Vampires, Zombies, Werewolves And Ghosts - 25 Classic Stories Of The Supernatural

by Barbara H. Solomon

  Or won’t fade . . . the worst thought of all.

  Alec saw her—spoke to her—for the first time when he was fifteen, six days after he learned his older brother had been killed in the South Pacific. President Truman had sent a letter expressing his condolences. It was a form letter, but the signature on the bottom—that was really his. Alec hadn’t cried yet. He knew, years later, that he spent that week in a state of shock, that he had lost the person he loved most in the world and it had badly traumatized him. But in 1945 no one used the word “trauma” to talk about emotions, and the only kind of shock anyone discussed was “shell—.”

  He told his mother he was going to school in the mornings. He wasn’t going to school. He was shuffling around downtown looking for trouble. He shoplifted candy-bars from the American Luncheonette and ate them out at the empty shoe factory—the place closed down, all the men off in France, or the Pacific. With sugar zipping in his blood, he launched rocks through the windows, trying out his fastball.

  He wandered through the alley behind the Rosebud and looked at the door into the theater and saw that it wasn’t firmly shut. The side facing the alley was a smooth metal surface, no door handle, but he was able to pry it open with his fingernails. He came in on the 3:30 P.M. show, the place crowded, mostly kids under the age of ten and their mothers. The fire door was halfway up the theater, recessed into the wall, set in shadow. No one saw him come in. He slouched up the aisle and found a seat in the back.

  “I heard Jimmy Stewart went to the Pacific,” his brother had told him while he was home on leave, before he shipped out. They were throwing the ball around out back. “Mr. Smith is probably carpet-bombing the red fuck out of Tokyo right this instant. How’s that for a crazy thought?” Alec’s brother, Ray, was a self-described film freak. He and Alec went to every single movie that opened during his monthlong leave: Bataan, The Fighting Seabees, Going My Way.

  Alec waited through an episode of a serial concerning the latest adventures of a singing cowboy with long eyelashes and a mouth so dark his lips were black. It failed to interest him. He picked his nose and wondered how to get a Coke with no money. The feature started.

  At first Alec couldn’t figure out what the hell kind of movie it was, although right off he had the sinking feeling it was going to be a musical. First the members of an orchestra filed onto a stage against a bland blue backdrop. Then a starched shirt came out and started telling the audience all about the brand-new kind of entertainment they were about to see. When he started blithering about Walt Disney and his artists, Alec began to slide downwards in his seat, his head sinking between his shoulders. The orchestra surged into big dramatic blasts of strings and horns. In another moment his worst fears were realized. It wasn’t just a musical; it was also a cartoon. Of course it was a cartoon, he should have known—the place crammed with little kids and their mothers—a 3:30 show in the middle of the week that led off with an episode of The Lipstick Kid, singing sissy of the high plains.

  After a while he lifted his head and peeked at the screen through his fingers, watched some abstract animation: silver raindrops falling against a background of roiling smoke, rays of molten light shimmering across an ashen sky. Eventually he straightened up to watch in a more comfortable position. He was not quite sure what he was feeling. He was bored, but interested too, almost a little mesmerized. It would have been hard not to watch. The visuals came at him in a steady hypnotic assault: ribs of red light, whirling stars, kingdoms of cloud glowing in the crimson light of a setting sun.

  The little kids were shifting around in their seats. He heard a little girl whisper loudly, “Mom, when is there going to be Mickey?” For the kids it was like being in school. But by the time the movie hit the next segment, the orchestra shifting from Bach to Tchaikovsky, he was sitting all the way up, even leaning forward slightly, his forearms resting on his knees. He watched fairies flitting through a dark forest, touching flowers and spiderwebs with enchanted wands and spreading sheets of glittering, incandescent dew. He felt a kind of baffled wonder watching them fly around, a curious feeling of yearning. He had the sudden idea he could sit there and watch forever.

  “I could sit in this theater forever,” whispered someone beside him. It was a girl’s voice. “Just sit here and watch and never leave.”

  He didn’t know there was someone sitting beside him and jumped to hear a voice so close. He thought—no, he knew—that when he sat down, the seats on either side of him were empty. He turned his head.

