by Susan Bordo
], [>], [>], [>]–[>], [>]
motivations of, [>], [>]
public reputation of, [>]
supports Mary, [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>]
Weir on, [>]–[>]
Charles V (emperor), [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]
Château Vert, [>]
Child’s History of England, A (Dickens), [>]–[>]
chivalry: Henry and, [>]–[>], [>]–[>]
Church of England: Henry as head of, [>], [>], [>], [>]
Cibot, Edouard: Anne Boleyn in the Tower, [>]
Cifuentes, Count of, [>]
Claude (queen), [>], [>]–[>], [>], [>]
Clement VII (pope), [>], [>]
clergy: humanism and criticism of the, [>]–[>]
Closing of the American Mind, The (Bloom), [>]
Codrington, Robert, [>]
Concubine, The (Lofts), [>]–[>], [>], [>]
consumer culture, modern: gender issues in, [>]–[>], [>]–[>], [>], [>]–[>]
viciousness & stereotypes in, [>]–[>], [>]
Cooke, Alistair, [>]
Corcoran, Dee, [>]
Cox, Ted, [>]
Cranmer, Thomas (archbishop), [>], [>], [>]
and Anne’s arrest & trial, [>], [>], [>]
Cromwell, Thomas: Anne opposes, [>]–[>]
and Anne’s execution, [>]–[>]
and Chapuys, [>]–[>], [>], [>]–[>], [>]
conspires against Anne, [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]
and dissolution of monasteries, [>]–[>], [>], [>]
and Elizabeth, [>]
fall of, [>]
fictional treatments of, [>], [>]–[>], [>], [>]–[>], [>]
and Henry’s divorce, [>], [>]
as Henry’s right hand, [>], [>], [>]
as manipulative, [>]
Mantel on, [>], [>], [>], [>]
as pragmatic politician, [>]
and redefinition of treason, [>], [>]–[>]
and religious reform, [>]
Wolsey and, [>]–[>]
Crosbie, Annette, [>], [>]
Crowe, Russell, [>]
Daneau, Lambert, [>]
D’Aulnoy, Madame: and fairy tales, [>]
and gender issues, [>]–[>]
The Novels of Elizabeth, Queen of England, [>], [>]–[>]
Davis, Bette, [>], [>], [>]
de Carles, Lancelot, [>], [>], [>]–[>], [>]
on Anne, [>], [>]
on Anne’s execution, [>]
de Lisle, Leanda: on The Tudors, [>]
de Vere, Edward: as Shakespeare, [>]
death: Anne’s preparations for, [>]–[>], [>], [>]
Dostoevsky on, [>]–[>]
Hillman on, [>]
Montaigne on, [>]
Thomas on, [>], [>]
Defence of Good Women (Elyot), [>]
Denby, David, [>]
Desperate Housewives (TV series), [>], [>]
Diana (Princess of Wales): on Anne, [>]–[>]
Dickens, Charles: A Child’s History of England, [>]–[>]
Dijkstra, Bram: Idols of Perversity, [>]
Divorce of Catherine of Aragon, The (Froude), [>], [>], [>], [>], [>]–[>], [>], [>]
Dixon, William Hepworth: History of Two Queens, [>]
Donizetti, Gaetano: Anna Bolena, [>], [>]
Doomed Queen Anne (Meyer), [>]
Dormer, Jane, [>]
Dormer, Natalie, [>], [>], [>], [>], [>], [>], [>], [>]
dramatic interpretation of Anne, [>]–[>], [>]–[>], [>], [>], [>], [>]
Dostoevsky, Fyodor, [>]–[>]
on death, [>]–[>]
The Idiot, [>]–[>]
Douglas, Susan: “Where Have You Gone, Roseanne Barr?,” [>]
Drew, Reginald: Anne Boleyn, [>], [>]
Dudley, John, [>], [>], [>]–[>]
Dunlop, Scott, [>]
Dunn, Jane: on Anne’s trial, [>]
Eakins, Lara, [>]–[>]
Education of a Christian Prince, The (Erasmus), [>]
Education of a Christian Woman (Vives), [>]–[>], [>]
Edward (prince), [>]
as king, [>], [>]–[>]
Eleanor of Aquitaine, [>], [>]
Elizabeth (film), [>], [>]
Elizabeth II (queen), [>]
Elizabeth (princess), [>], [>], [>], [>]
Anne pregnant with, [>]–[>]
Anne’s treatment of, [>]–[>], [>]
birth of, [>]–[>], [>]
Chapuys on, [>]
Cromwell and, [>]
excluded from succession, [>], [>]
Ives on, [>]
portrayal of, [>], [>], [>]
as queen, [>], [>], [>], [>], [>], [>]
Starkey on, [>]–[>]
Wyatt on, [>]
Elizabeth’s Women (Borman), [>]–[>], [>]–[>]
Ellis, Henry: on Anne’s last letter to Henry, [>]–[>]
Elyot, Sir Thomas: Defence of Good Women, [>]
Emmerich, Roland, [>]
England: relations with Spain, [>]–[>], [>], [>], [>]–[>], [>], [>], [>]
English History for Students (Gardiner), [>]
English Reformation. See also humanism; religious reform
Anne’s role in, [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]
Catholic resistance to, [>]–[>], [>], [>]–[>]
entitlement: Henry’s sense of, [>]–[>], [>]–[>]
Erasmus, Desiderius: The Education of a Christian Prince, [>]
