The End of the Story

by Clark Ashton Smith

  I was recalled to the actualities of life by a gentle knock at my door, and realized that I had forgotten to dress myself. It was the abbot, who came to inquire how I had passed the night, and to tell me that breakfast was ready whenever I should care to arise. For some reason, I felt a little embarrassed, even shamefaced, to have been caught day-dreaming; and though this was doubtless unnecessary, I apologized for my dilatoriness. Hilaire, I thought, gave me a keen, inquiring look, which was quickly withdrawn, as, with the suave courtesy of a good host, he assured me that there was nothing whatever for which I need apologize.

  When I had breakfasted, I told Hilaire, with many expressions of gratitude for his hospitality, that it was time for me to resume my journey. But his regret at the announcement of my departure was so unfeigned, his invitation to tarry for at least another night was so genuinely hearty, so sincerely urgent, that I consented to remain. In truth, I required no great amount of solicitation, for, apart from the real liking I had taken to Hilaire, the mystery of the forbidden manuscript had entirely enslaved my imagination, and I was loath to leave without having learned more concerning it. Also, for a youth with scholastic leanings, the freedom of the abbot’s library was a rare privilege, a precious opportunity not to be passed over.

  “I should like,” I said, “to pursue certain studies while I am here, with the aid of your incomparable collection.”

  “My son, you are more than welcome to remain for any length of time, and you can have access to my books whenever it suits your need or inclination.” So saying, Hilaire detached the key of the library from his girdle and gave it to me. “There are duties,” he went on, “which will call me away from the monastery

  for a few hours today, and doubtless you will desire to study in my absence.”

  A little later, he excused himself and departed. With inward felicitations on the longed-for opportunity that had fallen so readily into my hands, I hastened to the library, with no thought save to read the proscribed manuscript. Giving scarcely a glance at the laden shelves, I sought the table with the secret drawer, and fumbled for the spring. After a little anxious delay, I pressed the proper spot and drew forth the drawer. An impulsion that had become a veritable obsession, a fever of curiosity that bordered upon actual madness, drove me, and if the safety of my soul had really depended upon it, I could not have denied the desire which forced me to take from the drawer the thin volume with plain unlettered binding.

  Seating myself in a chair near one of the windows, I began to peruse the pages, which were only six in number. The writing was peculiar, with letter-forms of a fantasticality I had never met before, and the French was not only old but well-nigh barbarous in its quaint singularity. Notwithstanding the difficulty I found in deciphering them, a mad, unaccountable thrill ran through me at the first words, and I read on with all the sensations of a man who had been bewitched or who had drunken a philtre of bewildering potency.

  There was no title, no date, and the writing was a narrative which began almost as abruptly as it ended. It concerned one Gérard, Comte de Venteillon, who, on the eve of his marriage to the renowned and beautiful demoiselle, Eleanor des Lys, had met in the forest near his château a strange, half-human creature with hoofs and horns. Now Gérard, as the narrative explained, was a knightly youth of indisputably proven valor, as well as a true Christian; so, in the name of our Savior, Jesus Christ, he bade the creature stand and give an account of itself.

  Laughing wildly in the twilight, the bizarre being capered before him, and cried:

  “I am a satyr, and your Christ is less to me than the weeds that grow on your kitchen-middens.”

  Appalled by such blasphemy, Gérard would have drawn his sword to slay the creature, but again it cried, saying:

  “Stay, Gérard de Venteillon, and I will tell you a secret, knowing which, you will forget the worship of Christ, and forget your beautiful bride of tomorrow, and turn your back on the world and on the very sun itself with no reluctance and no regret.”

  Now, albeit half-unwillingly, Gérard lent the satyr an ear and it came closer and whispered to him. And that which it whispered is not known; but before it vanished amid the blackening shadows of the forest, the satyr spoke aloud once more, and said:

  “The power of Christ has prevailed like a black frost on all the woods, the fields, the rivers, the mountains, where abode in their felicity the glad, immortal goddesses and nymphs of yore. But still, in the cryptic caverns of earth,

  in places far underground, like the hell your priests have fabled, there dwells the pagan loveliness, there cry the pagan ecstasies.” And with the last words, the creature laughed again its wild unhuman laugh, and disappeared among the darkening boles of the twilight trees.

