Fall of Giants

by Follett, Ken

  { IV }

  Maud Fitzherbert was surprised to find herself in love with Walter von Ulrich. On the other hand, she would have been surprised to find herself in love with any man. She rarely met one she even liked. Plenty had been attracted to her, especially during her first season as a debutante, but most had quickly been repelled by her feminism. Others had planned to take her in hand—like the scruffy Marquis of Lowther, who had told Fitz that she would see the error of her ways when she met a truly masterful man. Poor Lowthie, he had been shown the error of his.

  Walter thought she was wonderful the way she was. Whatever she did, he marveled. If she espoused extreme points of view, he was impressed by her arguments; when she shocked society by helping unmarried mothers and their children, he admired her courage; and he loved the way she looked in daring fashions.

  Maud was bored by wealthy upper-class Englishmen who thought the way society was currently arranged was pretty satisfactory. Walter was different. Coming as he did from a conservative German family, he was surprisingly radical. From where she sat, in the back row of seats in her brother’s box at the opera, she could see Walter in the stalls, with a small group from the German embassy. He did not look like a rebel, with his carefully brushed hair, his trim mustache, and his perfectly fitting evening clothes. Even sitting down, he was upright and straight-shouldered. He looked at the stage with intense concentration as Don Giovanni, accused of trying to rape a simple country girl, brazenly pretended to have caught his servant, Leporello, committing the crime.

  In fact, she mused, rebel was not the right word for Walter. Although unusually open-minded, Walter was sometimes conventional. He was proud of the great musical tradition of German-speaking people, and got cross with blasé London audiences for arriving late, chatting to their friends during the performance, and leaving early. He would be irritated at Fitz, now, for making comments about the soprano’s figure to his pal Bing Westhampton, and at Bea for talking to the Duchess of Sussex about Madame Lucille’s shop in Hanover Square, where they bought their gowns. She even knew what Walter would say: “They listen to the music only when they have run out of gossip!”

  Maud felt the same, but they were in a minority. For most of London’s high society, the opera was just one more opportunity to show off clothes and jewels. However, even they fell silent toward the end of Act 1, as Don Giovanni threatened to kill Leporello, and the orchestra played a thunderstorm on drums and double basses. Then, with characteristic insouciance, Don Giovanni released Leporello and walked jauntily away, defying them all to stop him; and the curtain came down.

  Walter stood up immediately, looking toward the box, and waved. Fitz waved back. “That’s von Ulrich,” he said to Bing. “All those Germans are pleased with themselves because they embarrassed the Americans in Mexico.”

  Bing was an impish, curly-haired Lothario distantly related to the royal family. He knew little of world affairs, being mainly interested in gambling and drinking in the capital cities of Europe. He frowned and said in puzzlement: “What do the Germans care about Mexico?”

  “Good question,” Fitz said. “If they think they can win colonies in South America, they’re deceiving themselves—the United States will never allow it.”

  Maud left the box and went down the grand staircase, nodding and smiling to acquaintances. She knew something like half the people there: London society was a surprisingly small set. On the red-carpeted landing she encountered a group surrounding the slight, dapper figure of David Lloyd George, the chancellor of the Exchequer. “Good evening, Lady Maud,” he said with the twinkle that appeared in his bright blue eyes whenever he spoke to an attractive woman. “I hear your royal house party went well.” He had the nasal accent of North Wales, less musical than the South Wales lilt. “But what a tragedy in the Aberowen pit.”

  “The bereaved families were much comforted by the king’s condolences,” Maud said. Among the group was an attractive woman in her twenties. Maud said: “Good evening, Miss Stevenson, how nice to see you again.” Lloyd George’s political secretary and mistress was a rebel, and Maud felt drawn to her. In addition, a man was always grateful to people who were polite to his mistress.

  Lloyd George spoke to the group. “That German ship delivered the guns to Mexico after all. It simply went to another port and quietly unloaded. So nineteen American troops died for nothing. It’s a terrible humiliation for Woodrow Wilson.”

