The Cabinet of Curiosities

by Douglas Preston

  Your colleague, J. C. Shottum

  She slid out the next letter:

  My Dear Colleague,

  At the last meeting at the Lyceum, Professor Blackwood presented a fossil which he claimed was a Devonian Age crinoid from the Montmorency Dolomites. The Professor is sadly mistaken. LaFleuve himself identified the Montmorency Dolomites as Permian, and needs make a corrective note of it in the next Lyceum Bulletin…

  She flipped through the rest. There were letters to others as well, a small circle of like-minded scientists, including Shottum. They were all obviously well acquainted with one another. Perhaps the killer might be found in that circle. It seemed likely, since the person must have had easy access to Shottum’s Cabinet—if it wasn’t Shottum himself.

  She began to make a list of correspondents and the nature of their work. Of course, it was always possible this was a waste of time, that the killer might have been the building’s janitor or coal man—but then she remembered the crisp, professional scalpel marks on the bones, the almost surgical dismemberments. No, it was a man of science—that was certain.

  Taking out her notebook, she began jotting notes.

  Letters to/from Tinbury McFadden:

  CORRESPONDENT --- SUBJECTS OF CORRESPONDENCE

  POSITION --- DATES OF CORRESPONDENCE

  J. C. Shottum

  Natural history, anthropology, the Lyceum

  Owner, Shottum’s Cabinet of Natural Productions and Curiosities New York

  1869–1881

  Prof. Albert Blackwood

  The Lyceum, the Museum

  Founder, New York Museum of Natural History

  1865–1878

  Dr. Asa Stone Gilcrease

  Birds

  Ornithologist New York

  1875–1887

  Col. Sir Henry C. Throckmorton, Bart., F.R.S.

  African mammals (big game)

  Collector, explorer sportsman London

  1879–1891

  Prof. Enoch Leng

  Classification

  Taxonomist, chemist New York

  1872–1881

  Miss Guenevere LaRue

  Christian missions for Borrioboola-Gha, in the African Congo

  Philanthropist New York

  1870–1872

  Dumont Burleigh

  Dinosaur fossils, the Lyceum

  Oilman, collector Cold Spring, New York

  1875–1881

  Dr. Ferdinand Huntt

  Anthropology, archaeology

  Surgeon, collector Oyster Bay, Long Island

  1869–1879

  Prof. Hiram Howlett

  Reptiles and amphibians

  Herpetologist Stormhaven, Maine

  1871–1873

  The penultimate name gave her pause. A surgeon. Who was Dr. Ferdinand Huntt? There were quite a few letters from him, written in a large scrawl on heavy paper with a beautifully engraved crest. She flipped through them.

  My Dear Tinbury,

  With regard to the Odinga Natives, the barbaric custom of Male Partum is still quite prevalent. When I was in the Volta I had the dubious privilege of witnessing childbirth. I was not allowed to assist, of course, but I could hear the shrieks of the husband quite clearly as the wife jerked on the rope affixed to his genitalia with every contraction she experienced. I treated the poor man’s injuries—severe lacerations—following the birth…

  My Dear Tinbury,

  The Olmec Fade phallus I herewith enclose from La Venta, Mexico, is for the Museum, as I understand you have nothing from that extremely curious Mexican culture…

  She sorted through the packet of correspondence, but it was again all in the same vein: Dr. Huntt describing various bizarre medical customs he had witnessed in his travels across Central America and Africa, along with notes that had apparently accompanied artifacts sent back to the Museum. He seemed to have an unhealthy interest in native sexual practices; it made him a prime candidate in Nora’s mind.

  She felt a presence behind her and turned abruptly. Pendergast stood, arms clasped behind his back. He was staring down at her notes, and there was a sudden look on his face that was so grim, so dark, that Nora felt her flesh crawl.

  “You’re always sneaking up on me,” she said weakly.

  “Anything interesting?” The question seemed almost pro forma. Nora felt sure he had already discovered something important, something dreadful, on the list—and yet he did not seem inclined to share it.