  She was only a few years older than him, couldn’t have been more than twenty, and his first thought was that she was very close to being a fox; his heart beat a little faster to have such a girl speaking to him. He was already thinking, Don’t blow it. She wasn’t looking at him. She was staring up at the movie, and smiling in a way that seemed to express both admiration and a child’s dazed wonder. He wanted desperately to say something smooth, but his voice was trapped in his throat.

  She leaned towards him without glancing away from the screen, her left hand just touching the side of his arm on the armrest.

  “I’m sorry to bother you,” she whispered. “When I get excited about a movie I want to talk. I can’t help it.”

  In the next moment he became aware of two things, more or less simultaneously. The first was that her hand against his arm was cold. He could feel the deadly chill of it through his sweater, a cold so palpable it startled him a little. The second thing he noticed was a single teardrop of blood on her upper lip, under her left nostril.

  “You have a nosebleed,” he said, in a voice that was too loud. He immediately wished he hadn’t said it. You only had one opportunity to impress a fox like this. He should have found something for her to wipe her nose with, and handed it to her, murmured something real Sinatra: You’re bleeding, here. He pushed his hands into his pockets, feeling for something she could wipe her nose with. He didn’t have anything.

  But she didn’t seem to have heard him, didn’t seem the slightest bit aware he had spoken. She absentmindedly brushed the back of one hand under her nose, and left a dark smear of blood over her upper lip . . . and Alec froze with his hands in his pockets, staring at her. It was the first he knew there was something wrong about the girl sitting next to him, something slightly off about the scene playing out between them. He instinctively drew himself up and slightly away from her without even knowing he was doing it.

  She laughed at something in the movie, her voice soft, breathless. Then she leaned towards him and whispered, “This is all wrong for kids. Harry Parcells loves this theater, but he plays all the wrong movies—Harry Parcells who runs the place?”

  There was a fresh runner of blood leaking from her left nostril and blood on her lips, but by then Alec’s attention had turned to something else. They were sitting directly under the projector beam, and there were moths and other insects whirring through the blue column of light above. A white moth had landed on her face. It was crawling up her cheek. She didn’t notice, and Alec didn’t mention it to her. There wasn’t enough air in his chest to speak.

  She whispered, “He thinks just because it’s a cartoon they’ll like it. It’s funny he could be so crazy for movies and know so little about them. He won’t run the place much longer.”

  She glanced at him and smiled. She had blood staining her teeth. Alec couldn’t get up. A second moth, ivory white, landed just inside the delicate cup of her ear.

  “Your brother Ray would have loved this,” she said.

  “Get away,” Alec whispered hoarsely.

  “You belong here, Alec,” she said. “You belong here with me.”

  He moved at last, shoved himself up out of his seat. The first moth was crawling into her hair. He thought he heard himself moan, just faintly. He started to move away from her. She was staring at him. He backed a few feet down the aisle and bumped into some kid’s legs, and the kid yelped. He glanced away from her for an instant, down at a fattish boy in a striped T-shirt who was glaring back
at him: Watch where you’re going, meathead.

  Alec looked at her again and now she was slumped very low in her seat. Her head rested on her left shoulder. Her legs hung lewdly open. There were thick strings of blood, dried and crusted, running from her nostrils, bracketing her thin-lipped mouth. Her eyes were rolled back in her head. In her lap was an overturned carton of popcorn.

  Alec thought he was going to scream. He didn’t scream. She was perfectly motionless. He looked from her to the kid he had almost tripped over. The fat kid glanced casually in the direction of the dead girl, showed no reaction. He turned his gaze back to Alec, his eyes questioning, one corner of his mouth turned up in a derisive sneer.

  “Sir,” said a woman, the fat kid’s mother. “Can you move, please? We’re trying to watch the movie.”

  Alec threw another look towards the dead girl, only now the chair where she had been was empty, the seat folded up. He started to retreat, bumping into knees, almost falling over once, grabbing someone for support. Then suddenly the room erupted into cheers, applause. His heart throbbed. He cried out, looked wildly around. It was Mickey, up there on the screen in droopy red robes—Mickey had arrived at last.

