The Beauty of the End

by Debbie Howells

  Also by Debbie Howells

  The Bones of You

  THE BEAUTY OF THE END

  DEBBIE HOWELLS

  KENSINGTON BOOKS

  www.kensingtonbooks.com

  All copyrighted material within is Attributor Protected.

  Table of Contents

  Also by

  Title Page

  Copyright Page

  Praise

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  28

  29

  30

  31

  32

  33

  34

  35

  36

  37

  38

  39

  40

  41

  42

  43

  44

  45

  46

  47

  48

  49

  KENSINGTON BOOKS are published by

  Kensington Publishing Corp.

  119 West 40th Street

  New York, NY 10018

  Copyright © 2015 by Debbie Howells

  All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

  Kensington and the K logo Reg. U.S. Pat. & TM Off.

  Library of Congress Card Catalogue Number: TK

  ISBN: 978-1-4967-0598-3

  ISBN-10: 1-4967-0598-X

  First Kensington Hardcover Edition: August 2016

  eISBN-13: 978-1-4967-0599-0

  eISBN-10: 1-4967-0599-8

  First Kensington Electronic Edition: August 2016

  “I believe in everything until it’s disproved. So I believe in fairies, the myths, dragons. It all exists, even if it’s in your mind.

  Who’s to say that dreams and nightmares aren’t as real as the here and now?”

  John Lennon

  “I do believe in an everyday sort of magic—the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we’re alone.”

  Charles de Lint

  “And I wonder—if everything’s connected, does that mean that everything can be manipulated and controlled centrally by those who know how to pull strings. . . .”

  Malcolm Margolin

  I want to live forever. . . . We were standing on top of Reynard’s Hill, where the ring of trees seemed to reach up, their branches tangling with the sky; where you could breathe, April said, as though air alone was not enough for her.

  The steep climb took my breath away, but as we reached the top and looked down, for a split second I saw what she saw, the entire world seeming to stretch from beneath our feet.

  “Look how beautiful it is. . . .”

  At her side, I hadn’t noticed the tinge of sadness in her voice. I was mesmerized, as much by her presence as the towns below, so insignificantly small from where we were, the dark lines scored into the patchwork landscape linking them.

  She’d taken a step forward to where the ground dropped precipitously away, her long, red hair damp from the mist, her eyes gone to that place I could never follow. As she stretched out her arms, for a moment I imagined she could fly.

  I remember lunging forward to stop her, my clumsy movement sending a shower of stones tumbling over the edge, almost carrying me with them. Rather than me rescuing her, it was she who pulled me back, holding on until the ground stopped moving.

  It was one of many times I tried to save her.

  But by the time I did, it was too late.

  1

  May 2016

  You think you know what it is to live. About those moments seized, battles fought, love yearned for. But you don’t. Not really, until it’s slipping away from you. When your body no longer listens to you, but becomes a trap, inside which you can’t move, can’t breathe, can’t reach out. No one can hear you. Not even the one person who could help you . . .

  The memory is bittersweet, splinter sharp. A transitory flash of long, red hair damp from the mist; bone-chilling cold; the starkness of trees in winter. My heart quickening, as it always did. A girl I knew once, when the world was different, who filled my every waking thought, my dreams.

  Nor can you know, we’re like stars. At their brightest, most vibrant, before they die; a trail fading until the naked eye can’t see it; the brilliant crescendo of a life that builds to silence.

  Just as quickly it fades, a memory I’ve buried since I arrived here, years ago, when my Aunt Delilah died and left me her cottage. I’m questioning what’s triggered it, glancing up from my desk just as the old black phone rings, past and present overlapping for a moment. It continues to ring, and though I’d rather not, I have to answer it.

  Sliding my chair back, I get up and walk over to the windowsill. Feel behind the heaviness of the curtain to where it sits untouched. Unaware of the hope that flickers, like the flecks of dust stirred, caught in the dull glow of my reading light.

  “Hello?”

  “Hello? Noah? Is that you?”

  I pause, startled, as fifteen years fall away. The clipped, precise tone is instantly recognizable, making my skin prickle, as I’m jolted back to the present, because the phone isn’t part of the memory that’s consumed me.

  “Hello. Yes.”

  There’s another brief silence, before he speaks again, clearer this time. “It’s Will.”

  I watch the moth that’s taken refuge, camouflaged perfectly against the stone of the inglenook, as the fire I lit earlier sparks into life. My cottage has thick, stone walls that hold fast to the chill of winter.

  He adds, “Thank Christ. I thought I’d got the wrong number.”

