New Cthulhu 2: More Recent Weird

by Elizabeth Bear

  I wasted no time at all in plucking the blasphemous mollusk from its stony plinth with tongs and gloves. As I lifted it, the creature stabbed out with a sharp red spike which protruded from the point of its shell: I was heartily glad for my foresight. “Where do you want me to take it?” I asked my muse. I gave the cone a sharp shake & the red spike retracted, sullen at being foiled.

  Hetty clapped delightedly. “Follow me!” she sang, & skipped away between the gravestones.

  Of course I knew the front of her parents’ house on Waterman Street, but I felt it unwise to show any sign of this. I allowed Hetty to lead me through the boneyard & along a grassy path between ancient drystone walls to the alley abutting the back of her family home. There was a tall wooden gate, and beyond it a yard and stables. I was preoccupied with carrying the cone-shell at arm’s length, for its homicidal rage had not escaped my attention. Periodically it shivered & shuddered, like a pot close to boiling over. Being thus distracted I perhaps paid insufficient attention to the warning signs: the flies, the evident lack of labour applied to cleaning the back stoop, & above all the sickly-sweet smell of rotting meat. “Come inside,” Hetty said coyly, producing a key to the padlock that secured the gate. “Bring Peter with you!”

  She opened the gate & nipped inside the yard. I followed, barely noticing as she secured the portal behind me with hasp & cunning padlock. “Come to the stable,” she sang, dancing across the cobbles despite the pervasive miasma of decay that hung heavy over the yard like the fetid caul of loathsome exudate that hovers above the body of a week-dead whale bloating in Nantucket sound during the summer months. “Let me show you my darling, my one true love!” As she said it, the cone in my tongs gave a quiver, as of rage—or mortal terror. As it did so I gagged at the stench inside the yard, & my grip loosened inadvertently. The snail-thing gave another ferocious jerk, then slipped free! It caught the end of my tongs with one sucker-tipped tentacle, uncoiled to lower itself to the decaying straw-strewn cobbles below, then let go before I could respond. Hetty gave a little shriek of dismay: “Oh, the poor little man! Now the others will eat him alive!”

  For what happened next I can only cite my callow youth & inexperience in exculpation. I panicked a little, tightening my grip on my tool as the deadly giant snail turned around as if assessing the arena in which it found itself. I took a step backwards. “What is going on?” I demanded.

  The singular snail reared, point uppermost, as if tasting the sour & dreadful air. A host of small tentacles appeared around its open end, and it began to haul itself on suckers across the decay-slicked stones, proceeding in the direction of the stable doors & the darkness that I could even then sense lurking within.

  Hetty smiled—a horrid, knowing expression, unfit to grace the visage of a member of the fairer sex. “The daddy-snails and the missy-horses dance together & dine, and those that survive join in matrimonial union to become a mummy-horse,” she intoned in a sing-song way, as if reciting a nursery rhyme plucked from the cradles of hell. “My mummy-horse rests yonder,” she said, gesturing at the decaying stable doors, slicked with nameless dark fluids that had been allowed to dry, staining the wood. “Would you like to see my mummy?”

  I felt faint, for I knew even then that something terrible born of an unfathomable madness had happened here. Heartbroken—for there is no heartbreak like that of a fourteen-year-old lad whose muse reveals feet not of clay but of excrement—I nevertheless gathered my courage and stood my ground. “Your mummy,” I said. “You do not speak of Mrs. van t’Hooft, in this case?”

  She shook her head. “My mother—” she pronounced the word strangely—“is sleeping in the stable with mummy-horse. Would you like to see her?” A horrid glow of anticipation crept into her cheeks, as if she could barely conceal her eagerness to cozen me within.

  I wound up the reins of my bravery to the breaking-point & tightened my grip on the fire-tongs. They felt flimsy & intangible in my grasp: oh for the shield and sword of a Knight of the Round Table! My kingdom for a charger & a lance, or even the cleansing flare of a dragon’s hot breath! “Show me to your mummy-horse,” I told Hetty, thinking myself brave & manly & willing to face down monsters for a young man’s apprehension of love: thinking that whatever this monster was, I should have the better of it.

  More fool I!

