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Killing Lincoln/Killing Kennedy

Page 3

by O'Reilly, Bill


  Lincoln and Grant talk for ninety minutes, then shake hands good-bye. Their parting has a bittersweet feel, the two great men perhaps sensing that they are marching toward two vastly different destinies. Grant is off to finish an epic war and subsequently to become president himself. Lincoln is off to heal a nation, a noble goal he will not live to see realized.

  Now, as the president looks on, Grant saddles up his charger and gallops off to join his army.

  Before leaving himself, Lincoln shakes hands with some people in the crowd gathered in front of the meeting place. He then rides back to City Point, once again exposing himself to possible violence. The way is littered with hundreds of dead soldiers, their unburied bodies swollen by death and sometimes stripped bare by scavengers. Lincoln doesn’t look away, absorbing the sober knowledge that these men died because of him. Outrage about Lincoln’s pursuit of the war has many calling for his death—even in the North. “Let us also remind Lincoln, that Caesar had his Brutus,” one speaker cried at a New York rally. And even in Congress, one senator recently asked the simple question “How much more are we going to take?” before going on to allude to the possibility of Lincoln’s murder.

  Lincoln endures all this because he must, just as he endures the slow trot through the battlefield. But there is a purpose to all he does, and upon his return to City Point he receives a great reward when he is handed the telegram informing him that Richmond has fallen. Confederate troops have abandoned the city to link up with Lee’s forces trying to get to the Carolinas.

  “Thank God that I have lived to see this,” Lincoln cries. “It seems to me that I have been dreaming a horrid dream for four years, and now the nightmare is gone.”

  But it’s not really gone. President Lincoln has just twelve days to live.

  CHAPTER FOUR

  TUESDAY, APRIL 4, 1865

  NEWPORT, RHODE ISLAND

  As blood flows in Virginia, wine flows in Rhode Island, far removed from the horrors of the Civil War. It is here that John Wilkes Booth has traveled by train for a romantic getaway with his fiancée. Since the Revolutionary War, Newport has been a retreat for high society, known for yachting and mansions and gaiety.

  John Wilkes Booth is one of eight children born to his flamboyant actor father, Junius Brutus Booth, a rogue if there ever was one. Booth’s father abandoned his first wife and two children in England and fled to America with an eighteen-year-old London girl, who became Booth’s mother. Booth was often lost in the confusion of the chaotic household. His father and brother eclipsed him as actors, and his upbringing was hectic, to say the least. Now anger has become a way of life for him. Throughout his journey to Rhode Island he has been barraged by news of the southern demise. Northern newspapers are reporting that Richmond has fallen and that Confederate president Jefferson Davis and his entire cabinet fled the city just hours before Union troops entered. In cities like New York, Boston, and Washington, people are dancing in the streets as the rebel collapse appears to be imminent. It is becoming clear to Booth that he is a man with a destiny—the only man in America who can end the North’s oppression. Something drastic must be done to preserve slavery, the southern way of life, and the Confederacy itself. If Robert E. Lee can’t get the job done, then Booth will have to do it for him.

  Booth’s hatred for Lincoln, and his deep belief in the institution of slavery, coalesced into a silent rage after the Emancipation Proclamation. It was only in August 1864, when a bacterial infection known as erysipelas sidelined him from the stage, that Booth began using his downtime to recruit a gang that would help him kidnap Lincoln. First he contacted his old friends Michael O’Laughlen and Samuel Arnold. They met at Barnum’s City Hotel in Baltimore, and after several drinks Booth asked them if they would join his conspiracy. Both men agreed. From there, Booth began adding others, selecting them based on expertise with weapons, physical fitness, and knowledge of southern Maryland’s back roads and waterways.

