Fantasy

by Rich Horton

  Then, a little way ahead of me, the whole forest exploded.

  It was too much noise for me to sort it out in my head. There was Malka absolutely howling, and birds bursting up everywhere out of the brush, and Schmendrick or the king or someone was shouting, only I couldn’t make out any of the words. And underneath it all was something that wasn’t loud at all, a sound somewhere between a growl and that terrible soft call, like a frightened child. Then—just as I broke into the clearing—the rattle and scrape of knives, only much louder this time, as the griffin shot straight up with the sun on its wings. Its cold golden eyes bit into mine, and its beak was open so wide you could see down and down the blazing red gullet. It filled the sky.

  And King Lir, astride his black mare, filled the clearing. He was as huge as the griffin, and his sword was the size of a boar spear, and he shook it at the griffin, daring it to light down and fight him on the ground. But the griffin was staying out of range, circling overhead to get a good look at these strange new people. Malka was utterly off her head, screaming and hurling herself into the air again and again, snapping at the griffin’s lion feet and eagle claws, but coming down each time without so much as an iron feather between her teeth. I lunged and caught her in the air, trying to drag her away before the griffin turned on her, but she fought me, scratching my face with her own dull dog claws, until I had to let her go. The last time she leaped, the griffin suddenly stooped and caught her full on her side with one huge wing, so hard that she couldn’t get a sound out, no more than I could. She flew all the way across the clearing, slammed into a tree, fell to the ground, and after that she didn’t move.

  Molly told me later that that was when King Lir struck for the griffin’s lion heart. I didn’t see it. I was flying across the clearing myself, throwing myself over Malka, in case the griffin came after her again, and I didn’t see anything except her staring eyes and the blood on her side. But I did hear the griffin’s roar when it happened, and when I could turn my head, I saw the blood splashing along its side, and the back legs squinching up against its belly, the way you do when you’re really hurting. King Lir shouted like a boy. He threw that great sword as high as the griffin, and snatched it back again, and then he charged toward the griffin as it wobbled lower and lower, with its crippled lion half dragging it out of the air. It landed with a saggy thump, just like Malka, and there was a moment when I was absolutely sure it was dead. I remember I was thinking, very far away, this is good, I’m glad, I’m sure I’m glad.

  But Schmendrick was screaming at the king, “Two hearts! Two hearts!” until his voice split with it, and Molly was on me, trying to drag me away from the griffin, and I was hanging onto Malka—she’d gotten so heavy—and I don’t know what else was happening right then, because all I was seeing and thinking about was Malka. And all I was feeling was her heart not beating under mine.

  She guarded my cradle when I was born. I cut my teeth on her poor ears, and she never made one sound. My mother says so.

  King Lir wasn’t seeing or hearing any of us. There was nothing in the world for him but the griffin, which was flopping and struggling lopsidedly in the middle of the clearing. I couldn’t help feeling sorry for it, even then, even after it had killed Malka and my friends, and all the sheep and goats too, and I don’t know how many else. And King Lir must have felt the same way, because he got down from his black mare and went straight up to the griffin, and he spoke to it, lowering his sword until the tip was on the ground. He said, “You were a noble and terrible adversary—surely the last such I will ever confront. We have accomplished what we were born to do, the two of us. I thank you for your death.”

  And on that last word, the griffin had him.

  It was the eagle, lunging up at him, dragging the lion half along, the way I’d been dragging Malka’s dead weight. King Lir stepped back, swinging the sword fast enough to take off the griffin’s head, but it was faster than he was. That dreadful beak caught him at the waist, shearing through his armor the way an axe would smash through piecrust, and he doubled over without a sound that I heard, looking like wet­wash on the line. There was blood, and worse, and I couldn’t have said if he was dead or alive. I thought the griffin was going to bite him in two.

  I shook loose from Molly. She was calling to Schmendrick to do something, but of course he couldn’t, and she knew it, because he’d promised King Lir that he wouldn’t interfere by magic, whatever happened. But I wasn’t a magician, and I hadn’t promised anything to anybody. I told Malka I’d be right back.

