Cryer's Cross (Multimedia eBook Edition with Video)
Page 1
“There is video content at this location that is not currently supported for your device. The caption for this content is displayed below.”
Have you seen this girl? Watch the trailer for Cryer’s Cross, bestselling author Lisa McMann’s chilling paranormal thriller. (0:47)
This book is a work of fiction. Any references to historical events, real people, or real locales are used fictitiously. Other names, characters, places, and incidents are the product of the author’s imagination, and any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
SIMON PULSE
An imprint of Simon & Schuster Children’s Publishing Division
1230 Avenue of the Americas, New York, NY 10020
www.SimonandSchuster.com
First Simon Pulse hardcover edition February 2011
Copyright © 2011 by Lisa McMann
All rights reserved, including the right of reproduction
in whole or in part in any form.
SIMON PULSE and colophon are registered trademarks of Simon & Schuster, Inc.
The Simon & Schuster Speakers Bureau can bring authors to your live event.
For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.
Designed by Mike Rosamilia
The text of this book was set in Janson Text.
Manufactured in the United States of America
2 4 6 8 10 9 7 5 3 1
Library of Congress Cataloging-in-Publication Data
McMann, Lisa.
Cryer’s Cross / by Lisa McMann. — 1st Simon Pulse hardcover ed.
p. cm.
Summary: Seventeen-year-old Kendall, who suffers from obsessive-compulsive disorder, lives with her parents on a potato farm in a tiny community in Montana, where two teenagers go missing within months of each other, with no explanation.
ISBN 978-1-4169-9481-7 (hardcover)
ISBN 978-1-4169-9483-1 (eBook)
[1. Obsessive-compulsive disorder—Fiction. 2. Supernatural—Fiction.
3. Missing children—Fiction. 4. Interpersonal relations—Fiction. 5.
Montana—Fiction. 6. Mystery and detective stories.] I. Title.
PZ7.M2256Cr 2011 [Fic]—dc22 2010015410
For Kennedy
CONTENTS
Acknowledgments
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-One
Twenty-Two
Twenty-Three
Twenty-Four
Twenty-Five
Twenty-Six
Twenty-Seven
Twenty-Eight
Twenty-Nine
List of Video
1. Have you seen this girl? Watch the trailer for Cryer’s Cross, bestselling author Lisa McMann’s chilling paranormal thriller. (0:47)
2. Lisa McMann explains her techie knowledge and what songs inspired Cryer’s Cross in this exclusive eBook video. (1:20)
ACKNOWLEDGMENTS
Many thanks:
To my daughter, Kennedy, for all the incredibly tough challenges she’s endured with her OCD, and for letting me share some of it in hopes that others might understand or find some comfort. I’m really proud of you, kiddo.
To my son, Kilian, for being one of my first readers, and for his discerning artist’s eye. Also for being the front.
To my amazing husband, Matt, my biggest supporter, who constantly picks up the slack without complaint when I’m traveling or on deadline, and who reads everything I write, even when it’s rough, and helps me make it better.
To the White House Boys for telling their story and inspiring part of this one.
To Kendall Kovalik, for whom the main character is named, and her lovely mom who donated so generously to Project Book Babe to make it happen.
To Dave Gritter and Lindy Flanigan for your help with all the soccer stuff.
To June and Karl DeJonge for knowing so much about potato farms in Montana.
To Deke Snow for carrying my luggage to my room in Rochester and for being generally awesome in all ways.
To my agent, Michael Bourret, for the encouragement, the thoughtfulness, the never-ending hard work, and the laughs. You are one amazing person. I am so grateful for everything you have done for me.
To my editor, Jennifer Klonsky, who jumped on my extremely primitive idea for this book before I even knew it was an idea, and to the entire team at Simon Pulse for all you do for me and for my books. You guys are incredible and I love you and appreciate you so much.
To all the AYT actors I’ve met over the years—you have been such awesome readers and spreaders of the book love. Thanks for telling your friends! And always remember that I am your biggest fan.
WE
When it is over, We breathe and ache like old oak, like peeling birch. One of Our lost souls set free. We move, a chess piece in the dark room, cast-iron legs a centimeter at a time, crying out in silent carved graffiti. Calling to Our next victim, Our next savior. We carve on Our face:
Touch me.
Save my soul.
ONE
Everything changes when Tiffany Quinn disappears.