  Maud smiled and touched Lloyd George’s arm. “Would you explain something to me, Chancellor?”

  “If I can, my dear,” he said indulgently. Most men were pleased to be asked to explain things, especially to attractive young women, Maud found.

  She said: “Why does anyone care what happens in Mexico?”

  “Oil, dear lady,” Lloyd George replied. “Oil.”

  Someone else spoke to him, and he turned away.

  Maud spotted Walter. They met at the foot of the staircase. He bowed over her gloved hand, and she had to resist the temptation to touch his fair hair. Her love for Walter had awakened within her a sleeping lion of physical desire, a beast that was both stimulated and tormented by their stolen kisses and furtive fumbles.

  “How are you enjoying the opera, Lady Maud?” he said formally, but his hazel eyes said I wish we were alone.

  “Very much—the Don has a wonderful voice.”

  “For me the conductor goes a little too fast.”

  He was the only person she had ever met who took music as seriously as she did. “I disagree,” she said. “It’s a comedy, so the melodies need to bounce along.”

  “But not just a comedy.”

  “That’s true.”

  “Perhaps he will slow down when things turn nasty in act two.”

  “You seem to have won some kind of diplomatic coup in Mexico,” she said, changing the subject.

  “My father is . . . ” He searched for words, something that was unusual for him. “Cock-a-hoop,” he said after a pause.

  “And you are not?”

  He frowned. “I worry that the American president may want to get his own back one day.”

  At that moment Fitz walked past and said: “Hello, von Ulrich, come and join us in our box, we’ve got a spare seat.”

  “With pleasure!” said Walter.

  Maud was delighted. Fitz was just being hospitable: he did not know his sister was in love with Walter. She would have to bring him up to date soon. She was not sure how he would take the news. Their countries were at odds, and although Fitz regarded Walter as a friend, that was a long step from welcoming him as a brother-in-law.

  She and Walter walked up the stairs and along the corridor. The back row in Fitz’s box had only two seats with a poor view. Without discussion, Maud and Walter took those seats.

  A few minutes later the house lights went down. In the half dark, Maud could almost imagine herself alone with Walter. The second act began with the duet between the Don and Leporello. Maud liked the way Mozart made masters and servants sing together, showing the complex and intimate relationships between upper and lower orders. Many dramas dealt only with the upper classes, and portrayed servants as part of the furniture—as many people wished they were.

  Bea and the duchess returned to the box during the trio “Ah! Taci, ingiusto core.” Everyone seemed to have exhausted the available topics of conversation, for they talked less and listened more. No one spoke to Maud or Walter, or even turned to look at them, and Maud wondered excitedly whether she might take advantage of the situation. Feeling daring, she reached out and furtively took Walter’s hand. He smiled, and stroked her fingers with the ball of his thumb. She wished she could kiss him, but that would be foolhardy.

  When Zelina sang her aria “Vedrai, carino” in sentimental three-eight time, an irresistible impulse tempted Maud, and as Zerlina pressed Masetto’s hand to her heart, Maud laid Walter’s hand on her breast. He gave an involuntary gasp, but no one noticed because Masetto was making similar noises, having just been beaten up b
y the Don.

  She turned his hand so that he could feel her nipple with his palm. He loved her breasts, and touched them whenever he could, which was seldom. She wished it were oftener: she loved it. This was another discovery. Other people had stroked them—a doctor, an Anglican priest, an older girl at dancing class, a man in a crowd—and she had been disturbed and at the same time flattered at the thought that she could arouse people’s lust, but she had never enjoyed it until now. She glanced at Walter’s face and saw that he was staring at the stage, but there was a glint of perspiration on his forehead. She wondered if she was wrong to excite him in this way, when she could not give him satisfaction; but he made no move to withdraw his hand, so she concluded that he liked what she was doing. So did she. But, as always, she wanted more.

