Killing Lincoln/Killing Kennedy

by O'Reilly, Bill

  The man who helped John Wilkes Booth and David Herold escape into Virginia, Thomas Jones, was circumspect about his role in the assassination for many years. He was taken into custody shortly after Booth was killed and spent seven weeks in the Old Capital Prison before being released. Even though he became a justice of the peace after the war, the tight-lipped former member of the Confederate Secret Service was ever after wary of persecution for aiding John Wilkes Booth and David Herold. That changed in 1893, when he wrote a 126-page book telling his side of the events. Jones died on March 5, 1895, at the age of seventy-four.

  Perhaps the most shadowy figure in the Lincoln conspiracy, John Surratt, Mary Surratt’s son, could have been instrumental in reducing his mother’s sentence by showing that her part in the assassination was that of passive support instead of active participation. But rather than give the testimony that might have spared her life, John Surratt fled to Montreal, Canada, immediately after the assassination, where he followed the news of his mother’s trial and execution. Surratt then fled to England under an assumed name and later continued on to the Vatican, where he served in the Papal Zouaves. He was discovered and arrested but escaped. Another international search for Surratt soon found him in Alexandria, Egypt. Arrested again, he was brought back to the United States to appear before a judge. Amazingly, the jury deadlocked on his involvement. John Surratt was free to go. He died in 1916 at the age of seventy-two.

  Mary Surratt’s body was reburied in the Catholic cemetery at Mount Olivet in Washington, D.C., where it remains to this day. The petition to spare Mary’s life never got to President Andrew Johnson; his assistant Preston King kept the information away from Johnson. But apparently that action preyed on King’s conscience. A few months later, King tied a bag of bullets around his neck and leapt from a ferryboat in New York’s harbor; he was never seen again. He was fifty-nine years old.

  EPILOGUE

  The last days of Abraham Lincoln’s life included perhaps the most dramatic events in the nation’s history. It is eerie that Abraham Lincoln found much solace in the play Julius Caesar, by William Shakespeare, given that the two great men met their ends in the same way. Caesar was betrayed by his countrymen, as was Lincoln. Both men died within months of their fifty-sixth birthday, before they could complete their life’s work. Just as the story of Julius Caesar has been told and retold for centuries, the tragedy that befell Lincoln should be known by every American. His life and death continue to shape us as a people, even today. America is a great country, but like every other nation on earth it is influenced by evil. John Wilkes Booth epitomizes the evil that can harm us, even as President Abraham Lincoln represents the good that can make us stronger.

  Appendix

  RE-CREATION OF HARPER’S WEEKLY

  The April 29, 1865, edition of Harper’s Weekly was entirely devoted to the assassination and death of Abraham Lincoln. The edition went to the printers just hours after word reached Washington that John Wilkes Booth had been located and shot dead. This gives the writers’ words an urgency and heartfelt emotion that allow modern readers to gain a very real sense of how the nation was reacting to Lincoln’s death. On the day that it came out, Lincoln’s funeral train was traveling from Cleveland to Columbus, Ohio, and the trial of the conspirators had not yet begun. The nation was still very much at a loss over how to deal with this national tragedy. Here we reprint the entire text of the article “The Murder of the President” as it appeared in that edition.

  THE MURDER OF THE PRESIDENT.

  The Fourteenth of April is a dark day in our country’s calendar. On that day four years ago the national flag was for the first time lowered at the bidding of traitors. Upon that day, after a desperate conflict with treason for four long, weary years—a conflict in which the nation had so far triumphed that she breathed again in the joyous prospect of coming peace—her chosen leader was stricken down by the foul hand of the cowardly assassin. Exultation that had known no bounds was exchanged for boundless grief. The record upon which had been inscribed all sorts of violence possible to the most malignant treason that ever sought to poison a nation’s heart had been almost written full. But not quite full. Murder had run out its category of possible degrees against helpless loyalists in the South, against women and children whose houses had been burned down over their heads, and against our unfortunate prisoners, who had been tortured and literally starved to death. But there still remained one victim for its last rude stroke—one victim for whom, it was whispered in rebel journals South and North, there was still reserved the dagger of a BRUTUS. Beaten on every field of recognized warfare, treason outdid its very self, and killed our President.

  The man who lent himself to traitors for this vile purpose was JOHN WILKES BOOTH, who sold himself, it may be, partly for the pieces of silver, but chiefly for the infamous notoriety attaching to such an act. There was an ancient villain who deliberately purposed to perpetuate the memory of his name among men by an act of awful sacrilege—a sacrilege so striking as never to be forgotten—and he burned the temple of the Ephesian Diana. EROSTRATUS gained his end, and has been remembered accordingly. A memory far more detestable is in store for JOHN WILKES BOOTH, who dared, by the commission of an infinitely greater sacrilege, to bring a whole people to tears.

