The End of the Story

by Clark Ashton Smith

  Knox hid the food, disguised as a bag of millet meal, in his private supply of provisions. He also carried some of it in his pockets, and would eat a mouthful or two whenever the other men weren’t looking. And at night, when they were all sleeping quietly, he would steal to the bag and devour the aromatic stuff by the handful.

  The result was truly phenomenal, for Knox could watch himself swell after the first square meal. He broadened and shot up inch by inch, to the manifest bewilderment of his companions, none of whom, at first, was imaginative enough to suspect the true reason. He saw them eyeing him with a sort of speculative awe and curiosity, such as a civilized people would display before a wild man from Borneo. Obviously they regarded his growth as a kind of biological anomaly, or perhaps as part of the queer behavior that might well be expected from a foreigner of doubtful antecedents.

  The hunters were now in the highest mountains, at the northernmost end of Ondoar. Here, among stupendous riven crags and piled pinnacles, they pursued the elusive okloh; and Knox began to attain a length of limb that enabled him to leap across chasms over which the others could not follow.

  At last one or two of them must have gotten suspicious. They took to watching Knox, and one night they surprised him in the act of devouring the sacred food. They tried to warn him, with a sort of holy horror in their demeanor, that he was doing a dreadful and forbidden thing, and would bring upon himself the direst consequences.

  Knox, who was beginning to feel as well as look like an actual giant, told them to mind their own business. Moreover, he went on to express his frank and uncensored opinion of the sapless, decadent and effeminate males of Ondoar. After that the men left him alone, but murmured fearfully among themselves and watched his every movement with apprehensive glances. Knox despised them so thoroughly, that he failed to attach any special significance to the furtive disappearance of two members of the party. Indeed, at the time, he hardly noticed that they had gone.

  After a fortnight of alpine climbing, the hunters had slain their due quota of long-horned and goat-footed okloh; and Knox had consumed his entire store of the stolen food and had grown to proportions which, he felt sure, would enable him to subdue his domineering helpmeet and show her the proper inferiority of the female sex. It was time to return: Knox’s companions would not have dreamt of exceeding the limit set by the women, who had enjoined them to come back at the end of a fortnight; and Knox was eager to demonstrate his new-won superiority of bulk and brawn.

  As they came down from the mountains and crossed the cultivated plain, Knox saw that the other men were lagging behind more and more, with a sort of fearfulness and shrinking timidity. He strode on before them, carrying three, full-sized okloh slung over his shoulders, as a lesser man would have carried so many rabbits.

  The fields and roads were deserted, and none of the titan women were in sight anywhere. Knox wondered a little about this; but feeling himself so much the master of the general situation, he did not over-exert his mind in curious conjectures.

  However, as they approached the town, the desolation and silence became a trifle ominous. Knox’s fellow-hunters were obviously stricken with dire and growing terror. But Knox did not feel that he should lower his dignity by even asking the reason.

  They entered the streets, which were also strangely quiet. There was no evidence of life, other than the pale and frightened faces of a few men that peered from windows and furtively opened doors.

  At last they came in sight of the palace. Now the mystery was explained, for apparently all the women of Ondoar had gathered in the square before the building! They were drawn up in a massive and appallingly solid formation, like an army of giant Amazons; and their utter stillness was more dreadful than the shouting and tumult of battlefields. Knox felt an unwilling but irresistible dismay before the swelling thews of their mighty arms, the solemn heaving of their gargantuan bosoms, and the awful and austere gaze with which they regarded him in unison.

  Suddenly he perceived that he was quite alone—the other men had faded away like shadows, as if they did not even dare to remain and watch his fate. He felt an almost undeniable impulse to flee; but his British valor prevented him from yielding to it. Pace by pace he forced himself to go on toward the embattled women.

  They waited for him in stony silence, immovable as caryatides. He saw Mabousa in the front rank, her serving-women about her. She watched him with eyes in which he could read nothing but unutterable reproach. She did not speak; and somehow the jaunty words with which he had intended to greet her were congealed on his lips.