  He backed up the aisle, swatted through the padded leather doors into the lobby. He flinched at the late-afternoon brightness, narrowed his eyes to squints. He felt dangerously sick. Then someone was holding his shoulder, turning him, walking him across the room, over to the staircase up to balcony-level. Alec sat down on the bottom step, sat down hard.

  “Take a minute,” someone said. “Don’t get up. Catch your breath. Do you think you’re going to throw up?”

  Alec shook his head.

  “Because if you think you’re going to throw up, hold on till I can get you a bag. It isn’t so easy to get stains out of this carpet. Also when people smell vomit they don’t want popcorn.”

  Whoever it was lingered beside him for another moment, then without a word turned and shuffled away. He returned maybe a minute later.

  “Here. On the house. Drink it slow. The fizz will help with your stomach.”

  Alec took a wax cup sweating beads of cold water, found the straw with his mouth, sipped icy cola bubbly with carbonation. He looked up. The man standing over him was tall and slope-shouldered, with a sagging roll around the middle. His hair was cropped to a dark bristle and his eyes, behind his absurdly thick glasses, were small and pale and uneasy.

  Alec said, “There’s a dead girl in there.” He didn’t recognize his own voice.

  The color drained out of the big man’s face and he cast an unhappy glance back at the doors into the theater. “She’s never been in a matinee before. I thought only night shows, I thought—for God’s sake, it’s a kid’s movie. What’s she trying to do to me?”

  Alec opened his mouth, didn’t even know what he was going to say, something about the dead girl, but what came out instead was: “It’s not really a kid’s film.”

  The big man shot him a look of mild annoyance. “Sure it is. It’s Walt Disney.”

  Alec stared at him for a long moment, then said, “You must be Harry Parcells.”

  “Yeah. How’d you know?”

  “Lucky guesser,” Alec said. “Thanks for the Coke.”

  Alec followed Harry Parcells behind the concessions counter, through a door and out onto a landing at the bottom of some stairs. Harry opened a door to the right and let them into a small, cluttered office. The floor was crowded with steel film cans. Fading film posters covered the walls, overlapping in places: Boys Town, David Copperfield, Gone With the Wind.

  “Sorry she scared you,” Harry said, collapsing into the office chair behind his desk. “You sure you’re all right? You look kind of peaked.”

  “Who is she?”

  “Something blew out in her brain,” he said, and pointed a finger at his left temple, as if pretending to hold a gun to his head. “Six years ago. During The Wizard of Oz. The very first show. It was the most terrible thing. She used to come in all the time. She was my steadiest customer. We used to talk, kid around with each other—” His voice wandered off, confused and distraught. He squeezed his plump hands together on the desktop in front of him, said finally, “Now she’s trying to bankrupt me.”

  “You’ve seen her.” It wasn’t a question.

  Harry nodded. “A few months after she passed away. She told me I don’t belong here. I don’t know why she wants to scare me off when we used to get along so great. Did she tell you to go away?”

  “Why is she here?” Alec said. His voice was still hoarse, and it was a strange kind of question to ask. For a while, Harry just peered at him through his thick glasses with what seemed to be total incomprehension.

  Then he shook his head and said, “She’s unhappy. She died before the end of The Wizard and she’s still miserable about it. I understand. That was a good movie. I’d feel robbed too.”

  “Hello?” someone shouted from the lobby. “Anyone there?”

  “Just a minute,” Harry called out. He gave Alec a pained look. “My concession-stand girl told me she was quitting yesterday. No notice or anything.”

  “Was it the ghost?”

  “Heck no. One of her paste-on nails fell into someone’s food so I told her not to wear them anymore. No one wants to get a fingernail in a mouthful of popcorn. She told me a lot of boys she knows come in here and if she can’t wear her nails she wasn’t going to work for me no more so now I got to do everything myself.” He said this as he was coming around the desk. He had something in one hand, a newspaper clipping. “This will tell you about her.” And then he gave Alec a look—it wasn’t a glare exactly, but there was at least a measure of dull warning in it—and he added: “Don’t run off on me. We still have to talk.”

