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Paradiso

Page 117

by Dante


  Gmelin, Hermann, Kommentar: das Paradies (Stuttgart: Klett, 1957).

  Goff.1964.1

  Goffis, Cesare Federico, “Canto I,” in Lectura Dantis Scaligera: “Paradiso” (Florence: Le Monnier, 1968 [1964]), pp. 1–36.

  Goff.1968.1

  Goffis, Cesare Federico, “Canto XXIII,” in Lectura Dantis Scaligera: “Paradiso,” dir. M. Marcazzan (Florence: Le Monnier, 1968), pp. 821–58.

  Goud.1974.1

  Goudet, Jacques, “La ‘parte per se stesso’ e l’impegno politico di Dante,” Nuove letture dantesche, vol. VII (Florence: Le Monnier, 1974), pp. 289–316.

  Grag.2005.1

  Gragnolati, Manuele, Experiencing the Afterlife (Notre Dame: Notre Dame University Press, 2005).

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  Greco, Aulo, “Il canto XXIV del Paradiso,” Nuove letture dantesche, vol. VII (Florence: Le Monnier, 1974), pp. 107–25.

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  Green, Richard, tr., Boethius, The Consolation of Philosophy, ed. O. Piest (New York: Bobbs-Merrill, 1962).

  Gunt.2002.2

  Güntert, Georges, “Canto XXXIII,” in Lectura Dantis Turicensis: Paradiso, ed. Georges Güntert and Michelangelo Picone (Florence: Cesati, 2002), pp. 505–18.

  Guth.1999.1

  Guthmüller, Bodo, “ ‘Che par che Circe li avesse in pastura’ (Purg. XIV, 42): Mito di Circe e metamorfosi nella Commedia,” in Dante: mito e poesia; Atti del secondo Seminario dantesco internazionale, ed. M. Picone and T. Crivelli (Florence: Cesati, 1999), pp. 235–56.

  Hagm.1988.1

  Hagman, Edward, “Dante’s Vision of God: The End of the Itinerarium Mentis,” Dante Studies 106 (1988): 1–20.

  Hain.1997.1

  Hainsworth, Peter, “Dante’s Farewell to Politics,” in Dante and Governance, ed. John Woodhouse (Oxford: Clarendon, 1997), pp. 152–69.

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  Hart, Thomas, “ ‘Per misurar lo cerchio’ (Par. XXXIII 134) and Archimedes’ De mensura circuli: Some Thoughts on Approximations to the Value of Pi,” in Dante e la scienza, ed. P. Boyde and V. Russo (Ravenna: Longo, 1995), pp. 265–335.

  Hatc.1971.1

  Hatcher, Elizabeth R., “The Moon and Parchment: Paradiso II, 73–78,” Dante Studies 89 (1971): 55–60.

  Have.1996.1

  Havely, Nicholas R., “Poverty in Purgatory: From Commercium to Commedia,” Dante Studies 114 (1996): 229–43.

  Have.2004.1

  Havely, Nick, Dante and the Franciscans: Poverty and the Papacy in the “Commedia” (Cambridge: Cambridge University Press, 2004).

  Hawk.1979.1

  Hawkins, Peter S., “Trespassing on the Word: God’s Book and Ours,” Journal of the American Academy of Religion 47 (1979): 47–53.

  Hawk.1991.1

  Hawkins, Peter, “Watching Matelda,” in The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia,” ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 181–201.

  Hawk.1991.2

  Hawkins, Peter, “Divide and Conquer: Augustine in the Divine Comedy,” PMLA 106 (1991): 471–82.

  Hawk.1995.1

  Hawkins, Peter, “Paradiso XXI,” in Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,” ed. Tibor Wlassics (Lectura Dantis [virginiana], 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 308–17.

  Heil.1984.1

  Heilbronn, Denise, “Concentus musicus: The Creaking Hinges of Dante’s Gate of Purgatory,” Rivista di studi italiani 2 (1984): 1–15.

  Heil.1984.2

  Heilbronn, Denise, “Contrapuntal Imagery in Paradiso VIII,” Italian Culture 5 (1984): 39–54.

