Heartland-The Second Book of the Codex of Souls

by Mark Teppo

  Moving like a myopic sloth, I pulled the nerve-stunned gunman closer, pawing at his coat and shirt. He had the same hard ring on his chest, right over his heart. It was a ring of gray stone, cold to the touch, and my Chorus-bruised fingers traced the markings running along its surface. I couldn't make any sense of the script. Arcane shorthand, more symbolic than actualized.

  What the hell was it? Not a protection sigil. My fiery hands had touched the first man easily enough. Yet the Chorus refused to get any closer, balking at my command to investigate the knot of energy held beneath the ring. The stone was filled with magick.

  I started to reach for the silver strand rising off him, but stopped shy of actually touching it on the etheric layer. It was a conduit. I had seen them before. Magi used them to channel power to each other. To do remote viewing. In some extreme cases, they were used as a leash, a means of animating and controlling an otherwise reluctant host. In theory, it could be used to keep them alive. Energy flowed to them instead of the other direction.

  But that didn't make much sense. To effectively transform that incoming energy, they had to know how to use it. They couldn't be passive receptors. They had to have some training. Otherwise it was just an open line, an unattended hose flooding the garden.

  The Chorus boiled in frustration. There wasn't any energy flowing through the line, at least not an appreciable amount. A single pulse, rhythmic and steady, almost like a . . . heartbeat.

  Dead man switch. The Chorus finally spelled it out for me.

  The strand was more than a conduit; it also monitored his body and soul. There was enough Will burned into the sigil that the conduit superseded the psychic link between flesh and spirit. As long as the conduit persisted, the soul couldn't leave the body. He couldn't die. Not until his master said so. Soul lock.

  And when the signal came, the knot of power lodged in the gunman's chest would be released. In all of them. The assassination squad was on a suicide mission. They were a massive bomb, with linked detonators.

  The mortally wounded gunman had rolled onto his back, and though my vision was still blurry, I could see that he was looking at me. He coughed, and his mouth moved into a smile. His eyes glittered with silver light, and I knew someone else was Watching.

  The gunman coughed once more, and the breath that came out was his last one. His face spasmed once as all the pain he'd been carrying the last few minutes suddenly lit up his brain, and then the muscles in his face went slack. The silver light in his eyes intensified.

  I scrambled to my feet, ignoring the pain in my shoulder and hip. My feet slid on the blood-slick floor as I tried to get as far away as possible from the downed gunmen before they died. Before the sigils on their stone rings activated.

  The air in the church was thick, and I felt like I was swimming in water. My ears, still ringing and throbbing from the flash grenade, popped as the pressure in the room changed. The Chorus flexed, hardening against the explosion of the soul locks.

  The psychic detonation hammered the room on multiple levels. My flesh frayed as fléchettes of etheric energy sprayed from the nexus point of the explosion. The Chorus howled as the shards cut through them, tearing out slivers of their history.

  Knocked sprawling against the pews, I held on as the ground rolled and undulated. Several of the nearby pillars cracked, disgorging clouds of granite dust from their peaks. In the transepts, stained-glass panels exploded, flinging shards of glass across the central nave like flights of frightened birds. The glass Christ swayed on his wooden cross, the psychic light of the explosion lighting up his painted skin.

  Beneath him, braced against the altar, Father Cristobel struggled to stay upright. There was blood on his face, and his right arm flapped loosely at his side. His rosary beads were wrapped around his left arm, and they bounced off the side of the altar, sparks dancing off the magicked beads.

  In the wake of the explosion, my stomach continued to flip back and forth, caught on a rollercoaster of muscle spasms. There was blood in my mouth—most of it mine this time—and the stains on my clothes were a combination of my wounds and blood from the gunshot assassin. I pried my clawed hands off the pew and staggered, drunkenly, toward the front of the church.

  The Chorus still howled, their noise cutting through the blasting percussion of the headache. They were shouting something about the Abyss and I didn't understand what they were talking about for a second, and then I felt it too. Rather, I felt the void.