  The griffin didn’t see me coming. It was bending its head down over King Lir, hiding him with its wings. The lion part trailing along so limply in the dust made it more fearful to see, though I can’t say why, and it was making a sort of cooing, purring sound all the time. I had a big rock in my left hand, and a dead branch in my right, and I was bawling something, but I don’t remember what. You can scare wolves away from the flock sometimes if you run at them like that, determined.

  I can throw things hard with either hand—Wilfrid found that out when I was still small—and the griffin looked up fast when the rock hit it on the side of its neck. It didn’t like that, but it was too busy with King Lir to bother with me. I didn’t think for a minute that my branch was going to be any use on even a half-dead griffin, but I threw it as far as I could, so that the griffin would look away for a moment, and as soon as it did I made a little run and a big sprawling dive for the hilt of the king’s sword, which was sticking out under him where he’d fallen. I knew I could lift it because of having buckled it on him when we set out together.

  But I couldn’t get it free. He was too heavy, like Malka. But I wouldn’t give up or let go. I kept pulling and pulling on that sword, and I didn’t feel Molly pulling at me again, and I didn’t notice the griffin starting to scrabble toward me over King Lir’s body. I did hear Schmendrick, sounding a long way off, and I thought he was singing one of the nonsense songs he’d made up for me, only why would he be doing something like that just now? Then I did finally look up, to push my sweaty hair off my face, just before the griffin grabbed me up in one of its claws, yanking me away from Molly to throw me down on top of King Lir. His armor was so cold against my cheek, it was as though the armor had died with him.

  The griffin looked into my eyes. That was the worst of all, worse than the pain where the claw had me, worse than not seeing my parents and stupid Wilfrid anymore, worse than knowing that I hadn’t been able to save either the king or Malka. Griffins can’t talk (dragons do, but only to heroes, King Lir told me), but those golden eyes were saying into my eyes, “Yes, I will die soon, but you are all dead now, all of you, and I will pick your bones before the ravens have mine. And your folk will remember what I was, and what I did to them, when there is no one left in your vile, pitiful anthill who remembers your name. So I have won.” And I knew it was true.

  Then there wasn’t anything but that beak and that burning gullet opening over me.

  Then there was.

  I thought it was a cloud. I was so dazed and terrified that I really thought it was a white cloud, only traveling so low and so fast that it smashed the griffin off King Lir and away from me, and sent me tumbling into Molly’s arms at the same time. She held me tightly, practically smothering me, and it wasn’t until I wriggled my head free that I saw what had come to us. I can see it still, in my mind. I see it right now.

  They don’t look anything like horses. I don’t know where people got that notion. Four legs and a tail, yes, but the hooves are split, like a deer’s hooves, or a goat’s, and the head is smaller and more— pointy—than a horse’s head. And the whole body is different from a horse, it’s like saying a snowflake looks like a cow. The horn looks too long and heavy for the body, you can’t imagine how a neck that delicate can hold up a horn that size. But it can.

  Schmendrick was on his knees, with his eyes closed and his lips moving, as though he was still singing. Molly kept whispering, “Amalthea…Amalthea…” not to m
e, not to anybody. The unicorn was facing the griffin across the king’s body. Its front feet were skittering and dancing a little, but its back legs were setting themselves to charge, the way rams do. Only rams put their heads down, while the unicorn held its head high, so that the horn caught the sunlight and glowed like a seashell. It gave a cry that made me want to dive back into Molly’s skirt and cover my ears, it was so raw and so…hurt. Then its head did go down.

  Dying or not, the griffin put up a furious fight. It came hopping to meet the unicorn, but then it was out of the way at the last minute, with its bloody beak snapping at the unicorn’s legs as it flashed by. But each time that happened, the unicorn would turn instantly, much quicker than a horse could have turned, and come charging back before the griffin could get itself braced again. It wasn’t a bit fair, but I didn’t feel sorry for the griffin anymore.