  “Nothing obvious. Have you ever heard of this Dr. Ferdinand Huntt?”

  Pendergast gave the name a cursory glance, without interest. Nora became aware of the man’s conspicuous lack of any scent whatsoever: no smell of tobacco, no smell of cologne, nothing.

  “Huntt,” he said finally. “Yes. A prominent North Shore family. One of the early patrons of the Museum.” He straightened up. “I’ve examined everything save the elephant’s-foot box. Would you care to assist me?”

  She followed him over to the table laid out with Tinbury McFadden’s old collections, a decidedly motley assortment. Pendergast’s face had once again recovered its poise. Now Officer O’Shaughnessy, looking skeptical, emerged from the shadows. Nora wondered what, exactly, the policeman had to do with Pendergast.

  They stood before the large, grotesque elephant’s foot, replete with brass fittings.

  “So it’s an elephant’s foot,” O’Shaughnessy said. “So?”

  “Not just a foot, Sergeant,” Pendergast replied. “A box, made from an elephant’s foot. Quite common among big-game hunters and collectors in the last century. Rather a nice specimen, too, if a little worn.” He turned to Nora. “Shall we look inside?”

  Nora unclasped the fittings and lifted the top of the box. The grayish skin felt rough and nubbled beneath her gloved fingers. An unpleasant smell rose up. The box was empty.

  She glanced over at Pendergast. If the agent was disappointed, he showed no sign.

  For a moment, the little group was still. Then Pendergast himself bent over the open box. He examined it a moment, his body immobile save for the pale blue eyes. Then his fingers shot forward and began moving over the surface of the box, pressing here and there, alighting at one spot for a moment, then scuttling on. Suddenly there was a click, and a narrow drawer shot out from below, raising a cloud of dust. Nora jumped at the sound.

  “Rather clever,” said Pendergast, removing a large envelope, faded and slightly foxed, from the drawer. He turned it over once or twice, speculatively. Then he ran a gloved finger beneath the seam, easing it open and withdrawing several sheets of cream-laid paper. He unfolded them carefully, passed his hand across the topmost sheet.

  And then he began to read.

  FIVE

  TO MY COLLEAGUE,

  TINBURY MCFADDEN

  July 12, 1881

  Esteemed Colleague,

  I write these lines in earnest hope that you will never have need to read them; that I will be able to tear them up and dash them into the coal scuttle, products of an overworked brain and fevered imagination. And yet in my soul I know my worst fears have already been proven true. Everything I have uncovered points incontrovertibly to such a fact. I have always been eager to think the best of my fellow man—after all, are we not all moulded from the same clay? The ancients believed life to have generated spontaneously within the rich mud of the Nile; and who am I to question the symbolism, if not the scientific fact, of such belief? And yet there have been Events, McFadden; dreadful events that can support no innocent explanation.

  It is quite possible that the details I relate herein may cause you to doubt the quality of my mind. Before I proceed, let me assure you that I am in full command of my faculties. I offer this document as evidence, both to my dreadful theorem and to the proofs I have undertaken in its defense.

  I have spoken before of my growing doubts over this business of Leng. You know, of course, the reasons I allowed him to take rooms on the third floor of the Cabinet. His talks at the Lyceum proved the depth of h
is scientific and medical knowledge. In taxonomy and chemistry he has few, if any, peers. The notion that enlightening, perhaps even forward-reaching, experiments would be taking place beneath my own roof was a pleasant one. And, on a practical note, the additional hard currency offered by his rent was not unwelcome.

  At first, my trust in the man seemed fully justified. His curatorial work at the Cabinet proved excellent. Although he kept highly irregular hours, he was unfailingly polite, if a little reserved. He paid his rent money promptly, and even offered medical advice during the bouts of grippe that plagued me throughout the winters of ’73 and ’74.

