by Susan Bordo
The Tudors. Directed by Ciaran Donnelly, et al. Performed by Jonathan Rhys Meyers, Henry Cavill, and Anthony Brophy. 2007–2010.
An Unmarried Woman. Directed by Paul Mazursky. Performed by Alan Bates, Michael Murphy, and Jill Clayburgh. 1978.
Weeds. Directed by Craig Zisk, et al. Performed by Mary-Louise Parker, Hunter Parrish, and Alexander Gould. 2005–2012.
The West Wing. Directed by Alex Graves, et al. Performed by Martin Sheen, Rob Lowe, and Allison Janney. 1999–2006.
Who’s Afraid of Virginia Woolf? Directed by Mike Nichols. Performed by Elizabeth Taylor, Richard Burton, and George Segal. 1966.
The Wild Bunch. Directed by Sam Peckinpah. Performed by William Holden, Ernest Borgnine, and Robert Ryan. 1969.
The Winds of War. Directed by Dan Curtis. Performed by Robert Mitchum, Ali MacGraw, and Jan-Michael Vincent. 1983.
The X-Files. Directed by Kim Manners, et al. Performed by Gillian Anderson, Mitch Pileggi, and David Duchovny. 1993–2002.
Yankee Doodle Dandy. Directed by Michael Curtiz. Performed by Joan Leslie, Walter Huston, and James Cagney. 1942.
Interviews
Alexander, Barb. Interview with author, e-mail, Lexington, KY, October 24, 2011.
Baker, Karissa. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Booth, Sue. Interview with author, e-mail, Lexington, KY, October 24, 2011.
Brenton, Howard. Interview with author, London, England, July 30, 2010.
Bryson, Sarah. Interview with author, e-mail, Lexington, KY, October 2011.
Bujold, Geneviève. Interview with author, telephone, Lexington, KY, June 21, 2010.
Case, Makenzie. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Clement, Cate. Interview with author, e-mail, Lexington, KY, 2011.
Compton, Sara. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Crowley, Jessica. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Dormer, Natalie. Interview with author, Richmond upon Thames, England, July 31, 2010.
Eakins, Lara. Interview with author, e-mail, Lexington, KY, November 25, 2011.
George, Margaret. Interview with author, e-mail, Lexington, KY, August 15, 2011.
Gomez, Cris. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Hall, Brittani. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Hirst, Michael. Interview with author, telephone, Lexington, KY, April 28, 2011.
Kistler, Michelle. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Loades, David. Interview with author, e-mail, Lexington, KY, August 29, 2011.
Mantel, Hilary. Interview with author, e-mail, Lexington, KY, October 5, 2011.
Maxwell, Robin. Interview with author, telephone, Lexington, KY, August 19, 2011.
Prestes, Jessica. Interview with author, e-mail, Lexington, KY, October 2011.
Redler, Ilana. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Ridgway, Claire. Interview with author, e-mail, Lexington, KY, October 24, 2011.
Robyn. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Stivala, Marlessa. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Sweet, Natalie. Interview with author, e-mail, Lexington, KY, October 24, 2011.
Walker, Sophie. Interview with author and Natalie Sweet, e-mail, Lexington, KY, April 2011.
Weir, Alison. Interview with author, e-mail, Lexington, KY, August 24, 2011.
Zupanec, Sylwia Sobczak. Interview with author, e-mail, Lexington, KY, October 24, 2011.
Index
Adam’s Rib (film), [>]
Agrippa von Nettesheim, Heinrich Cornelius: Of the Nobilitie and Excellencye of Womankynde, [>]
Albee, Edward
Who’s Afraid of Virginia Woolf?, [>]
Ales, Alexander, [>]
on Anne, [>], [>]
Alexander, Barb, [>], [>]
Almond, Paul, [>]
Ambrogio, Protonotario, [>]
Anderson, Maxwell
Anne of the Thousand Days, [>]–[>], [>], [>]–[>], [>]–[>], [>]
Anna Bolena (Donizetti), [>], [>]
Anna Boleyn (film), [>], [>]–[>], [>]
Anne Boleyn: A Chapter of English History 1527–1536 (Friedmann), [>], [>], [>], [>], [>], [>], [>], [>]
Anne Boleyn (Barrington), [>]–[>], [>]
Anne Boleyn (Brenton), [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]
critical reception of, [>]
Anne Boleyn (Drew), [>], [>]
Anne Boleyn Experience Tour, [>]
Anne Boleyn: Fatal Attractions (Bernard), [>], [>]
Anne Boleyn Files, The (website), [>]–[>]
Anne Boleyn in the Tower (Cibot), [>]
Anne Boleyn (Taylor), [>]
Anne of Cleves, [>]