  The last time, the unicorn slashed sideways with its horn, using it like a club, and knocked the griffin clean off its feet. But it was up before the unicorn could turn, and it actually leaped into the air, dead lion half and all, just high enough to come down on the unicorn’s back, raking with its eagle claws and trying to bite through the unicorn’s neck, the way it did with King Lir. I screamed then, I couldn’t help it, but the unicorn reared up until I thought it was going to go over backwards, and it flung the griffin to the ground, whirled and drove its horn straight through the iron feathers to the eagle heart. It trampled the body for a good while after, but it didn’t need to.

  Schmendrick and Molly ran to King Lir. They didn’t look at the griffin, or even pay very much attention to the unicorn. I wanted to go to Malka, but I followed them to where he lay. I’d seen what the griffin had done to him, closer than they had, and I didn’t see how he could still be alive. But he was, just barely. He opened his eyes when we kneeled beside him, and he smiled so sweetly at us all, and he said, “Lisene? Lisene, I should have a bath, shouldn’t I?”

  I didn’t cry. Molly didn’t cry. Schmendrick did. He said, “No, Majesty. No, you do not need bathing, truly.”

  King Lir looked puzzled. “But I smell bad, Lisene. I think I must have wet myself.” He reached for my hand and held it so hard. “Little one,” he said. “Little one, I know you. Do not be ashamed of me because I am old.”

  I squeezed his hand back, as hard as I could. “Hello, Your Majesty,” I said. “Hello.” I didn’t know what else to say.

  Then his face was suddenly young and happy and wonderful, and he was gazing far past me, reaching toward something with his eyes. I felt a breath on my shoulder, and I turned my head and saw the unicorn. It was bleeding from a lot of deep scratches and bites, especially around its neck, but all you could see in its dark eyes was King Lir. I moved aside so it could get to him, but when I turned back, the king was gone. I’m nine, almost ten. I know when people are gone.

  The unicorn stood over King Lir’s body for a long time. I went off after a while to sit beside Malka, and Molly came and sat with me. But Schmendrick stayed kneeling by King Lir, and he was talking to the unicorn. I couldn’t hear what he was saying, but I could tell from his face that he was asking for something, a favor. My mother says she can always tell before I open my mouth. The unicorn wasn’t answering, of course—they can’t talk either, I’m almost sure—but Schmendrick kept at it until the unicorn turned its head and looked at him. Then he stopped, and he stood up and walked away by himself. The unicorn stayed where she was.

  Molly was saying how brave Malka had been, and telling me that she’d never known another dog who attacked a griffin. She asked if Malka had ever had pups, and I said, yes, but none of them was Malka. It was very strange. She was trying hard to make me feel better, and I was trying to comfort her because she couldn’t. But all the while I felt so cold, almost as far away from everything as Malka had gone. I closed her eyes, the way you do with people, and I sat there and I stroked her side, over and over.

  I didn’t notice the unicorn. Molly must have, but she didn’t say anything. I went on petting Malka, and I didn’t look up until the horn came slanting over my shoulder. Close to, you could see blood drying in the shining spirals, but I wasn’t afraid. I wasn’t anything. Then the horn touched Malka, very lightly, right where I was stroking her, and Malka opened her eyes.

  It took her a while to understand that she was alive. It took me longer. She ran her tongue out first, panting and panting, looking so thirsty. We could hear a stream trickling somewhere close, and Molly went and found it, and brought water back in her cupped hands. Malka lapped it all up, and then she tried to stand and fell down, like a puppy. But she kept trying, and at last she was properly on her feet, and she tried to lick my face, but she missed it the first few times. I only started crying when she finally managed it.

  When she saw the unicorn, she did a funny thing. She stared at it for a moment, and then she bowed or curtseyed, in a dog way, stretching out her front legs and putting her head down on the ground between them. The unicorn nosed at her, very gently, so as not to knock her over again. It looked at me for the first time…or maybe I really looked at it for the first time, past the horn and the hooves and the magical whiteness, all the way into those endless eyes. And what they did, somehow, the unicorn’s eyes, was to free me from the griffin’s eyes. Because the awfulness of what I’d seen there didn’t go away when the griffin died, not even when Malka came alive again. But the unicorn had all the world in her eyes, all the world I’m never going to see, but it doesn’t matter, because now I have seen it, and it’s beautiful, and I was in there too. And when I think of Jehane, and Louli, and my Felicitas who could only talk with her eyes, just like the unicorn, I’ll think of them, and not the griffin. That’s how it was when the unicorn and I looked at each other.