  They do things differently in East Sussex, or so I gather. My informant in this matter is Greg Scullery, and the nature of the difference is a leisurely lunch at a country pub in place of a hasty sandwich break snatched at one’s office desk in Central London.

  I am initially worried about Greg’s willingness to down a pint before lunch, but by the time our food arrives and we’ve cleaned our plates my worries evaporate—assisted by Greg’s smooth transition onto lemonade and soda, albeit replaced by new worries about what we’re going to find down on Edgebaston farm. Because Greg has got that disturbing snail-shell, and with the fresh context provided by the Lovecraftian confessional in the EQUESTRIAN RED SIRLOIN dossier, I’m going to have a hard time sleeping tonight unless I successfully lay that particular ghost to rest.

  “It’s not a horse, let’s get that straight,” Greg explains between bites of a disturbingly phallic sausage. “It’s not Equus ferus caballus. It might look like one at certain points in its life cycle, but that’s simple mimicry. Not Batesian mimicry, where a harmless organism imitates a toxic or venomous one to deter predators, much as hoverflies mimic the thoracic coloration of wasps, but rather the kind of mimicry a bolas spider uses to lure its prey—using pheromonal lures and appearance to make itself attractive to its next meal. It’s an equoid not an equus, in other words.”

  I suppress a shudder. “How do you tell a female unic—equoid—from a real horse?” I ask.

  “Come along to Edgebaston Farm and I’m sure I’ll be able to show you,” he says, setting aside the plate holding what’s left of his bangers and mash as he rises to his feet. “Have you read the backgrounder I sent your people? Or the infestation control protocol?”

  “All I’ve read is H. P. Lovecraft’s deathbed confession,” I admit.

  “His—” Greg stops dead in his tracks—“really?”

  “His first flame, Hetty van t’Hooft, introduced him to, well, he called it a unicorn. That was right before his nervous breakdown.” I shake my head. “Although how much stock to place in his account . . . ”

  “Fascinating,” Greg hisses between his teeth. “I bet he didn’t mention napalm, did he?” I shake my head. “Typical of your effete word-pusher, then, not practical. But we can’t just call in an air strike either, these days, can we? And it’ll take rather a lot of pull to convince the police to take this seriously. So let’s go and beard Georgina in her den and see what she’s hiding.”

  I follow Greg through the pub and back to his Land Rover. “Are we just going to go in there and talk to her?” I ask. “Because I thought uni—equoids—are a bit on the dangerous side? In terms of how they co-opt their host, I mean. If she’s got a shotgun . . . ”

  “Don’t you worry about Georgina, young feller me lad,” Greg reassures me. “Of course she’s got a shotgun! But she won’t use it on us. The trick is to not look like we’re a threat to her Precious, if she is indeed playing host to a fertile equoid. If we’re lucky and she isn’t under its spell things will go much more smoothly. So we’re not going to mention the blessed thing at first. Remember she runs a farm? I’m just dropping in to check her hounds’ vaccination records are up to date. While I’m doing that, you go and take a peek behind the stable doors with that phone camera of yours: then we’ll put our heads together. Piece of cake!” he adds confidently, as he pushes the ignition button and his chariot belches blue smoke.

  “Right.” You have got to be kidding, I think, clinging to the grab bar for dear life as Greg shoves the Landy into gear and we bounce across ruts and into the road. “Do you have any idea of the layout of Edgebaston Farm? Because I don’t!”

  “It’s jolly simple, Mr. Howard si
r.” (Oh great, now he’s reverting to grizzled-veteran-sergeant-briefing-the-young-lieutenant mode.) “Edgebaston Farm covers two hundred acres on a hillside overlooking Howling, but the farm itself—the stables and outhouses—are in the shape of an octangle surrounding the farmhouse, which is a long triangle two stories high. The left point of the triangle, the kitchen, intersects the cowsheds which lie parallel to the barn, which is your target. They’re all built from rough-hewn stone and thatched: no new-fangled solar panels here. It started out as a shed where Edward the Sixth housed his swineherds . . . ”

  “Yes, Greg, but what do I do if there’s a fucking unicorn in the barn?”