Anne of France: Lessons for My Daughter, [>]–[>]
Anne of the Thousand Days (Anderson), [>]–[>], [>], [>]–[>], [>]–[>], [>]
Anne of the Thousand Days (film), [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>]
in context of current events, [>]
critical reception of, [>]–[>]
Wallis films, [>]–[>], [>]–[>], [>]–[>], [>]
Anonymous (film), [>]
Anouilh, Jean: Becket, [>]
Argov, Sherry: Why Men Love Bitches, [>]
Armstrong, Jessie, [>]
Art of Courtly Love, The (Capellanus), [>], [>]
Arthur (prince), [>], [>], [>]
Atkinson, Brooks, [>]
Austen, Jane: The History of England, [>]
Autobiography of Henry VIII, The (George), [>]
Bana, Eric, [>]
dramatic interpretation of Henry, [>]–[>]
Banks, John: Vertue Betray’d: or, Anna Bullen, [>]–[>], [>]–[>], [>]
Barfield, Owen: on sense of inner self, [>]
Barlow, John: on Anne, [>]
Barnes, Margaret Campbell: Brief Gaudy Hour, [>]–[>], [>]
Barrington, E.: Anne Boleyn, [>]–[>], [>]
Bayntun, Sir Edward, [>]
Beaufort, Margaret, [>]
beauty: in Tudor period, [>]–[>], [>], [>]
in Victorian period, [>]
Beauvoir, Simone de, [>]
on gender issues, [>]
Becket (Anouilh), [>]
Becket (film), [>]
Bellafante, Ginia, [>]
Benger, Elizabeth: historians’ reactions to, [>]–[>], [>]
Memoirs of the Life of Anne Boleyn, [>], [>], [>]–[>], [>]
Bennett, Vanora: on Anne, [>]–[>]
Bergin, Joan, [>]
Bernard, G. W.: Anne Boleyn: Fatal Attractions, [>], [>]
The King’s Reformation, [>], [>], [>]
Berry, Simon, [>]
Bible: Tyndale publishes, [>], [>], [>], [>]–[>], [>]
Blessington, Countess of: Book of Beauty, or Regal Gallery, [>]
Bloom, Allan: The Closing of the American Mind, [>]
Blount, Elizabeth: as Henry’s mistress, [>], [>], [>], [>], [>], [>]
Bluhdorn, Charles, [>]
Boker, George: on Henry’s character, [>]
Boleyn, Anne: accused of adultery & treason, [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]
accused of incest, [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]
aids in Henry’s divorce, [>]–[>], [>]–[>], [>]
Ales on, [>], [>]
alleged deformities, [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
alleged promiscuity, [>], [>], [>], [>]–[>]
alleged romance with Percy, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
allegedly plots murder
of Katherine & Mary, [>]–[>], [>], [>], [>], [>], [>]
appearance, [>], [>]–[>], [>]
arrest & trial, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>]
Barlow on, [>]
Bennett on, [>]–[>]
Bujold’s dramatic interpretation of, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
burial, [>]
as calculating & manipulative, [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>]
Chapuys’ hostile portrait of, [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
character & personality, [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]
compared to Jane, [>], [>]
coronation of, [>]–[>], [>], [>]–[>]
correspondence with Henry, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]
Cromwell conspires against, [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]
damages Henry’s image, [>], [>], [>]–[>], [>]–[>], [>], [>]
de Carles on, [>], [>]
declining relationship with Henry, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]
defense at trial, [>], [>]–[>], [>], [>]
and dissolution of monasteries, [>]–[>], [>], [>], [>]
Dormer’s dramatic interpretation of, [>]–[>], [>]–[>], [>], [>], [>], [>]
as evil, [>], [>], [>], [>], [>], [>]
execution, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]
fictional treatments of, [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
film portrayals of, [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]
and gender issues, [>]–[>], [>], [>]–[>]
George Wyatt’s defense of, [>]–[>], [>]
as glamorous, [>]
Goodman on, [>]
Hackett on, [>]
hair color, [>], [>]–[>], [>]–[>], [>], [>]
Henry attempts to erase memory of her, [>]–[>], [>], [>], [>], [>], [>]
Henry insists on her status, [>]
Henry marries, [>], [>]–[>], [>], [>]
Henry on, [>]
Henry’s infatuation with, [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>]
Henry’s motivations for executing, [>]–[>], [>]–[>], [>], [>]–[>]
Hirst on, [>]–[>], [>]
hopes for clemency, [>]–[>]
idealization of, [>], [>], [>]–[>]
as inspiration to young women, [>]–[>], [>]–[>]
interest in humanism, [>], [>]–[>], [>]
as interfering, [>], [>]