  Take the forest that’s three-dimensional in the black depths of a still lake, each branch defined, every subtle shade perfectly mirrored, the sun looking out at you, so that if you stare for long enough, you forget. It’s just a picture; hides the cold darkness that can close over you, that’s silent.

  Will and I were friends—once, a long time ago. But too much has happened, things that belong in the past.

  As this, and much more, flashes through my head, common sense kicks in because I owe Will nothing. I’m about to put the phone down, when he says two words that alter everything.

  “It’s April.”

  Even now, my heart skips a beat at the sound of her name.

  A moment, a few words, the single thought they provoke, can be devastating. Shatter what you’ve painstakingly constructed. Reveal who you really are.

  “What about her?” I keep my voice neutral, my eyes fixing on the fireplace, on the moth’s wings, twitching unevenly.

  “There was an accident.” He follows it up with, “She’s in hospital. It’s not looking good.”

  He speaks fast, impatient, his voice level, unemotional. I wonder if calling me is an inconvenience. And I’m sorry, of course I am. April and I were close, but it was a long time ago. Accidents happen every day. It’s sad, but I’ve no idea why he’s calling me.

  There’s only so long you can do this. Fake the pretense, dance to the piper’s discordant tune. Hide an agonizing, unbearable truth t
hat’s been silent too long, that’s hammering on the door, screaming, to be heard, for someone to listen.

  “I’m not sure what happened, exactly. Look . . .” He hesitates. “I only called you because it’ll be all over the papers. A guy was murdered—in Musgrove, of all places. Knifed to death in his car, parked behind the pub. The North Star—can you believe that?” He pauses again. “The thing is . . . Well, it looks as though she may have killed him.”

  I’m struggling to take in what he’s saying, because the North Star was once our local hangout. There’s a sick feeling in the pit of my stomach. Then I dismiss the possibility outright, because some knowledge is instinctive and I know this, with a certainty that’s blinding, absolute. Will’s wrong. I watch the moth launch itself into flight, its wings beating a slow, undulating trail that circles the room twice, before battering itself at the closed window.

  “That’s impossible. She couldn’t have.”

  Only no one comes, because no one knows, that you’re bound and gagged, invisibly chained to a monster. There is no escape. There never can be, because wherever you go, he finds you. Won’t let go of you.

  “The police think there’s evidence.”

  But as I know, it isn’t always that simple. “They could have missed something.”

  And what about hope? That eternal optimism of the human mind, as vital as blood and lungs and your beating heart, which carries you through suffering and heartbreak? Because when hope goes, you have nothing.

  My jaw tightens. “When did it happen?”

  “Last night. Late, after the pub . . .”

  “Exactly,” I flash back. “It’s far too soon. They need to carry out forensic tests. They can’t possibly know.” I pause. “How did you find out?”

  “They were seen together in the pub. The police found a woman’s glove in his car, along with the murder weapon—and her phone. They traced it to her address, but by the time they got there, she’d taken an overdose.” His voice is low. “They called an ambulance; then they called me. They must have found my number on her phone. Anyway, she’s in the Princess Royal, near Tonbridge.”

  “Why’s she there?” I ask stupidly.

  “It’s where she lives. Of course—I’m forgetting. You wouldn’t know.”

  Suddenly your whole life is like a car crash, no brakes, gaining momentum, piling up behind you. Your mistakes, missed opportunities, all the time you’ve wasted, a twisted, rusting heap of scrap metal that can’t be salvaged. Overwhelming you. Crushing you.

  Even now, even though once he loved her, too, I hate that Will knows all this, how dispassionately he speaks, the condescension he barely conceals. That all these years later, he’s still in touch with her, when I’m not.

  “She’s hardly going to want to see me.”

  He hesitates. “She’s not exactly up to seeing anyone. She hasn’t come round, mate. She’s on life support. God only knows what she took.”

  The mate is automatic, a throwback to our friendship—and out of place. But as I listen, I’m shocked, trying to absorb what he’s saying, unable to picture April as someone who isn’t vital and beautiful and brilliantly alive.

  “The police are looking for witnesses. People who were in the pub, security cameras . . . If she’s guilty, it won’t be hard to prove,” he says.

  “If she is,” I say pointedly.

  “It’s almost a foregone conclusion.”

  I used to think he was confident, not arrogant, but he really is so fucking arrogant. “Will. You know as well as I do she wouldn’t hurt anyone. She couldn’t.”

  You can play the part for so long. Wear the mask, say what people expect you to say. Fight for as long as there is air in your lungs. Fly if you have wings.

  But you can never be free from someone who won’t let you go.

  He makes a sound, a staccato laugh shot with cynicism. “When you haven’t seen her for all these years, how can you possibly say that?”

  He’s a bastard, Will. Uses his surgeon’s precision to dig the knife in, but he’s forgetting, I knew her soul. I stay calm.