  He was the third son born in America of the eminent English tragedian JUNIUS BRUTUS BOOTH. There were three brothers, JUNIUS BRUTUS, Jun., EDWIN, and JOHN WILKES, all of whom inherited a predilection for the stage. EDWIN, however, is the only one of these who has attained a very eminent position as an actor, and he is probably surpassed by no living man. In justice to him it is proper here to state that he is true and loyal, and exacts our sincerest sympathy. The elder BOOTH, father of these three actors, died thirteen years ago. He passed the quieter portion of his life upon his farm, in Harford County, some thirty miles from Baltimore. JOHN WILKES BOOTH, the murderer, was born in 1839, and is now only twenty-six years of age. He went upon the stage at the early age of seventeen, simply as JOHN WILKES. As stock actor he gained a fair reputation, and afterward assuming his full name, he began a more ambitious career. But, partly on account of his dissolute habits, he never achieved a marked success. He performed chiefly in the South and West. He has appeared but few times before a New York audience. In person he bears considerable resemblance to his father. His eyes are dark and large; his hair of the same color, inclined to curl; his features finely molded; his form tall, and his address pleasing. He abandoned his profession recently on account of a bronchial affection. It is said that he has frequently threatened to kill President LINCOLN. His companions have been violent Secessionists, and there are doubtless many others involved to a greater or less degree in his crime. The attempt to assassinate Secretary SEWARD was made probably by an accomplice. It is supposed that Secretary STANTON and ANDREW JOHNSON were to have been added to the list of victims. The latter, at least, received on Friday a card from BOOTH, but was not at home.

  Those who were acquainted with BOOTH’S movements on the fatal Friday say that his manner was restless. He knew that the President and his party intended to be present at Ford’s Theatre in the evening. He asked an acquaintance if he should attend the performance, remarking that if he did he would see some unusually fine acting. It was the general expectation that General GRANT would form one of the President’s party, and there are many who suppose that a blow was intended for him as well as the President. The latter had passed the day in the usual manner. In the morning his son, Capt. ROBERT LINCOLN, breakfasted with him.—The Captain had just returned from the capitulation of ROBERT E. LEE, and the President listened with great interest to his narration of the detailed circumstances. After breakfast he conversed for an hour with Speaker COLFAX about his future policy as to the rebellion which he was about to submit to his Cabinet. At 11 o‘clock the Cabinet met. Both the President and General GRANT were present. Having spent the afternoon with Governor OGLESBY, Senator YATES, and other leading citizens of his State, he went to the t
heatre in the evening with Mrs. LINCOLN, in order to unite in the general expression of popular joy for our late victories. The party consisted of Mrs. Senator HARRIS and daughter, and Major HENRY RATHBONE, Of Albany. They arrived at ten minutes before nine o’clock, and occupied a private box over-looking the stage. The play for the evening was The American Cousin.

  BOOTH came upon his errand at about 10 o’clock. He left his horse in charge at the rear of the theatre, and made his way to the President’s box. This box is a double one, in the second tier at the left of the stage. When occupied by the Presidential party the separating partition is removed, and the two boxes are thus thrown into one. We give an accurate plan of the box here.—According to Major RATHBONE’S statement, the assassin must have made his preparations in the most deliberate manner beforehand. Of this fact there are at least four proofs, as we shall see: Stealthily approaching the dark passageway leading to the box, BOOTH, after having effected an entrance, closed the hall door, and then, taking a piece of board which he had prepared for the occasion, placed one end of it in an indentation excavated in the wall, about four feet from the floor, and the other against the moulding of the door-panel a few inches higher. He thus made it impossible for any one to enter from without; and securing himself against intrusion in that direction, he proceeded to the doors of the box. There were two of those. Here also the villain had carefully provided before hand the means by which he might, unnoticed himself, observe the position of the parties inside. With a gimlet, or small bit, he had bored a hole in the door-panel, which he afterward reamed out with his knife, so as to leave it a little larger than a buck-shot on the inside, while on the other side it was sufficiently large to give his eye a wide range. To secure against the doors being locked (they both had spring-locks), he had loosened the screws with which the bolt-hasps were fastened. In regard to the next stage of BOOTH’S movements there is some degree of uncertainty. He had been noticed as he passed through the dress-circle by a Mr. FERGUSON, who was sitting on the opposite side of the theatre. This man knew BOOTH, and recognized him. He had been talking with him a short time before. FERGUSON states that when BOOTH reached the door of the corridor leading from the dress-circle to the boxes he halted, “took off his hat, and, holding it in his left hand, leaned against the wall behind him.” After remaining thus for the space of half a minute, “he stepped down one step, put his hand on the door of the little corridor leading to the box, bent his knee against it,” when the door opened and BOOTH entered. After his entrance to the corridor he was of course invisible to FERGUSON, and, before the fatal shot, was probably seen by no one but the sentry at the door of the corridor. The latter he is said to have passed on the plea that the President had sent for him. What passed before the shot is only conjecturable. He made his observations, doubtless, through the aperture in the door provided for that purpose. And here we come upon another proof of a deliberately-prepared plan. The very seats in the box had been arranged to suit his purpose, either by himself or, as is more likely, by some attache of the theatre in complicity with him. The President sat in the left-hand corner of the box, nearest the audience, in an easy armchair. Next to him, on the right, sat Mrs. LINCOLN, Some distance to the right of both Miss HARRIS was seated, with Major RATHBONE at her left and a little in the rear of Mrs. LINCOLN. BOOTH rapidly surveyed the situation. The play had reached the second scene of the third act. Mrs. LINCOLN, intent on the play, was leaning forward, with one hand resting on her husband’s knee. The President was leaning upon one hand, and with the other was adjusting a portion of the drapery, his face wearing a pleasant smile as it was partially turned to the audience. As to the act of assassination, there are two conflicting statements. According to one, BOOTH fired through the door at the left, which was closed. But this seems to have been unnecessary; and it is far more probable that he entered rapidly through the door at the right, and the next moment fired. The ball entered just behind the President’s left ear, and though not producing instantaneous death completely obliterated all consciousness.