  Heil.1995.2

  Heilbronn-Gaines, Denise, “Paradiso XVIII,” in Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,” ed. Tibor Wlassics (Lectura Dantis [virginiana], 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 266–76.

  Heil.2003.1

  Heil, Andreas, “Die Milch der Musen,” Antike und Abenland 49 (2003): 113–29.

  Herz.1994.1

  Herzmann, Ronald B., and Gary W. Towsley, “Squaring the Circle: Paradiso 33 and the Poetics of Geometry,” Traditio 49 (1994): 95–125.

  Herz.2003.1

  Herzmann, Ronald, “From Francis to Solomon: Eschatology in the Sun,” in Dante for the New Millennium, ed. Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 320–33.

  Hill.1982.1

  Hill, Thomas D. “Adam’s Noon: Paradiso XXVI, 139–142,” Dante Studies 100 (1982): 93–97.

  Holl.1969.1

  Hollander, Robert, Allegory in Dante’s “Commedia” (Princeton: Princeton University Press, 1969).

  Holl.1974.1

  Hollander, Robert, “Vita Nuova: Dante’s Perceptions of Beatrice,” Dante Studies 92 (1974): 1–18.

  Holl.1975.1

  Hollander, Robert, “Purgatorio II: Cato’s Rebuke and Dante’s scoglio,” Italica 52 (1975): 348–63.

  Holl.1975.2

  Hollander, Robert, “Literary Consciousness and the Consciousness of Literature,” Sewanee Review 83 (1975): 115–27.

  Holl.1976.1

  Hollander, Robert, “Dante Theologus-Poeta,” Dante Studies 94 (1976): 91–136.

  Holl.1976.2

  Hollander, Robert, “The Invocations of the Commedia,” Yearbook of Italian Studies 3 (1976): 235–40.

  Holl.1980.1

  Hollander, Robert, “The Tragedy of Divination in Inferno XX,” in Studies in Dante (Ravenna: Longo, 1980), pp. 131–218.

  Holl.1980.2

  Hollander, Robert, “Babytalk in Dante’s Commedia,” in Studies in Dante (Ravenna: Longo, 1980), pp. 115–29.

  Holl.1982.1

  Hollander, Robert, “Dante’s ‘Book of the Dead’: A Note on Inferno XXIX, 57,” Studi Danteschi 54 (1982): 31–51.

  Holl.1983.1

  Hollander, Robert, Il Virgilio dantesco: tragedia nella “Commedia” (Florence: Olschki, 1983).

  Holl.1986.1

  Hollander, Robert, and Albert Rossi, “Dante’s Republican Treasury,” Dante Studies 104 (1986): 59–82.

  Holl.1988.3

  Hollander, Robert, “An Index of Hapax Legomena in Dante’s Commedia,” Dante Studies 106 (1988): 81–110.

  Holl.1989.1

  Hollander, Robert, “Dante and the Martial Epic,” Mediaevalia 12 (1989): 62–91.

  Holl.1990.1

  Hollander, Robert, “Purgatorio II: The New Song and the Old,” Lectura Dantis [virginiana] 6 (1990): 28–45.

  Holl.1992.1

  Hollander, Robert, Dante and Paul’s “five words with understanding,” Occasional Papers, No. 1, Center for Medieval and Early Renaissance Texts and Studies (Binghamton, N.Y.: Medieval and Renaissance Texts and Studies, 1992).

  Holl.1992.2

  Hollander, Robert, “Dante and Cino da Pistoia,” Dante Studies 110 (1992): 201–31.

  Holl.1992.3

  Holloway, Julia Bolton, The Pilgrim and the Book (New York: Peter Lang, 1992).

  Holl.1993.1

  Hollander, Robert, “Le opere di Virgilio nella Commedia di Dante,” in Dante e la “bella scola” della poesia: Autorità e sfida poetica, ed. A. A. Iannucci (Ravenna: Longo, 1993), pp. 247–343.

  Holl.1993.2

  Hollander, Robert, Dante’s Epistle to Cangrande (Ann Arbor: University of Michigan Press, 1993).