  From that moment, a change was upon Gérard de Venteillon. He returned to his château with downcast mien, speaking no cheery or kindly word to his retainers, as was his wont, but sitting or pacing always in silence, and scarcely heeding the food that was set before him. Nor did he go that evening to visit his betrothed, as he had promised; but, toward midnight, when a waning moon had arisen red as from a bath of blood, he went forth clandestinely by the postern door of the château, and followed an old, half-obliterated trail through the woods, found his way to the ruins of the Château des Faussesflammes, which stands on a hill opposite the Benedictine abbey of Périgon.

  Now these ruins (said the manuscript) are very old, and have long been avoided by the people of the district; for a legendry of immemorial evil clings about them, and it is said that they are the dwelling-place of foul spirits, the rendezvous of sorcerers and succubi. But Gérard, as if oblivious or fearless of their ill renown, plunged like one who is devil-driven into the shadow of the crumbling walls, and went, with the careful groping of a man who follows some given direction, to the northern end of the courtyard. There, directly between and below the two centermost windows, which, it may be, looked forth from the chamber of forgotten chatelaines, he pressed with his right foot on a flagstone differing from those about it in being of a triangular form. And the flagstone moved and tilted beneath his foot, revealing a flight of granite steps that went down into the earth. Then, lighting a taper he had brought with him, Gérard descended the steps, and the flagstone swung into place behind him.

  On the morrow, his betrothed, Eleanor des Lys, and all her bridal train, waited vainly for him at the cathedral of Vyônes, the principal town of Averoigne, where the wedding had been set. And from that time his face was beheld by no man, and no vaguest rumor of Gérard de Venteillon or of the fate that befell him has ever passed among the living….

  Such was the substance of the forbidden manuscript, and thus it ended. As I have said before, there was no date, nor was there anything to indicate by whom it had been written or how the knowledge of the happenings related had come into the writer’s possession. But, oddly enough, it did not occur to me to doubt their veracity for a moment; and the curiosity I had felt concerning the contents of the manuscript was now replaced by a burning desire, a thousandfold more powerful, more obsessive, to know the ending of the story and to learn what Gérard de Venteillon had found when he descended the hidden steps.

  In reading the tale, it had of course occurred to me that the ruins of the Château des Faussesflammes, described therein, were the very same ruins I had seen that morning from my chamber window; and pondering this, I became

  more and more possessed by an insane fever, by a frenetic, unholy excitement. Returning the manuscript to the secret drawer, I left the library and wandered for awhile in an aimless fashion about the corridors of the monastery. Chancing to meet there the same monk who had taken my horse in charge the previous evening, I ventured to question him, as discreetly and casually as I could, regarding the ruins which were visible from the abbey windows.

  He crossed himself, and a frightened look came over his broad, placid face at my query.

  “The ruins are those of the Château des Faussesflammes,” he replied. “For untold years, men s
ay, they have been the haunt of unholy spirits, of witches and demons; and festivals not to be described or even named are held within their walls. No weapon known to man, no exorcism or holy water, has ever prevailed against these demons; many brave cavaliers and monks have disappeared amid the shadows of Faussesflammes, never to return; and once, it is told, an abbot of Périgon went thither to make war on the powers of evil; but what befell him at the hands of the succubi is not known or conjectured. Some say that the demons are abominable hags whose bodies terminate in serpentine coils; others, that they are women of more than mortal beauty, whose kisses are a diabolic delight that consumes the flesh of men with the fierceness of hell-fire…. As for me, I know not whether such tales are true; but I should not care to venture within the walls of Faussesflammes.”

