Delphi Complete Works of Robert Burns (Illustrated) (Delphi Poets Series)

by Robert Burns

  After a short time spent at Mossgiel wandering about, and once, it would seem, penetrating the West Highlands as far as Inverary, a journey during which his temper seems to have been far from serene, he returned in August to Edinburgh. There he encountered, and in time got rid of, the law troubles already alluded to, and on the 25th of August he set out, on a longer tour than any he had yet attempted, to the Northern Highlands.

  The travelling companion whom he chose for this tour was a certain Mr. Nicol, whose acquaintance he seems to have first formed at the Crochallan club, or some other haunt of boisterous joviality. After many ups and downs in life Nicol had at last, by dint of some scholastic ability, settled as a master of the Edinburgh High School. What could have tempted Burns to select such a man for a fellow-traveller? He was cast in one of nature’s roughest moulds; a man of careless habits, coarse manners, enormous vanity, of most irascible and violent temper, which vented itself in cruelties on the poor boys who were the victims of his care. Burns compared himself with such a companion to “a man travelling with a loaded blunderbuss at full cock.” Two things only are mentioned in his favour, that he had a warm heart, and an unbounded admiration of the poet. But the choice of such a man was an unfortunate one, and in the upshot did not a little to spoil both the pleasure and the benefit, which might have been gathered from the tour.

  Their journey lay by Stirling and Crieff to Taymouth and Breadalbane, thence to Athole, on through Badenoch and Strathspey to Inverness. The return by the east coast was through the counties of Moray and Banff to Aberdeen. After visiting the county whence his father had come, and his kindred who were still in Kincardineshire, Burns and his companion passed by Perth back to Edinburgh, which they reached on the 16th of September. The journey occupied only two and twenty days, far too short a time to see so much country, besides making several visits, with any advantage. During his Border tour Burns had ridden his Rosinante mare, which he had named Jenny Geddes. As his friend, the schoolmaster, was no equestrian, Burns was obliged to make his northern journey in a post-chaise, not the best way of taking in the varied and ever-changing sights and sounds of Highland scenery.

  Such a tour as this, if Burns could have entered on it under happier auspices, that is, with a heart at ease, a fitting companion, and leisure enough to view quietly the scenes through which he passed, and to enjoy the society of the people whom he met, could not have failed, from its own interestingness, and its novelty to him, to have enriched his imagination, and to have called forth some lasting memorials. As it was, it cannot be said to have done either. There are, however, a few incidents which are worth noting. The first of these took place at Stirling. Burns and his companion had ascended the Castle Rock, to look on the blue mountain rampart, that flanks the Highlands from Ben Lomond to Benvoirlich. As they were both strongly attached to the Stuart cause, they had seen with indignation, on the slope of the Castle hill, the ancient hall, in which the Scottish kings once held their Parliaments, lying ruinous and neglected. On returning to their inn, Burns, with a diamond he had bought for such purposes, wrote on the window-pane of his room some lines expressive of the disgust he had felt at that sight, concluding with some offensive remarks on the reigning family. The lines, which had no poetic merit, got into the newspapers of the day, and caused a good deal of comment. On a subsequent visit to Stirling, Burns himself broke the pane of the window on which the obnoxious lines were written, but they were remembered, it is said, long afterwards to his disadvantage.

  Among the pleasantest incidents of the tour was the visit to Blair Castle, and his reception by the Duchess of Athole. The two days he spent there he declared were among the happiest of his life. We have seen how sensitive Burns was to the way he was received by the great. Resentful as he was equally of condescension and of neglect, it must have been no easy matter for persons of rank so to adapt their manner as to exactly please him. But his hosts at Blair Castle succeeded to admiration in this. They were assisted by the presence at the Castle of Mr., afterwards Professor, Walker, who had known Burns in Edinburgh, and was during that autumn living as a tutor in the Duke’s family. At dinner Burns was in his most pleasing vein, and delighted his hostess by drinking to the health of her group of fair young children, as “honest men and bonny lassies” — an expression with which he happily closes his Petition of Bruar Water. The Duchess had her two sisters, Mrs. Graham and Miss Cathcart, staying with her on a visit, and all three ladies were delighted with the conversation of the poet. These three sisters were daughters of a Lord Cathcart, and were remarkable for their beauty. The second, Mrs. Graham, has been immortalized as the subject of one of Gainsborough’s most famous portraits. On her early death her husband, Thomas Graham of Balnagown, never again looked on that beautiful picture, but left his home for a soldier’s life, distinguished himself greatly in the Peninsular War, and was afterwards known as Lord Lynedoch. After his death, the picture passed to his nearest relatives, who presented it to the National Portrait Gallery of Scotland, of which it is now the chief ornament. All three sisters soon passed away, having died even before the short-lived poet. By their beauty and their agreeableness they charmed Burns, and did much to make his visit delightful. They themselves were not less pleased; for when the poet proposed to leave, after two days were over, they pressed him exceedingly to stay, and even sent a messenger to the hotel to persuade the driver of Burns’s chaise to pull off one of the horse’s shoes, that his departure might be delayed. Burns himself would willingly have listened to their entreaties, but his travelling mate was inexorable. Likely enough Nicol had not been made so much of as the poet, and this was enough to rouse his irascible temper. For one day he had been persuaded to stay by the offer of good trout-fishing, which he greatly relished, but now he insisted on being off. Burns was reluctantly forced to yield.