  “You run away very quickly, Bob. Or you die.” He glances at me pityingly in the rearview mirror. (The Landy is sufficiently spartan that the reflector is an after-market bolt-on, with that imported American warning: objects in mirror are closer than they appear.) “Isn’t that part of your job description? Screaming and running away?”

  I am extremely dubious about my ability to outrun an equoid. “Uh-huh. The only kind of running I generally do is batch jobs on a mainframe.” I clutch my briefcase protectively. “What we really need is a pretext to see what they’re keeping in the stables, one that won’t get us killed if you’re right about what’s lurking in the background.” I pause for a moment. “They’re a livery stable, aren’t they? Do they do riding lessons?”

  Greg nearly drives off the road. “Of course they do!” His beard emits an erratic hissing noise like a pressure cooker that’s gearing up for a stove-top meltdown. After a moment I recognize it as something not unlike laughter. Eventually the snickering stops. “And if they’re harboring equoids they won’t be able to offer you a horse. But won’t that take too long?”

  “It had better not.” I take a deep breath. “Okay, Greg. Here’s our story: you’re checking the dogs, and I’m your nephew from London. I’m working in Hastings for a month and while I’m there I want to learn to ride . . . ”

  How to describe the smell, the foulness, the louring portents of ominous doom that sent shivers of fear crawling up & down my spine? At the remove of a third of a century, that scene still retains the power to strike terror into my craven heart. I am no adventurer or chevalier; I am an aesthete & man of letters, ill-suited to the execution of such deeds. And though at fourteen I was in the flush of youth, and fancied myself as prepared for deeds of manly heroism as any other lad, I yet held a shadowy apprehension of that future self whom I was fated to become. I, Howard Phillips Lovecraft Esq., a man of contemplative & refined sensibilities born into a decadent latter age of feral brutes menaced by the unspeakable stormclouds of Bolshevism & Jew-Fascist Negro Barbarism sweeping the old countries of Europe, fear that I am nothing more than a commentator, doomed to write the epitaph to Western civilization that will, engraved upon its stony headstone, inform the scholars of a future age—should any eventually emerge from the imminent darkness—of the cause of its fate.

  People like my Hetty. People who with the best will in the world would take in & nurture at their rosy breasts the suckling horror that in my fictions I have named Shub-Niggurath, the spawning goat of a thousand young, a shuddering pile of protoplasmic horror that mindlessly copulates with itself and, spurting, squirting, licking its own engorged & swollen membrum & vulvae, inseminates with sucker-adorned tentacles (each cup enfolding the horror of a barbed, venomous hook with which to tear the flesh to which it adhered) the inflamed orifices & lubricious, pulsing cysts from which the abnormal spawn gushes in ropy streams of hideous liquor—

  Ia! How to describe the foul smell, the vile purulent exudate of eldritch emulsion bearing gelatinous bubbles of toadspawn from its body, did toadspawn only contain minuscule conical snail-bodies & horse-like bodies—not sea-horses yet, for no sea-horse has legs, but bodies of the size of sea-horses—Ia! The language of the English lacks a sufficiency of obscenity to encompass the monstrous presence of Hetty’s “mummy-horse.” It looked at me with liquid brown eyes as deep as any mare’s, long-lashed & contemplative: some of them embedded within it, others extruded atop stalks like those of a vile unclean slug. It had mouths, too, and other organs, some of them equine, others bizarrely, inappropriately human. I am reduced to the muttered imprecations of the subhuman & deranged; unmanned & maddened by the apprehension of the limits of sanity imposed by witnessing the ghastly immanence of an Elder Thing come to spawn in a family stable in Providence.

  Imagine, if you will, a huge pile of gelatinous protoplasm ten feet in diameter & six feet high! It bears the charnel stink of the abattoir about it, a miasma composed of the concentrated fear & faecal vileness of every animal it has consumed to reach its present size. Their bones & skulls lie all around, & it is evident from a swift perusal of the scene that though it started on its equine stable-mates, the “mummy-horse,” gracile & pallid, with the calcified body of a spiral coned snail fused to the bone between its eyes, has absorbed its own legs, & head, & indeed every portion of its anatomy not dedicated to its adult functions of eating & spawning. There are human bones scattered around the festering midden in which it nests, for its virginal bellwether has with girlish laughter & coy blandishments tempted first the human members of the household & then every adult she can reach to enter the den of the monster. It is the way of this horror that when she finally ceases to provide it with a banquet of men & women, boys, girls, & babies, it will take her for its final repast, & subsequently it too will succumb, for its cannibal kind feed their spawn not with milk but with their own suppurating, foul flesh.

