Being Me (Inside Out Trilogy)

by Lisa Renee Jones

  “Did you want him to touch you, Sara?”

  “No,” I whisper, and the tears have faded. The cold seeps into my limbs, slithering down my spine and settling deep in my soul, settling into the space where it’s lived for two years.

  “Did you tell him no?”

  “Yes. Over and over I told him, but he didn’t listen.” My voice is calmer now, but strained. I still don’t sound like me but then, who the hell am I? I don’t know anymore. “And then, I don’t know what happened. I just . . . gave up.”

  “Then he raped you.”

  “I gave up, Chris. He told me to do things and I did them. I did them. I was pathetic and weak, and I gave up. I don’t know why I didn’t just tell you it had been two years. I just . . . If I don’t block it out, I unravel. We’d just met and I didn’t think you were . . . that we were . . .”

  He strokes my cheek. “I know, baby.”

  “You don’t know,” I say vehemently as I push to my feet.

  Chris is there in an instant, his hand on the wall by my head, and he repeats what I’d said to him earlier in the evening. “I know all I need to know, Sara.”

  I shake my head again. “No. You don’t see how bad it was. I woke up with that man in my bed and I have no one to blame but me. I let him put a ring back on my finger and order me back to Vegas.”

  “But you didn’t go.”

  “No.” My skin crawls just thinking about that morning, how Michael was touching me, acting like he owned me.

  “Tell me,” he prods. “What happened?”

  I drop my gaze to his chest and draw a breath, trying to calm down, but it seems to lodge in my throat, and I barely get it out.

  Chris’s fingers slide under my chin. “What happened next, Sara?”

  “I convinced him I was returning to California to pack. Then I waited until I landed in San Francisco, and I called him and threatened him with a restraining order.”

  “And?”

  “He laughed and told me I’d practically begged him to fuck me, and that’s what he’d tell the cops. I told him I’d go public and he said he’d paint me as the disinherited daughter looking for revenge.”

  “And you said?”

  “Bring it on. I didn’t care about my reputation, but he did his.”

  “And he stayed away.”

  “Until tonight.”

  Chris frames my face with his hands and he kisses me, just lips to lips, but it’s not just a kiss. It is fire and ice, and passion and heat, and love. There is love in this kiss and I lean into him, my hands going to his wrist, and I don’t want this moment to end. His lips linger against mine, and just for these few moments there is nothing else but us, no Michael, no past, no future to worry over.

  “Sara,” he whispers, stroking my hair and searching my face. “It’s a testament to how much that man fucked with your head that you’d think I’d hate you over this.”

  “I hate me for that night, Chris. I hate how weak and pathetic I was. I hate how—”

  He cuts me off with a kiss, then strokes his thumb over my lip. “You are the furthest thing from weak. You were very brave and smart about how you handled what happened. And he will never touch you again. You have my word.”

  “Chris,” I whisper, my hand going to his wrist. “Chris, there’s more. Tonight—”

  “Later. Tell me later. Right now, you stay here. I’ll come back and get you.”

  He starts to move away and panic overcomes me. I grab his arm. “No. Stop. What are you doing?”

  “I’m going to deal with Michael myself.”

  “No!” I say quickly. “That’s what I have to tell you. I think he knows about the club, and he threatened to ruin you with the charity. He’ll do it. He’s that much of a monster.”

  Chris cups my cheek. “If you think that prick is going to destroy me, you don’t know me as well as you will one day.” He leans in and kisses me again hard on the mouth. “He will not touch you again.” He’s gone before I can stop him.

  I touch my lips where the taste of him still lingers, this man who swept into my life and awakened me again. What have I done by telling him about Michael now? I shove through the door and head for the exit. I have to stop Chris from doing something he’ll regret.

  Twenty-one

  I make it halfway to the exit of the bathroom when Gina rushes inside, blocking my path. “Oh, no.” She holds up her hand. “You aren’t going out there looking like you do. The press will butcher you and Chris. They’re vicious.”