  Holl.1993.3

  Hollander, Robert, “Dante and His Commentators,” in The Cambridge Companion to Dante, ed. R. Jacoff (Cambridge: Cambridge University Press, 1993), pp. 226–36.

  Holl.1993.5

  Hollander, Robert, “Paradiso XXX,” Studi Danteschi 60 (1988 [=1993]): 1–33.

  Holl.1993.7

  Hollander, Robert, “Why Did Dante Write the Comedy?” Dante Studies 111 (1993): 19–25.

  Holl.1996.2

  Hollander, Robert, “Dante’s Deployment of Convivio in the Comedy,” Electronic Bulletin of the Dante Society of America (October 1996).

  Holl.199
7.1

  Hollander, Robert, “ ‘Al quale ha posto mano e cielo e terra’ (Paradiso 25.2),” Electronic Bulletin of the Dante Society of America (January 1997).

  Holl.1997.2

  Hollander, Robert, Boccaccio’s Dante and the Shaping Force of Satire (Ann Arbor: University of Michigan Press, 1997).

  Holl.1999.1

  Hollander, Robert, “Dante’s ‘dolce stil novo’ and the Comedy,” in Dante: mito e poesia; Atti del secondo Seminario dantesco internazionale, ed. M. Picone and T. Crivelli (Florence: Cesati, 1999), pp. 263–81.

  Holl.2001.1

  Hollander, Robert, Dante: A Life in Works (New Haven: Yale University Press, 2001).

  Holl.2003.1

  Hollander, Robert, and Heather Russo, “Purgatorio 33.43: Dante’s 515 and Virgil’s 333,” Electronic Bulletin of the Dante Society of America (March 2003).

  Holl.2003.2

  Hollander, Robert, “Dante’s Pride,” in Studi sul canone letterario del Trecento: Per Michelangelo Picone, ed. J. Bartuschat and L. Rossi (Ravenna: Longo, 2003), pp. 43–55.

  Holl.2005.1

  Hollander, Robert, “Paradiso 4.14: Dante as Nebuchadnezzar?” Electronic Bulletin of the Dante Society of America (May 2005).

  Holl.2005.2

  Hollander, Robert, “The ‘miglior voci’ of Paradiso 1.35,” Electronic Bulletin of the Dante Society of America (November 2005).

  Holl.2006.1

  Hollander, Robert, “Paradiso I.35–36: ‘con miglior voci / si pregherà perché Cirra risponda,’ ” Letteratura italiana antica 7 (2006): 241–47.

  Holl.2006.2

  Hollander, Robert, “Paradiso 24.13–21: St. Peter’s Companions,” Electronic Bulletin of the Dante Society of America (May 2006).

  Hone.1994.1

  Honess, Claire, “Expressing the Inexpressible: The Theme of Communication in the Heaven of Mars,” Lectura Dantis [virginiana] 14–15 (spring-fall 1994): 42–60.

  Hone.1997.1

  Honess, Claire, “Communication and Participation in Dante’s Commedia,” in In amicizia: Essays in Honour of Giulio Lepschy, ed. Z.G. Baranski and L. Pertile (The Italianist 17 [1997, special supplement]), pp. 127–45.

  Hone.1997.2

  Honess, Claire, “Feminine Virtues and Florentine Vices: Citizenship and Morality in Paradiso XV–XVII,” in Dante and Governance, ed. John Woodhouse (Oxford: Clarendon, 1997), pp. 102–20.

  Iann.1976.1

  Iannucci, A. A., “Ulysses’ folle volo: the Burden of History,” Medioevo romanzo 3 (1976): 410–45.

  Iann.1979.1

  Iannucci, Amilcare, “Beatrice in Limbo: A Metaphoric Harrowing of Hell,” Dante Studies 97 (1979): 23–45.

  Iann.1992.2

  Iannucci, Amilcare, “Saturn in Dante,” in Saturn: From Antiquity to the Renaissance, ed. M. Ciavolella and A. A. Iannucci (Toronto: Dovehouse, 1992), pp. 51–67.

  Iann.1995.2

  Iannucci, Amilcare A., “Paradiso XXXI,” in Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,” ed. Tibor Wlassics (Lectura Dantis [virginiana], 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 470–85.