  He went out, Alec staring after him, wondering what that last funny look was about. He glanced down at the clipping. It was an obituary—her obituary. The paper was creased, the edges worn, the ink faded; it looked as if it had been handled often. Her name was Imogene Gilchrist, she had died at nineteen, she worked at Water Street Stationery. She was survived by her parents, Colm and Mary. Friends and family spoke of her pretty laugh, her infectious sense of humor. They talked about how she loved the movies. She saw all the movies, saw them on opening day, first show. She could recite the entire cast from almost any picture you cared to name, it was like a party trick—she even knew the names of actors who had had just one line. She was president of the drama club in high school, acted in all the plays, built sets, arranged lighting. “I always thought she’d be a movie star,” said her drama professor. “She had those looks and that laugh. All she needed was someone to point a camera at her and she would have been famous.”

  When Alec finished reading he looked around. The office was still empty. He looked back down at the obituary, rubbing the corner of the clipping between thumb and forefinger. He felt sick at the unfairness of it, and for a moment there was a pressure at the back of his eyeballs, a tingling, and he had the ridiculous idea he might start crying. He felt ill to live in a world where a nineteen-year-old girl full of laughter and life could be struck down like that, for no reason. The intensity of what he was feeling didn’t really make sense, considering he had never known her when she was alive; didn’t make sense until he thought about Ray, thought about Harry Truman’s letter to his mom, the words died with bravery, defending freedom, America is proud of him. He thought about how Ray had taken him to The Fighting Seabees, right here in this theater, and they sat together with their feet up on the seats in front of them, their shoulders touching. “Look at John Wayne,” Ray said. “They oughta have one bomber to carry him, and another one to carry his balls.” The stinging in his eyes was so intense he couldn’t stand it, and it hurt to breathe. He rubbed at his wet nose, and focused intently on crying as soundlessly as possible.

  He wiped his face with the tail of his shirt, put the obituary on Harry Parcells’ desk, looked around. He glanced at the posters, and the stacks of steel cans. There was a
curl of film in the corner of the room, just eight or so frames—he wondered where it had come from—and he picked it up for a closer look. He saw a girl closing her eyes and lifting her face, in a series of little increments, to kiss the man holding her in a tight embrace; giving herself to him. Alec wanted to be kissed that way sometime. It gave him a curious thrill to be holding an actual piece of a movie. On impulse he stuck it into his pocket.

  He wandered out of the office and back onto the landing at the bottom of the stairwell. He peered into the lobby. He expected to see Harry behind the concession stand, serving a customer, but there was no one there. Alec hesitated, wondering where he might have gone. While he was thinking it over, he became aware of a gentle whirring sound coming from the top of the stairs. He looked up them, and it clicked—the projector. Harry was changing reels.

  Alec climbed the steps and entered the projection room, a dark compartment with a low ceiling. A pair of square windows looked into the theater below. The projector itself was pointed through one of them, a big machine made of brushed stainless steel, with the word VITAPHONE stamped on the case. Harry stood on the far side of it, leaning forward, peering out the same window through which the projector was casting its beam. He heard Alec at the door, shot him a brief look. Alec expected to be ordered away, but Harry said nothing, only nodded and returned to his silent watch over the theater.

  Alec made his way to the VITAPHONE, picking a path carefully through the dark. There was a window to the left of the projector that looked down into the theater. Alec stared at it for a long moment, not sure if he dared, and then put his face close to the glass and peered into the darkened room beneath.

  The theater was lit a deep midnight blue by the image on the screen: the conductor again, the orchestra in silhouette. The announcer was introducing the next piece. Alec lowered his gaze and scanned the rows of seats. It wasn’t much trouble to find where he had been sitting, an empty cluster of seats close to the back, on the right. He half-expected to see her there, slid down in her chair, face tilted up towards the ceiling and blood all down it—her eyes turned perhaps to stare up at him. The thought of seeing her filled him with both dread and a strange nervous exhilaration, and when he realized she wasn’t there, he was a little surprised by his own disappointment.