  “Move, Gina,” I order. I have never wanted to physically hurt another person before, but I do now. I want her out of the way. “I have to stop Chris from doing something he’ll regret.”

  She fixes me with a determined stare. “You’ll thank me for this later. Chris called security to have whoever gave you trouble taken to their booth in the back of the museum. We’ll fix your makeup and then you can meet him there.”

  “No, I—”

  “Look in the mirror, Sara.” Her command borders on a bark. “Think about the kind of attention you will get for Chris and you.”

  I draw several heavy breaths and do as she says. And she’s right. My mascara is streaked down my cheeks, impossible to miss. I am a front-page nightmare.

  She holds up a bag. “My miracle bag. Let me do my magic.”

  My fingers trail the puffy skin under my eyes. “No amount of makeup is going to fix this.”

  “I have a miracle gel for that in my bag,” she assures me. “Let’s get to work.”

  I hesitate. I don’t have time for this. I don’t want to do it with her. I don’t even want her involved.

  “Let me help. You have time.” She moves to the sink and sets her bag down. “It’ll take security several minutes to find whoever Chris wants found and escort him to security with any level of discretion.”

  Slowly, my shoulders slump and I join Gina at the sink. “Please hurry.”

  “Speedy is my middle name when it comes to outsmarting bad press.” She removes a towelette from her supplies and gently starts wiping my cheeks. “And don’t worry about Chris. He never does anything he isn’t sure about.”

  My gut clenches at the hint of intimacy between them. “You seem to know him very well.”

  Gina applies the cooling gel to my eyes. “Don’t start imagining something that isn’t there. We never dated, and we’d be a horrible couple. I adore the spotlight and that man acts like it’s poison.” She swallows hard, her delicate neck bobbing with the action. “I . . . my sister died of cancer.”

  Taken aback, I barely manage to spare her the “I’m sorry” that I know will make her cringe. “How old was she?”

  “Sixteen.” She starts to apply foundation to my face with a roller brush. “She had all the medical care available to her but she worried that others didn’t.” Her voice cracks. “She volunteered until she was too sick to keep it up. That’s how we met Chris.”

  Her words wreak havoc on my calm. Chris will lose everything he’s created with the charity if Michael paints him as some kind of freak. I can’t let that happen. No matter what that means, or what I have to do.

  “I have to go,” I say, and dart around Gina before she can stop me.

  “Sara!”

  I ignore her shout and I’m past the other woman guarding the door before she even knows I’m gone. I dart into the main events room and head toward the back of the museum, where Gina said I’d find security. “I’m supposed to meet someone at security,” I tell the first waiter I find. “Where is it?”

  He points to an archway and a set of steps, and I rush toward them and take the stairs too quickly for my high heels, righting myself from a near trip. Finally, I see the sign indicating the security offices, and any hope I had of catching Chris before he talks to Michael evaporates when I hear his voice.

  “I’ll take that number now,” I hear Chris say.

  “Dream on, asshole,” Michael responds. “You aren’t getting shit from me.”

  �
�Have it your way. I can get the number myself.”

  Michael snorts. “Good luck with that. Even Sara doesn’t have it.”

  I hear the phone go to speakerphone and a number being dialed before Chris is speaking again. “Yeah, Blake. I need a personal cell number for a Thomas McMillan, and yes, I’m talking about the CEO of the cable company. He’s Sara’s father.”

  He’s calling my father? Why is he calling my father? I reach for the door to stop him, then I hesitate. I know how vicious Michael is. He’ll say horrible things to me in front of Chris, and Chris will flatten him regardless of later consequences. I bite my lip and lean against the wall, squeezing my eyes shut and waiting for what will happen next.

  “Give me about, oh, sixty seconds,” Blake replies, and I can hear him typing through the speaker. He’ll never be able to get it. It’s unlisted. I don’t even have the damn number. Blake proves me wrong in less than sixty seconds. It’s more like thirty seconds when he calls out the number “702-222-1215. Anything else?”

  “Not at the moment,” Chris replies. “I’ll be in touch.” The line goes dead and Chris snorts, imitating Michael. “I guess I’m lucky.”