  Imba.1996.1

  Imbach, Ruedi, Dante, la philosophie et les laïcs (Fribourg: Editions Universitaires, 1996).

  Iori.1989.1

  Iorio, Giovanni, “Il Canto XVIII,” in “Paradiso”: Letture degli anni 1979–81, ed. S. Zennaro (Rome: Bonacci, 1989), pp. 469–96.

  Jaco.1965.1

  Jacomuzzi, Angelo, “ ‘L’imago al cerchio’: Nota sul canto XXXIII del Paradiso,” in his L’imago al cerchio: Invenzione e visione nella “Divina Commedia” (Milan: Silva, 1968 [1965]), pp. 5–27.

  Jaco.1968.1

  Jacomuzzi, Angelo, “ ‘Ond’io son fatto scriba,’ ” in his L’imago al cerchio: Invenzione e visione nella “Divina Commedia” (Milan: Silva, 1968), pp. 29–100.

  Jaco.1980.1

  Jacoff, Rachel, “The Post-Palinodic Smile: Paradiso VIII and IX,” Dante Studies 98 (1980): 111–22.

  Jaco.1985.1

  Jacoff, Rachel, “Sacrifice and Empire: Thematic Analogies in San Vitale and the Paradiso,” in Renaissance Studies in Honor of Craig Hugh Smyth, ed. Andrew Morrogh et al. (Florence: Giunti Barbèra, 1985), pp. 317–32.

  Jaco.1991.2

  Jacoff, Rachel, “The Rape/Rapture of Europa: Paradiso 27,” in The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia,” ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 233–46, 294–95.

  Jaco.1999.1

  Jacoff, Rachel, “Dante and the Legend(s) of St. John,” Dante Studies 117 (1999): 45–57.

  Jaco.2000.1

  Jacoff, Rachel, “ ‘Our Bodies, Our Selves’: The Body in the Commedia,” in Sparks and Seeds: Medieval Literature and Its Afterlife (Essays in Honor of John Freccero), ed. Dana E. Stewart and Alison Cornish (Turnhout: Brepols, 2000), pp. 119–37.

  Kant.1951.1

  Kantorowicz, Ernst, “Dante’s ‘Two Suns,’ ” in Semitic and Oriental Studies, a Volume Presented to William Potter on the Occasion of His Seventy-fifth Birthday, October 29, 1949, ed. Walter J. Fischel (Berkeley: University of California Press, 1951), pp. 217–31.

  Kant.1957.1

  Kantorowicz, Ernst, The King’s Two Bodies (Princeton: Princeton University Press, 1957).

  Kay.1983.1

  Kay, Richard, “Astrology and Astronomy,” in The “Divine Comedy” and the Encyclopedia of Arts and Sciences: Acta of the International Dante Symposium, 13–16 November 1983, Hunter College, New York, ed. G. Di Scipio and A. Scaglione (Amsterdam: John Benjamins, 1988), pp. 147–62.

  Kay.1994.2

  Kay, Richard, Dante’s Christian Astrology (Philadelphia: University of Pennsylvania Press, 1994).

  Kay.1998.1

  Kay, Richard, Dante’s “Monarchia,” translated, with a commentary, by Richard Kay (Toronto: Pontifical Institute of Mediaeval Studies, 1998).

  Kay.2002.1

  Kay, Richard, “Vitruvius and Dante’s Giants,” Dante Studies 120 (2002): 17–34.

  Kay.2003.1

  Kay, Richard, “Dante’s Empyrean and the Eye of God,” Speculum 78 (2003): 37–65.

  Kay.2003.2

  Kay, Richard, “Unwintering January (Dante, Paradiso 27.142–143),” Modern Language Notes 118 (2003): 237–44.

  Kirk.1978.1

  Kirkpatrick, Robin, Dante’s “Paradiso” and the Limits of Modern Criticism (Cambridge: Cambridge University Press, 1978).

  Kirk.1995.1

  Kirkham, Victoria, “Dante’s Polysynchrony: A Perfectly Timed Entry into Eden,” Filologia e critica 20 (1995): 329–52.

