Everything's Eventual skssc-4

by Stephen King

  She thought of a mailbox with RAGLAN painted on the side and an American-flag decal on the front, and although the name turned out to be Reagan and the flag a Grateful Dead sticker, the box was there. She thought of a small black dog trotting briskly along the other side of the road, its head down, sniffling, and the small black dog was there. She thought again of the billboard and, yes, there it was: MOTHER OF MERCY CHARITIES HELP THE FLORIDA HUNGRY—WON'T YOU HELP US?

  Bill was pointing. "There—see? I think that's Palm House. No, not where the billboard is, the other side. Why do they let people put those things up out here, anyway?"

  "I don't know." Her head itched. She scratched, and black dandruff began falling past her eyes. She looked at her fingers and was horrified to see dark smutches on the tips; it was as if someone had just taken her fingerprints.

  "Bill?" She raked her hand through her blond hair and this time the flakes were bigger. She saw they were not flakes of skin but flakes of paper. There was a face on one, peering out of the char like a face peering out of a botched negative.

  "Bill?"

  "What? Wh—" Then a total change in his voice, and that fright

  ened her more than the way the car swerved. "Christ, honey, what's in your hair?"

  The face appeared to be Mother Teresa's. Or was that just because she'd been thinking about Our Lady of Angels? Carol plucked it from her dress, meaning to show it to Bill, and it crumbled between her fingers before she could. She turned to him and saw that his glasses were melted to his cheeks. One of his eyes had popped from its socket and then split like a grape pumped full of blood.

  And I knew it, she thought. Even before I turned, I knew it. Because I had that feeling.

  A bird was crying in the trees. On the billboard, Mary held out her hands. Carol tried to scream. Tried to scream.

  "Carol?"

  It was Bill's voice, coming from a thousand miles away. Then his hand—not pressing the folds of her dress into her crotch, but on her shoulder.

  "You okay, babe?"

  She opened her eyes to brilliant sunlight and her ears to the steady hum of the Learjet's engines. And something else—pressure against her eardrums. She looked from Bill's mildly concerned face to the dial below the temperature gauge in the cabin and saw that it had wound down to twenty-eight thousand.

  "Landing?" she said, sounding muzzy to herself. "Already?"

  "It's fast, huh?" Sounding pleased, as if he had flown it himself instead of only paying for it. "Pilot says we'll be on the ground in Fort Myers in twenty minutes. You took a hell of a jump, girl."

  "I had a nightmare."

  He laughed—the plummy ain't-you-the-silly-billy laugh she had come really to detest. "No nightmares allowed on your second honeymoon, babe. What was it?"

  "I don't remember," she said, and it was the truth. There were only fragments: Bill with his glasses melted all over his face, and one of the three or four forbidden skip rhymes they had sometimes chanted back in fifth and sixth grade. This one had gone Hey there, Mary, what's the story . . . and then something-something-something. She couldn't come up with the rest. She could remember Jangle-tangle jingle-bingle, I saw daddy's great big dingle, but she couldn't remember the one about Mary.

  Mary helps the Florida sick, she thought, with no idea of what the thought meant, and just then there was a beep as the pilot turned the seat-belt light on. They had started their final descent. Let the wild rumpus start, she thought, and tightened her belt.

  "You really don't remember?" he asked, tightening his own. The little jet ran through a cloud filled with bumps, one of the pilots in the cockpit made a minor adjustment, and the ride smoothed out again. "Because usually, just after you wake up, you can still remember. Even the bad ones."

  "I remember Sister Annunciata, from Our Lady of Angels. Sentence Time."

  "Now, that's a nightmare."

  Ten minutes later the landing gear came down with a whine and a thump. Five minutes after that they landed.

  "They were supposed to bring the car right out to the plane," Bill said, already starting up the Type A shit. This she didn't like, but at least she didn't detest it the way she detested the plummy laugh and his repertoire of patronizing looks. "I hope there hasn't been a hitch."

