“Won’t you leave any tip at all?” asks the q-b.
“Tip!” say I, speechless.
So we march upstairs and make tea to fill the thermos flask. Then, with sack over my shoulder, I make my way out of the Risveglio.
* * *
It is Sunday morning. The frozen village street is almost empty. We march down to the wider space where the bus stands: I hope they haven’t the impudence to call it a Piazza.
“Is this the Nuoro bus?” I ask a bunch of urchins.
And even they begin to jeer. But my sudden upstarting flare quenches them at once. One answers yes, and they edge away. I stow the sack and the kitchenino in the first-class part. The first-class is in front: we shall see better.
There are men standing about, with their hands in their pockets, — those who are not in costume. Some wear the blackand-white. All wear the stocking-caps. And all have the wide shirt-breasts, white, their waistcoats being just like evening dress waistcoats. Imagine one of these soft white shirt fronts well slobbered, and you have mine host of the Risveglio. But these lounging, static, white-breasted men are snowily clean, this being Sunday morning. They smoke their pipes on the frosty air, and are none too friendly.
The bus starts at half-past nine. The campanile is clanging nine. Two or three girls go down the road in their Sunday costume of purplish brown. We go up the road, into the clear, ringing frosty air, to find the lane.
And again, from above, how beautiful it is in the sharp morning! The whole village lies in bluish shadow, the hills with their thin pale oak trees are in bluish shadow still, only in the distance the frost-glowing sun makes a wonderful, jewellike radiance on the pleasant hills, wild and thinly wooded, of this interior region. Real fresh wonder-beauty all around. And such humanity.
Returning to the village we find a little shop and get biscuits and cigarettes. And we find our friends the bus-men. They are shy this morning. They are ready for us when we are ready. So in we get, joyfully, to leave Sorgono.
One thing I say for it, it must be an honest place. For people leave their sacks about without a qualm.
Up we go, up the road. Only to stop, alas, at the Risveglio. The little conductor goes down the lane towards the station. The driver goes and has a little drink with a comrade. There is quite a crowd round the dreary entrances of the inn. And quite a little bunch of people to clamber up into the second class, behind us.
We wait and wait. Then in climbs an old peasant, in full black-and-white costume, smiling in the pleased, naive way of the old. After him climbs a fresh-faced young man with a suit-case.
“Na!” said the young man. “Now you are in the automobile.”
And the old man gazes round with the wondering, vacant, naive smile.
“One is all right here, eh?” the young citizen persists, patronising.
But the old man is too excited to answer. He gazes hither and thither. Then he suddenly remembers he had a parcel, and looks for it in fear. The bright-faced young man picks it from the floor and hands it him. Ah, it is all right.
I see the little conductor in his dashing, sheep-lined, short military overcoat striding briskly down the little lane with the post-bag. The driver climbs to his seat in front of me. He has a muffler round his neck and his hat pulled down to his ears. He pips at the horn, and our old peasant cranes forward to look how he does it.
And so, with a jerk and a spurt, we start uphill.
“Eh — what’s that?” said the peasant, frightened.
“We’re starting,” explained the bright-faced young man. “Starting! Didn’t we start before?”
The bright face laughs pleasedly.
“No,” he said. “Did you think we had been going ever since you got in?”
“Yes,” says the old man, simply, “since the door was shut.” The young citizen looks at us for our joyful approval.
VI. TO NUORO
These automobiles in Italy are splendid. They take the steep, looping roads so easily, they seem to run so naturally. And this one was comfortable, too.
The roads of Italy always impress me. They run undaunted over the most precipitous regions, and with curious ease. In England almost any such road, among the mountains at least, would be labelled three times dangerous and would be famous throughout the land as an impossible climb. Here it is nothing. Up and down they go, swinging about with complete sangfroid. There seems to have been no effort in their construction. They are so good, naturally, that one hardly notices what splendid gestures they represent. Of course, the surface is now often intolerably bad. And they are most of them roads which, with ten years’ neglect, will become ruins. For they are cut through overhanging rock and scooped out of the sides of hills. But I think it is marvellous how the Italians have penetrated all their inaccessible regions, of which they have so many, with great high-roads: and how along these high-roads the omnibuses now keep up a perfect communication. The precipitous and craggily-involved land is threaded through and through with roads. There seems to be a passion for highroads and for constant communication. In this the Italians have a real Roman instinct, now. For the roads are new.