  I know not from which hadean pit of horrors the spawn of the unicorn hail, but through subsequent years of research I have learned this much: that the cone-snails are the male offspring & the “horses” are female, and they tear & bite & eat anything that approaches them except a member of the distaff sex. They mate not by insemination but by fusion, the male adhering to the forehead of the female. Their circulatory systems fuse & the male is presently absorbed, leaving behind a spiral-fluted horn containing only the reproductive gonads, which presently discharge via the shared venous circulation. Once mated, the tiny “unicorns” tear into the maternal corpus, bloating their stomachs & growing rapidly; they squabble over the remains & spear one another & cannibalize their weaker siblings, until in the end the survivors—barely two or three in each litter of thousands—leave their charnel nursery behind & set out in search of a new virgin hostess who will take them in & groom & feed them. And so the wheel of death rolls ever on . . .

  There is cold comfort to be drawn from the sure and certain knowledge that the correct way to deal with the problem you’re facing in your job involves napalm, if you find yourself confronting a dragon and you aren’t even carrying a cigarette lighter.

  (Thumps self upside the head: Dammit, HPL’s style is infectious! Let me try again . . . )

  With Greg driving me—if not mad, then at least in the direction of a neck brace—I barely notice either the time or the road layout as we hurtle towards Edgebaston Farm. We arrive all too soon at a desolate drystone wall overlooking a blasted heath, judder across a cattle grid set between the whitewashed gate posts, and embark on a hair-raising hillside descent along a poorly-maintained driveway that ends in a yard surrounded by mostly-windowless outbuildings that look like the mediaeval predecessors of World War II bunkers. It is not remotely like any of my preconceptions of what livery stables should look like—but then, what do I know?

  Greg pulls up sharply and parks between a Subaru Forester covered in mud to the door sills and a white BMW. I do a double-take when I spot the concealed light-bar of an unmarked Police car on the BMW’s rear parcel shelf. I remember what Greg said about the Edgebastons supplying the local cops with horses for their mounted police. Back home in London they’re more interested in flying squirrels—Twin Squirrel helicopters, that is—but I guess here in Ruralshire they still believe in a cavalry charge with drawn batons and added eau de pepper spray. Or maybe the Chief Constable rides with the local Hunt. Eit
her way, though, it’s a warning to me to be careful what I say. In theory my warrant card is supposed to compel and command the full cooperation of any of HMG’s servants. In practice, however, it’s best to beware of local entanglements . . .

  Greg marches up to the farmhouse door and is about to whack it with the knurled knob-end of his ash walking stick when it opens abruptly. The matronly lady holding the door handle stares at him, then suddenly smiles. “Greg!” she cries, not noticing me. I take stock: she’s fortyish, about one-sixty high and perhaps seventy kilos, and wears jeans tucked into green wellies with a check shirt and a quilted body-warmer, as if she’s just stepped in from the stables. Curly black hair, piercing blue eyes, and the kind of vaguely familiar facial bone structure that makes me wonder how many generations back it diverged from the royal family. “How remarkable! We were just talking about you. Who’s this, are you taking on work-experience trainees?”

  I emulate lockjaw in her general direction, it being less likely to give offense than my instinctive first response.

  “Georgina,” says Greg, “allow me to introduce my colleague—”

  “Bob,” I interrupt. Georgina darts forward, grabs my hand, and pumps it up and down while peering at my face as if she’s wondering why water isn’t gushing from my mouth. “From London.” It’s best to keep introductions like this as vague as possible.

  “Bob,” she echoes. To Greg: “Won’t you come in? Inspector Dudley is here. We were discussing retirement planning for the mounted unit’s horses.”

  “Jack Dudley’s here, is he?” Greg mutters under his breath. “Capital! Come on, young feller me lad.” And with that, he follows Georgina Edgebaston as she retreats into the cavernous farm kitchen. “And how is your mother, Georgie?” Greg booms.