  There hasn't been, she thought, and the feeling swept over her full force. I'm going to see it out the window on my side in just a second or two. It's your total Florida vacation car, a great big white goddam Cadillac, or maybe it's a Lincoln—

  And, yes, here it came, proving what? Well, she supposed, it proved that sometimes when you had déjà vu what you thought was going to happen next really did. It wasn't a Caddy or a Lincoln after all, but a Crown Victoria—what the gangsters in a Martin Scorsese film would doubtless call a Crown Vic.

  "Whoo," she said as he helped her down the steps and off the plane. The hot sun made her feel dizzy.

  "What's wrong?"

  "Nothing, really. I've got déjà vu. Left over from my dream, I guess. We've been here before, that kind of thing."

  "It's being in a strange place, that's all," he said, and kissed her cheek. "Come on, let the wild rumpus start."

  They went to the car. Bill showed his driver's license to the young woman who had driven it out. Carol saw him check out the hem of her skirt, then sign the paper on her clipboard.

  She's going to drop it, Carol thought. The feeling was now so strong it was like being on an amusement-park ride that goes just a little too fast; all at once you realize you're edging out of the Land of Fun and into the Kingdom of Nausea. She'll drop it, and Bill will say "Whoopsydaisy" and pick it up for her, get an even closer look at her legs.

  But the Hertz woman didn't drop her clipboard. A white courtesy van had appeared, to take her back to the Butler Aviation terminal. She gave Bill a final smile—Carol she had ignored completely—and opened the front passenger door. She stepped up, then slipped. "Whoopsy-daisy, don't be crazy," Bill said, and took her elbow, steadying her. She gave him a smile, he gave her well-turned legs a goodbye look, and Carol stood by the growing pile of their luggage and thought, Hey there, Mary . . .

  "Mrs. Shelton?" It was the co-pilot. He had the last bag, the case with Bill's laptop inside it, and he looked concerned. "Are you all right? You're very pale."

  Bill heard and turned away from the departing white van, his face worried. If her strongest feelings about Bill were her only feelings about Bill, now that they were twenty-five years on, she would have left him when she found out about the secretary, a Clairol blonde too young to remember the Clairol slogan that started "If I have only one life to live." But there were other feelings. There was love, for instance. Still love. A kind that girls in Catholic-school uniforms didn't suspect, a weedy, unlovely species too tough to die.

  Besides, it wasn't just love that held people together. There were secrets, and the price you paid to keep them.

  "Carol?" he asked her. "Babe? All right?"

  She thought about telling him no, she wasn't all right, she was drowning, but then she managed to smile and said, "It's the heat, that's all. I feel a little groggy. Get me in the car and crank up the airconditioning. I'll be fine."

  Bill took her by the elbow (Bet you're not checking out my legs, though, Carol thought. You know where they go, don't you?) and led her toward the Crown Vic as if she were a very old lady. By the time the door was closed and cool air was pumping over her face, she actually had started to feel a little better.

  If the feeling comes back, I'll tell him, Carol thought. I'll have to. It's just too strong. Not normal.

  Well, déjà vu was never normal, she supposed—it was something that was part dream, part chemistry, and (she was sure she'd read this, maybe in a doctor's office somewhere while waiting for her gynecologist to go prospecting up her fifty-two-year-old twat) part the result of an electrical misfire in the brain, causing new experience to be identified as old data. A temporary hole in the pipes, hot water and cold water mingling. She closed her eyes and pra
yed for it to go away.

  Oh, Mary, conceived without sin, pray for us who have recourse to thee.

  Please ("Oh puh-lease," they used to say), not back to parochial school. This was supposed to be a vacation, not—

  Floyd, what's that over there? Oh shit! Oh SHIT

  !

  Who was Floyd? The only Floyd Bill knew was Floyd Dorning (or maybe it was Darling), the kid he'd run the snack bar with, the one who'd run off to New York with his girlfriend. Carol couldn't remember when Bill had told her about that kid, but she knew he had.