The railways, too, go piercing through rock for miles and miles, and nobody thinks anything of it. The coast railway of Calabria, down to Reggio, would make us stand on our heads if we had it in England. Here it is a matter of course. In the same way I always have a profound admiration for their driving — whether of a great omnibus or of a motor-car. It all seems so easy, as if the man were part of the car. There is none of that beastly grinding, uneasy feeling one has in the north. A car behaves like a smooth, live thing, sensibly.
All the peasants have a passion for a high-road. They want their land opening out, opening out. They seem to hate the ancient Italian remoteness. They all want to be able to get out at a moment’s notice, to get away — quick, quick. A village which is two miles off the high-road, even if it is perched like a hawk’s nest on a peak, still chafes and chafes for the great road to come to it, chafes and chafes for the daily motor-bus connection with the railway. There is no placidity, no rest in the heart of the land. There is a fever of restless irritation all the time.
And yet the permanent way of almost every railway is falling into bad disrepair, the roads are shocking. And nothing seems to be done. Is our marvellous, mechanical era going to have so short a bloom? Is the marvellous openness, the opened-out wonder of the land going to collapse quite soon, and the remote places lapse back into inaccessibility again? Who knows! I rather hope so.
The automobile took us rushing and winding up the hill, sometimes through cold, solid-seeming shadow, sometimes across a patch of sun. There was thin, bright ice in the ruts, and deep grey hoar-frost on the grass. I cannot tell how the sight of the grass and bushes, heavy with frost, and wild — in their own primitive wildness charmed me. The slopes of the steep wild hills came down shaggy and bushy, with a few berries lingering, and the long grass-stalks sere with the frost. Again, the dark valley sank below like a ravine, but shaggy, bosky, unbroken. It came upon me how I loved the sight of the blue-shadowed, tawny-tangled winter with its frosty standstill. The young oaks keep their brown leaves. And doing so, surely they are best with a thin edge of rime.
One begins to realise how old the real Italy is, how man-gripped and how withered. England is far more wild and savage and lonely, in her country parts. Here since endless centuries man has tamed the impossible mountain side into terraces, he has quarried the rock, he has fed his sheep among the thin woods, he has cut his boughs and burnt his charcoal, he has been half domesticated even among the wildest fastnesses. This is what is so attractive about the remote places, the Abruzzi, for example. Life is so primitive, so pagan, so strangely heathen and half-savage. And yet it is human life. And the wildest country is half humanised, half brought under. It is all conscious. Wherever one is in Italy, either one is conscious of the present, or of the mediaeval influences, or of the far, mysterious gods of the early Mediterranean. Wherever one is, the place h
as its conscious genus. Man has lived there and brought forth his consciousness there and in some way brought that place to consciousness, given it its expression, and, really, finished it. The expression may be Proserpine, or Pan, or even the strange “shrouded gods” of the Etruscans or the Sikels, none the less it is an expression. The land has been humanised, through and through: and we in our own tissued consciousness bear the results of this humanisation. So that for us to go to Italy and to penetrate into Italy is like a most fascinating act of self-discovery — back, back down the old ways of time. Strange and wonderful chords awake in us, and vibrate again after many hundreds of years of complete forgetfulness.
And then — and then — there is a final feeling of sterility. It is all worked out. It is all known: _connu, connu_!