  All at once, with a massed and terrible striding movement, the women surrounded Knox. He lost sight of Mabousa in the solid wall of titanesses. Great, brawny hands were grasping him, tearing the spear from his fingers and the okloh from his shoulders. He struggled as became a doughty Briton. But one man, even though he had eaten the food of giantesses, could do nothing against the whole tribe of eight-foot females.

  Maintaining a silence more formidable than any outcry, they bore him through the town and along the road by which he had entered Ondoar, and up the mountain path to the outmost ramparts of the land. There, from the

  beetling crag above the gully he had climbed, they lowered him with a tackle of heavy ropes to the dry torrent-bed two hundred feet below, and left him to find his way down the perilous mountain-side and back to the outer world that would accept him henceforward only as a circus freak.

  THE NECROMANTIC TALE

  In one sense, it is a mere truism to speak of the evocative power of words. The olden efficacy of subtly woven spells, of magic formulas and incantations, has long become a literary metaphor; though the terrible reality which once underlay and may still underlie such concepts has been forgotten. However, the necromancy of language is more than a metaphor to Sir Roderick Hagdon: the scars of fire on his ankles are things which no one could possibly regard as having their origin in a figure of speech.

  Sir Roderick Hagdon came to his title and his estate with no definite expectation of inheriting them, nor any first-hand knowledge of the sort of life and surroundings entailed by his inheritance. He had been born in Australia; and though he had known that his father was the younger brother of Sir John Hagdon, he had formed only the vaguest idea of the ancestral manor; and the interest that he felt therein was even vaguer. His surprise was little short of consternation when the deaths of his father, of Sir John Hagdon and Sir John’s only son, all occurring within less than a year, left clear his own succession and brought a letter from the family lawyers informing him of this fact—which otherwise might have escaped his attention. His mother, too, was dead; and he was unmarried; so, leaving the Australian sheep-range in charge of a competent overseer, he had sailed immediately for England to assume his hereditary privileges.

  It was a strange experience for him; and, strangest of all, in view of the fact that he had never before visited England, was the inexplicable feeling of familiarity aroused by his first sight of the Hagdon manor. He seemed to know the farm-lands, the cottages of the tenants, the wood of ancient oaks with their burdens of Druidic mistletoe, and the old manor-house half-hidden among gigantic yews, as if he had seen them all in some period that was past recollection. Being of an analytic trend, he attributed all this to that

  imperfect simultaneousness in the action of the brain-hemispheres by which psychologists account for such phenomena. But the feeling remained and grew upon him; and he yielded more and more to its half-sinister charm, as he explored his property and delved in the family archives. He felt also an unexpected kinship with his ancestors—a feeling which had lain wholly dormant during his Australian youth. Their portraits, peering upon him from the never-dissipated shadows of the long hall wherein they hung, were like well-known faces.

  The manor-house, it was said, had been built in the reign of Henry the Seventh. It was mossed and lichened with antiquity; and there was a hint of beginning dilapidation in the time-worn stone of the walls. The formal garden had gone a l
ittle wild from neglect; the trimmed hedges and trees had taken on fantastic sprawling shapes; and evil, poisonous weeds had invaded the flower-beds. There were statues of cracked marble and verdigris-eaten bronze amid the shrubbery; there were fountains that had long ceased to flow; and dials on which the foliage-intercepted sun no longer fell. About it all there hung an air of shadow-laden time and subtle decadence. But though he had never known anything but the primitive Australian environment, Hagdon found himself quite at home in this atmosphere of old world complexities—an atmosphere that was made from the dissolving phantoms of a thousand years, from the breathings of dead men and women, from loves and hates that had gone down to dust. Contrary to his anticipations, he felt no nostalgia whatever for the remote land of his birth and upbringing.