  Just quit it, girl. There's nothing here for you. Slam the door on the whole train of thought.

  And that worked. There was a final whisper—what's the story—and then she was just Carol Shelton, on her way to Captiva Island, on her way to Palm House with her husband the renowned software designer, on their way to the beaches and the rum drinks, and the sound of a steel band playing "Margaritaville."

  * * *

  They passed a Publix market. They passed an old black man minding a roadside fruit stand—he made her think of actors from the thirties and movies you saw on the American Movie Channel, an old yassuh-boss type of guy wearing bib overalls and a straw hat with a round crown. Bill made small talk, and she made it right back at him. She was faintly amazed that the little girl who had worn a Mary medallion every day from ten to sixteen had become this woman in the Donna Karan dress—that the desperate couple in that Revere apartment were these middle-aged rich folks rolling down a lush aisle of palms—but she was and they were. Once in those Revere days he had come home drunk and she had hit him and drawn blood from below his eye. Once she had been in fear of Hell, had lain half-drugged in steel stirrups, thinking, I'm damned, I've come to damnation. A million years, and that's only the first tick of the clock.

  They stopped at the causeway toll-booth and Carol thought, The toll-taker has a strawberry birthmark on the left side of his forehead, all mixed in with his eyebrow.

  There was no mark—the toll-taker was just an ordinary guy in his late forties or early fifties, iron-gray hair in a buzz cut, horn-rimmed specs, the kind of guy who says, "Y'all have a nahce tahm, okai?"— but the feeling began to come back, and Carol realized that now the things she thought she knew were things she really did know, at first not all of them, but then, by the time they neared the little market on the right side of Route 41, it was almost everything.

  The market's called Corson's and there's a little girl out front, Carol thought. She's wearing a red pinafore. She's got a doll, a dirty old yellowhaired thing, that she's left on the store steps so she can look at a dog in the back of a station wagon.

  The name of the market turned out to be Carson's, not Corson's, but everything else was the same. As the white Crown Vic passed, the little girl in the red dress turned her solemn face in Carol's direction, a country girl's face, although what a girl from the toolies could be doing here in rich folks' tourist country, her and her dirty yellowheaded doll, Carol didn't know.

  Here's where I ask Bill how much farther, only I won't do it. Because I have to break out of this cycle, this groove. I have to.

  "How much farther?" she asked him. He says there's only one road, we can't get lost. He says he promises me we'll get to the Palm House with no problem. And, by the way, who's Floyd?

  Bill's eyebrow went up. The dimple beside his mouth appeared. "Once you get over the causeway and onto Sanibel Island, there's only one road," he said. Carol barely heard him. He was still talking about the road, her husband who had spent a dirty weekend in bed with his secretary two years ago, risking all they had done and all they had made, Bill doing that with his other face on, being the Bill Carol's mother had warned would break her heart. And later Bill trying to tell her he hadn't been able to help himself, her wanting to scream, I once murdered a child for you, the potential of a child, anyway. How high is that price? And is this what I get in return? To reach my fifties and find out that my husband had to get into some Clairol girl's pants?

  Tell him! she shrieked. Make him pull over and stop, make him do anything that will break you free—change one thing, change everything! You can do it—if you could put your feet up in those stirrups, you can do anything!

  But she could do nothing, and it all began to tick by faster. The two overfed crows lifted off from their splatter of lunch. Her husband asked why she was sitting that way, was it a cramp, her saying, Yes, yes, a cramp in her back but it was easing. Her mouth quacked on about déjà vu just as if she weren't drowning in it, and the Crown Vic moved forward like one of those sadistic Dodgem cars at Revere Beach. Here came Palmdale Motors on the right. And on the left? Some kind of sign for the local community theater, a production of Naughty Marietta.