  Michael barks out a laugh. “Call him. He’ll bury you and your perverted self under a rock you’ll never climb out from under.”

  “Will he now?” Chris asks. “I’m predicting you’ll be the one buried under a rock.” There is a pause when I assume the phone is ringing and I hold my breath, waiting to see if my father will answer. “Thomas McMillan, this is Chris Merit. That’s right. The artist who is dating Sara.” There is a silence and Chris makes an amused sound. “Really. That rich. That’s really not all that rich. Right.” Another pause. “I’m not one to throw around wallet sizes but you just won’t stop going there so I’ll go with you. Add a ‘filthy’ to the front of that rich, and that’s how rich I am. In other words, your threats to crush me don’t scare me.”

  As impossible as it seems, I find myself smiling at the reference to me asking him if he was filthy rich, but it fades and burns quickly. This is my father Chris is talking to. My father, who some part of me wanted to believe isn’t a part of this with Michael but is. It’s clear that he is.

  “We’re still comparing wallets? Okay, then. Yes, that’s right. I make a few million a year for my art, which you make sound like nothing. Fortunately, the charities I donate it to don’t take it for granted the way you apparently do. You should have had your boy Michael here find out more than my personal habits when he was digging around before you decided to threaten me. My banker is Rob Moore at Chase Bank in San Francisco. Call him and he’ll confirm just how much money I have to blow. And there is nothing I’d like to blow it on more than ruining you and your pal Michael here, who seems to think ‘no’ means ‘yes’ when it comes to putting his hands on Sara.” There is a silence when, I assume, my father is talking, then Chris adds, “I really don’t care what you believe happened or didn’t happen. If Michael ever comes near Sara again, I will ruin him and you with him. I’m sending Michael back to you now. And Mr. McMillan, I didn’t understand until tonight why Sara would walk away from her life. Now I do. She doesn’t need you or your money. She has me, and I’ll take far better care of her than you ever did.”

  Frozen against the wall, I hug myself, bleeding and healing at the same time. My father . . . Chris . . . my father . . . I remember being a little girl eager to see him, hoping he’d come home. But he was never home with us. Home. That word still haunts me.

  “Are we done here?” Michael asks.

  “You were done before you ever got here,” Chris replies.

  “Sorry, sir, but you can’t leave until we finish our paperwork,” I hear an unfamiliar voice say from inside the room, and I’m surprised Chris has allowed someone else in the room.

  “This is ridiculous,” Michael growls. “I did nothing wrong.”

  “It’s protocol, sir. All security action must be properly documented.”

  My stomach twists in knots just hearing Michael’s voice and I fight the memories threatening to take shape. Why can’t they just go back in the hole where I buried them? That place where two years ago didn’t exist.

  Footsteps sound on the opposite side of the door, and I turn as it opens and Chris appears, his blond hair rumpled, as if he’s been running his hands through it. His green eyes fall on me and the hard glint in their depths softens instantly. He pulls the door shut behind him and drags me against him, murmuring softly, “I understand why you left. I understand everything.”

  I cling to him, holding on for what feels like dear life. “I should have told you.”

  “You would have.” He pulls back to look at me. “When you were ready. We all have to deal with our inner demons in our own way, in our own time.”

  My fingers trail over the stubble on his jaw, and I understand too well what he’s telling me. He hasn’t told me everything, either, and I can’t bear the idea that there is still something else, some dark secret that could potentially tear us apart when I’m not sure we’ll survive what is already before us.

  “Your car’s ready at the back door, sir.” Chris and I turn to the uniformed guard who has appeared beside us. “The press has been cleared.”

  Chris shakes the man’s hand and it’s clear this isn’t their first meeting. “Thanks, Max. You’re a good man.”