  Sir Roderick came to love the sunless gardens and the overtowering yews. But, above and beyond these, he was fascinated by the manor-house itself, by the hall of ancestral portraits and the dark, dusty library in which he found an amazing medley of rare tomes and manuscripts. There were many first editions of Elizabethan poets and dramatists; and mingled with these in a quaint disorder, were antique books on astrology and conjuration, on demonism and magic. Sir Rodereck shivered a little, he knew not why, as he turned the leaves of some of these latter volumes, from whose ancient vellum and parchment arose to his nostrils an odor that was like the mustiness of tombs. He closed them hastily; and the first editions were unable to detain him; but he lingered long over certain genealogies and manuscript records of the Hagdon family, filled with a strange eagerness to learn as much as he could concerning these shadowy forbears of his.

  In going through the records, he was struck by the brevity of the mention accorded to a former Sir Roderick Hagdon, who had lived in the early seventeenth century. All other members of the direct line had been dealt with at some length; their deeds, their marriages, and their various claims to distinction (often in the role of soldiers or scholars) were usually set forth with a well-nigh vainglorious unction. But concerning Sir Roderick, nothing more was given than the bare dates of his birth and death, and the fact

  that he was the father of one Sir Ralph Hagdon. No mention whatever was made of his wife.

  Though there was no obvious reason for more than a passing surmise, the present Sir Roderick wondered and speculated much over these singular and perhaps sinister omissions. His curiosity increased when he found that there was no portrait of Sir Roderick in the gallery, and none of his mysterious unnamed lady. There was not even a vacant place between the pictures of Sir Roderick’s father and son, to indicate that there ever had been a portrait. The new baronet determined to solve the mystery, if possible: an element of vague but imperative disquietude was now mingled with his curiosity. He could not have analyzed his feelings; but the life and fate of this unknown ancestor seemed to take on for him a special significance, a concern that was incomprehensibly personal and intimate.

  At times he felt that his obsession with this problem was utterly ridiculous and uncalled-for. Nevertheless, he ransacked the manor-house in the hope of finding some hidden record; and he questioned the servants, the tenants and the people of the parish to learn if there were any legendry concerning his namesake. The manor-house yielded nothing more to his search; and his inquiries met with blank faces and avowals of ignorance: no one seemed to have heard of this elusive seventeenth century baronet.

  At last, from the family butler, James Wharton, an octogenarian who had served three generations of Hagdons, Sir Roderick obtained the clue which he sought. Wharton, who was now on the brink of senility, and had grown forgetful and taciturn, was seemingly ignorant as the rest; but one day, after repeated questioning, he remembered that he had been told in his youth of a secret closet behind one of the book-shelves, in which certain manuscripts and heirlooms had been locked away several hundred years before; and which, for some unknown reason, no Hagdon had ever opened since that time. Here, he suggested, something might be found that would serve to illumine the dark gap in the family history. There was a cunning, sardonic gleam in his rheumy eyes as he came forth with this tardy piece of information, and Sir Roderick wondered if the old man were not possessed of more genealogical lore than he was willing to admit. All at once, he conceived the disquieting idea that perhaps he was on the verge of some abominable discovery, on the threshold of things that had been forgotten because they were too dreadful for remembrance.

  However, he did not hesitate: he was conscious of a veritable compulsion to learn whatever could be learned. The bookcase indicated by the half-senile butler was the one which contained most of the volumes of demonism and magic. It was now removed; and Sir Roderick went over the uncovered wall inch by inch. After much futile fumbling, he located and pressed a hidden spring, and the door of the sealed room swung open.

  It was little more than a cupboard, though a man could have concealed himself within it in time of need. Doubtless it had been built primarily for

  some such purpose. From out its narrow gloom the mouldiness of dead ages rushed upon Sir Roderick, together with the ghosts of queer exotic perfumes such as might have poured from the burning of unholy censers in Satanic rites. It was an effluence of mystery and of evil. Within, there were several ponderous brazen-bound volumes of medieval date, a thin manuscript of yellowing parchment, and two portraits whose faces had been turned to the wall, as if it were unlawful for even the darkness of the sealed closet to behold them.