  It is hard to date with any precision my first glimmerings of suspicion. Perhaps it began with what, in my perception, was a growing sense of secretiveness about the man’s affairs. Although he had promised early on to share the formal results of his experiments, except for an initial joint inspection when the lease was signed I was never invited to see his chambers. As the years passed, he seemed to grow more and more absorbed in his own studies, and I was forced to take on much of the curatorial duties for the Cabinet myself.

  I had always believed Leng to be rather sensitive about his work. You will no doubt recall the early and somewhat eccentric talk on Bodily Humours he presented to the Lyceum. It was not well received—some members even had the ill breeding to titter on one or two occasions during the lecture—and henceforth Leng never returned to the subject. His future talks were all models of traditional scholarship. So at first, I ascribed his hesitancy to discuss personal work to this same innate circumspection. However, as time went on, I began to realize that what I had thought to be professional shyness was, in fact, active concealment.

  One spring evening earlier this year, I had occasion to stay on very late at the Cabinet, finishing work on an accumulation of documents and preparing the exhibition space for my latest acquisition, the double-brained child, of which we have previously spoken. This latter task proved far more engrossing than the tiresome paperwork, and I was rather surprised to hear the city bell toll midnight.

  It was in the moments following, as I stood, listening to the echoes of the bell die away, that I became aware of another sound. It came from over my head: a kind of heavy shuffling, as if of a man bearing some heavy burden. I cannot tell you why precisely, McFadden, but there was something in that sound that sent a thrill of dread coursing through me. I listened more intently. The sound died away slowly, the footsteps retreating into a more distant room.

  Of course there was nothing for me to do. In the morning, as I reflected on the event, I realized the culprit was undoubtedly my own tired nerves. Unless some more sinister meaning should prove to be attached to the footsteps—which seemed a remote possibility—there was no cause for approaching Leng on the matter. I ascribed my alarm to my own perverse state of mind at the time. I had succeeded in creating a rather sensational backdrop for displaying the double-brained child, and no doubt this, along with the late hour, had roused the more morbid aspects of my imagination. I resolved to put the matter behind me.

  It chanced that some few weeks later—the fifth of July, last week, to be precise—another event took place to which I most earnestly commend your attention. The circumstances were similar: I remained late at the Cabinet, preparing my upcoming paper for the Lyceum journal. As you know, writing for learned bodies such as the Lyceum is difficult for me, and I have fallen into certain routines which ease the process somewhat. My old teakwood writing desk, the fine vellum paper upon which this note is now being written, the fuchsia-colored ink made by M. Dupin in Paris—these are the petty niceties which make composition less onerous. This evening, inspiration came rather more easily than usual, however, and around half past ten I found it necessary to sharpen some new pens before work could continue. I turned away from my desk briefly to effect this. When I returned I found, to my utmost astonishment, that the page on which I had been at work had been soiled with some small number of inkstains.

  I am most fastidious with a pen, and was at a loss to explain how this came about. It was only when I took up my blotter to clear away the stains that I realized they differed slightly in color from the fuchsia of my pen, being a somewhat lighter shade. And when I blotted them aside, I realized they were of a thicker, more viscous, consistency than my French ink.

  Imagine my horror, then, when a fresh drop landed upon my wrist as I was in the act of lifting the blotter from the paper.

  Immediately, I lifted my eyes to the ceiling above my head. What devilment was this? A small but widening crimson stain was leaching between the floorboards of Leng’s chambers overhead.

  It was the work of a moment to mount the stairs and pound upon his door. I cannot describe precisely the sequence of thoughts that ran through my mind—foremost among them, however, was fear that the Doctor had fallen victim to foul play. There had been rumors circulating through the neighborhood of a certain vicious and predatory murderer, but one pays little heed to the gossip of the lower classes, and alas, death is a frequent visitor to the Five Points.

  Leng answered my frantic summons in due course, sounding a trifle winded. An accident, he said through the door: he had cut his arm rather severely during an experimental procedure. He declined my offers of assistance, and said he had already done the necessary suturing himself. He regretted the incident, but refused to open the door. At last I went away, riven by perplexity and doubt.

