Just a Shot Away_Peace, Love, and Tragedy With the Rolling Stones at Altamont

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by Saul Austerlitz


  Loewenstein, Rupert zu

  Lot Grave C

  LSD

  as bad

  Churchill accidental dose of

  discovering

  experience of

  overdoses of

  paranoia from

  Thompson introducing

  wizard of

  youth discovery of

  Lydon, Michael

  Manson, Charles

  Marcus, Greil

  bodily fear observed by

  Burks finding

  as disappointed with work

  hippie shouting at

  lacking musical enthusiasm

  reflections of

  on youth and music

  marijuana

  fans consuming

  as free

  Hells Angels like for

  Passaro arrested for

  youth discovery of

  Maysles, Albert and David

  Bank hired by

  careers of

  crews hired by

  critique response from

  filming by

  footage sale denied by

  Gimme Shelter work of

  Grey Gardens work by

  loyalty of

  threats towards

  McBath, Lucia

  McDonald, Country Joe

  McKernan, Ron (“Pigpen”)

  McKinney, Kent

  McLean, Don

  media. See also radio; Rolling Stone

  Altamont coverage in

  blame presented in

  counterculture in

  ignorance of

  justice lacking in

  Meet Marlon Brando

  Merry Pranksters

  methamphetamine

  Hells Angels use of

  Hunter, M., use of

  inhibitions lowered by

  Monck, Chip

  at Altamont Speedway

  arc lights of

  assault on

  as blamed

  Hunter, M., family visited by

  lighting discovered by

  rug salvaged by

  Morthland, John

  motorcycles. See also Harley-Davidson

  as affordable

  antipathy represented by

  damage to

  as masculine

  as sacred

  Muddy Waters

  murder

  Hells Angels accused of

  of Jagger, Hunter, M., intent

  Passaro accused of

  Murray, Craig

  Mystery Train: Images of America in Rock ’n’ Roll Music (Marcus)

  Nash, Graham

  nature, as calming

  New Left

  Nichols, Mike

  Nixon, Richard

  Nixonland (Perlstein)

  nostalgia

  Oldham, Andrew Loog

  optimism

  Oswald, Lee Harvey

  outer circle

  Pallenberg, Anita

  Parker, Dixie Anderson. See Ward, Dixie

  Parker, Jesse

  death of

  Ward, Dixie, meeting

  Parker, Taammi

  Parker, Tanya

  Parker, Tim

  parking

  Parsons, Gram

  Passaro, Alan

  arrest of, for marijuana

  death of

  defense for

  girlfriend of

  gun influence on trial of

  as Hells Angels prospect

  murder accusation of

  as not guilty

  Roberts and

  testimony against

  testimony from

  Thompson describing

  in Vacaville prison

  weapon of

  Penn, Arthur

  Pennebaker, D. A.

  Performance

  Perlstein, Rick

  Pilafian, Peter

  Pissed Off Bastards

  police. See also arrests

  Altamont presence of

  concerns of

  as corrupt

  Hells Angels fighting

  as incompetent

  investigation of

  as outnumbered

  as preferred to Hells Angels

  presence of

  racial violence ignored by

  Roberts visiting

  security from

  Woodstock presence of

  Pollack, Sydney

  Ponek, Stefan

  Burks interview by

  closing words of

  Hells Angels critique of

  on radio

  real time reports by

  post-traumatic stress disorder (PTSD)

  poverty

  price gouging

  Primary

  prostitution

  Psychiatry in Russia

  PTSD. See post-traumatic stress disorder

  race

  influence of

  trauma of

  racism

  as blatant

  Jim Crow and

  heartbreak of

  of Hells Angels

  horrors of

  injustice of

  legacy of

  targeting because of

  violence and

  radio

  observations presented on

  Ponek on

  publicity from

  reporting from

  Ray, James Earl

  Reagan, Ronald

  Rector, James

  respect

  Richards, Keith

  accusations from

  Hells Angels opinion of

  Jagger and

  performance of

  warning from

  Riefenstahl, Leni

  Roberts, Bob

  arrest of

  defense of

  Gypsy Jokers approached by

  Passaro and

  police visiting

  Walker meeting with

  Roeg, Nicolas

  Rolling Stone

  accounts acquired by

  Altamont story by

  award for

  coverage by

  interests of

  trust in

  The Rolling Stones. See also American tour; specific members

  Altamont arrival of

  Altamont subject avoided by

  concert delayed by

  culpability of

  donations by

  escape of

  The Rolling Stones

  exile of

  failures of

  footage of, after Altamont

  Hells Angels paid by

  ignorance of

  as musical sorcerers

  perception of

  performers attracted to

  perseverance of

  preparation of

  public response to

  Schneider as manager of

  secret concert of

  silence from

  transformation of

  violence fought by

  volatility expressed by

  Ruby, Jack

  Rugoff, Donald

  Saarinen, Eric

  safety

  for audience

  permits

  Salesman

  Santana

  Schickel, Richard

  schizophrenia

  of Anderson, A.