The Praise of Folly, [>]
Erickson, Carolly: The Favored Queen, [>]–[>]
Exeter, Marchioness of, [>]
Extracts from the Life of the Virtuous Christian and Renowned Queen Anne Boleigne (Wyatt), [>], [>]–[>], [>], [>]
Facebook: Tudor-themed pages on, [>]–[>], [>], [>], [>], [>]–[>], [>], [>]
fairy tales: D’Aulnoy and, [>]
Falieri, Ludovico: on Katherine, [>]
Farmer, Lydia Hoyt: The Girl’s Book of Famous Queens, [>]
Fatal Attraction (film), [>]–[>]
Father of the Bride (film), [>], [>]
Father’s Little Dividend (film), [>]
Favor of Kings, The (Bradley), [>]–[>]
Favored Queen, The (Erickson), [>]–[>]
Felmingham, Ralph, [>]
femininity: Tudor ideals of, [>]–[>]
feminism. See gender issues
femme fatale archetype, [>], [>], [>]–[>], [>]. See also gender issues
Ferdinand II (king), [>]–[>]
fiction: distinguished from history, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
treatments of Anne in, [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
treatments of Cromwell in, [>], [>]–[>], [>], [>]–[>], [>]
treatments of Jane in, [>]–[>]
treatments of Mary Boleyn in, [>]–[>], [>]–[>], [>]–[>]
Field of the Cloth of Gold, [>]
films and television: Anne portrayed in, [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]
gender issues in, [>]–[>], [>], [>]
More portrayed in, [>]–[>]
Fire with Fire (Wolf), [>]
First Blast of the Trumpet Against the Monstrous Regiment of Women, The (Knox), [>]–[>]
Fish, Simon: Supplication for the Beggars, [>], [>], [>]
Fisher, John (bishop), [>], [>], [>], [>], [>]
execution of, [>]
Fitzroy, Henry, [>]
Flirting with Danger (Phillips), [>]
Flynn, Errol, [>]
Foxe, John: Book of Martyrs, [>], [>]–[>], [>], [>], [>]
Francis I (king), [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]
on Henry, [>]
meets with Henry, [>]–[>]
&
nbsp; sex life, [>], [>], [>], [>]
Fraser, Antonia, [>]
Friedmann, Paul: Anne Boleyn: A Chapter of English History 1527–1536, [>], [>], [>], [>], [>], [>], [>], [>]
Froude, James: The Divorce of Catherine of Aragon, [>], [>], [>], [>], [>]–[>], [>], [>]
Gardiner, Samuel: English History for Students, [>]
Gardiner, Stephen, [>]
Gavin, Nell: Threads, [>]
gender issues. See also femme fatale archetype
Anne and, [>]–[>], [>], [>]–[>]
Beauvoir on, [>]
D’Aulnoy and, [>]–[>]
in films & television, [>]–[>], [>], [>]
Gregory and, [>]–[>], [>]–[>]
historians’ reactions to, [>]–[>], [>]
Marguerite de Navarre and, [>]–[>]
Miller-Tomlinson on, [>]
in modern consumer culture, [>]–[>], [>]–[>], [>], [>]–[>]
prudishness and, [>]–[>]
rise of, [>]–[>]
in social history, [>]
Starkey and, [>], [>], [>], [>], [>]
George, Margaret: The Autobiography of Henry VIII, [>]
on distinction between history and fiction, [>]
on The Other Boleyn Girl, [>]
Gerard, Gilbert: on The Tudors, [>]
Girl’s Book of Famous Queens, The (Farmer), [>]
Goldsmith, Oliver: The History of England, [>]–[>]
Goodman, Irene: on Anne, [>]
Grandage, Michael, [>]
Greenblatt, Robert, [>], [>]
Gregory, Philippa: claims to historical accuracy, [>]–[>], [>]–[>]
on the “convincing lie,” [>]
and gender issues, [>]–[>], [>]–[>]
on Mary Boleyn, [>]–[>]
The Other Boleyn Girl, [>], [>]–[>], [>], [>], [>]
Grey, Jane, [>]
executed, [>], [>], [>]
Grueninger, Natalie, [>]–[>], [>], [>]
Guerre Est Finie, La (film), [>]
Guy, John, [>]
on The Tudors, [>]
Hackett, Francis: Henry VIII, [>], [>]–[>], [>]–[>]
on Henry’s character, [>]
Queen Anne Boleyn, [>], [>]–[>], [>], [>]
Halliwell-Phillipps, James: on Henry’s correspondence with Anne, [>]–[>]
Hannaert, John, [>]
Harrison, Rex, [>]
Henry II (king), [>]
Henry VII (king): Henry contrasted with, [>]
treatment of Henry, [>]
Henry VIII (king): affair with Mary Boleyn, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]
alleged genetic disorder, [>]–[>]
on Anne, [>]
Anne damages his image, [>], [>], [>]–[>], [>]–[>], [>], [>]
Anne’s last letter to, [>]–[>], [>]
and Anne’s trial, [>]–[>]
appearance, [>]–[>]
attempts to erase Anne’s memory, [>]–[>], [>], [>], [>], [>], [>]
attitudes toward women, [>], [>]–[>], [>]–[>]
