Asenath

by Anna Patricio

  ASENATH

  Anna Patricio

  ASENATH

  Copyright © 2011 by Anna Patricio. All Rights Reserved.

  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the authors.

  This is a work of fiction. Names, characters, places and incidents either are the product of the author's imagination or are used fictitiously. And any resemblance to actual persons, living, dead (or in any other form), business establishments, events, or locales is entirely coincidental.

  http://www.annapatricio.blogspot.com

  FIRST EDITION ebook

  Imajin Books - http://www.imajinbooks.com

  August 2011

  ISBN: 978-1-926997-24-7

  Cover Art: Danielle Robicheaux

  Cover designed by Sapphire Designs -

  http://www.designs.sapphiredreams.org

  Praise for ASENATH

  "ASENATH is an intriguing look at an almost-forgotten woman of the Bible. Thanks for letting me read the novel!" ―India Edghill, author of QUEENMAKER

  "The author has written an absorbing and well researched portrayal of Asenath, the wife of Joseph. The descriptions throughout the book were beautiful. All in all in was a good read." ―Diana Wallis Taylor, author of JOURNEY TO THE WELL

  "An irresistibly readable novel! Asenath is an endearing heroine from the Book of Genesis and her tale is one of high adventure and passionate love amid the turbulent world of Ancient Egypt." ―Mirella Patzer, author of THE BLIGHTED TROTH

  "Patricio braids her knowledge of Egyptology and Hebrew scripture together to spin a captivating love story. This huggable village girl growing up on the edge of two cultures will win your heart." ―Lee Harmon, author of REVELATION: THE WAY IT HAPPENED.

  "Anna Patricio brings the Egyptians to life. You'll be transported to 1554 B.C. ASENATH is a true clash of cultures and religion with love as the bridge to happiness for the heroine." ―Haley Elizabeth Garwood, author of THE WARRIOR QUEEN series

  "Ms. Patrico has crafted an innovative, satisfying tale of the wife of the Biblical character, Joseph. Rich in imagery and description, ASENATH transports you to an ancient land of mystery and breathes vibrant life into a little-known figure from a well known story. Painstakingly researched, ASENATH preserves the Scriptural-historical account of a great man―but more so, lauds the great lady on whom he relied so much." ―Bruce Judisch, author of A PROPHET'S TALE

  "The lush descriptions of ancient Egypt intertwined with a biblical narrative made ASENATH a compelling read. Kudos to Anna Patricio for bringing this little-known biblical woman to life!" ―Deborah Galiley, author of POLISHED ARROWS

  "ASENATH is a fascinating, action-packed story that reminds me of Wilbur Smith. Patricio has brought a Biblical tale vividly to life. She made me care about Joseph and Asenath so deeply that I found myself talking aloud to them! The narrative flows seamlessly and the author makes every word count. ASENATH is a beautiful, tightly woven story of many colors, both epic and intimate in scope."—Susan J. McLeod, author of SOUL AND SHADOW

  To my parents,

  For giving me my Middle Eastern adventure, taking me out to dinner and lunch, praying for me and always believing that I was a writer, even in my greatest moments of doubt.

  Acknowledgements

  A huge thank you…

  To my family, for always being there for me.

  To my friend and mentor Alfred D. Byrd, who read three drafts of Asenath, devoted time to giving a detailed critique on it, shared historical insights, made me laugh when I was sad and encouraged me to continue seeking publication even when things looked bleak. Your help was priceless and the amount of knowledge you possess never ceases to amaze me.

  To Cheryl Tardif and the team at Imajin Books for letting me revise and resubmit, securing the beautiful graphic for my book cover, working with me to improve the story, and making my publishing dreams a reality.

  To Biblical fiction author Diana Wallis Taylor, who was kind enough to not only read the manuscript but take time out to give me suggestions for improvement.

  And for the emotional support: Min Choi, John and Maria Abram, Pamela Whiley, Anne Steele, Judy Clendinning, Auntie Alice Chai, Auntie Hayley Ching, Auntie Linda Bubod, and my fellow "templings" (thanks to Alethea Lebedevas for coming up with that term) and non-templings too, especially Jason Bolster (who addressed me as "Asenath"—highest compliment in the world), John Mahoney, Stephen Cowell, Connie Tzouvelekas, Kevin Vun, Prue Traill (who gave me the nickname "Anna Banana"), Jordan Petit for making that surprise announcement about my writing and to the rest of you for the flowers and card and food on my last day at work.

  Thank you all so very much.

  Pharaoh...gave him Asenath daughter of

  Potiphera, priest of On, to be his wife...

  Before the years of famine came, two sons

  were born to Joseph by Asenath

  daughter of Potiphera, priest of On.

  Genesis 41:45-50 (NIV)

  CHAPTER ONE

  Egypt, 1554 B.C.

  The Nile had just flooded, leaving the ground moist, rich and black. The children of our riverside village, I among them, frolicked about in the cool, gooey earth. In the distance, the ancient river circled the land, glittering with a thousand tiny dancing lights from the sun-god's Boat of a Million Years. A breeze blew, rustling the branches of the palm trees that surrounded our home.