  This rapid departure was the more unfortunate because Mr. Dundas, who held the keys of Scottish patronage, was expected on a visit to Blair, and had he met the poet he might have wiped out the reproach often cast on the ministry of the day, that they failed in their duty towards Burns. “That eminent statesman,” as Lockhart says, “was, though little addicted to literature, a warm lover of his own country, and, in general, of whatever redounded to her honour; he was, moreover, very especially qualified to appreciate Burns as a companion; and had such an introduction taken place, he might not improbably have been induced to bestow that consideration on the claims of the poet, which, in the absence of any personal acquaintance, Burns’s works ought to have received at his hands.” But during that visit Burns met, and made the acquaintance of, another man of some influence, Mr. Graham of Fintray, whose friendship afterwards, both in the Excise business, and in other matters, stood him in good stead. The Duke, as he bade farewell to Burns at Blair, advised him to turn aside, and see the Falls of the Bruar, about six miles from the Castle, where that stream coming down from its mountains plunges over some high precipices, and passes through a rocky gorge to join the river Garry. Burns did so, and finding the falls entirely bare of wood, wrote some lines entitled The Humble Petition of Bruar Water, in which he makes the stream entreat the Duke to clothe its naked banks with trees. The poet’s petition for the stream was not in vain. The then Duke of Athole was famous as a planter of trees, and those with which, after the poet’s Petition, he surrounded the waterfall remain to this day.

  After visiting Culloden Muir, the Fall of Fyers, Kilravock Castle, where, but for the impatience of Mr. Nicol, he would fain have prolonged his stay, he came on to Fochabers and Gordon Castle. This is Burns’s entry in his diary:— “Cross Spey to Fochabers, fine palace, worthy of the noble, the polite, and generous proprietor. The Duke makes me happier than ever great man did; noble, princely, yet mild and condescending and affable — gay and kind. The Duchess, charming, witty, kind, and sensible. God bless them!”

  Here, too, as at Blair, the ducal hosts seem to have entirely succeeded in making Burns feel at ease, and wish to protract his visit. But here, too, more
emphatically than at Blair, his friend spoilt the game. This is the account of the incident, as given by Lockhart, with a few additions interpolated from Chambers: —

  “Burns, who had been much noticed by this noble family when in Edinburgh, happened to present himself at Gordon Castle, just at the dinner-hour, and being invited to take a place at the table, did so, without for a moment adverting to the circumstance that his travelling companion had been left alone at the inn, in the adjacent village. On remembering this soon after dinner, he begged to be allowed to rejoin his friend; and the Duke of Gordon, who now for the first time learned that he was not journeying alone, immediately proposed to send an invitation to Mr. Nicol to come to the Castle. His Grace sent a messenger to bear it; but Burns insisted on himself accompanying him. They found the haughty schoolmaster striding up and down before the inn-door in a high state of wrath and indignation at, what he considered, Burns’s neglect, and no apologies could soften his mood. He had already ordered horses, and was venting his anger on the postillion for the slowness with which he obeyed his commands. The poet, finding that he must choose between the ducal circle and his irascible associate, at once chose the latter alternative. Nicol and he, in silence and mutual displeasure, seated themselves in the post-chaise, and turned their backs on Gordon Castle, where the poet had promised himself some happy days. This incident may serve to suggest some of the annoyances to which persons moving, like our poet, on the debatable land between two different ranks of society must ever be subjected.” “To play the lion under such circumstances must,” as the knowing Lockhart observes, “be difficult at the best; but a delicate business indeed, when the jackals are presumptuous. The pedant could not stomach the superior success of his friend, and yet — alas for poor human nature! — he certainly was one of the most enthusiastic of his admirers, and one of the most affectionate of all his intimates.” It seems that the Duchess of Gordon had some hope that her friend, Mr. Addington, afterwards Lord Sidmouth and the future premier, would have visited at Gordon Castle while Burns was there. Mr. Addington was, Allan Cunningham tells us, an enthusiastic admirer of Burns’s poetry, and took pleasure in quoting it to Pitt and Melville. On that occasion he was unfortunately not able to accept the invitation of the Duchess, but he forwarded to her “these memorable lines — memorable as the first indication of that deep love which England now entertains for the genius of Burns:” —

  Yes! pride of Scotia’s favoured plains, ‘tis thine

  The warmest feelings of the heart to move;

  To bid it throb with sympathy divine,

  To glow with friendship, or to melt with love.