  All of the gunmen had detonated, and the concussion of those souls going off had created a void in the church. Suddenly I realized why we had been cut off from the ley grid, why an oubliette had been erected around us: nature abhors a vacuum. The walls of the prison were gone, and all the channels that met in this church, all the natural confluence of energies that had been directed here to give Cristobel a nexus of power, were suddenly open again.

  The soul locks were only meant to loosen everything, what came after was the etheric quake meant to tear us apart, like a thresher separating the grain from the chaff.

  "We need shelter," I Whispered to Father Cristobel.

  "Here," he Whispered back, and I realized he wasn't trying to support himself against the altar. He was trying to move it.

  I stumbled toward the front of the church, moving as quickly as I could in my vertiginous state. I half-fell, half-knelt next to the altar and put my good shoulder against the marble stand. It moved, slowly, turning on some hidden pivot. A hinge that hadn't been used in a very long time.

  The Chorus started keening, a rising crescendo of psychic terror. I couldn't tune them out. They were down there in my soul, their screams vibrating me like a tuning fork.

  The altar moved aside, revealing a black hole down into the subbasement of the church. Father Cristobel's hand fell upon my back, and he pushed me forward. "Go," he Whispered. "I will follow you." With nothing to brace myself against but the side of the altar, I slipped and pitched forward into the hole.

  The ley flood hit, and the etheric implosion lit up the inside of the church. Father Cristobel looked back at the burst of psychic light, and it must have been like looking at the sun going supernova. His Vision couldn't protect him from this psychic detonation; if anything, it would only magnify the spiritual impact of what he saw.

  Tears streaming from his right eye, he smiled.

  Unafraid. Without pain. Do not be afraid; this is your reward.

  I fell, the world bleaching to empty whiteness in my wake. The wave of the quake hurled me away from the church, and my vertebrae started to separate. Like a leaf in a hurricane, I was blown away, falling further and farther than the ground beneath the church.

  THE SECOND WORK

  "For the present it is enough to have told you these two stories which seem to confirm two things in particular. First, that the souls of men which are almost separated from their bodies because of a temperate disposition and a pure life may in the abstraction of sleep divine many things, for they are divine by nature; and whenever they return to themselves, they realize this divinity. The second thing these stories confirm is that the souls of the dead, freed from the chains of the body, can influence us, and care about human affairs."

  – Marsilio Ficino, in a letter to

  philosopher Matteo Corsini (c. 1465)

  IX

  A montage of memories flickered, a greatest hits collection: David Cristobel as a young man, standing beside the raised canvas of a boxing ring, intently watching a pair of fighters, soaking up every jab and swing; Cristobel, sun-browned and glistening with sweat, breaking up stumps with an ax; behind him, the brick farmhouse and a river I knew to be the Aude; in the ring, in a different time and place, fighting a lean Filipino man; the glowing heat of the hot shop furnace, rods of colored glass jutting from its mouth.

  I lay in a field of glass, silver light caught in the fragments. I lay on this glassine ocean, a sea that chimed as I moved. There were no stars overhead, and the air was heavy and musty, filled with a fetid dryn
ess. The sort of dead atmosphere found underground.

  Memories of Cristobel's life continued to flicker past like images projected on clouds scuttling across a black sky: the gilded ostentation of Versailles; a chandelier, glistening with emerald drops of frozen light; a ladder, collapsing, and the chandelier falling; an explosion of green fire, a coal lodged in the left eye socket. I felt sympathetic pain, as if a poker had been shoved into my brain.

  I blinked, unable to move any other part of my body—caught in some sort of sleep paralysis. I blinked again, and again, and kept on doing so until the green fire winked out, its light draining away into the churning depths of the Chorus.

  I could hear him praying, as if he were kneeling beside me. His voice gave me strength, enough to break the lassitude holding me down, and I sat up slowly. Shards of glass fell from my limbs, tinkling into the surrounding sea.