  "Kiya!"

  No sooner had I looked than a mud ball pelted me hard across the stomach.

  "I'll get you for that, Menah." I bent down to gather mud in my hands when another ball landed on my back. He was a quick one, my best friend.

  I had just formed a mud ball and was about to raise my arm when Menah suddenly charged forward and pounced on me.

  "Now you'll get the tickle torture," he said in a mock evil voice.

  "No, Menah. Please, no." But I was overcome by uncontrollable laughter.

  "Menah! Kiya!" voices called out, interrupting our playful wrestling.

  Our mothers approached.

  "Come out now," my mother called. "It is time to prepare for the Feast of Hapi."

  Covered in mud from head to toe, Menah and I scrambled toward them.

  Mama shook her head, smiling. "You're such a mess."

  She led me back to our hut.

  "What is going to happen tonight, Mama?" I asked. "I mean, after we pray to Hapi? Will there be games?"

  Mama's blue eyes twinkled against her brown skin. "I see no reason why there shouldn't be."

  "And lots of food?"

  "All the food you could ever want."

  "May I wear my lotus necklace today?"

  Years ago, when I was very young, Mama had given me a beautiful carved lapis lazuli lotus pendant strung on a simple piece of coarse rope. She told me it had been in her family for many generations and that her grandmother had received it from Hapi himself.

  She ruffled my hair. "Of course. Today is, after all, a special day."

  As we entered our mud hut, which had been my home since birth, I saw my father mending one of his fisherman's nets. When he saw me, he pretended to cower in fear.

  "A mud monster has entered our house."

  I laughed. "It's just me, Papa."

  He leaned forward and squinted, as if trying to get a good look, though the gesture was comically exaggerated. "Is it? Let me see. Ah yes, it's my little Kiya."

  He leapt to his feet, picked me up and swung me around, ignoring the mud that soiled his hands. I squealed with delight.

  "Nakhti," Mama said. "I have to get her ready."

  "Yes." Papa set me down. He gave me a gentle slap across
the back, motioning for me to return to Mama.

  "I get to wear the lotus today, Papa."

  He smiled. "I am sure you will look very pretty."

  Later that afternoon, four priests from a nearby town passed by our village. They shouldered on poles our patron god's idol, which nestled upon a bed of water lilies. A ray of sunlight bounced off the golden image and it flashed with brilliance. Behind the god was a small train of dancing priestesses. They rattled sistrums and twirled around, their white dresses billowing out like clouds.

  My fellow villagers and I were assembled outside our village, awaiting the god's arrival. When he appeared, we fell to our knees and touched our foreheads to the sandy ground.

  "Glorious Hapi," my father intoned. "We thank you for once again allowing your water to flow and give life. We thank you for nourishing our land and our people. We pray your sacred pitchers never cease to flow. We thank you, great god of the Nile."

  My heart swelled with pride. Papa was the most renowned fisherman in our village. Though he was quite an old man―many years older than my mother―he possessed skills and strength that surpassed even those of the younger generations. Everyone thus hailed him as the favoured of the river god.

  "Praise be to you, Hapi," I echoed along with the rest of my fellow villagers.

  As the idol trailed away, we rose to our feet and gathered up the amulets and flowers, which we would be tossing into the Nile as offerings. It was sunset now and sheer red-orange skies cast a fiery glow upon the river's rippling surface. From a distance, we heard the warbling of river fowl and the screeching of monkeys.

  We approached the riverbank. It was still soft and muddy from the inundation. We tossed our offerings in. All the while, Papa chanted hymns of praise. Afterward, we returned to the village for what we children had been anticipating the most―the games.

  A kind, respectable widow named Mekten, whom everyone called "Village Mother", held a game called the "statue dance." She played a reed flute while we danced and would stop at random moments without warning. We had to freeze as soon as the music stopped. Those who were still dancing were out of the game.

  My friends and I loved it so much that Mekten held several rounds of it. Unfortunately, I always lost, as I always got so caught up in the liveliness of the game. However, she awarded me a small spinning top as a prize for being the best dancer.

  I danced so much that I could barely keep my eyes open as we later sat down to the feast. Papa picked me up and carried me back to our hut. I was too tired to protest. As soon as he lay me down, I fell into a deep sleep.

  That night, I dreamt I was on a great winged barque sailing along the Nile. It was a bright day, with the white-golden Egyptian sun shining gloriously and flocks of ibises and herons gleaming against the clear blue sky. A group of friendly monkeys, like those who usually wandered near my family's hut, kept me company on the deck, entertaining me with their hilarious antics.

  Suddenly, the skies darkened and the water began to thrash against the barque. The monkeys leapt up and down, screeching frantically. I grabbed onto the rail.

  Thunder rumbled. Fierce white waves threatened to haul us overboard. The barque tipped to a dangerous level and I began to scream.

  Waking, I placed my hand over my heart, which was pounding fiercely. I was about to heave a sigh of relief when I heard the rumbling from my dream. I sat up, my chest constricting in fear once more. The noise sounded like it was coming from outside our hut.

  The rumbling stopped.

  I heard a strange voice shouting in a language I could not understand.