  No, it's Mary, not Marietta. Mary, mother of Jesus, Mary, mother of God, she's got her hands out . . .

  Carol bent all her will toward telling her husband what was happening, because the right Bill was behind the wheel, the right Bill could still hear her. Being heard was what married love was all about.

  Nothing came out. In her mind Gram said, "All the hard days are coming." In her mind a voice asked Floyd what was over there, then said, "Oh shit," then screamed "Oh shit!"

  She looked at the speedometer and saw it was calibrated not in miles an hour but thousands of feet: they were at twenty-eight thousand and descending. Bill was telling her that she shouldn't have slept on the plane and she was agreeing.

  There was a pink house coming up, little more than a bungalow, fringed with palm trees that looked like the ones you saw in the Second World War movies, fronds framing incoming Learjets with their machine guns blazing—

  Blazing. Burning hot. All at once the magazine he's holding turns into a torch. Holy Mary, mother of God, hey there, Mary, what's the story—

  They passed the house. The old man sat on the porch and watched them go by. The lenses of his rimless glasses glinted in the sun. Bill's hand established a beachhead on her hip. He said something about how they might pause to refresh themselves between the doffing of her dress and the donning of her shorts and she agreed, although they were never going to get to Palm House. They were going to go down this road and down this road, they were for the white Crown Vic and the white Crown Vic was for them, forever and ever amen.

  The next billboard would say PALM HOUSE 2 MI

  . Beyond it was the

  one saying that Mother of Mercy Charities helped the Florida sick.

  Would they help her?

  Now that it was too late she was beginning to understand. Beginning to see the light the way she could see the subtropical sun sparkling off the water on their left. Wondering how many wrongs she had done in her life, how many sins if you liked that word, God knew her parents and her Gram certainly had, sin this and sin that and wear the medallion between those growing things the boys look at. And years later she had lain in bed with her new husband on hot summer nights, knowing a decision had to be made, knowing the clock was ticking, the cigarette butt was smoldering, and she remembered making the decision, not telling him out loud because about some things you could be silent.

  Her head itched. She scratched it. Black flecks came swirling down past her face. On the Crown Vic's instrument panel the speedometer froze at sixteen thousand feet and then blew out, but Bill appeared not to notice.

  Here came a mailbox with a Grateful Dead sticker pasted on the front; here came a little black dog with its head down, trotting busily, and God how her head itched, black flakes drifting in the air like fallout and Mother Teresa's face looking out of one of them.

  MOTHER OF MERCY CHARITIES HELP THE FLORIDA HUNGRY—WON'T YOU HELP US?

  Floyd. What's that over there? Oh shit.

  She has time to see something big. And to read the word DELTA.

  "Bill? Bill?"

  His reply, clear enough but nevertheless coming from around the rim of the universe: "Christ, honey, what's in your hair?"

  She plucked the charred remnant of Mother Teresa's face from
her lap and held it out to him, the older version of the man she had married, the secretary-fucking man she had married, the man who had nonetheless rescued her from people who thought that you could live forever in paradise if you only lit enough candles and wore the blue blazer and stuck to the approved skipping rhymes. Lying there with this man one hot summer night while the drug deals went on upstairs and Iron Butterfly sang "In-A-Gadda-Da-Vida" for the nine billionth time, she had asked what he thought you got, you know, after. When your part in the show was over. He had taken her in his arms and held her, down the beach she had heard the jangle-jingle of the midway and the bang of the Dodgem cars and Bill—

  Bill's glasses were melted to his face. One eye bulged out of its socket. His mouth was a bloodhole. In the trees a bird was crying, a bird was screaming, and Carol began to scream with it, holding out the charred fragment of paper with Mother Teresa's picture on it, screaming, watching as his cheeks turned black and his forehead swarmed and his neck split open like a poisoned goiter, screaming, she was screaming, somewhere Iron Butterfly was singing "In-A-GaddaDa-Vida" and she was screaming.