The Book of the Living Dead

by John Richard Stephens

  “I will come,” the priest answered, “for I have read in old books of these strange beings which are neither quick nor dead, and which lie ever fresh in their graves, stealing out in the dusk to taste life and blood.”

  Antonio cannot read, but he was glad to see that the priest understood the business; for, of course, the books must have instructed him as to the best means of quieting the half-living Thing forever.

  So Antonio went away to his work, which consists largely in sitting on the shady side of the tower, when he is not perched upon a rock with a fishing-line catching nothing. But on that day he went twice to look at the mound in the bright sunlight, and he searched round and round it for some hole through which the being might get in and out; but he found none. When the sun began to sink and the air was cooler in the shadows, he went up to fetch the old priest, carrying a little wicker basket with him; and in this they placed a bottle of holy water, and the basin, and sprinkler, and the stole which the priest would need; and they came down and waited in the door of the tower till it should be dark. But while the light still lingered very grey and faint, they saw something moving, just there, two figures, a man’s that walked, and a woman’s that flitted beside him, and while her head lay on his shoulder she kissed his throat.

  The priest has told me that, too, and that his teeth chattered and he grasped Antonio’s arm. The vision passed and disappeared into the shadow. Then Antonio got the leathern flask of strong liquor, which he kept for great occasions, and poured such a draught as made the old man feel almost young again; and gave the priest his stole to put on and the holy water to carry, and they went out together toward the spot where the work was to be done.

  Antonio says that in spite of the rum his own knees shook together, and the priest stumbled over his Latin. For when they were yet a few yards from the mound the flickering light of the lantern fell upon Angelo’s white face, unconscious as if in sleep, and on his upturned throat, over which a very thin red line of blood trickled down into his collar; and the flickering light of the lantern played upon another face that looked up from the feast, upon two deep, dead eyes that saw in spite of death—upon parted lips, redder than life itself—upon two gleaming teeth on which glistened a rosy drop.

  Then the priest, good old man, shut his eyes tight and showered holy water before him, and his cracked voice rose almost to a scream; and then Antonio, who is no coward after all, raised his pick in one hand and the lantern in the other, as he sprang forward, not knowing what the end should be; and then he swears that he heard a woman’s cry, and the Thing was gone, and Angelo lay alone on the mound unconscious, with the red line on his throat and the beads of deathly sweat on his cold forehead.

  They lifted him, half-dead as he was, and laid him on the ground close by; then Antonio went to work, and the priest helped him, though he was old and could not do much; and they dug deep, and at last Antonio, standing in the grave, stooped down with his lantern to see what he might see.

  His hair used to be dark brown, with grizzled streaks about the temples; in less than a month from that day he was as grey as a badger. He was a miner when he was young, and most of these fellows have seen ugly sights now and then, when accidents have happened, but he had never seen what he saw that night—that Thing which is neither alive nor dead, that Thing that will abide neither above ground nor in the grave.

  Antonio had brought something with him which the priest had not noticed—a sharp stake shaped from a piece of tough old driftwood. He had it with him now, and he had his heavy pick, and he had taken the lantern down into the grave. I don’t think any power on earth could make him speak of what happened then, and the old priest was too frightened to look in. He says he heard Antonio breathing like a wild beast, and moving as if he were fighting with something almost as strong as himself; and he heard an evil sound also, with blows, as of something violently driven through flesh and bone; and then, the most awful sound of all—a woman’s shriek, the unearthly scream of a woman neither dead nor alive, but buried deep for many days.

  And he, the poor old priest, could only rock himself as he knelt there in the sand, crying aloud his prayers and exorcisms to drown these dreadful sounds. Then suddenly a small iron-bound chest was thrown up and rolled over against the old man’s knee, and in a moment more Antonio was beside him, his face as white as tallow in the flickering light of the lantern, shoveling the sand and pebbles into the grave with furious haste, and looking over the edge till the pit was half full; and the priest said that there was much fresh blood on Antonio’s hands and on his clothes.

  I had come to the end of my story. Holger finished his wine and leaned back in his chair.

  “So Angelo got his own again,” he said. “Did he marry the prim and plump young person to whom he had been betrothed?”

  “No; he had been badly frightened. He went to South America, and has not been heard of since.”

  “And that poor thing’s body is there still, I suppose,” said Holger. “Is it quite dead yet, I wonder?”

  I wonder, too. But whether it be dead or alive, I should hardly care to see it, even in broad daylight. Antonio is as grey as a badger, and he has never been quite the same man since that night.

  THE ADVENTURE OF THE GERMAN STUDENT

  Washington Irving

  Washington Irving is best known for his famous stories “Rip Van Winkle” and “The Legend of Sleepy Hollow.” His work played a major role in the development of the American short story. He was also the first American writer to achieve fame both at home and abroad. This story is an excellent example of his talent.

  On a stormy night, in the tempestuous times of the French Revolution, a young German was returning to his lodgings, at a late hour, across the old part of Paris. The lightning gleamed, and the loud claps of thunder rattled through the lofty narrow streets—but I should first tell you something about this young German.

