Book Read Free

Miss Anne in Harlem

Page 55

by Carla Kaplan


  Auden, W. H., 328

  authenticity:

  meanings of, 18

  of race, 150

  in theater, 22, 245

  Baker, Ella:

  and George Schuyler, 114, 144, 147

  and Josephine Schuyler, 138, 142, 148

  and Young Negroes’ Cooperative League, 144, 147

  Baker, Josephine, 301, 302

  Bankhead, Tallulah, 34

  Banting, John, 283, 283, 284, 328

  Barnard College:

  Hurston as student in, 172, 265

  Meyer as founder of, 170, 177–78, 191

  Barnes, Djuna, 294

  Barnes Collection, “Negro Art and America,” 215

  Barrett, Edna Harriet, “To a Pickaninny,” xv, xix, xxv, 312

  Barrymore, Ethel, 24, 33

  Barrymore, John, 52

  Barthé, Richmond, 252

  Basie, Count, 144

  Bassett, Theodore, 317

  Bates, Ruby, 55, 56, 175, 316, 325–27, 326

  Beaton, Cecil, 284, 294, 308

  Beckett, Samuel, 304, 306, 332

  Bedford, Sybille, 294

  Beecham, Thomas, 291

  Beggans, Mary, 248

  Beinecke Rare Book and Manuscript Library, Yale University, 90

  Belgian Congo, art from, 216

  Benedict, Ruth, 209

  Benét, William Rose, 38

  Bennett, Gwendolyn, xviii

  “Heritage,” 14–15

  Berlin Ethnological Museum, 215

  Berry, Abner, 317

  Berry, Faith, 234

  Bethune, Mary McLeod, xviii

  Bhogwan (Indian), 102

  Biddle, Frances, 347, 401n203, 402n203, 407n212, 416n252

  Biddle, Francis, 212, 225, 246, 251, 252

  Biddle, Katherine, see Chapin, Katherine Garrison (Biddle)

  Biddle, Stephen, 347, 401n203, 402n203, 407n212

  black culture:

  celebration of, 11

  emblems of achievement, 42

  romanticized by whites, 17, 18, 20, 54

  white culture as bland compared to, 29–30, 48–49

  white patrons’ support of, 31

  blackness:

  classification of, 11, 311

  as contagion, 11, 297

  measures of, 10

  qualities of, 17

  “strange longing” for, 46–56

  superiority of, 160

  volunteering for, xxvi, xxix, 13, 48–49, 297, 299, 310

  white expectations of, 36, 44-45, 218, 230, 265, 272, 297, 331

  white love of, xxxi, 12, 18, 48, 54, 120–21, 196–296

  see also Negroes

  Blake, Eubie, 21

  Bledsoe, Jules, 113

  Block, Harry, 38, 241

  Blondiau-Theatre Arts Collection, 216

  Blum, Edward, 66

  Boas, Franz, xviii, 209, 229, 241, 267

  bohemians:

  in Harlem, xxix, 111–12

  in the Jazz Age, xviii

  and New Woman, 101–2, 104

  in New York, 111–12

  in San Francisco, 100–102, 111

  Boni & Liveright, 38, 188, 241

  award sponsored by, 31

  Bontemps, Arna, 39, 89

  Booth, John Wilkes, 91

  Bourne, Dorothea, 61

  Boyle, Kay, 294

  Bradford, Roark, xviii

  Brancusi, Constantin, 216, 294

  Braque, Georges, 216

  Brawley, Benjamin, “My Hero,” 405n208

  Breton, André, 294

  British Scottsboro Defense Fund, 318

  British Union of Fascists, 312

  Brooklyn Museum, 216

  Brooks, Van Wyck, xxv

  Broun, Heywood, 33

  Brown, John, xxi

  Brown, Sterling, 20, 259, 272, 273, 331–32

  Bryant, Louise, 38

  Bryher (Annie Winifred Ellerman), 294

  Buck, Pearl, 24

  Buñuel, Luis, 312

  Burkhart, Charles, 286

  Burlin, Natalie Curtis, see Curtis, Natalie

  Burlin, Paul, 213–14

  Butler, Judith, 44

  Butler, Nell, 61

  Butler, Nicholas Murray, 184

  Bynner, Witter, 35

  Campbell, Grace, 317

  Cardozo, Benjamin, 176

  Carter, Dan, 55

  Cézanne, Paul, 216

  Chapin, Cornelia:

  and “The Friends,” 237

  and Mason, 202, 212–13, 216, 224, 227, 236, 237, 240, 246, 248, 263

  and Mason’s death, 251, 252

  Chapin, Katherine Garrison (Biddle):

  and Francis Biddle, 212, 225, 251, 252

  and “The Friends,” 237

  and Mason, 202, 212–13, 216, 224, 227, 236, 237, 239, 240, 246, 248

  and Mason’s death, 251, 252–53

  poetry of, 251

  sons of, 216

  Chapin, Paul and Leila, 245–46

  Chapin, Schuyler, 409–10n224

  Chattanooga Times, 51

  Chesnutt, Charles, 273

  Chicago Defender, xxv, 39

  Chisholm, Anne, 323, 335

  Christie, Margaret, 185, 190

  Churchill, Lady Randolph (former Jennie Jerome), 291

  Cincinnati Union, 145

  Civic Club dinners (1924; 1925), xxiii-xxiv, xxvi

  civil rights, 160, 314, 316, 317

  Civil War, U.S., 201, 202

  Clam House, Harlem, 34

  Clark, Gwyn, 390–91n151

  Clinton, Hillary Rodham, 339

  Clotilda (slave ship), 240

  Cobb, Irvin S., 265

  Cogdell, Buster, 98

  Cogdell, D. C., 87, 92–94, 98, 126, 141

  Cogdell, Gaston, 98

  Cogdell, Josephine, see Schuyler, Josephine Cogdell

  Cogdell, Lucy Duke, 93–94, 96–97

  Cogdell family, 87–88, 127, 131

  in Granbury, 91, 92–95

  house and estate of, 92–93, 93, 94, 98, 151

  and Josephine’s life, 103, 104, 109, 134–35, 145, 152, 177

  Josephine’s visits with, 108–9, 126–27

  servants of, 92, 96–97, 97, 134, 152, 382n96

  Colebrooke, A. A., 328

  Collins, Jeanne, “The Church of the Green Pastures,” xv

  color-blindness; race-blindness, xxvii, 89, 277

  Colored American, The, xxv

  Comanche tribe, 91

  Communist Party: and arrests, 160

  and Cunard, 284, 314, 316, 317, 318

  and Harlem, 161, 316–17

  and identity politics, 318

  “The Internationale,” 104

  International Labor Defense (ILD), 314, 315, 325–26

  and NAACP, 317–18

  and Scottsboro case, 55–56, 160, 284, 314–17, 325–26

  Connelly, Marc, xviii

  Green Pastures, 179, 189, 321

  Connie’s Inn, Harlem, 34, 150

  Conrad, Joseph, 216

  Cook, Gerald, 30

  Cooke, Marvel Jackson, 144

  Cooper, Billie B., “The Lost Heart,” xv

  Costigan-Wagner Anti-Lynching Bill, 190

  Cotton, Pansy, 291

  Cotton Club Orchestra, 41, 112

  Covarrubias, Miguel, 36, 43

  illustration by, 25, 253

  and Mason, 221, 246, 252

  Cowley, Malcolm, 101

  Crawford, Joan, 34

  Crisis, The, 104

  awards sponsored by, 31, 222

  Cunard’s essay in, 312

  Josephine Schuyler’s pseudonymous work in, 390–91n151

  “The Negro in Art,” 22–23

  “The Poet’s Page,” xv, xvi, xix, xxv, 60, 136, 152, 312, 333

  as “Poet’s Corner,” 60

  Crockett, Davy, 91

  Croute, Helen, 85

  Crowder, Henry, 328

  and Cunard, 281, 302–8, 311, 320–22, 327

  Henry
Music, 306