  We exit to a parking lot and slide into the car. I settle under Chris’s arm, seeking the warmth of his body, the protection I’ve sworn I don’t need, too many times to count. But I need it tonight. I need it and him, in ways I’ve never needed another human being. It’s both comforting and terrifying to realize that the very thing I’ve feared would happen has happened. I don’t know who I am without Chris anymore. I don’t know where he begins and where I end. He says he’s mine. He says I’m his, but no matter what Chris says, he isn’t really mine at all. He’s still a prisoner of his own inner demons and now, I worry, of mine, too.

  • • •

  We don’t speak on the short drive back to the hotel, both of us lost in thought. The cold reality of what has just happened seeps into my mind and crawls through my body. Despite it being eighty degrees outside, I shiver, and Chris runs his hand up my arm. I turn into him, settling my ear on his chest, listening to his heartbeat, trying to lose myself in the steady rhythm. But my thoughts find a way inside the rhythm. My father finds a way inside my head. I should be beyond his reach, incapable of feeling anything where he is concerned, but I am not. My mother is dead. My father couldn’t care less if I’m dead. Michael is the son my father wanted and he would justify anything Michael did as necessary, even forcing himself on me.

  By the time we are walking through the hotel lobby, I am one big ball of explosive emotion. I am clawing my way out of my own head but there seems to be no escape, and this damnable, pinching pain in my chest won’t go away.

  We step inside the elevator and Chris wraps me in his embrace, settling my hips against his, his hand at my back. I run my fingers through his blond hair, searching his face, and I find exactly what I fear. He is worried about me, about us, concerned that my past, my weakness with Michael, means I’m too fragile to be a part of his life. It wasn’t hate I’d worried about from Chris. The hate was mine. I own it. I’ve lived it. No. What I feared from Chris was this: pity. Him looking at me like I’m a wounded animal. I push away from him and try to step out of his reach. His fingers snag mine and he pulls me back. I see the question in his face and I plan to answer it, just not here.

  The elevator doors open and I rush forward, seeking privacy before I explode. The instant we are in the room, I whirl on him. “Don’t look at me like I’m some helpless pup that has to be coddled, Chris. That’s not what I need now. I need what you needed today. I need an escape. I need to know . . .” So much. Too much. “I need . . .” I have no more words. I just need.

  Stretching behind me, I unzip my dress and shove it down my body, leaving myself in my thigh-highs and heels, and the dangling r
ubies. I’m desperate to push Chris over the edge, to make him take me the way he always does—passionately, completely.

  Chris pulls me hard against his body, and he is hard where I am soft, strong where I am still weak. Yes. This is what I need. “Fuck me, Chris. Take me to that place you go and don’t be gentle.”

  He runs his hand down my hair. “Not tonight, Sara. Not after you just told me that bastard forced himself on you.”

  “It was two years ago, Chris.”

  “Which you had to relive tonight.”

  “Don’t do this. Don’t treat me like I’m breakable, or Michael wins.”

  “I’m not treating you like you’re breakable.”

  “You are, and if you do it now, you always will. It’ll change us.”

  “No. One night is not a lifetime.”

  “This isn’t just one night. It’s this night. It’s the night that—” The pain in my chest cuts off my words and I shove it away. “Pain that is pleasure. Pain that is an escape. I need just what you need tonight.”

  “No, baby. I’m not going there with you tonight.”

  “You mean you’re not going there with me ever!” I charge. “You’re afraid to take me there now. This isn’t going to work. He’s already ruined us.” I shake my head. “I need out of here. I need to go home.” I tug on my arms, but he holds me easily. “Let go. Damn it, let go!”

  “Sara—”

  My hands close around the sleeves of his jacket. “I knew this would happen. I knew if I told you, you’d be afraid to be you.” My cheeks are wet with tears. I don’t know why the hell I keep crying. “Just let me go, so I can get all the hell over with in one night, Chris. Let me go find my way of dealing with this again. My way without you.”

  He backs me against the desk, his hands on my hips, his expression unreadable. He’s still so damn in control. I’m naked inside and out, and he’s no closer to letting down the wall this night has erected, than when I was fully dressed.

  “Just let me go now, Chris.” My voice is a barely audible. I am defeated and beaten. “Please.”