  Father Cristobel floated on the glittering surface. His rosary was looped around his fingers, the silver and black cross glittering with spectral light. His eyes were closed, and he was intently reciting an old Latin prayer. The whisper of his words had no echo, as if we were lost in a place that had no horizon.

  The Chorus moved slowly, turning like frozen gears, and eventually they generated a spark. This tiny spark escaped my mouth as I sighed, and it floated up, casting its glow across the floating surface of the ocean.

  Underground. Not on a sea. Walls of ragged, unfinished stone. A hard floor covered with sand and glass. The subbasement beneath the chapel. I hadn't fallen all that far, regardless of the prior, endless sensation I had experienced.

  I sent the light higher, trying to find the hole through which I had dropped, and found a ragged tear in the ceiling plugged by wood and a long piece of glass. The Christ figure had come off the wall, smashing the altar and sealing the hole. Parts of the sculpture were scattered across the floor of the subbasement, scattered across my body. Shortly after Cristobel had shoved me, the cross and Christ had fallen.

  I glanced at him again, and realized he wasn't really there. Just a retinal afterimage of a strong memory.

  The Chorus light floated through Cristobel's ghostly shape. He raised his head as the light moved through his chest, but he didn't open his eyes. The beads of his rosary reflected the spirit light, tiny sigils dancing along the curve of the beads.

  The catacombs, he said, his voice a phantasmal echo in my head. One of the old ossuaries that riddle the underground. A remnant of the Resistance.

  That explained the smell.

  I glanced up at the dark ceiling once more. "Why didn't you jump?" I asked.

  I did, he pointed out.

  "No," I argued. "Not like that."

  Father Cristobel was dead, crushed beneath the cross and glass first, and then the rest of the chapel as it had come down. The etheric implosion had brought the walls in too, the whole building crumbling in on itself. The Chorus had reached back for his soul as it had fled his crushed body, and apparently, he had come willingly.

  I can guide you.

  "When I said yes," I pointed out as I slowly got to my feet, "I thought you were talking about doing so while alive." More glass fell from my frame and I carefully shook out my coat and pants to divest myself of the tiny shards clinging to my clothing.

  Cristobel didn't answer, and when I glanced around, his phantom was gone.

  The rosary was in my coat pocket, coiled pleasantly like it had always been there. Right next to Philippe's tarot deck.

  In law enforcement circles, the Chorus hinted, drawing on Nicols' memory, this would be classified as keeping souvenirs.

  As Cristobel intimated with subtle shifts in the mood of the Chorus, there was a way out—there's always a way out—but it was a complicated route through a maze of unmarked passages. He might have known the route once, but all of his sensory data was aural and not visual, which meant it was next to useless for me. I didn't have enough experience to know what to do with the collection of clicks and bumps. The Chorus built a mental map as we progressed, supplemented by their reading of the spaces just beyond the nearest wall. My reserves were low, and I was tired; focusing the Chorus to extend them further would sap my remaining strength. Following Cristobel's hints was a slow process, but it was the most effective use of my resources. Frustratingly slow, but at the same time, I had to remember I was in enemy territory, and they had agents out hunting. I had to be careful.

  I also needed some time to think, to sort through the chaotic swirl of emotional feedback from the last few hours. Cristobel had sacrificed himself to get into my head, as if being there would be a better place from which to direct me. But it wasn't, because while his soul energy was permanently part of the Chorus now, his personality wasn't fixed. Some of it would last, like the others, but not enough. Yet, there was no regret on his part, no sense of failure in doing what he did. It was as if his death and transference was part of the grand design.

  If my Vision is True.

  First, Philippe, and now Cristobel. What the hell were they doing? They were taking advantage of the psychic nature of the Chorus, of the manner in which I leeched knowledge from those I broke, but it was a fatal choice. Why couldn't they have just written down what I had needed to know? Or told me over coffee? Why the need to die to pass along their knowledge?

  The body must die, the Chorus reminded me.

  "I'm getting tired of that answer," I muttered.