  In October, Booth traveled to Montreal, where he met with agents of Jefferson Davis’s. The Confederate president had set aside more than $1 million in gold to pay for acts of espionage and intrigue against the Union and housed a portion of the money in Canada. Booth’s meeting with Davis’s men not only provided funding for his conspiracy, it forged a direct bond between himself and the Confederacy. He returned with a check for $1,500, along with a letter of introduction that would allow him to meet the more prominent southern sympathizers in Maryland, such as Samuel Mudd and John Surratt, who would become key players in his evil plan. Without their help, Booth’s chances of successfully smuggling Lincoln out of Washington and into the Deep South would have been nonexistent.

  After recovering from his illness, Booth immersed himself deeper into the Confederate movement, traveling with a new circle of friends that considered the kidnapping of Lincoln to be of vital national importance. He met with secret agents and sympathizers in taverns, churches, and hotels throughout the Northeast and down through Maryland, always expanding his web of contacts, making his plans more concise and his chances of success that much greater. What started as an almost abstract hatred of Lincoln has now transformed itself into the actor’s life’s work.

  Yet Booth is such a skilled actor and charismatic liar that no one outside the secessionist movement—not even his fiancée—has known the depth of his rage.

  Until today.

  Booth’s betrothed, Lucy Lambert Hale, is the daughter of John Parker Hale, a staunchly pro-war senator from New Hampshire. She is dark-haired and full-figured, with blue eyes that have ignited a spark in the heart of many a man. Like Booth, she is used to having her way with the opposite sex, attracting beaus with a methodical mix of flattery and teasing. But Lucy is no soft touch. She can quickly turn indifferent and even cruel toward her suitors if the mood strikes her.

  Among those enraptured with Miss Hale is a future Supreme Court justice, Oliver Wendell Holmes Jr., now a twenty-four-year-old Union officer. Also John Hay, one of Lincoln’s personal secretaries. And, finally, none other than Robert Todd Lincoln, the president’s twenty-one-year-old son, also a Union officer. Despite her engagement to Booth, Lucy still keeps in touch with both Hay and young Lincoln, among many others.

  Strikingly pretty, Lucy appeals to Booth’s vanity. When they are together, heads turn. The couple’s initial passion was enough to overcome societal obstacles—at least in their minds. By March 1865 their engagement isn’t much of a secret anymore, and they are even seen together at the second inaugural.

  But in the past month, with Lucy possibly accompanying her father to Spain, and Booth secretly plotting against the president, their relationship has become strained. They have begun to quarrel. It doesn’t help that Booth flies into a jealous rage whenever Lucy so much as looks at another man. One night, in particular, he went mad at the sight of her dancing with Robert Lincoln. Whether or not this has anything to do with his pathological hatred for the president will never be determined.

  Booth has told her nothing about the conspiracy or his part in it. She doesn’t know that his hiatus from the stage was extended by his maniacal commitment to kidnapping Lincoln. She doesn’t know about the secret trips to Montreal and New York to meet with other conspirators, nor about the hidden caches of guns or the buggy that Booth purchased specifically to ferry the kidnapped president out of Washington, nor about the money transfers that fund his entire operation. She doesn’t know that his head is filled with countless crazy scenarios concerning the Lincoln kidnapping. And she surely doesn’t realize that her beloved has a passion for New York City prostitutes and a sizzling young Boston teenager named Isabel Sumner, just seventeen years old. Lucy knows none of that. All she knows is that the man she loves is mysterious and passionate and fearless in the bedroom.

  Perhaps, with all of Booth’s subterfuge, it is not surprising that their lovers’ getaway to Newport is turning into a fiasco.

  Booth checked them into the Aquidneck House hotel, simply signing the register as “J. W. Boo
th and Lady.” He made no attempt whatsoever to pretend they are already married. It’s as if the couple is daring the innkeeper to question their propriety. There is no question that Booth is spoiling for a fight. He is sick of what he sees as the gross imbalance between the poverty of the war-torn South and the prosperity of the North. Other than the uniformed soldiers milling about the railway platforms, he saw no evidence, during the train ride from Washington to Newport, via Boston, that the war had touched the North in any way.