Bana’s dramatic interpretation of, [>]–[>]
betrothed to Jane, [>], [>]
Blount as his mistress, [>], [>], [>], [>], [>], [>]
as “borderline” personality, [>]–[>], [>]–[>], [>]
Chapuys and, [>], [>]
character & personality of, [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
and chivalry, [>]–[>], [>]–[>]
contrasted with his father, [>]
correspondence with Anne, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]
as courtier, [>], [>], [>], [>], [>], [>]
courts Jane, [>], [>], [>]–[>], [>], [>]
Cromwell as his right hand, [>], [>]
declining relationship with Anne, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]
and dissolution of monasteries, [>]–[>], [>], [>]
divorces Katherine, [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
dramatic portrayals of, [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>]
father’s treatment of, [>]
fictional treatments of, [>]
Francis I on, [>]
as head of the church, [>], [>], [>], [>]
his “great matter,” [>], [>], [>], [>], [>], [>], [>]
and humanism, [>]–[>], [>]
infatuation with Anne, [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
insists on Anne’s status, [>]
Jane seduces, [>], [>]
on Katherine, [>]
as manipulative, [>]–[>]
marries Anne, [>], [>]–[>], [>], [>]
meets with Francis I, [>]–[>]
More on, [>], [>]–[>]
More’s relationship with, [>]
motivations for executing Anne, [>]–[>], [>]–[>], [>], [>]–[>]
need for male heir, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
paintings of, [>]–[>]
physical decline, [>], [>], [>], [>]–[>]
as pragmatic politician, [>]–[>], [>]–[>]
psychological crisis & transformation, [>]–[>], [>]–[>], [>]
public reputation of, [>]–[>]
purposeful use of language, [>]–[>], [>]–[>]
Raleigh on, [>]–[>]
religious beliefs & policies, [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]
Rhys Meyers’s dramatic interpretation of, [>]–[>], [>]
sense of entitlement, [>]–[>], [>]–[>]
sex life, [>]–[>], [>], [>]–[>], [>]–[>], [>]
sexual relationship with Anne, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]
and Seymour family, [>], [>]
Swift on, [>]
treatment of Katherine, [>]–[>], [>], [>], [>], [>], [>], [>]
treatment of Mary, [>], [>], [>], [>], [>], [>]
as tyrant, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]
warns Jane not to meddle, [>]
Wolsey on, [>]
youth & education, [>]–[>], [>], [>]–[>], [>], [>]
Henry VIII and His Six Wives (film), [>]
Henry VIII (Hackett), [>], [>]–[>], [>]–[>]
Henry VIII (Pollard), [>], [>], [>], [>], [>]
Henry VIII (Shakespeare), [>]–[>], [>], [>]
Henry VIII: The Mind of a Tyrant (TV documentary), [>]
Henry VIII (TV movie), [>]
Hepburn, Audrey, [>]
Hepburn, Katharine, [>]
Herbert, Henry William: on Katherine, [>]
Memoirs of Henry VIII of England, [>]–[>], [>], [>]–[>]
as sportswriter, [>]
Herbst, Susan: Rude Democracy, [>]
Heylin, Peter, [>]
Hillman, James: on death, [>]
Hirst, Michael, [>], [>]–[>]
on Anne, [>]–[>], [>]
films The Tudors, [>]–[>], [>], [>], [>], [>]–[>]
on Henry’s character, [>]–[>], [>]
on The Other Boleyn Girl, [>]–[>], [>]
history: distinguished from fiction, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
role of in Victorian period, [>]–[>]
History of England, The (Austen), [>]
History of England, The (Goldsmith), [>]–[>]
History of Two Queens (Dixon), [>]
history, social: gender issues in, [>]
Macaulay and, [>]
Holbein, Hans, [>]–[>]
How Young Ladies Became Girls (Hunter), [>]
Howard, Elizabeth, [>]
Howard, Katherine: execution of, [>], [>]
Howard, Thomas, [>]
humanism. See also English Reformation; religious reform
Anne’s interest in, [>], [>]–[>], [>]
and criticism of the clergy, [>]–[>]
Henry and, [>]–[>], [>]
Marguerite de Navarre and, [>]–[>],
[>]–[>], [>]
More and, [>]
Hume, David, [>]
Hunter, Jane: How Young Ladies Became Girls, [>]
Idiot, The (Dostoevsky), [>]–[>]
Idols of Perversity (Dijkstra), [>]
Internet: Tudor-themed community on, [>]–[>]
Isabel (film), [>]
Isabella of Angoulême (queen), [>]
Isabella of France (queen), [>]
Ives, Eric, [>], [>], [>], [>], [>], [>], [>]
