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Soul Mountain

Page 57

by Gao Xingjian


  Riley, Josephine, and Else Unterrieder, “The Myth of Gao Xingjian”, in Josephine Riley and Else Unterrieder, eds, Haishi Zou Hao: Chinese Poetry, Drama and Literature of the 1980s, Bonn: Engelhard-Ng Verlag, 1989.

  Sauviat, Deborah, “The Challenge to the ‘Official Discourse’ in Gao Xingjian’s Early Fiction”, BA Honours thesis, University of Sydney, 1996.

  Tam Kwok-kan, “Drama of Dilemma: Waiting as Form and Motif in The Bus Stop and Waiting for Godot”, in Yun-Tong Luk, ed., Studies in Chinese–Western Comparative Drama, Hong Kong: The Chinese University Press, 1990.

  Tay, William, “Avant-garde Theatre in Post-Mao China: The Bus Stop by Gao Xingjian”, in Howard Goldblatt ed., Worlds Apart: Recent Chinese Writing and Its Audiences, Armonk and New York: M.E. Sharpe, 1990.

  Zhao, Henry Y. H., Towards a Modern Zen Theatre: Gao Xingjian and Chinese Theatre Experimentalism, London: SOAS Publications, 2000 (in print).

  Zou Jiping, “Gao Xingjian and Chinese Experimental Theatre”, PhD dissertation, University of Illinois, 1994.

  About the Author

  GAO XINGJIAN (whose name is pronounced gow shing-jen) is the first Chinese recipient of the Nobel Prize in Literature. Born in 1940 in Jiangxi province in eastern China, he studied in state schools, earned a university degree in French in Beijing, and embarked on a life of letters. Choosing exile in 1987, he settled in Paris, where he completed Soul Mountain two years later. In 1992 he was named a Chevalier de l'Ordre des Arts et des Lettres by the French government. He is a playwright and painter as well as a fiction writer and critic.

  About the Translator

  MABEL LEE, PH.D., has been Professor of Asian Studies at the University of Sydney. Dr. Lee is one of Australia's leading authorities on Chinese cultural affairs.

  Credits

  Jacket art by Gao Xingjian

  Cover design by Darian Causby

  About the Publisher

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  United Kingdom

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  United States

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  TABLE OF CONTENTS

  Introduction

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty One

  Chapter Twenty Two

  Chapter Twenty Three

  Chapter Twenty Four

  Chapter Twenty Five

  Chapter Twenty Six

  Chapter Twenty Seven

  Chapter Twenty Eight

  Chapter Twenty Nine

  Chapter Thirty

  Chapter Thirty One

  Chapter Thirty Two

  Chapter Thirty Three

  Chapter Thirty Four

  Chapter Thirty Five

  Chapter Thirty Six

  Chapter Thirty Seven

  Chapter Thirty Eight

  Chapter Thirty Nine

  Chapter Forty

  Chapter Forty One

  Chapter Forty Two

  Chapter Forty Three

  Chapter Forty Four

  Chapter Forty Five

  Chapter Forty Six

  Chapter Forty Seven

  Chapter Forty Eight

  Chapter Forty Nine

  Chapter Fifty

  Chapter Fifty One

  Chapter Fifty Two

  Chapter Fifty Three

  Chapter Fifty Four

  Chapter Fifty Five

  Chapter Fifty Six

  Chapter Fifty Seven

  Chapter Fifty Eight

  Chapter Fifty Nine

  Chapter Sixty

  Chapter Sixty One

  Chapter Sixty Two

  Chapter Sixty Three

  Chapter Sixty Four

  Chapter Sixty Five

  Chapter Sixty Six

  Chapter Sixty Seven

  Chapter Sixty Eight

  Chapter Sixty Nine

  Chapter Seventy

  Chapter Seventy One

  Chapter Seventy Two

  Chapter Seventy Three

  Chapter Seventy Four

  Chapter Seventy Five

  Chapter Seventy Six

  Chapter Seventy Seven

  Chapter Seventy Eight

  Chapter Seventy Nine

  Chapter Eighty

  Chapter Eighty One

  The Case for Literature-Nobel Prize Literature

  Appendix

  About the Author

  About the Translator

  Credits

  About the Publisher

  About this Title

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