  After checking into the hotel, he and Lucy walk the waterfront all morning. He wants to tell her about his plans, but the conspiracy is so vast and so deep that he would be a fool to sabotage it with a careless outburst. Instead, he rambles on about the fate of the Confederacy and about Lincoln, the despot. He’s shared his pro-southern leanings with Lucy in the past, but never to this extent. He rants endlessly about the fall of Richmond and the injustice of Lincoln having his way. Lucy knows her politics well, and she argues right back, until at some point in their walk along the picturesque harbor, with its sailboats and magnificent seaside homes, it becomes clear that they will never reach a common ground.

  Toward evening, they stop their fighting and walk back to the Aquidneck House. Despite John Wilkes Booth’s many infidelities, Lucy Hale is the love of his life. She is the only anchor that might keep him from committing a heinous crime, effectively throwing his life away in the process. In her eyes he sees a happy future replete with marriage, children, and increased prosperity as he refocuses on his career. They can travel the world together, mingling with high society wherever they go, thanks to her father’s considerable connections. All he has to do is to choose that love over his insane desire to harm the president.

  Booth tells the desk clerk that Lucy isn’t feeling well and that they will take their evening meal in the bedroom. Upstairs, there is ample time for lovemaking before their food is delivered. But the acts of intimacy that made this trip such an exotic idea have been undone by the news about Richmond. They will never make love again after tonight, and both of them sense it. Rather than spend the night together, Booth and Lucy pack their bags and catch the evening train back to Boston, where she leaves him to be with friends.

  Booth is actually relieved. He has made his choice. Now no one stands in his way.

  CHAPTER FIVE

  TUESDAY, APRIL 4, 1865

  AMELIA COURT HOUSE, VIRGINIA

  As Booth and Lucy depart Newport long before their supper can be delivered, Robert E. Lee’s soldiers are marching forty long miles to dine on anything they can find, all the while looking over their shoulders, fearful that Grant and the Union army will catch them from behind.

  Lee has an eight-hour head start after leaving Petersburg. He figures that if he can make it to Amelia Court House before Grant catches him, he and his men will be amply fed by the waiting 350,000 rations of smoked meat, bacon, biscuits, coffee, sugar, flour, and tea that are stockpiled there. Then, after that brief stop to fill their bellies, they will resume their march to North Carolina.

  And march they must. Even though Jefferson Davis and his cabinet have already fled Richmond and traveled to the Carolinas on the very same rail line that is delivering the food to Lee’s forces, there is no chance of the army using the railway as an escape route. There simply isn’t enough time to load and transport all of Lee’s 30,000 men.

  The day-and-a-half trudge to Amelia Court House begins optimistically enough, with Lee’s men happy to finally be away from Petersburg and looking forward to their first real meal in months. But forty miles on foot is a long way, and mile by mile the march turns into a death pageant. The line of retreating rebels and supply wagons stretches for twenty miles. The men are in wretched physical condition after months in the trenches. Their feet have lost their calluses and their muscles the firm tone they knew earlier in the war, when the Army of Northern Virginia was constantly on the march. Even worse, each painful step is a reminder that, of the two things vital to an army on the move—food and sleep—they lack one and have no chance of getting the other.

  Lee’s army is in total disarray. There is no longer military discipline, or any attempt to enforce it. The men swear under their breaths, grumbling and swearing a thousand other oaths about wanting to go home and quit this crazy war. The loose columns of Confederate soldiers resemble a mob of hollow-eyed zombies instead of a highly skilled fighting force. The men “rumbled like persons in a dream,” one captain will later write. “It all seemed to me like a troubled vision. I was consumed by fever, and when I attempted to walk I staggered like a drunken man.”

  The unlucky are barefoot, their leather boots and laces rotted away from the rains and mud of winter. Others wear ankle-high Confederate brogans with holes in the soles and uppers. The only men sporting new boots are those who stripped them off dead Union soldiers. The southerners resent it that everything the Union soldiers wear seems to be newer, better, and in limitless supply. A standing order has been issued for Confederate soldiers not to dress in confiscated woolen Union overcoats, but given a choice between being accidentally shot by a fellow southerner or surviving the bitter nightly chill, the rebels pick warmth every time. A glance up and down the retreat shows the long gray line speckled everywhere with blue.