  Klei.1986.2

  Kleinhenz, Christopher, “Dante and the Bible: Intertextual Approaches to the Divine Comedy,” Italica 63 (1986): 225–36.

  Klei.1994.1

  Kleiner, John, Mismapping the Underworld: Daring and Error in Dante’s “Comedy” (Stanford: Stanford University Press, 1994).

  Klei.1995.1

  Kleinhenz, Christopher, “Paradiso XXIII,” in Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,” ed. Tibor Wlassics (Lectura Dantis [virginiana], 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 456–69.

  Lans.1977.1

  Lansing, Richard, From Image to Idea: A Study of the Simile in Dante’s “Commedia” (Ravenna: Longo, 1977).

  Lans.2000.1

  Lansing, Richard, ed., Dante Encyclopedia (New York: Garland, 2000).

  Lanz.1996.1

  Lanza, Antonio, ed., Dante Alighieri, La Commedia: Testo critico secondo i più antichi manoscritti fiorentini, Nuova edizione (Anzio: De Rubeis, 1996).

  Ledd.1997.1

  Ledda, Giuseppe, “Tópoi dell’indicibilità e metaforismi nella Commedia,” Strumenti critici 12 (1997): 117–40.

  Ledd.2001.1

  Ledda, Giuseppe, “Poesia, scienza e critica dantesca,” L’Alighieri 18 (2001): 99–113.

  Ledd.2002.1

  Ledda, Giuseppe, La guerra della lingua
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  Ledd.2006.1

  Ledda, Giuseppe, “Osservazioni sul panegirico di San Domenico,” L’Alighieri 27 (2006): 105–25.

  Lego.1957.1

  Le Goff, Jacques, Intellectuals in the Middle Ages, tr. Teresa Lavender Fagan (Oxford: Blackwell, 1993).

  Lenk.1952.1

  Lenkeith, Nancy, Dante and the Legend of Rome (London: Warburg Institute, 1952).

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  Leonardi, Lino, “Langue’ poetica e stile dantesco nel Fiore: per una verifica degli ‘argomenti interni’,” in Studi di filologia medievale in onore di d’Arco Silvio Avalle (Milan: Ricciardi, 1996), pp. 237–91.

  Leps.1987.1

  Lepschy, Giulio, “Fantasia e immaginazione,” Lettere Italiane 38 (1987): 20–34.

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  Lerner, Robert E., “On the Origins of the Earliest Latin Pope Prophecies: A Reconsideration,” Monumenta Germaniae Historica 33, Teil V (1988): 611–35.

  Leuk.2004.1

  Leuker, Tobias, “ ‘La chiarissima ancella / del sol,’ Par. XXX, 7–8: Dante tra Marziano Capella e Boiardo,” L’Alighieri 24 (2004): 93–96.

  Leve.2003.1

  Levenstein, Jessica, “The Re-Formation of Marsyas in Paradiso I,” in Dante for the New Millennium, ed. Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 408–21.

  Lewi.1964.1

  Lewis, C. S., The Discarded Image (Cambridge: Cambridge University Press, 1964).

  Leye.1977.1

  Leyerle, John, “The Rose-Wheel Design and Dante’s Paradiso,” University of Toronto Quarterly 46 (1977): 280–308.

  Lieb.1996.1

  Lieberknecht, Otfried, “ ‘L’avvocato de’ tempi cristiani,’ Par. 10.118–120: Ambrose of Milan Reconsidered,” Electronic Bulletin of the Dante Society of America (September 1996).

  Loca.1974.1

  Lo Cascio, Renzo, “Il canto XXIII del Paradiso,” Nuove letture dantesche, vol. VII (Florence: Le Monnier, 1974), pp. 67–105.

  Loga.1971.1

  Logan, John L., “The Poet’s Central Numbers,” Modern Language Notes 86 (1971): 95–98.

  Long.1975.1

  Longen, Eugene M., “The Grammar of Apotheosis: Paradiso XXX, 94–99,” Dante Studies 93 (1975): 209–14.

  Macf.1991.1

  Macfie, Pamela Royston, “Ovid, Arachne and the Poetics of Paradiso,” in The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia,” ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 159–72.

 

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