  Before he had finished speaking, a resolve had sprung to life full-born in my mind: I felt that I must go to the Château des Faussesflammes and learn for myself, if possible, all that could be learned. The impulse was immediate, overwhelming, ineluctable; and even if I had so desired, I could no more have fought against it than if I had been the victim of some sorcerer’s invultuation. The proscription of the abbot Hilaire, the strange unfinished tale in the old manuscript, the evil legendry at which the monk had now hinted—all these, it would seem, should have served to frighten and deter me from such a resolve; but, on the contrary, by some bizarre inversion of thought, they seemed to conceal some delectable mystery, to denote a hidden world of ineffable things, of vague undreamable pleasures that set my brain on fire and made my pulses throb deliriously. I did not know, I could not conceive, of what these pleasures would consist; but in some mystical manner I was as sure of their ultimate reality as the abbot Hilaire was sure of heaven.

  I determined to go that very afternoon, in the absence of Hilaire, who, I felt instinctively, might be suspicious of any such intention on my part and would surely be inimical toward its fulfillment.

  My preparations were very simple: I put in my pockets a small taper from my room and the heel of a loaf of bread from the refectory; and making sure that a little dagger which I always carried was in its sheath, I left the monastery forthwith. Meeting two of the brothers in the courtyard, I told them I was going for a short walk in the neighboring woods. They gave me a jovial “pax

  vobiscum” and went upon their way in the spirit of the words.

  Heading as directly as I could for Faussesflammes, whose turrets were often lost behind the high and interlacing boughs, I entered the forest. There were no paths, and often I was compelled to brief detours and divagations by the thickness of the underbrush. In my feverous hurry to reach the ruins, it seemed hours before I came to the top of the hill which Faussesflammes surmounted, but probably it was little more than thirty minutes. Climbing the last declivity of the boulder-strewn slope, I came suddenly within view of the château, standing close at hand in the center of the level table which formed the summit. Trees had taken root in its broken-down walls, and the ruinous gateway that gave on the courtyard was half-choked by bushes, brambles and nettle-plants. Forcing my way through, not without difficulty, and with clothing that had suffered from the bramblethorns, I went, like Gérard de Venteillon in the old manuscript, to the northern end of the court. Enormous evil-looking weeds were rooted between the flagstones, rearing their thick and fleshy leaves that had turned to dull sinister maroons and purples with the onset of autumn. But I soon found the triangular flagstone indicated in the tale, and without the slightest delay or hesitation I pressed upon it with my right foot.

  A mad shiver, a thrill of adventurous triumph that was mingled with something of trepidation, leaped through me when the great flagstone tilted easily beneath my foot, disclosing dark steps of granite, even as in the story. Now, for a moment, the vaguely hinted horrors of the monkish legends became imminently real in my imagination, and I paused before the black opening that was to engulf me, wondering if some satanic spell had not drawn me thither to perils of unknown terror and inconceivable gravity.

  Only for a few instants, however, did I hesitate. Then the sense of peril faded, the monkish horrors became a fantastic dream, and the charm of things unformulable, but ever closer at hand, always more readily attainable, tightened about me like the embrace of amorous arms. I lit my taper, I descended the stair; and even as behind Gérard de Venteillon, the triangular block of stone silently resumed its place in the paving of the court above me. Doubtless it was moved by some mechanism operable by a man’s weight on one of the steps; but I did not pause to consider its modus operandi, or to wonder if there were any way by which it could be worked from beneath to permit my return.

  There were perhaps a dozen steps, terminating in a low, narrow, musty vault that was void of anything more substantial than ancient, dust-encumbered cobwebs. At the end, a small doorway admitted me to a second vault that differed from the first only in being larger and dustier. I passed through several such vaults, and then found myself in a long passage or tunnel, half-blocked in places by boulders or heaps of rubble that had fallen from the crumbling sides. It was very damp, and full of the noisome odor of stagnant waters and subterranean mould. My feet splashed more than once in little pools, and drops fell upon me from above, fetid and foul as if they had oozed from a charnel.