  What had changed her? She had never been like this. It was him, of course, and the connection she felt with him, an intimacy so intense that she felt she could say anything, do whatever she liked, suppress nothing. What made him so different from every other man who had ever taken a fancy to her? A man such as Lowthie, or even Bing, expected a woman to act like a well-behaved child: to listen respectfully when he was being ponderous, to laugh appreciatively at his wit, to obey when he was masterful, and to give him a kiss whenever he asked. Walter treated her as a grown-up. He did not flirt, or condescend, or show off, and he listened at least as much as he talked.

  The music turned sinister as the statue came to life, and the Commendatore stalked into the Don’s dining room to a discord that Maud recognized as a diminished seventh. This was the dramatic high point of the opera, and Maud was almost certain no one would look around. Perhaps she could give Walter satisfaction after all, she thought; and the idea made her breathless.

  As the trombones blared over the deep bass voice of the Commendatore, she placed her hand on Walter’s thigh. She could feel the warmth of his skin through the fine wool of his dress trousers. Still he did not look at her, but she could see that his mouth was open and he was breathing heavily. She slid her hand up his thigh and, as the Don bravely took the Commendatore’s hand, she found Walter’s stiff penis and grasped it.

  She was excited and, at the same time, curious. She had never done this before. She explored it through the fabric of his trousers. It was bigger than she expected and harder, too, more like a piece of wood than a part of the body. How strange, she thought, that such a remarkable physical change should occur just because of a woman’s touch. When she was aroused it showed in tiny changes: that almost imperceptible feeling of puffiness, and the dampness inside. For men it was like raising a flag.

  She knew what boys did, for she had spied on Fitz when he was fifteen; and now she imitated the action she had seen him perform, the up-and-down movement of the hand, while the Commendatore called upon the Don to repent, and the Don repeatedly refused. Walter was panting, now, but no one could hear because the orchestra was so loud. She was overjoyed that she could please him so much. She watched the backs of the heads of the others in the box, terrified that one of them might look around, but she was too caught up in what she was doing to stop. Walter covered her hand with his own, teaching her how to do it, gripping harder on the downstroke and releasing the pressure on the up, and she imitated what he did. As the Don was dragged into the flames, Walter jerked in his seat. She felt a kind of spasm in his penis—once, twice, and a third time—and then, as the Don died of fright, Walter seemed to slump, exhausted.

  Maud suddenly knew that what she had done was completely mad. She quickly withdrew her hand. She flushed with shame. She found she was panting, and tried to breathe normally.

  The final ensemble began onstage, and Maud relaxed. She did not know what had possessed her, but she had got away with it. The release of tension made her want to laugh. She suppressed a giggle.

  She caught Walter’s eye. He was looking at her with adoration. She felt a glow of pleasure. He leaned over and put his lips to her ear. “Thank you,” he murmured.

  She sighed and said: “It was a pleasure.”

  CHAPTER SIX

  June 1914

  At the beginning of June Grigori Peshkov at last had enough money for a ticket to New York. The Vyalov family in St. Petersburg sold him both the ticket and the papers necessary for immigration into the United States, including a letter from Mr. Josef Vyalov in Buffalo promising to give Grigori a job.

  Grigori kissed the ticket. He could hardly wait to leave. It was like a dream, and he was afraid he might wake up before the boat sailed. Now that departure was so close, he longed even more for the moment when he would stand on deck and look back to watch Russia disappear over the horizon and out of his life forever.

  On the evening before his departure, his friends organized a party.

  It was held at Mishka’s, a bar near the Putilov Machine Works. There were a dozen workmates, most of the members of the Bolshevik Discussion Group on Socialism and Atheism, and the girls from the house where Grigori and Lev lived. They were all on strike—half the factories in St. Petersburg were on strike—so no one had much money, but they clubbed together and bought a barrel of beer and some herrings. It was a warm summer evening, and they sat on benches in a patch of waste ground next to the bar.