  What though each morning sees thee rise to toil,

  Though Plenty on thy cot no blessing showers,

  Yet Independence cheers thee with her smile,

  And Fancy strews thy moorland with her flowers!

  And dost thou blame the impartial will of Heaven,

  Untaught of life the good and ill to scan?

  To thee the Muse’s choicest wreath is given —

  To thee the genuine dignity of man!

  Then to the want of worldly gear resigned,

  Be grateful for the wealth of thy exhaustless mind.

  It was well enough for Mr. Addington, and such as he, to advise Burns to be content with the want of worldly gear, and to refer him for consolation to the dignity of man and the wealth of his exhaustless mind. Burns had abundance of such sentiments in himself to bring forth, when occasion required. He did not need to be replenished with these from the stores of men who held the keys of patronage. What he wanted from them was some solid benefit, such as they now and then bestowed on their favourites, but which unfortunately they withheld from Burns.

  An intelligent boy, who was guide to Burns and Nicol from Cullen to Duff House, gave long afterwards his remembrances of that day. Among these this occurs. The boy was asked by Nicol if he had read Burns’s poems, and which of them he liked best. The boy replied, “‘I was much entertained with The Twa Dogs and Death and Dr. Hornbook, but I like best The Cotter’s Saturday Night, although it made me greet when my father had me to read it to my mother.’ Burns, with a sudden start, looked at my face intently, and patting my shoulder, said, ‘Well, my callant, I don’t wonder at your greeting at reading the poem; it made me greet more than once when I was writing it at my father’s fireside.’”...

  On the 16th of September, 1787, the two travellers returned to Edinburgh. This tour produced little poetry directly, and what it did produce was not of a high order. In this respect one cannot but contrast it with the poetic results of another tour made, partly over the same ground, by another poet, less than twenty years after this time. When Wordsworth and his sister made their first visit to Scotland in 1803, it called forth some strains of such perfect beauty as will live while the English language lasts. Burns’s poetic fame would hardly be diminished if all that he wrote on his tours were obliterated from his works. Perhaps we ought to except some allusions in his future songs, and especially that grand song, Macpherson’s Farewell, which, though composed several months after this tour was over, must have drawn its materials from the day spent at Duff House, where he was shown the sword of the Highland Reiver.

  But look at the lines composed after his first sight of Breadalbane, which he left in the inn at Kenmore. These Lockhart has pronounced among “the best of his purely English heroics.” If so, we can but say how poor are the best! What is to be thought of such lines as

  Poetic ardours in my bosom swell,

  Lone wandering by the hermit’s mossy cell, &c., &c.

  Nor less stilted, forced, and artificial are the lines in the same measure written at the Fall of Fyers.

  The truth is, that Burns’s forte by no means lay in describing scenery alone, and for its own sake. All his really inspired descriptions of it occur as adjuncts to human incident or feeling, slips of landscape let in as a background. Again, as Burns was never at his best when called on to write for occasions — no really spontaneous poet ever can be — so when taken to see much talked-of scenes, and expected to express poetic raptures over them, Burns did not answer to the call.

  “He disliked,” we are told, “to be tutored in matters of taste, and could not endure that one should run shouting before him, whenever any fine object came in sight.” On one occasion of this kind, a lady at the poet’s side said, “Burns, have you nothing to say of this?” “Nothing, madam,” he replied, glancing at the leader of the party, “for an ass is braying over it.” Burns is not the only person who has suffered from this sort of officiousness.

  Besides this, the tours were not made in the way which most conduces to poetic composition. He did not allow himself the quiet and the leisure from interruption which are needed. It was not with such companions as Ainslie or Nicol by his side that the poet’s eye discovered new beauty in the sight of a solitary reaper in a Highland glen, and his ear caught magical suggestiveness in the words, “What! you are stepping westward,” heard by the evening lake.

  Another hindrance to happy poetic description by Burns during these journeys was that he had now forsaken his native vernacular, and taken to writing in English after the mode of the poets of the day. This with him was to unclothe himself of his true strength. His correspondent, Dr. Moore, and his Edinburgh critics had no doubt counselled him to write in English, and he listened for a time too easily to their counsel. He and they little knew what they were doing in giving and taking such advice. The truth is, when he used his own Scottish dialect he was unapproached, unapproachable; no poet before or since has evoked out of that instrument so perfect and so varied melodies. When he wrote in English he was seldom more than third-rate; in fact, he was but a common clever versifier. There is but one purely English poem of his which at all approaches the first rank — the lines To Mary in Heaven.