  My father appeared beside me. In the dim light, I could see the outline of his bony profile as he knelt by my side.

  "What's that noise, Papa?"

  He put his arms around me and before he could answer, a chilling scream sliced through the air. Other screams followed. Soon, the air was filled with a frightening cacophony―screams, cries and more shouts in that strange language.

  Papa's grip on me tightened. "Come, Kiya. We must hide you."

  The door of our hut flew open.

  Two enormous, fearsome-looking warriors towered like the tallest trees. Their faces were thickly painted in bright, garish colours. They wore loincloths made of animal skin and peculiar pointed headdresses that emphasised their unusual height. In their hands were spears that glinted threateningly.

  Mama screamed.

  One of the warriors shouted something, while waving toward us. Another dashed forward and snatched me out of Papa's protective hold.

  "Papa!"

  The monster hauled me outside.

  I kicked and flailed. "Papa!"

  "Kiya!" Papa hurried after me.

  Alas, though he was strong and agile, he was no match for these giants. They ran with such enormous strides that in no time he was out of sight.

  "Papa?" I writhed about in the warrior's iron grip. "Papa!"

  I felt a blow to the back of my head and the world turned black.

  Cold water slapped my face. When I opened my eyes, I was staring into the massive painted face of my captor.

  "Get up," he snarled. His breath was fouler than rotten fish.

  I struggled to my feet. Though I was still in a daze, I dared not disobey.

  The warrior grabbed my arm and led me through pitch-black darkness. I was certain he was going to kill me. My chest tightened with fear.

  He led me out into a brightly lit clearing. It looked like we were in the midst of a dense jungle. A campfire crackled at the centre where the warrior's comrades sat feasting and talking.

  Relief washed over me when I noticed my fellow villagers huddled together at the far end. Menah was with them.

  I smiled. "Menah!"

  The warrior slapped me hard across the face. "You are not to speak. If you do so again, we will kill you."

  I shuddered, though I was less frightened than before now that I knew I was not alone.

  The warrior dragged me over to the villagers and shoved me amongst them.

  "Stay with them. No talking and no trying to escape." He glared at us, then went to the fire to join the others.

  Menah took my hand.

  "Where are my parents?" I asked in a bare whisper.

  He looked at me sadly and shook his head.

  I knew what that meant. They were not there.

  I suddenly threw up.

  In a flash, the warrior was before us. "What's going on here?"

  No one answered.

  "She felt sick and vomited," our village mother Mekten said finally.

  The warrior turned to his comrades and said something in their language. They laughed boisterously. He shook his head and returned to them.

  Tears spilled from my eyes. Menah held me and rocked me, comforting me. I sobbed for a long time, eventually crying myself to sleep.

  What followed was an arduous journey through the jungle. The scorching sun was merciless and mosquitoes bit my arms, legs and face. The entire time, our captors threatened to murder us and I might have actually died with despair had it not been for the familiar faces around me.

  I do not know how far we travelled, but just as I thought we would perish, one of the warriors announced we had reached our destination.

  It was early evening. We were led toward a tribal encampment illuminated by a towering bonfire. Drumbeats pounded in my ears as we drew nearer. When we entered the camp, I saw tents made of dyed animal hides, as well as poles topped with the decapitated heads of people and animals. I averted my eyes, trying to erase the horrific images from my head.

  The drums were deafening as the tribes people surrounded us. Like our captors, they were wrapped in animal skins. Their bodies were pierced in just about every part and painted in bright colours. I shuddered when a small child with painted teeth and a pierced nose came over and poked at my face.

  My fellow villagers and I were lined up in front of the bonfire. I thought for sure they would murder us. I whimpered as one of the warriors strode up to
us. I recognised him. He had entered my family's hut.

  The warrior paced the length of our row. "Do you know why you are all here?"

  No one answered.

  He glared at us. "Many years ago, your Pharaoh murdered our chieftain. I am that chieftain's son and will now avenge my father's death. Until your king makes amends, we will continue to destroy your wretched country. If he does not, we will fight until Egypt is no more."

  As he reached me, he stopped pacing and smiled, revealing crooked yellow teeth. "What is your name, little girl?" His voice was gentle.

  "K-Kiya," I squeaked.

  "What a beautiful girl you are. Has anyone ever told you how beautiful you are?"

  I did not answer.

  "How old are you?"

  "Nine."

  "Ah. Perfect." His hideous grin widened. "You will be my slave, Kiya. And when your red moon comes, you will become my bride."

  I stared at him, too horrified to speak.

  He stepped forward. "That flower around your neck goes very well with your lovely face." He fingered the lotus pendant and I pulled back.

  "Where are my parents?" I blurted.

  "We left them behind, little one. We have no use for them." He laughed cruelly.

  My fear was replaced by rage. "I want my parents. Bring me back to my parents."

  One of the warriors rushed toward me, but the chieftain held up his hand. He stared into space for a moment. "Very well. If you work hard, I will send for your parents by the time you and I are ready to marry."

  My anger began to abate. "You mean that?" I looked into his dark eyes, which were surrounded by a strange painted pattern of dots.

  "Yes. So what do you say, little Kiya? Are you going to work hard?"