  Cristobel nudged me at the next split in the tunnel, and the Chorus added a marker to their map of the underground. I took the left fork—as directed—and stumbled slightly as the floor dipped downward.

  "I realize this is a matter of interpretation," I said, "but this eagerness to jump into my head is starting to feel a little bit fanatical. Like you guys are trying to start a cult or something." Making light of the situation, trying to get some sort of reaction from my spirits. Some hint of why two Architects were co-habiting my head-space now.

  Was I an easy escape hatch? The assassins in the church had been primed to take out Father Cristobel. A surgical strike against an Architect. Cristobel had expected them to show up—eventually—but he couldn't have anticipated my arrival. Nor the opportunity I presented him.

  What about the assassins? They had been unwitting pawns, unaware of the nature of the stone ring affixed to their chests. Whoever was running them had been remote viewing through their eyes, and once their master ascertained the situation was properly engaged, he had sent the mental command to detonate the rings.

  Who? I wondered.

  Images of sigils flashed before my eyes, an encyclopedic catalogue of magick circles. Keys from Solomonic lore, Enochian matrices, others I didn't recognize. Geomancy. I knew the word, knew the style of magick, but had never seen it other than a neat parlor trick of spotting and tapping ley lines. Some of the magick circles stayed in focus long enough for me to begin to understand their construction and purpose. Geomancy went much deeper than that. A properly schooled geomancer could redirect ley flow; he could build the sort of oubliette that had been erected around the chapel.

  The stone rings on the assassins. Soul lock, conduit window, magick bomb: all wrapped up in one simple ring.

  Who was the geomancer in the society? Which one was he? I ran through the list of secret names for the Architects: Visionary, Hermit, Crusader, Navigator, Thaumaturge, Mason . . .

  Jacob Spiertz, Cristobel provided.

  "Where is he?" I asked. And, equally important: Why him? What was his rationale for wanting Cristobel dead? Was he the Architect of the original plan as well? The man who had given the go-ahead for Bernard and the Hollow Men's experiment with the theurgic Key?

  Cristobel didn't answer, and the Chorus shied away as I grabbed at them. "Tell me," I growled, and when the Chorus darted away from me again, I froze them with an angry explosion of Will. They shivered and whimpered as I tore at them, ripping through them like I was swatting a frozen cobweb with a stick. Their strands shattered and melted, dissolving into white smok
e that curled backward into the pit in my soul. I hacked and hacked, looking for Philippe in the strands, looking for the source of the glitter of amusement I still felt. "Tell me, you son of a bitch."

  Telling you won't help. Cristobel manifested on my visual field, floating beside the wall of the passage. His serene face puckered with a hint of apprehension. The knowledge isn't enough. You have to understand what it means. You have to Know what has happened, and in doing so, you will See what is to come.

  I went physical, flailing at him, even though it was a pointless effort. You can't hit a spirit. You can't touch a phantom of your own imagination. Not with your fists. All I did was scrape my knuckles on the wall, which didn't give me any of the satisfaction I wanted.

  You can't fight him, Cristobel said, floating just out of reach now. My own brain taunting me with the immaterial nature of the spirits in my head.

  "I don't want to fight him," I said, trying to catch my breath. "I just want him gone. I'm done with his games."

  My left shoulder ached, and my hip was on fire. The bullet wounds from earlier. Surface wounds that weren't fatal, but all this exertion was tearing the scabs open. The rest of my exposed skin had suffered as well, tiny scabs from all the flying shards of glass. Trying to punch out a spirit and tearing up my hands was only compounding the trauma suffered by my flesh. I needed to get out of these tunnels and find a sanctuary. Somewhere where I could get some help. I needed to find someone I could trust in the midst of all this chaos.

  The Watchers were all insane, and I was caught in the middle.

  I could burn the Architects out of my head. I had done it before, when I had ascended the spire and faced Bernard. I had detonated the Chorus so as to drive back the soul-dead who had surrounded me. Samael's children. The zombies of Portland who had wanted to devour my light. I had driven them back by sacrificing the Chorus. I could do it again.