  Major RATHBONE hearing the report, saw the assassin about six feet distant from the President, and encountered him; but BOOTH shook off his grasp. The latter had dropped his weapon—an ordinary pocket-pistol—and had drawn a long glittering knife, with which he inflicted a wound upon the Major; and then, resting his left hand upon the railing, vaulted over easily to the stage, eight or nine feet below. As he passed between the folds of the flag decorating the box, his spur, which he wore on the right heel, caught the drapery and brought it down. He crouched as he fell, falling upon one knee, but quickly gained an up-right position, and staggered in a theatrical manner across the stage, brandishing his knife, and shouting, “Sic semper tyrannis!” He made his exit by the “tormentor” on the opposite side of the stage, passing MISS KEENE as he went out. The villain succeeded in making his escape without arrest. In this he was probably assisted by accomplices and by MOSBY’S guerillas.

  The President was immediately removed to the house of Mr. PETERSON, opposite the theatre, where he died at twenty-two minutes past seven the next morning, never having recovered his consciousness since the fatal shot. In his last hours he was attended by his wife and his son ROBERT, and prominent members of his Cabinet. His death has plunged the nation into deepest mourning, but his spirit still animates the people for whom he died.

  A DIRGE.

  LOWER the starry flag Amid a sovereign people’s lamentation For him the honored ruler of the nation;

  Lower the starry flag!

  Let the great bells be toll’d Slowly and mournfully in every steeple, Let them make known the sorrow of the people;

  Let the great bells be toll’d!

  Lower the starry flag, And let the solemn, sorrowing anthem, pealing, Sound from the carven choir to fretted ceiling; Lower the starry flag!

  Let the great bells be toll’d,

  And let the mournful organ music, rolling, Tune with the bells in every steeple tolling;

  Let the great bells be toll’d!

  Lower the starry flag;

  The nation’s honored chief in death is sleeping, And for our loss our eyes are wet with weeping; Lower the starry flag!

  Let the great bells be toll’d;

  His honest, manly heart has ceased its beating, His lips no more shall speak the kindly greeting;

  Let the great bells be toll’d!

  Lower the starry flag;

  No more shall sound his voice ‘in scorn of error, Filling the traitor’s heart with fear and terror; Lower the starry flag!

  Let the great bells be toll’d;

  He reverenced the gift which God has given, Freedom to all, the priceless boon of Heaven, Let the great bells be toll’d!

  Lower the starry flag;

  Hit dearest hopes were wedded with’ the nation, He valued more than all the land’s salvation;

  Lower the starry flag!

  Let the great bells be toll’d;

  His name shall live on History’s brightest pages, His voice shall sound through Time’s remotest ages; Let the great bells be toll’d!

  A NATION’S GRIEF.

  AH! Grief doth follow fast on Victory! The victors’ shout is lost in silence, deep—Too deep for our poor human utterance. The jubilant flags that only yesterday Were the bright heralds of a nation’s gain, Now droop at half-mast for her woeful loss. Our foremost Hero fallen, sore at heart we lie Prostrate, in tears, at our dear Lincoln’s grave!

  The dust of our great Leader, kissed to rest, And folded to our hearts, is there inurned, Beyond the breath of scandal, in sweet peace. Wounded with his wound, our hearts receive The mantle of his spirit as it flies.

  His words remain to us our sacred Law: Do we not hear them from the Capitol?—

  “Malice toward none, with charity for all!”

  The blow at Sumter touched us not so much With grief, or awe of treason, as this last—This cruelest thrust of all at his dear head, Which with spent rage the baffled serpent aimed. It is the world
’s old story, told again,

  That they who bruise the serpent’s venomed head Must bear, even as Christ did, its last foul sting, Taking the Savior’s Passion with His Crown!

  With malice toward none, with charity for all, with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in, to bind up the nation’s wounds, to care for him who shall have borne the battle, and for his widow and his orphans; to do all which may achieve and cherish a just and a lasting peace among ourselves and with all nations.“—Last Words of President Lincoln’s Second Inaugural.

  HARPER’S WEEKLY.

  SATURDAY,

  APRIL 29,1865.

  Abraham Lincoln.