  and Negro anthology, 333

  As Wonderful as All That? 426–27n304

  Cruickshank, Alfred M., “To Miss Nancy Cunard,” 286–87

  Cullen, Countée, xviii, 21, 35, 89, 193, 221

  early years of, 300

  “Heritage,” 15–16, 17–18, 215, 233

  and Negro anthology, 329

  Cunard, Sir Bache, 281, 288, 423n289

  Cunard, Edward, 302

  Cunard, Lady Maud Alice Burke, a.k.a. Emerald, 281, 288–89, 311–12, 319, 323–25, 335

  Cunard, Nancy, 43, 80, 141, 187, 279–337, 280, 283, 292, 309

  African art collection of, 295, 298, 303, 306, 331, 335

  “The American Moron and the American of Sense—Letters on the Negro,” 285

  “becoming” African, 14, 49, 287–88, 295, 296–301, 303, 304, 308, 309–11, 332, 341

  birth and childhood of, 288–91, 309

  “Black Man and White Ladyship,” 323–25

  and black men, 52, 57, 258

  and Communist Party, 284, 314, 316, 317, 318

  comparisons to, 49–50, 51, 105, 111, 153, 161, 177, 182, 184, 185, 218, 277, 299, 343

  correspondence of, 331, 333

  and Crowder, 281, 302–8, 311, 320–22, 327

  and Cunard family/estate, 281, 284, 288–91, 289, 296, 311–12, 314, 319, 323–25, 335

  death of, 334, 335

  “Does Anyone Know Any Negroes?,” 311–12, 323

  dreams of Africa, 288

  and feminism, 326

  fund-raiser sponsored by, 318–19

  on Harlem’s interracial appeal, 32, 282

  hate mail to, 51, 285–86, 297, 333

  health problems of, 305, 321, 334, 335, 336

  and The Hours press, 303, 304, 305, 306, 313, 426n303

  and Hurston, 246, 329, 332

  influence of, xxx, 258, 280

  in Italy, 302

  marriage to Fairbairn, 291, 292

  media stories about, 51, 279–86, 291, 294, 296, 299, 328, 330

  “The Negress at the Brothel,” 330

  Negro: An Anthology, 149, 184, 255, 258, 281, 284, 303, 320, 322, 327, 328–34

  as New Woman, 282, 286, 299, 309, 336

  “1930”/“Equatorial Way” (poem), xv, xix, 45, 308, 312

  in Paris, 293–94, 301–2, 303–5, 330–31

  “Pedestal” (poem), xv

  personal traits of, 291–92, 304–5, 307, 336

  and politics, 312–13, 314, 324–25, 334

  public image of, xxix, 277, 279–80, 281, 284, 291, 294, 303, 334–37, 339, 340

  “Rape” (poem), 313–14

  recklessness of, 286, 298–99, 305–6, 313, 316, 324–25

  “Remorse” (poem), 293

  response to Cruickshank poem, 286–87

  and Scottsboro case, 55, 175, 281, 284, 313–16, 318–20, 322, 323, 324, 325–27

  scrapbooks of, 280, 293, 333

  “Soldiers Fallen in Battle” (poem), 292–93

  and Spanish Civil War, 335

  travel to Harlem and U.S., 279–86, 320–22, 328–34

  work ethic of, 300

  as writer, 292–93, 294, 308, 335

  Cunard, Victor, 302

  Curb Market, Harlem, 113, 120

  Curtis, Anna Shaw, 208

  Curtis, George William, 208

  Curtis, Natalie:

  and Burlin, 213–14

  death of, 214

  and Mason, 202, 208–14, 222, 224, 237

  Negro Folk-Songs, 213

  Songs and Tales from the Dark Continent, 213

  and The Indians’ Book, 210–11

  Dabney, W. P., 145–46

  Dalí, Salvador, 301, 312

  Danielson, Jacques, 262, 267

  Dark Tower salon, 31, 112, 113

  Darwin, Charles, 101

  Davis, John, xviii

  Davis, Sammy, Jr., 162

  Day, Dorothy, 101

  Decker, Todd, 43

  Depression, see Great Depression

  Dismond, Geraldyn, 29, 37, 39, 43, 141

  Domingo, W. A., “The New Negro,” xxi

  “Don’t buy where you can’t work,” 317

  Dos Passos, John, 175, 294

  Douglas, Aaron, xviii, 144, 221, 252

  NAACP program by, 44

  The Spirit of Africa, 215

  Douglas, Alta, 252

  Douglas, Ann, xix, 335

  Douglas, Norman, 335, 371–72n55, 426n303

  Douglass, Frederick, 42, 61

  Draper, Muriel, 24, 35, 39, 89

  Dreiser, Theodore, 89, 329, 332

  Dreisinger, Baz, Near Black: White-to-Black Passing in American Culture, xix-xx, 277

  Du Bois, W. E. B., xviii, 72, 89, 144, 219, 300

  antilynching statements of, 74

  and Black No More, 159

  on the color line, 360n4

  Communist Party attacks on, 317

  and Cunard, 316, 322

  on education, 185

  interracial marriage frowned upon by, 12, 54

  and media sensationalism, 6

  and Negro anthology, 329, 332

  on Negro theater, 22

  and Ovington, xxvii, 79

  on race pride, 11

  “Returning Soldiers,” xxi

  The Souls of Black Folk, 59

  on white schoolmarms, 62

  on whites writing as blacks, 20

  Duchamp, Marcel, 294

  Dunbar, Paul Laurence:

  “Robert Gould Shaw,” 405n208

  “We Wear the Mask,” 307

  Dunbar-Nelson, Alice, 39

  Dunham, Stanley Ann, 71

  Durante, Jimmy, 41

  Duryea, Etta, 8–9, 9

  Dyer, Leonidas, 73–74

  Eagles, Jeanne, 34

  Eastman, Crystal, 262

  Eastman, Max, xviii, 104, 212

  Eaton, Walter Pritchard, 183

  Eatonville, Florida, 266–67

  Edwards, Gloss, 189–90

  Eliot, T. S., 216, 290, 294

  Ellerman, Annie Winifred (Bryher), 294

  Ellington, Duke, 41, 112

  Ellis, Havelock, 294

  Ellison, Ralph, The Invisible Man, 359nxxviii, 366n26

  Emancipation Proclamation, 332

  Embree, Edwin, xviii

  English Speaking Union, 246

  erotics of race, 13, 29–56

  black culture vs. white, 29–30

  and Cunard, 282, 307

  and Harlem as racial laboratory, 29–40

  NAACP extravaganza, 40–45

  passing, and strange longing, 46–56, 274, 420n274

  and primitivism, 44, 48

  and Schuylers, 88, 112–24, 142, 151, 152, 180

  Erskine, Helen Worden, 24

  essentialism; essentialist, xxvii, 48, 89, 220, 230–31

  antiessentialism; antiessentialist 13, 88, 152, 158, 230

  Estes, Dr. St. Louis, Raw Food and Health, 384n103

  Fairbairn, Sydney, 291, 292

  Farrar, John, xxv, 22–23

  Fauset, Arthur Huff, 182, 183, 221, 252

  Fauset, Jessie, xviii, 48–49, 182, 273

  “The Sleeper Wakes,” 49

  Federal Writers Project, 147

  feminism; feminist(s), xxviii

  and Cunard, 326

  and Hurst, 262–63, 271

  and interracialism, 135, 142

  and Mason, 207

  and Meyer, 142, 170, 184, 191, 207

  and New Woman, 50, 101

  and Ovington, 50

  “The personal is political,” 312

  and Schuyler, Josephine, 93-94, 101, 106, 130, 135, 137–8, 145, 154

  and suffrage, 263

  and traditional roles, 63, 93, 94

  Ferber, Edna, 197

  Fields, Dorothy, 24

  Fifth Avenue Restaurant, New York, xxiv

  Finkelstein, Fred, 110

  Fire!!, xviii

  Fisher, Rudolph, 24, 342–43

  �
�The Caucasian Storms Harlem,” 35

  Fisk College, 10

  Fitzgerald, Ella, 162

  Fitzgerald, F. Scott, 38

  Fitzgerald, William, 317

  Fitzgerald, Zelda, 34, 38

  Flanagan, Hallie, 24

  Flanner, Janet, 262, 294, 302, 335

  flappers, xviii

  folklore, public interest in, 17

  Fonda, Jane, xxviii

  Ford, Ford Madox, 290

  Ford, James W., 317

  Forrest, Laura E., 390–91n151

  Forster, Guido Frederick, 252

  Frank, Waldo, xviii, 19, 89

  Frankfurt museum, 215

  Franklin, Benjamin, 288

  Franklin sisters, 77

  Freedmen’s Aid Society, 208

  Freedmen’s Bureau, schoolteachers for, 62

  freedom and identity; as freedom from identity, xxvii–xxviii, 90

  French, Samuel, 185

  Freud, Sigmund, 117, 135

  “Friends of Africa,” 70–71

  “friend(s) of the Negro,” 17, 75, 263, 363n17, 376n75, 425n297

  Fulton, Andrew F., 71

  Galbraith, Frederic, 8

  Garland Foundation, 31

  Garretson, Johanna, 202

  Garrison, William Lloyd, xxi, 176

  Garth, John, 106–8, 106, 110, 114, 125–26, 130–31, 144

  Garvey, Marcus, 119–20, 328

  and “back to Africa,” 119, 317

  and Ku Klux Klan, 11–12

  and NAACP, 11

  and UNIA, 11, 12, 119

  Gates, Henry Louis, Jr., 257

  Gauguin, Paul, 216

  Gelhorn, Sarah N., xxv

  Gershwin, George, 33

  Gibson Girl, xviii

  Gilman, Charlotte Perkins, 262

  Gilmore, Glenda, 55, 75

  Gilpin, Charles, xviii, 21, 188

  Gilpin Players of Cleveland, 234

  Gilroy, Paul, 273

  Gish, Lillian, 89

  Glaspell, Susan, 263

  Glyn, Elinor, 95

  Gold, Michael, 332

  Goldman, Emma, 101, 339

  Goldsby, Jacqueline, 74

  Goldwater, Barry M., 160

  Gone with the Wind (film), 258

  Goodman, Edward, 188

  Gordon, Asa H., 130

  Gordon, Eugene, 159, 160

  Gordon, Lois, 335

  Gordon, Taylor, 35, 43, 283, 334

  Grampion Hotel, Harlem, 279, 281, 282, 285, 320

  Granbury, Texas:

  Cogdell family in, 91, 92–95, 381n93

  lynching tree in, 91

  Grant, Madison, 190

  Graves, Robert, 304

  Great Depression, 55, 87, 188, 231, 241, 282, 305, 320

  and Communist Party, 316–17

  and Harlem, 146–47, 176, 316–17

  and stock market crash, xxix, 40, 236, 267

  Great Migration, 16, 66, 73, 185

  Green, Paul, xviii, 19, 181, 186, 276

  In Abraham’s Bosom, 21

  Greenwich Village, New York, xxiv, xxix, 25, 109–12

  Gregory, Montgomery, 22, 398–99n189

  Grimké, Angelina Weld, 61, 181

 

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