  as unforgiving

  of Ward, Dixie, siblings

  Schneider, Ronnie

  bluntness of

  Jagger accompanied by

  Klein communications with

  perspective of

  Rolling Stones manager

  Schoenfeld, Dr. Frank

  Scully, Rock

  backstage

  Garcia talking with

  as Grateful Dead manager

  Lang called by

  promotion by

  Sears Point Raceway

  Sebastian, John

  security

  Cutler opinion on

  desperate need for

  difficulty with

  from He
lls Angels

  lack of trained

  planning for

  from police

  underestimating of

  Segely, Ron

  self-expression

  sex

  as pleasure

  symbols of

  Sgt. Pepper’s Lonely Hearts Club Band

  Shelley, Percy Bysshe

  Simon, John

  Sirhan, Sirhan

  Skyview Memorial Lawn

  Slick, Grace

  Snake Pit

  social change

  sound quality

  at Altamont

  at Woodstock

  Stanley, Owsley

  Steinberg, Susan

  Stern, Sol

  Stewart, Ian

  Sticky Fingers

  Stills, Stephen

  Stoll, Nelson

  Surrealistic Pillow

  Swanson, Janet

  swastikas

  Sweeney, Louise

  Tannahill, Larry

  Tate, Sharon

  Taylor, Mick

  terror

  at Altamont festival

  of Churchill

  of Hells Angels

  Thompson, Hunter S.

  Hells Angels written about by

  incidents reported by

  Kesey introduced by

  Passaro described by

  warning by

  transcendence

  Triumph of the Will

  Turner, Ike & Tina

  Vacaville prison

  vengeance

  vigilantism

  violence

  comfort with

  in communities

  as constant

  as endemic

  Garcia reaction to

  from Hells Angels

  Jefferson Airplane fighting

  racism and

  Rolling Stones fighting

  as social lubricant

  as spectacle

  truth surrounding

  vulnerability created from

  without warning

  Wadleigh, Michael

  Walker, George

  Belli working with

  Roberts meeting with

  Wallace, George

  Ward, DeWitt

  Ward, Dixie

  fears of

  grief of

  humor of

  Parker, J., meeting

  siblings cared for by

  as teacher

  Warhol, Andy

  wars

  Second World War

  Vietnam War

  Watts, Charlie

  Wayne, John

  weather

  Weathermen

  Weir, Bob

  Wenner, Jann

  Wexler, Haskell

  The Who

  Wild in the Streets

  The Wild One

  Winner, Langdon

  Wiseman, Frederick

  With Love from Truman

  Wood, Jim

  Woodstock

  as close to disaster

  Garcia at

  imitating of

  police presence at

  as political statement

  sound quality at

  successors to

  Woodstock

  Workingman’s Dead

  Wyman, Bill

  Yippies

  Young, Neil

  Zwerin, Charlotte

  background of

  character of

  critique response from

  loyalty of

  techniques of

  voice of

  About the Author

  SAUL AUSTERLITZ has been published in The Los Angeles Times, The New York Times, The Boston Globe, Slate, The Village Voice, The New Republic, The San Francisco Chronicle, Spin, Rolling Stone, and Paste. He is the author of several previous books, including Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. He lives in Brooklyn. You can sign up for email updates here.

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  THOMAS DUNNE BOOKS.

  An imprint of St. Martin’s Press.

  JUST A SHOT AWAY. Copyright © 2018 by Saul Austerlitz. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

  www.thomasdunnebooks.com

  www.stmartins.com

  Photo of Mick Jagger preceding title page is courtesy of Robert Altman.

  Cover design by Rob Grom

  Cover photograph of Mick Jagger and Keith Richards © Baron Wolman / Getty Images

  The Library of Congress has cataloged the print edition as follows:

  Names: Austerlitz, Saul, author.

  Title: Just a shot away: peace, love, and tragedy with the Rolling Stones at Altamont / Saul Austerlitz.

  Description: First edition. | New York: Thomas Dunne Books, 2018. | Includes index.

  Identifiers: LCCN 2018001404 | ISBN 9781250083197 (hardcover) | I SBN 9781250083203 (ebook)

  Subjects: LCSH: Altamont Festival (1969: Tracy, Calif.) | Rock concerts—California—Tracy. | Rolling Stones. | Hell’s Angels. | Homicide—California. | Rock music—California—Tracy—1961–1970—History and criticism. | Counterculture—United States—History—20th century.

  Classification: LCC ML28.A29 A474 2018 | DDC 781.66078/79455—dc23

  LC record available at https://lccn.loc.gov/2018001404

  eISBN 9781250083203

  Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at [email protected].

  First Edition: July 2018

  Contents

  Title Page

  Copyright Notice

  Dedication

  Epigraph

  Introduction

  Part One: PREPARATIONS

    1. Woodstock West

    2. Burning Crosses

    3. Staging the Show

    4. Outlaw Pride

  Part Two: UNRAVELING

    5. The Outer Circle

    6. “Let’s Not Keep Fucking Up!”

    7. Whippin’

    8. Gun and Knife

  Part Three: CARRYING ON

    9. Last Chopper Out

  10. Dupes

  11. “We Only Want Beautiful Things”

  12. “We Blew It”

  13. Spontaneous Declaration

  14. 8:15

  Acknowledgments

  Index

  About the Author

  Copyright

 

 

 


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