Jane and conspiracy to replace, [>]–[>], [>]
last letter to Henry, [>]–[>], [>]
as liberated woman, [>]
Loades on, [>]–[>], [>], [>]
as manipulated by family, [>]–[>], [>]
Mary refuses to acknowledge, [>], [>]
Mary’s hatred of, [>]–[>]
modern popular reactions to, [>]–[>]
More’s relationship with, [>]
in opera, [>], [>]
opposes Cromwell, [>]–[>]
paintings of, [>], [>]–[>], [>], [>], [>]
personal library of, [>], [>]–[>]
personal style, [>], [>]–[>]
as politically active, [>]–[>]
in popular memory, [>]–[>], [>]
portrayed as “human,” [>]–[>]
postwar interpretations of, [>]–[>]
as predatory, [>], [>], [>], [>], [>], [>]–[>]
pregnancies & miscarriages, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]
pregnant with Elizabeth, [>]–[>]
preparations for death, [>]–[>], [>], [>]
Princess Diana on, [>]–[>]
public reaction to her execution, [>], [>]
as queen, [>]–[>], [>]
rehabilitation of her reputation, [>]–[>], [>]–[>], [>], [>]
as religious martyr, [>]–[>], [>], [>]
and religious reform, [>]–[>], [>], [>], [>], [>]
reputation in Spain, [>]–[>], [>]
role in English Reformation, [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]
Sander’s hostile portrait of, [>]–[>], [>], [>]
Sanuto on, [>], [>], [>]–[>], [>]–[>]
sexual relationship with Henry, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]
as sexually aggressive, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
Singer on, [>], [>]
stage portrayals of, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
suspected of witchcraft, [>]–[>], [>], [>]
as teenager, [>]–[>]
Thomas Wyatt’s relationship with, [>], [>]–[>], [>]–[>]
treatment of Mary & Elizabeth, [>]–[>], [>], [>]
unfounded speculation about, [>]–[>]
Victorian attitudes toward, [>]–[>]
Warnicke on, [>], [>], [>]
and Wolsey, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]
youth & education, [>]–[>], [>]–[>], [>], [>]–[>], [>]
Boleyn, George: arrest & trial, [>], [>], [>], [>]
executed, [>], [>], [>]
Boleyn, Mary, [>], [>]
fictional treatments of, [>]–[>], [>]–[>], [>]–[>]
Gregory on, [>]–[>]
Henry’s affair with, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]
Boleyn, Thomas, [>]–[>]
Bolt, Robert, [>], [>]
Bonham Carter, Helena, [>]
Book of Beauty, or Regal Gallery (Countess of Blessington), [>]
Book of Martyrs (Foxe), [>], [>]–[>], [>], [>], [>]
Book of the City of Ladies, The (Pizan), [>], [>]
Book of the Courtier, The (Castiglione), [>], [>]–[>], [>]
Booth, Sue, [>]
Borman, Tracy: Elizabeth’s Women, [>]–[>], [>]–[>]
on The Tudors, [>]–[>]
Bourdeilles Brantôme, Pierre de, [>]
Bradley, Mary Hastings, [>]
The Favor of Kings, [>]–[>]
literary goals, [>]
Brandon, Charles, [>], [>], [>]
Breakfast at Tiffany’s (film), [>]
Brenton, Howard: Anne Boleyn, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]
on Henry’s character, [>]
Brereton, William: arrest & trial, [>], [>]
executed, [>], [>]
Briçonnet, Guillaume (bishop), [>]
Brief Gaudy Hour (Barnes), [>]–[>], [>]
Bring Up the Bodies (Mantel), [>], [>], [>]
Browne, Sir Anthony, [>]
Bryson, Sarah, [>]
Bujold, Geneviève, [>], [>], [>]
background, [>], [>]–[>]
dramatic interpretation of Anne, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
Burnett, Gilbert, [>]
Burton, Richard, [>]–[>], [>]
Bush, Mrs. Forbes: Memoirs of the Queens of France, [>]
Calderón de la Barca, Pedro: The Schism in England, [>]
Callcott, Maria: Little Arthur’s England, [>]
Camelot (play), [>]
Campeggio, Lorenzo, [>], [>], [>], [>], [>]
Canby, Vincent, [>]
Capellanus, Andreas: The Art of Courtly Love, [>], [>]
Carbone, Gina: on The Other Boleyn Girl, [>]
Carew, Nicholas, [>], [>]
Carley, James, [>]
Castiglio
ne, Baldassare: The Book of the Courtier, [>], [>]–[>], [>]
Catholic Church: resistance to English Reformation, [>]–[>], [>], [>]–[>]
Cavendish, George: The Life and Death of Cardinal Wolsey, [>], [>], [>]–[>], [>], [>], [>], [>]–[>]
Chapuys, Eustace: on Anne’s arrest & trial, [>]–[>], [>]–[>], [>], [>], [>], [>]
on Anne’s execution, [>], [>]
Cromwell and, [>]–[>], [>], [>]–[>], [>]
doubts Anne’s guilt, [>]–[>]
on Elizabeth, [>]
friendly portrait of Katherine, [>]–[>], [>]–[>], [>]–[>], [>]
and Henry, [>], [>]
hostile portrait of Anne, [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>