  Bellies rumble. No one sings. No one bawls orders. A Confederate officer later sets the scene: there is “no regular column, no regular pace. When a soldier became weary he fell out, ate his scanty rations—if indeed, he had any to eat—rested, rose, and resumed the march when the inclination dictated. There were not many words spoken. An indescribable sadness weighed upon us.”

  It is even harder for the troops evacuating Richmond, on their way to link up with Lee at Amelia Court House. Many are not soldiers at all—they are sailors who burned their ships rather than let them fall into Union hands. Marching is new to them. Mere hours into the journey, many have fallen out of the ranks from blisters and exhaustion.

  Making matters worse is the very real fear of Union troops launching a surprise attack. “The nervousness,” a Confederate major will remember, “resulting from this constant strain of starvation, fatigue and lack of sleep was a dangerous thing, sometimes producing lamentable results.” On several occasions bewildered Confederate troops open fire on one another, thinking they’re firing at Yankees. In another instance, a massive black stallion lashed to a wooden fence “reared back, pulling the rail out of the fence and dragging it after him full gallop down the road crowded with troops, mowing them down like the scythe of a war chariot.”

  It’s no wonder that men begin to desert. Whenever and wherever the column pauses, men slip into the woods, never to return. The war is clearly over. No sense dying for nothing.

  Lee has long craved the freedom of open ground, but now his objective is to retreat and regroup, not to fight. His strategy that his army “must endeavor to harass them if we cannot destroy them” depends upon motivated troops and favorable terrain. These are essential to any chance of Lee snatching victory from the jaws of defeat. But the fight will have to wait until they get food.

  To lighten his army’s load and move faster, Lee orders that all unnecessary guns and wagons be left behind. The pack animals pulling them are hitched to more essential loads. A few days from now, as bone thin and weary as the soldiers themselves, these animals will be butchered to feed Lee’s men.

  Everything about the retreat—starvation, poor morale, desertion—speaks of failure. And yet when messengers arrive saying that the Petersburg bridges were blown by his sappers once the last man was across, making it impossible for Grant to follow, Lee is optimistic. Even happy. He has escaped once again. “I have got my army safely out of its breastworks, and in order to follow me the enemy must abandon his lines and can derive no further benefits from his railroads or James River,” he notes with relief.

  Grant’s army is sliding west en masse, racing to block the road, even as Lee feels relief in the morning air. Lee suspects this. But his confidence in his army and
in his own generalship is such that he firmly believes he can defeat Grant on open ground.

  Everything depends on getting to Amelia Court House. Without food Lee’s men cannot march. Without food they cannot fight. Without food, they might as well have surrendered in Petersburg.

  Lee’s newfound optimism slowly filters down into the ranks. Against all odds, his men regain their confidence as the trenches of Petersburg recede further and further into memory and distance. By the time they reach Amelia Court House, on April 4, after almost two consecutive days on the march, electricity sizzles through the ranks. The men speak of hope and are confident of victory as they wonder where and when they will fight the Yankees once again.

  It’s just before noon. The long hours in the saddle are hard on the fifty-eight-year-old general. Lee has long struggled with rheumatism and all its crippling agonies. Now it flares anew. Yet he presses on, knowing that any sign of personal weakness will be immediately noticed by his men. As much as any soldier, he looks forward to a good meal and a few hours of sleep. He can see the waiting railroad cars, neatly parked on a siding. He quietly gives the order to unload the food and distribute it in an organized fashion. The last thing Lee wants is for his army to give in to their hunger and rush the train. Composure and propriety are crucial for any effective fighting force.

  The train doors are yanked open. Inside, great wooden crates are stacked floor to ceiling. Lee’s excited men hurriedly jerk the boxes down onto the ground and pry them open.

 

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