This Sunday morning, seeing the frost among the tangled, still savage bushes of Sardinia, my soul thrilled again. This was not all known. This was not all worked out. Life was not only a process of rediscovering backwards. It is that, also: and it is that intensely. Italy has given me back I know not what of myself, but a very, very great deal. She has found for me so much that was lost: like a restored Osiris. But this morning in the omnibus I realise that, apart from the great rediscovery backwards, which one must make before one can be whole at all, there is a move forwards. There are unknown, unworked lands where the salt has not lost its savour. But one must have perfected oneself in the great past first.
If one travels one eats. We immediately began to munch biscuits, and the old peasant in his white, baggy breeches and black cuirass, his old face smiling wonderingly under his old stocking-cap, although he was only going to Tonara, some seven or eight miles, began to peel himself a hard-boiled egg, which he got out of his parcel. With calm wastefulness he peeled away the biggest part of the white of the egg with the shell — because it came away so. The citizen of Nuoro, for such the bright-faced young man was, said to him: “But see how you waste it.” — ”Ha!” said the old peasant, with a reekless indifferent wave of the hand. What did he care how much he wasted since he was en voyage and riding for the first time in his life in an automobile.
The citizen of Nuoro told us he had some sort of business in Sorgono, so he came back and forth constantly. The peasant did some work or other for him — or brought him something down from Tonara. He was a pleasant, bright-eyed young man, and he made nothing of eight hours in a motor-bus.
He told us there was still game among these hills: wild boars which were hunted in big hunts, and many hares. It was a curious and beautiful sight, he said, to see a hare at night fascinated by the flare of the lamps of the automobile, racing ahead with its ears back, always keeping in front, inside the beam, and flying like mad, on and on ahead, till at some hill it gathered speed and melted into the dark.
We descended into a deep narrow valley, to the road-junction and the canteen house, then up again, up and up sharp to Tonara, our village we had seen in the sun yesterday. But we were approaching it from the back. As we swerved into the sunlight, the road took a long curve on to the open ridge between two valleys. And there in front we saw a glitter of scarlet and white. It was in slow motion. It was a far-off procession, scarlet figures of women, and a tall image moving away from us, slowly, in the Sunday morning. It was passing along the level sunlit ridge above a deep, hollow valley. A close procession of women glittering in scarlet, white and black, moving slowly in the distance beneath the grey-yellow buildings of the village on the crest, towards an isolated old church: and all along this narrow upland saddle as on a bridge of sunshine itself.
Were we not going to see any more? The bus turned again and rushed along the now level road and then veered. And there beyond, a little below, we saw the procession coming. The bus faded to a standstill, and we climbed out. Above us, old and mellowed among the smooth rocks and the bits of flat grass was the church, tanging its bell. Just in front, above were old, half-broken houses of stone. The road came gently winding up to us, from what was evidently two villages ledged one above the other upon the steep summit of the south slope. Far below was the south valley, with a white puff of engine steam.
And slowly chanting in the near distance, curving slowly up to us on the white road between the grass came the procession. The high morning was still. We stood all on this ridge above the world, with the deeps of silence below on the right. And in a strange, brief, staccato monody chanted the men, and in quick, light rustle of women’s voices came the responses. Again the men’s voices! The white was mostly men, not women. The priest in his robes, his boys near him, was leading the chanting. Immediately behind him came a small cluster of bare-headed, tall, sunburnt men, all in golden-velveteen corduroy, mountain peasants, bowing beneath a great life-size seated image of Saint Anthony of Padua. After these a number of men in the costume, but with the white linen breeches hanging wide and loose almost to the ankles, instead of being tucked into the black gaiters. So they seemed very white beneath the black kilt frill. The black frieze body-vest was cut low, like an evening suit, and the stocking-caps were variously perched. The men chanted in low hollow, melodic tones. Then came the rustling chime of the women. And the procession crept slowly, aimlessly forward in time with the chant. The great image rode rigid, and rather foolish.