  Gottfried Wolfgang was a young man of good family. He had studied for some time at Göttingen, but being of a visionary and enthusiastic character, he had wandered into those wild and speculative doctrines which have so often bewildered German students. His secluded life, his intense application, and the singular nature of his studies, had an effect on both mind and body. His health was impaired; his imagination diseased. He had been indulging in fanciful speculations on spiritual essences, until, like Swedenborg, he had an ideal world of his own around him. He took up a notion, I do not know from what cause, that there was an evil influence hanging over him; an evil genius or spirit seeking to ensnare him and ensure his perdition. Such an idea working on his melancholy temperament produced the most gloomy effects. He became haggard and desponding. His friends discovered the mental malady preying upon him, and determined that the best cure was a change of scene; he was sent, therefore, to finish his studies amidst the splendors and gayeties of Paris.

  Wolfgang arrived at Paris at the breaking out of the revolution. The popular delirium at first caught his enthusiastic mind, and he was captivated by the political and philosophical theories of the day: but the scenes of blood which followed shocked his sensitive nature, disgusted him with society and the world, and made him more than ever a recluse. He shut himself up in a solitary apartment in the Pays Latin, the quarter of students. There, in a gloomy street not far from the monastic walls of the Sorbonne, he pursued his favorite speculations. Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature.

  Wolfgang, though solitary and recluse, was of an ardent temperament, but for a time it operated merely upon his imagination. He was too shy and ignorant of the world to make any advances to the fair, but he was a passionate admirer of female beauty, and in his lonely chamber would often lose himself in reveries on forms and faces which he had seen, and his fancy would deck out images of lov
eliness far surpassing the reality.

  While his mind was in this excited and sublimated state, a dream produced an extraordinary effect upon him. It was of a female face of transcendent beauty. So strong was the impression made, that he dreamt of it again and again. It haunted his thoughts by day, his slumbers by night; in fine, he became passionately enamored of this shadow of a dream. This lasted so long that it became one of those fixed ideas which haunt the minds of melancholy men, and are at times mistaken for madness.

  Such was Gottfried Wolfgang, and such his situation at the time I mentioned. He was returning home late on a stormy night, through some of the old and gloomy streets of the Marais, the ancient part of Paris. The loud claps of thunder rattled among the high houses of the narrow streets. He came to the Place de Graève, the square where public executions are performed. The lightning quivered about the pinnacles of the ancient Hôtel de Ville, and shed flickering gleams over the open space in front. As Wolfgang was crossing the square, he shrank back with horror at finding himself close by the guillotine. It was the height of the reign of terror, when this dreadful instrument of death stood ever ready, and its scaffold was continually running with the blood of the virtuous and the brave. It had that very day been actively employed in the work of carnage, and there it stood in grim array, amidst a silent and sleeping city, waiting for fresh victims.

  Wolfgang’s heart sickened within him, and he was turning shuddering from the horrible engine, when he beheld a shadowy form, cowering as it were at the foot of the steps which led up to the scaffold. A succession of vivid flashes of lightning revealed it more distinctly. It was a female figure, dressed in black. She was seated on one of the lower steps of the scaffold, leaning forward, her face hid in her lap, and her long disheveled tresses hanging to the ground, streaming with the rain which fell in torrents. Wolfgang paused. There was something awful in this solitary monument of woe. The female had the appearance of being above the common order. He knew the times to be full of vicissitude, and that many a fair head, which had once been pillowed on down, now wandered houseless. Perhaps this was some poor mourner whom the dreadful axe had rendered desolate, and who sat here heart-broken on the strand of existence, from which all that was dear to her had been launched into eternity.

  He approached, and addressed her in the accents of sympathy. She raised her head and gazed wildly at him. What was his astonishment at beholding, by the bright glare of the lightning, the very face which had haunted him in his dreams. It was pale and disconsolate, but ravishingly beautiful.

  Trembling with violent and conflicting emotions, Wolfgang again accosted her. He spoke something of her being exposed at such an hour of the night, and to the fury of such a storm, and offered to conduct her to her friends. She pointed to the guillotine with a gesture of dreadful signification.

  “I have no friend on earth!” said she.

  “But you have a home,” said Wolfgang.

  “Yes—in the grave!”

  The heart of the student melted at the words.

  “If a stranger dare make an offer,” said he, “without danger of being misunderstood, I would offer my humble dwelling as a shelter; myself as a devoted friend. I am friendless myself in Paris, and a stranger in the land; but if my life could be of service, it is at your disposal, and should be sacrificed before harm or indignity should come to you.”

  There was an honest earnestness in the young man’s manner that had its effect. His foreign accent, too, was in his favor; it showed him not to be a hackneyed inhabitant of Paris. Indeed, there is an eloquence in true enthusiasm that is not to be doubted. The homeless stranger confided herself implicitly to the protection of the student.