  Grigori was not a great party lover. He would have preferred to spend the evening playing chess. Alcohol made people stupid, and flirting with other men’s wives and girlfriends just seemed pointless. His wild-haired friend Konstantin, the chairman of the discussion group, had a row about the strike with aggressive Isaak, the footballer, and they ended up in a shouting match. Big Varya, Konstantin’s mother, drank most of a bottle of vodka, punched her husband, and passed out. Lev brought a crowd of friends—men Grigori had never met, and girls he did not want to meet—and they drank all the beer without paying for anything.

  Grigori spent the evening staring mournfully at Katerina. She was in a good mood—she loved parties. Her long skirt whirled and her blue-green eyes flashed as she moved around, teasing the men and charming the women, that wide, generous mouth always smiling. Her clothes were old and patched, but she had a wonderful body, the kind of figure Russian men loved, with a full bust and broad hips. Grigori had fallen in love with her on the day he had met her, and he was still in love four months later. But she preferred his brother.

  Why? It had nothing to do with looks. The two brothers were so alike that people sometimes mistook one for the other. They were the same height and weight, and could wear each other’s clothes. But Lev had charm by the ton. He was unreliable and selfish, and he lived on the edge of the law, but women adored him. Grigori was honest and dependable, a hard worker and a serious thinker, and he was single.

  It would be different in the United States. Everything would be different there. American landowners were not allowed to hang their peasants. American police had to put people on trial before punishing them. The government could not even jail socialists. There were no noblemen: everyone was equal, even Jews.

  Could it be real? Sometimes America seemed too much of a fantasy, like the stories people told of South Seas islands where beautiful maidens gave their bodies to anyone who asked. But it must be true: thousands of immigrants had written letters home. At the factory a group of revolutionary socialists had started a series of lectures on American democracy, but the police had closed them down.

  He felt guilty about leaving his brother behind, but it was the best way. “Look after yourself,” he said to Lev toward the end of the evening. “I won’t be here to get you out of trouble anymore.”

  “I’ll be fine,” Lev said carelessly. “You look after yourself.”

  “I’ll send you the money for your ticket. It won’t take long on American wages.”

  “I’ll be waiting.”

  “Don’t move house—we could lose touch.”

  “I’m not going anywhere, big brother.”

  They had not discussed whether Katerina, too, would eventually come to America. Grigori had left it to Lev to raise the subject
, but he had not. Grigori did not know whether to hope or dread that Lev would want to bring her.

  Lev took Katerina’s arm and said: “We have to go now.”

  Grigori was surprised. “Where are you off to at this time of night?”

  “I’m meeting Trofim.”

  Trofim was a minor member of the Vyalov family. “Why do you have to see him tonight?”

  Lev winked. “Never mind. We’ll be back before morning—in plenty of time to take you to Gutuyevsky Island.” This was where the transatlantic steamers docked.

  “All right,” said Grigori. “Don’t do anything dangerous,” he added, knowing it was pointless.

  Lev waved gaily and disappeared.

  It was almost midnight. Grigori said his good-byes. Several of his friends wept, but he did not know whether it was from sorrow or just booze. He walked back to the house with some of the girls, and they all kissed him in the hall. Then he went to his room.

  His secondhand cardboard suitcase stood on the table. Though small, it was half-empty. He was taking shirts, underwear, and his chess set. He had only one pair of boots. He had not accumulated much in the nine years since his mother died.

  Before going to bed, he looked in the cupboard where Lev kept his revolver, a Belgian-made Nagant M1895. He saw, with a sinking feeling, that the gun was not in its usual place.

  He unlatched the window so that he would not have to get out of bed to open it when Lev came in.

  Lying awake, listening to the familiar thunder of passing trains, he wondered what it would be like, four thousand miles from here. He had lived with Lev all his life, and he had been a substitute mother and father. From tomorrow, he would not know when Lev was out all night and carrying a gun. Would it be a relief, or would he worry more?

  As always, Grigori woke at five. His ship sailed at eight, and the dock was an hour’s walk. He had plenty of time.

  Lev had not come home.

  Grigori washed his hands and face. Looking in a broken shard of mirror, he trimmed his mustache and beard with a pair of kitchen scissors. Then he put his best suit on. He would leave his other suit behind for Lev.