  I didn’t see if the unicorn said goodbye to Molly and Schmen­drick, and I didn’t see when it went away. I didn’t want to. I did hear Schmen­drick saying, “A dog. I nearly kill myself singing her to Lir, calling her as no other has ever called a unicorn—and she brings back, not him, but the dog. And here I’d always thought she had no sense of humor.”

  But Molly said, “She loved him too. That’s why she let him go. Keep your voice down.” I was going to tell her it didn’t matter, that I knew Schmendrick was saying that because he was so sad, but she came over and petted Malka with me, and I didn’t have to. She said, “We will escort you and Malka home now, as befits two great ladies. Then we will take the king home too.”

  “And I’ll never see you again,” I said. “No more than I’ll see him.”

  Molly asked me, “How old are you, Sooz?”

  “Nine,” I said. “Almost ten. You know that.”

  “You can whistle?” I nodded. Molly looked around quickly, as though she were going to steal something. She bent close to me, and she whispered, “I will give you a present, Sooz, but you are not to open it until the day when you turn seventeen. On that day you must walk out away from your village, walk out all alone into some quiet place that is special to you, and you must whistle like this.” And she whistled a little ripple of music for me to whistle back to her, repeating and repeating it until she was satisfied that I had it exactly. “Don’t whistle it anymore,” she told me. “Don’t whistle it aloud again, not once, until your seventeenth birthday, but keep whistling it inside you. Do you understand the difference, Sooz?”

  “I’m not a baby,” I said. “I understand. What will happen when I do whistle it?”

  Molly smiled at me. She said, “Someone will come to you. Maybe the greatest magician in the world, maybe only an old lady with a soft spot for valiant, impudent children.” She cupped my cheek in her hand. “And just maybe even a unicorn. Because beautiful things will always want to see you again, Sooz, and be listening for you. Take an old lady’s word for it. Someone will come.”

  They put King Lir on his own horse, and I rode with Schmen­drick, and they came all the way home with me, right to the door, to tell my mother and father that the griffin was dead, and t
hat I had helped, and you should have seen Wilfrid’s face when they said that! Then they both hugged me, and Molly said in my ear, “Remember—not till you’re seventeen!” and they rode away, taking the king back to his castle to be buried among his own folk. And I had a cup of cold milk and went out with Malka and my father to pen the flock for the night.

  So that’s what happened to me. I practice the music Molly taught me in my head, all the time, I even dream it some nights, but I don’t ever whistle it aloud. I talk to Malka about our adventure, because I have to talk to someone. And I promise her that when the time comes she’ll be there with me, in the special place I’ve already picked out. She’ll be an old dog lady then, of course, but it doesn’t matter. Someone will come to us both.

  I hope it’s them, those two. A unicorn is very nice, but they’re my friends. I want to feel Molly holding me again, and hear the stories she didn’t have time to tell me, and I want to hear Schmendrick singing that silly song:

  Soozli, Soozli,

  speaking loozli,

  you disturb my oozli-goozli.

  Soozli, Soozli,

  would you choozli

  to become my squoozli-squoozli…?

  I can wait.

  SUPER-VILLAINS, Michael Canfield

  The Wing hung in inky shadow below a water tower that topped a warehouse on 295th Street. With his hyper-acute senses, he tracked two men emerge from the main building, behind the tall iron gates of Belfry Hospital for the Criminally Insane. He knew both of them well.

  One of them, Archibald T. Pupper, a.k.a. Archetype—the most formidable foe the Wing had ever faced—had murdered the Wing’s first manservant Raja, more than two dozen policemen, and countless others. He had stolen millions in jewelry, artwork, munitions—even historical landmarks such as The Metropolitan Fountain, and the Knightsborough Bridge. He had caused billions more in property damage and had repeatedly violated the well-being of every man, woman, and child in Excelsior City.