  Beyond the wavering circle of light that my taper maintained, it seemed to me that the coils of dim and shadowy serpents slithered away in the darkness at my approach; but I could not be sure whether they really were serpents, or only the troubled and retreating shadows, seen by an eye that was still unaccustomed to the gloom of the vaults.

  Rounding a sudden turn in the passage, I saw the last thing I had dreamt of seeing—the gleam of sunlight at what was apparently the tunnel’s end. I scarcely know what I had expected to find, but such an eventuation was somehow altogether unanticipated. I hurried on, in some confusion of thought, and stumbled through the opening, to find myself blinking in the full rays of the sun.

  Even before I had sufficiently recovered my wits and my eyesight to take note of the landscape before me, I was struck by a strange circumstance: though it had been early afternoon when I entered the vaults, and though my passage through them could have been a matter of no more than a few minutes, the sun was now nearing the horizon. There was also a difference in its light, which was both brighter and mellower than the sun I had seen above Averoigne; and the sky itself was intensely blue, with no hint of autumnal pallor.

  Now, with ever-increasing stupefaction, I stared about me, and could find nothing familiar or even credible in the scene upon which I had emerged. Contrary to all reasonable expectation, there was no semblance of the hill upon which Faussesflammes stood, or of the adjoining country; but around me was a placid land of rolling meadows, through which a golden-gleaming river meandered toward a sea of deepest azure that was visible beyond the tops of laurel-trees…. But there are no laurel-trees in Averoigne, and the sea is hundreds of miles away: judge, then, my complete confusion and dumbfoundment.

  It was a scene of such loveliness as I have never before beheld. The meadow-grass at my feet was softer and more lustrous than emerald velvet, and was full of violets and many-colored asphodels. The dark green of ilex-trees was mirrored in the golden river, and far away I saw the pale gleam of a marble acropolis on a low summit above the plain. All things bore the aspect of a mild and clement spring that was verging upon an opulent summer. I felt as if I had stepped into a land of classic myth, of Grecian legend; and moment by moment, all surprise, all wonder as to how I could have come there, was drowned in a sense of ever-growing ecstasy before the utter, ineffable beauty of the landscape.

  Nearby, in a laurel-grove, a white roof shone in the late rays of the sun. I was drawn toward it by the same allurement, only far more potent and urgent, which I had felt on seeing the forbidden manuscript and the ruins of Faussesflammes. Here, I knew with an esoteric certainty, was the culmination of my quest, the reward of all my mad and perhaps impious curiosity.

 
; As I entered the grove, I heard laughter among the trees, blending harmoniously with the low murmur of their leaves in a soft, balmy wind. I thought I saw vague forms that melted among the boles at my approach; and once a

  shaggy, goat-like creature with human head and body ran across my path, as if in pursuit of a flying nymph.

  In the heart of the grove, I found a marble palace with a portico of Doric columns. As I neared it, I was greeted by two women in the costume of ancient slaves; and though my Greek is of the meagerest, I found no difficulty whatever in comprehending their speech, which was of Attic purity.

  “Our mistress, Nycea, awaits you,” they told me. I could no longer marvel at anything, but accepted my situation without question or surmise, like one who resigns himself to the progress of some delightful dream. Probably, I thought, it was a dream, and I was still lying in my bed at the monastery; but never before had I been favored by nocturnal visions of such clarity and surpassing loveliness. The interior of the palace was full of a luxury that verged upon the barbaric, and which evidently belonged to the period of Greek decadence, with its intermingling of Oriental influences. I was led through a hallway gleaming with onyx and polished porphyry, into an opulently furnished room, where, on a couch of gorgeous fabrics, there reclined a woman of goddess-like beauty.

  At sight of her, I trembled from head to foot with the violence of a strange emotion. I had heard of the sudden mad loves by which men are seized on beholding for the first time a certain face and form; but never before had I experienced a passion of such intensity, such all-consuming ardor, as the one I conceived immediately for this woman. Indeed, it seemed as if I had loved her for a long time, without knowing that it was she whom I loved, and without being able to identify the nature of my emotion or to orient the feeling in any manner.