  The morning following, Leng appeared at my doorstep. He had never called on me at my residence before, and I was surprised to see him. I observed that one arm had been bandaged. He apologized profusely for the inconvenience of the previous night. I invited him inside, but he would not stay. With another apology, he took his leave.

  I watched with unsettled heart as he descended the walk and stepped into an omnibus. I pray you will do the honor of understanding me when I say that Leng’s visit, coming upon the heels of such strange events at the Cabinet, had precisely the opposite effect to which he had intended. I felt now more sure than ever that, whatever it was he was about, it would not stand up to scrutiny in the honest light of day.

  I fear I can write no more this evening. I will hide this letter inside the elephant’s-foot box that, along with a group of curiosities, is being forwarded to you at the Museum in two days’ time. God willing, I will find the fortitude to return to this and conclude it on the morrow.

  July 13, 1881

  I must now summon the strength of will to complete my narrative.

  In the aftermath of Leng’s visit, I found myself in the grip of a terrific internal struggle. A sense of scientific idealism, coupled perhaps with prudence, argued that I should take the man’s explanation at its face value. Yet another inner voice argued that it was beholden on me, as a gentleman and a man of honor, to learn the truth for myself.

  At last I resolved to discover the nature of the man’s experiments. If they proved benign, I could be accused of inquisitiveness—nothing more.

  Perhaps you will consider me the victim of unmanly feelings in this matter. I can only say that those vile crimson drops now seemed as imprinted upon my brain as they had been upon my wrist and my writing-paper. There was something about Leng—about the manner in which he had looked at me, there upon my doorstep—that made me feel almost a stranger in my own home. There was some manner of chill speculativeness behind those indifferent-looking eyes that froze my blood. I could no longer tolerate having the man under my roof without knowing the full breadth of his work.

  By some personal caprice unfathomable to me, Leng had recently begun donating his medical services to a few local Houses of Industry. As a result, he was invariably absent from his chambers during the latter part of the afternoon. It was on Monday last, July 11, that I saw him through the front windows of the Cabinet. He was crossing the avenue, clearly on his way to the workhouses.

  I knew this was no accident: fate had afforded me this opportunity.

  It was with some trepidation that I ascended to the third
floor. Leng had changed the lock on the door leading into his room, but I retained a skeleton key which turned the wards and unshot the bolt. I let the door fall open before me, then stepped inside.

  Leng had decorated the front room into the semblance of a parlor. I was struck by his choice of decoration: gaudy sporting prints were on the walls, and the tables were aclutter with tabloids and penny-dreadfuls. Leng had always struck me as a man of elegance and refinement; yet this room seemed to reflect the tastes of uncultured youth. It was the sort of dive a pool-room tramp or a girl of low breeding would find inviting. There was a pall of dust over everything, as if Leng had spent little time in the parlor of late.

  A heavy brocade curtain had been hung over the doorway leading into the rear rooms. I lifted it aside with the end of my walking stick. I thought I had been prepared for almost anything, but what I found was, perhaps, what I least expected.

  The rooms were almost entirely empty. There were at least half a dozen large tables, here and there, whose scarred surfaces bore mute testimony to hours of experimental labor. But they were devoid of furnishing. There was a strong ammoniac smell in the air of these rooms that almost choked me. In one drawer I found several blunt scalpels. All the other drawers I examined were empty, save for dust mites and spiders.

  After much searching, I located the spot in the floorboards through which the blood had seeped a few nights before. It seemed to have been etched clean with acid; aqua regia, judging by the odor. I glanced around at the walls then, and noticed other patches, some large, others small, that also seemed to indicate recent cleaning.

  I must confess to feeling rather a fool at that moment. There was nothing here to excite alarm; nothing that would rouse the faintest trace of suspicion in even the most perspicacious policeman. And yet the sense of dread refused to wholly leave me. There was something about the oddly decorated parlor, the smell of chemicals, the meticulously cleaned walls and floor, that troubled one. Why were these hidden back rooms clean, while the parlor had been allowed to gather dust?