  Sir Roderick brought the volumes, the manuscript and the portraits forth to the light. The pictures, which he examined first, represented a man and woman who were both in the bloom of life. Both were attired in seventeenth century costumes; and the new Sir Roderick did not doubt for a moment that they were the mysterious couple concerning whom the family records were so reticent.

  He thrilled with a strange excitement, with a feeling of some momentous revelation that he could not wholly comprehend, as he looked upon them. Even at a glance, he saw the singular resemblance of the first Sir Roderick to himself—a likeness otherwise unduplicated in the family, which tended to an almost antinomian type. There were the same falcon-like features, the same pallor of brow and cheek, the same semi-morbid luster of eyes, the same bloodless lips that seemed to be carven from a marble that had also been chiselled for the long hollow eyelids. The majority of the Hagdons were broad and sanguine and ruddy; but in these two, a darker strain had repeated itself across the centuries. The main difference was in the expression, for the look of the first Sir Roderick was that of a man who has given himself with a passionate devotion to all things evil and corrupt; who has gone down to damnation through some inevitable fatality of his own being.

  Sir Roderick gazed on the picture with a fascination that was partly horror, and partly the stirring of emotions which he could not have named. Then he turned to the woman, and a wild agitation overmastered him before the sullen-smiling mouth and the malign oval of the lovely cheeks. She, too, was evil, and her beauty was that of Lilith. She was like some crimson-lipped and honey-scented flower that grows on the brink of hell; but Sir Roderick knew, with the terror and fearful rapture of one who longs to fling himself from a precipice, that here was the one woman he might have loved, if haply he had known her. Then, in a moment of reeling and whirling confusion, it seemed to him that he had known and loved her, though he could not remember when or where.

  The feeling of eerie confusion passed; and Sir Roderick began to examine the brass-bound volumes. They were written in a barbarous decadent Latin, and dealt mainly with methods and formulas for the evocation of such demons as Acheront, Amaimon, Asmodi and Ashtoreth, together with innumerable others. Sir Roderick shuddered at the curious drawings with

  which they were illuminated; but they did not detain him long. With a thrill of actual trepidation, like one who is about to enter some awful and unhallowed place, he took up the manuscript of yellowing parchment.

  It was late afternoon when he began to read; and rays of dusty amber were slanting
through the low panes of the library windows. As he read on, he gave no heed to the sinking of the light; and the last words were plain as runes of fire when he finished his perusal in the dusk. He closed his eyes, and could still see them:

  “And Sir Roderick Hagdonne was now deemed a moste infamous warlocke, and hys Ladye Elinore a nefandous witche… . And both were burned at the stake on Hagdonne Common for their crimes against God and man. And their sorcerous deedes and practices were thought so foule a blotte on ye knighthoode of England, that no man speaks thereof, and no grandam tells the tale to the children at her knee. So, by God Hys mercy, the memorie of thys foulnesse shall haply be forgotten; for surely itte were an ill thing that such should be recalled.”

  Then, at the very bottom of the page, there was a brief, mysterious footnote in a finer hand than the rest:

  “There be those amid the thronge who deemed that they saw Sir Rodericke vanish when the flames leaped high; and thys, if true, is the moste damnable proof of hys compact and hys commerce with the Evill One.”

  Sir Roderick sat for a long while in the thickening twilight. He was unstrung, he was abnormally shaken and distraught by the biographical record he had just read—a record that had been written by some unknown hand in a bygone century. It was not pleasant for any man to find a tale so dreadful amid the archives of his family history. But the fact that the narrative concerned the first Sir Roderick and his Lady Elinor was hardly enough to account for all the spiritual turmoil and horror into which he was plunged. Somehow, in a way that was past analysis, that was more intimate than his regard for the remote blot on the Hagdon name, he felt that the thing concerned himself also. A terrible nervous perturbation possessed him, his very sense of identity was troubled, he was adrift in a sea of abominable confusion, of disoriented thoughts and capsizing memories. In this peculiar state of mind, by an automatic impulse, he lit the floor-lamp beside his chair and began to re-read the manuscript.