet as he made his way to the

  centre of the Great Hall and stopped amidst

  the rows of white-haired ones to his right

  and dark-haired ones to his left. All were

  facing the Great Chair in which sat the

  Speaker who was shocked into silence at

  being so rudely interrupted. He sat with

  his hands and mouth open in mid-sentence.

  The dark-haired one said in a loud, clear

  voice that everyone in the hall heard,

  “I have sat here and listened to the Speaker

  for two full hours and yet I have not

  heard anything I have not heard before.

  These points that he makes can be found

  in the minutes from last year’s assembly.

  I suspect as usual the only person who has

  read the minutes is the person who has copied

  in quill our script. My question is this: why do

  keep repeating the same things year after year?”

  With this simple question the room exploded

  with more questions similar in nature.

  As quickly as they came, they went their separate

  ways, never to meet again. The Church of the

  Council was expelled from The Thirteenth House

  of Whoever Was in Power.

  Rain falling slowly on my

  Red Native Canadian back.

  Sensations evoke a soft

  Touch of a woman I knew,

  Once, only once.

  Once, Only Once

  Once, Only Once

  Rain falling slowly on my

  Red Native Canadian back.

  Sensation evokes the soft

  touch of a woman I knew,

  once, only once.

  Warm caress of cloud water

  spreading throughout.

  A lonely large drop sliding

  down my shoulder past

  the curve of my back

  Falling and hitting the deck.

  Idling

  Sitting with idling thoughts,

  intangible mind pollution.

  Eyes like glass steaming up.

  drawing fleeting images.

  Fiery orb staring down

  from its distant height,

  changing everything to its

  terms and conditions,

  effecting and affecting

  my outlook inside this

  cranium capsule of time.

  Tasks and Demands

  I walk into my cluttered space,

  screen stares back, waiting

  for tasks and demands.

  A call comes in from a member

  who is dissatisfied with her lot

  and wants to spend an hour in

  confessional, but I have no collar.

  When we finish, she talks with

  less strain while my shoulders

  sag under her adopted burdens.

  Someone knocks.

  Screen flashes warnings as

  flying windows dance across

  the single cube-like glass eye.

  Another soul starts with shouts,

  anger pulsing through his veins.

  Stories of leaking windows,

  dripping taps and front end jobs

  on a new car purchased with a

  child-tax-credit downpayment. No

  questions, just money and the first

  month free from payment or guilt.

  Potholes causing wear and tear.

  “How can I get my cheque

  when the roads are so bad?”

  I answer, “We’ll try harder next time.”

  He shouts, “My vote I’ll keep,

  you’ll not get it this year.”

  “Suit yourself.”

  All alone now except for flying windows

  patiently awaiting tasks and demands.

  Our Hearts Were Beating One With Their Drum

  They were drumming for the one

  we were mourning.

  A walk with my son from

  our talk, our sharing,

  Our pain.

  We saw the brigh
test

  star. We knew who,

  our burden less.

  All alone except for our pain.

  the blue-black night,

  and the drum.

  We both heard it, music for

  two battered hearts walking as one.

  It began to change us.

  Our hearts were beating

  one with their drum,

  healing.

  They were drumming for the one

  we were mourning.

  We heard them give their hearts

  to the drum for their friend,

  for our boy, cousin, Godson.

  The days are better now,

  moments of silence.

  Our hearts were beating

  one with their drum.

  They were drumming for the one

  we were mourning.

  Dreams Not Wanted

  Who are you?

  Chief

  Poet

  Man

  Father

  Husband

  Son

  Brother

  Relation

  Friend

  Connection

  similar to the silky strands of a spider’s web

  capturing light and sustenance, keeping out

  dreams not wanted.

  A Work in Progress

  Snowflakes, as white as

  can be, fall easily,

  melting upon contact

  with the open palm of

  my outstretched hand.

  I raise it to the heavens

  as an offering, a sacrifice

  to the silent descending

  pure grace.

  The artist from afar

  dispenses the solitary

  colour as if to shroud

  one of Vincent’s starry nights.

  My gauche hand feels lighter,

  allowing it to rise higher

  as the vapour from my breath

  slowly ascends and drifts

  aimlessly away from

  my moment of tribute.

  The severed reminder,

  complaints of phantom pain,

  nothing.

  Flesh versus steel,

  steel wins. Flesh loses

  to the gods of tomorrow.