  “The same way you know who you can trust.”

  He knows exactly what I’m saying. An uneasy silence falls between us.

  “Fair enough.” Will sounds dismissive. “I thought you should know, that’s all.”

  “Fine. Hey, before you go, who was the guy?”

  Will hesitates again. As he tells me, I watch the moth spiral into the flames.

  * * *

  It’s surreal. My flashback, seconds before Will’s call, telling me that April is suspected of murder. There’s a tidal drift of willow seed across the fields as I step outside, but then it’s a warm spring after the wettest winter in a decade. Pollen levels are high, willow seed prolific.

  As I drive the half mile to the run-down garage that stocks a few basic groceries, I’m strangely removed from myself, the countryside I know so well suddenly unfamiliar under the onward, imperceptible flow of the willow seed, to the soundtrack of Will’s words replaying in my head. I’m waiting for my brain to slot them into place, only it doesn’t. Instead I’m trying to work out why, after years of silence between us, after everything, Will should be concerned that I know.

  None of it makes sense—unless there’s something he isn’t telling me. I found that out about Will, too late. The half-truths; the lies by omission that were no less lies for being unspoken, set in a past that I can’t change, that’s woven into the essence of who I’ve become—like April is.

  And whether I want him there or not, so is Will.

  * * *

  That evening, I’m still thinking, trying to decide what, if anything, I should do, aware of old scars that were long forgotten, newly inflamed by Will’s call; by the thought of April, unconscious in a hospital bed, like the memory of an amputated limb.

  I’m wondering if anyone’s with her. Even though I knew her well, I never met her family. By the time we were together, it was as though she’d moved on, shedding them like a skin. There’d been a brother she didn’t speak to. Her mother had died shortly after April left home; she’d never mentioned her father.

  Not that I can help her. I’m in Devon, April’s in Kent. Anyway, if Will’s in her life, he’ll have everything covered, which should fill me with relief—only Will made no attempt to disguise it. I heard it in his voice. He thinks she’s guilty.

  I stare through the window into the darkness, my feeble excuses reflecting back at me—how far away I live; that I left my London law firm four years ago; that, apart from the occasional day’s work for Jed Luxton’s small local practice, I’m ill prepared to defend a murder suspect; that my one suit is pushed to the back of my wardrobe and I’m not even sure it still fits—as a fleeting image comes to me of April driven to an extreme of desperation I can only guess at, plunging a knife into a faceless someone. An image so inconceivable that just as quickly it’s gone.

  For so long I’d believed she was my future. My sun, my stars, my April Moon, I told her once, carried away by the moment, by being alive, by the depth of my feelings for her.

  Believing love was enough. That we were meant to be together. Never expecting it to change.

  2

  1991

  I was fourteen when I fell in love with a goddess. Goddesses have that effect, even on teenagers such as I was. Being plump or uncool has no bearing on the ability to fall in love—and my fate was sealed.

  It was the beginning of my first term at Musgrove High. We’d moved to Musgrove at the start of the longest, hottest summer I could remember, when my father started a new job. The first I’d heard of it was when he proudly showed me the car he could now afford, a shiny, silver BMW 3 Series.

  I’d climbed in excitedly, inhaling soft leather and a faint petrol smell. Things were changing, my father told me, as he got in and showed me how the seat adjusted. We were moving up. I didn’t really understand what he meant. A job was a job as far as I could see, but I pretended to share his enthusiasm—until he
told me we’d have to move.

  The thought filled me with a horror I couldn’t talk about, but the opinion of my fourteen-year-old self was of no consequence. In my small, sheltered, middle-class world, adults made decisions, children did as they were told. But that didn’t stop me from dreading it.

  I distinctly remember packing up my things—reluctantly, resentfully, overwhelmed by a need to hold on to the familiar, the childish, the outgrown. My mother’s insistence, too, that this was a good time for clearing out clutter, whatever that meant, and that there was no sense paying the removal people to take what I didn’t use. As if it wasn’t enough dragging me away from my friends and my home, by the time she’d ruthlessly been through my books, my model car collection, my secret cache of action figures, half my childhood had been ripped away, too.

  As we drove off from everything that defined me, my very identity seemed in question. I closed my ears to my parents’ insistence that this was a new start for me. Swotty Noah Calaway, with his small, dark bedroom and nerdy friend next door was gone forever. I’d no idea who I was.

  Musgrove was an uncomfortable four-hour drive away, four hours that I filled with imaginings of hostile new classmates and dread. My face turned to the open window, I fought off waves of nausea in the back of my father’s new car, a car I’d come to hate as symbolic of unwanted change.