After the men was a little gap — and then the brilliant wedge of the women. They were packed two by two, close on each other’s heels, chanting inadvertently when their turn came, and all in brilliant, beautiful costume. In front were the little girl-children, two by two, immediately following the tall men in peasant black-and-white. Children demure and conventional, in vermilion, white and green — little girl-children with long skirts of scarlet cloth down to their feet, green-banded near the bottom: with white aprons bordered with vivid green and mingled colour: having little scarlet, purple-bound, open boleros over the full white shirts: and black head-cloths folded across their little chins, just leaving the lips clear, the face framed in black. Wonderful little girl-children, perfect and demure in the stiffish, brilliant costume, with black head-dress! Stiff as Velasquez princesses! The bigger girls followed, and then the mature women, a close procession. The long vermilion skirts with their green bands at the bottom flashed a solid moving mass of colour, softly swinging, and the white aprons with their band of brilliant mingled green seemed to gleam. At the throat the full-bosomed white shirts were fastened with big studs of gold filigree, two linked filigree globes: and the great white sleeves billowed from the scarlet, purplish-and-green-edged boleros. The faces came nearer to us, framed all round in the dark cloths. All the lips still sang responses, but all the eyes watched us. So the softly-swaying coloured body of the procession came up to us. The poppy-scarlet smooth cloth rocked in fusion, the bands and bars of emerald green seemed to burn across the red and the showy white, the dark eyes peered and stared at us from under the black snood, gazed back at us with raging curiosity, while the lips moved automatically in chant. The bus had run into the inner side of the road, and the procession had to press round it, towards the sky-line, the great valley lying below.
The priest stared, hideous St. Anthony cockled a bit as he passed the butt end of the big grey automobile, the peasant men in gold-coloured corduroy, old, washed soft, were sweating under the load and still singing with opened lips, the loose white breeches of the men waggled as they walked on with their hands behind their backs, turning again, to look at us. The big, hard hands, folded behind black kilt-frill! The women, too, shuffled slowly past, rocking the scarlet and the bars of green, and all twisting as they sang, to look at us still more. And so the procession edged past the bus, and was trailing upwards, curved solid against the sky-line towards the old church. From behind, the geranium scarlet was intense, one saw the careful, curiously cut backs of the shapen boleros, poppy-red, edged with mauve-purple and green, and the white of the shirt just showing at the waist. The full sleeves billowed out, the black head-cloths hung down to a point. The pleated skirts swing slowly, the broad band of green accentuatin
g the motion. Indeed that is what it must be for, this thick, rich band of jewel green, to throw the wonderful horizontal motion back and forth, back and forth, of the suave vermilion, and give that static, Demeta splendour to a peasant motion, so magnificent in colour, geranium and malachite.
All the costumes were not exactly alike. Some had more green, some had less. In some the sleeveless boleros were of a darker red, and some had poorer aprons, without such gorgeous bands at the bottom. And some were evidently old: probably thirty years old: still perfect and in keeping, reserved for Sunday and high holidays. A few were darker, ruddier than the true vermilion. This varying of the tone intensified the beauty of the shuffling woman-host.
When they had filed into the grey, forlorn little church on the ridge-top just above us, the bus started silently to run on to the rest-point below, whilst we climbed back up the little rock-track to the church. When we came to the side-door we found the church quite full. Level with us as we stood in the open side doorway, we saw kneeling on the bare stoneflags the little girl-children, and behind them all the women clustered kneeling upon their aprons, with hands negligently folded, filling the church to the further doorway, where the sun shone: the bigger west-end doorway. In the shadow of the whitewashed, bare church all these kneeling women with their colour and their black head-cloths looked like some thick bed of flowers, geranium, black-hooded above. They all knelt on the naked, solid stone of the pavement.
There was a space in front of the geranium little girl-children, then the men in corduroys, gold-soft, with dark round heads, kneeling awkwardly in reverence; and then the queer, black cuirasses and full white sleeves of grey-headed peasant men, many bearded. Then just in front of them the priest in his white vestment, standing exposed, and just baldly beginning an address. At the side of the altar was seated large and important the modern, simpering, black-gowned Anthony of Padua, nursing a boy-child. He looked a sort of male Madonna.
Complete Works of D.H. Lawrence (Illustrated) Page 786