  He supported her faltering steps across the Pont Neuf, and by the place where the statue of Henry the Fourth had been overthrown by the populace. The storm had abated, and the thunder rumbled at a distance. All Paris was quiet; that great volcano of human passion slumbered for a while, to gather fresh strength for the next day’s eruption. The student conducted his charge through the ancient streets of the Pays Latin, and by the dusky walls of the Sorbonne, to the great dingy hotel which he inhabited. The old portress who admitted them stared with surprise at the unusual sight of the melancholy Wolfgang, with a female companion.

  On entering his apartment, the student, for the first time, blushed at the scantiness and indifference of his dwelling. He had but one chamber—an old-fashioned saloon—heavily carved, and fantastically furnished with the remains of former magnificence, for it was one of those hotels in the quarter of nobility. It was lumbered with books and papers, and all the usual apparatus of a student, and his bed stood in a recess at one end.

  When lights were brought, and Wolfgang had a better opportunity of contemplating the stranger, he was more than ever intoxicated by her beauty. Her face was pale, but of a dazzling fairness, set off by a profusion of raven hair that hung clustering about it. Her eyes were large and brilliant, with a singular expression approaching almost to wildness. As far as her black dress permitted her shape to be seen, it was of perfect symmetry. Her whole appearance was highly striking, though she was dressed in the simplest style. The only thing approaching to an ornament which she wore, was a broad black band round her neck, clasped by diamonds.

  The perplexity now commenced with the student on how to dispose of the helpless being thus thrown upon his protection. He thought of abandoning his chamber to her, and seeking shelter for himself elsewhere. Still he was so fascinated by her charms, there seemed to be such a spell upon his thoughts and senses, that he could not tear himself from her presence. Her manner, too, was singular and unaccountable. She spoke no more of the guillotine. Her grief had abated. The attentions of the student had first won her confidence, and then, apparently, her heart. She was evidently an enthusiast like himself, and enthusiasts soon understand each other.

  In the infatuation of the moment, Wolfgang avowed his passion for her. He told her the story of his mysterious dream, and how she had possessed his heart before he had even seen her. She was strangely affected by his recital, and acknowledged to have felt an impulse towards him equally unaccountable. It was the time for wild theory and wild actions. Old prejudices and superstitions were done away; everything was under the sway of the “Goddess of Reason.” Among other rubbish of the old times, the forms and ceremonies of marriage began to be considered superfluous bonds for honorable minds. Social compacts were the vogue. Wolfgang was too much of a theorist not to be tainted by the liberal doctrines of the day.

  “Why should we separate?” said he. “Our hearts are united; in the eye of reason and honor we are as one. What need is there of sordid forms to bind high souls together?”

  The stranger listened with emotion: she had evidently received illumination at the same school.

  “You have no home nor family,” continued he. “Let me be everything to you, or rather let us be everything to one another. If form is necessary, form shall be observed—there is my hand. I pledge myself to you forever.”

  “Forever?” said the stranger, solemnly.

  “Forever!” repeated Wolfgang.

  The stranger clasped the hand extended to her: “Then I am yours,” murmured she, and sank upon his bosom.

  The next morning the student left his bride sleeping, and sallied forth at an early hour to seek more spacious apartments suitable to the change in his situation. When he returned, he found the stranger lying with her head hanging over the bed, and one arm thrown over it. He spoke to her, but received no reply. He advanced to awaken her from her uneasy posture. On taking her hand, it was cold—there was no pulsation—her face was pallid and ghastly. In a word, she was a corpse.

  Horrified and frantic, he alarmed the house. A scene of confusion ensued. The police were summoned. As the officer of police entered the room, he started back on beholding the corpse.

  “Great heaven!” cried he, “how did this woman come here?”

  “Do you know anything about her?” said Wolfgang
eagerly.

  “Do I?” exclaimed the officer. “She was guillotined yesterday.”

  He stepped forward, undid the black collar round the neck of the corpse, and the head rolled on the floor!

  The student burst into a frenzy. “The fiend! the fiend has gained possession of me!” shrieked he; “ I am lost forever.”

  They tried to soothe him, but in vain. He was possessed with the frightful belief that an evil spirit had reanimated the dead body to ensnare him. He went distracted, and died in a mad-house.

  Here the old gentleman with the haunted head finished his narrative.

  “And is this really a fact?” said the inquisitive gentleman.

  “A fact not to be doubted,” replied the other. “I had it from the best authority. The student told it me himself. I saw him in a mad-house in Paris.”

  THE TOMB OF SARAH

  F. G. Loring

  F. G. Loring was an electrical engineer, a commander in the British Navy, and an author, but he is best known for this creepy tale.

  My father was the head of a celebrated firm of church restorers and decorators about sixty years ago. He took a keen interest in his work, and made an especial study of any old legends or family histories that came under his observation. He was necessarily very well read and thoroughly well posted in all questions of folklore and medieval legend. As he kept a careful record of every case he investigated the manuscripts he left at his death have a special interest. From amongst them I have selected the following, as being a particularly weird and extraordinary experience. In presenting it to the public I feel it is superfluous to apologize for its supernatural character.