  All arrangements complete,

  the service at sunrise

  for a nail, a bone, a scrap of flesh.

  And the eulogy,

  a work in progress.

  Dance Along the Ghost Highway

  (Translation)

  The fire warms and comforts him.

  fixing his gaze.

  They call him

  the Old One Who Knows,

  the young men

  whose hair is black as night.

  while his a reminder of a winter

  that is never far away.

  The fire leaps,

  throwing sparks

  into the moonless night.

  All is ready for stories,

  the gift of past ones

  who dance along the ghost highway.

  They light the pipe,

  and tobacco smoke

  clouds each man’s face

  like the morning fog

  as it rises from the lake.

  He remembers as a boy

  how he would sit

  as quiet as a shadow

  listening to the Old Ones

  recount hunts, hungers and wars.

  Now the stories are ready.

  He knows those

  who sit with him tonight

  will remember.

  He is slow to start,

  slow to eat

  and slow to move.

  Finally, with the voice of thunder

  he begins to weave a story

  from a fire pit

  long forgotten.

  Under these stars

  that seem to dance

  in rhythm with his voice,

  the time is right.

  Skite’kemrujewey Awti

  Kisikuo’p elisink kikjuk puktewiktuk,

  Puktew tele’k kutey mimajikek,

  ke’s puksuk pijekemk te’s wnaqiaq,

  kutey kloquejk alayjita’jik,

  aqq mikwite’tk ta’n tuju

  nutqwe’kek i’tla’tekes,

  l’pa’tu’jijuijek nekm mikwite’tmajik

  kisiku’k eloqisultijik kikjiw puktukewiktuk,

  kikto’qipultijik, kikto’qamkipultijik,

  aknutma’tijik.

  Msit wen a’tukwet aqq kwetmtijik,

  tmaweyey wtlu’tew alayja’sik

  msit tami wsiskuk kutey

  eksitpu’kewey u’n ke’sk kwetmaj,

  jiksitmawet, jiksitk a’tukwaqn.

  Ankite’tk, poqji mikwite’tkl a’tukwaqnn,

  poqji ankite’tkl kisiku’k wtayjual,

  ankite’tk a’tukwaqn ta’n tewije’k,

  wen aqsutkis, wen mawtmk telues,

  poqji ankite’tk ta’sisni’k kisiku’k

  kikto’qi pemkopultijik puktewiktuk

  aqq weskewo’ltijik.

  Tal lukutisni’k etuk na’kwek,

  waisisk al’kwilua’tijik,

  al’kwilmu’tij ta’n i’taq aqq msit

  tami elapa’sin oqnitpa’q

  aqq kejia’tiji skite’kmujk eymu’tijik.

  Na kisikuo’p apaja’sit,

  alapa’sit puktewiktuk,

  nutqo’ltite’wk ankama’titl

  askise’nmi’tij puktew,

  wel pmiaq puktew,

  wenaqapa’sit, wasoqa’latl wtmaqnml,

  illama’teket, na poqj aknutk,

  poqji a’tukowajik nutqo’ltite’wk,

  ankamajik aqq nemi’sit aqq kejitoq

  nekm nike’ankamut,

  nekm nike’ jiksitut aqq nekm nike’kisiku.

  kisiku ata’a’tukwet.

  Two New Poems

  Demasduit

  In the National Library and Archives Preservation Centre

  I saw sights

  no one from my tribe

  has ever seen.

  I saw paintings of canoes,

  of birch bark wi’kuoms,

  and brown faces

  encased in oil.

  In these crypts

  where the temperature is perfect

  the humidity constant,

  paintings, sealed off

  from man and catastrophe.

  She was the last

  known image of a race,

  a tribe.

  She was wrapped in a fur stole,

  and her eyes looked out and saw

  she was the last known image.

  She was Mary March,

  she is Demasduit.

  As the drawer rolled shut

  and she returned to the stony silence of her crypt,

  awaiting the next generation,

  I wept.

  Our Sisters

  Our sisters –

  Who has seen them last?

  The 824 who speak

  No more, nowhere,

  Their songs fell silent,

  Their trail on glassed ice

  Rubbed away till gone.

  Speak – we must speak

  Dance ­– we must dance

  Warn others – we must warn

  Search – we must search

  Our sisters

  Our mothers

  Our aunts

  Our cousins

  Our friends

  Without you the pain grows

  Without a
nswers

  More will be taken.

  No more.

  Taho.

 

 

 


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