Of the 212 residents of Cryer’s Cross, Montana, 178 join Sheriff Greenwood in a search that lasts several days from sunup to after dark. School is closed, all the students taking part, searching roads and farms, trudging through pastures of cattle and horses, through sections of newly planted potatoes, barley, wheat. Up to the foothills and back along the woods. They travel in groups of two or three, some nervous, some crying, some resolute. Shouting to the other groups now and then so nobody else goes missing—cell phones aren’t much good out here. Cryer’s Cross is a dead spot.
After five days there is still no trace of Tiffany Quinn. She is gone, impossibly. Impossibly, because to imagine that there has been foul play here in the humble town of Cryer’s Cross is laughable, and to imagine that sweet ninth-grade bookworm running away, going off on her own . . . It’s all so impossible.
But gone she is.
Still, they search.
Kendall Fletcher flinches and casts regular glances behind her out of habit. Scared about the younger girl’s disappearance, true, but also unsettled by this shake-up in her schedule. The final week of her junior year canceled—everything left unfinished, open ended. Her whole routine is off.
She walks the hundreds of acres of her parents’ farm and beyond into the woods, wearily counting her steps through the potatoes and grain fields and trees. Counting, always counting something.
Her best friend, Nico Cruz, walks next to her.
Boyfriend, he’d say.
But boyfriend means commitment, and commitments that she can’t keep tend to make Kendall feel prickly. “Come on,” she says. “Let’s run.”
She takes off through the field, and Nico follows. They pass an imaginary soccer ball between the rows, occasionally yelling out “Tiffany!” Once, after they cross over to Nico’s family’s land, they see a big brown lump where the barley field meets the gravel road, but it’s not Tiffany. Just a road-killed deer.
She’s not here. She’s not anywhere.
They take a break under a tree at the edge of the farm as
rain starts to fall. Kendall stares and counts the drops as they hit the gray dirt, faster and faster.
Nico talks, but Kendall isn’t listening. She needs to get to a hundred drops before she can allow herself to stop.
Eventually the search ends. Nothing more can be done locally except by professionals now. It’s prime planting season. Farmers have chores, and students do too. Plus jobs, if they work in town or for one of the farmers or ranchers. Life has to go on.
It’s a long, hot summer full of hard work for Kendall. For everyone. After a month or two, people stop talking about Tiffany Quinn.
TWO
In September when school starts again, Kendall arrives as she always does, the first one to the one-room high school, except for old Mr. Greenwood, the part-time janitor, who retreats to his basement hideout whenever students are around.
Kendall is tan and not quite freakishly tall. Athletic. Her long brown hair has natural highlights from her driving a tractor and working on the farm all summer.
There was too much time to think up there on that tractor, since all it takes is a GPS to run it up and down the rows. And when your brain has a glitch and its lap counter is broken, the same thoughts whir around on an endless loop. Tiffany Quinn. Tiffany Quinn. Tiffany Quinn.
Kendall imagines every possible scenario for Tiffany. Running away. Getting lost. Being abducted. Maybe even raped, murdered. Wondering which one really happened, and if they’ll ever know the truth. She pictures all of it happening to herself, and it almost makes her cry. Pictures Tiffany screaming for help, begging to live . . . Kendall’s eyes blur as she remembers her summer, turning the tractor through the fields and obsessing about such horrible things. It seemed so real, so scary, as if someone were about to jump out of the woods and attack her.
She knows some of her thoughts are irrational. She knows it and always has known it, even in fifth grade, when she used to layer on clothes—four shirts, three pairs of underwear, shorts under her jeans—anxiously, frantically, crying her eyes out for fear people could see her naked through her clothes. What an awful time that was. Fear like that is constant, tiring. But the psychologist over in Bozeman helped. Explained OCD—obsessive-compulsive disorder—and eventually that particular phase of worry went away, only to be replaced by other obsessions, other compulsions.
She’s not crazy. She just can’t stop thinking things when weird ideas get lodged in her head. She also can’t stop glancing behind her—it has become her latest compulsion. This whole thing with Tiffany has set her back some.
So she’s glad to be back at school, though feeling a little desperate because of how last year ended. And anxious to start this year fresh. Anxious to have new thoughts, new assignments bombard her brain, keep her mind occupied with non-scary things. Soccer practice starting up again. New DVD dance routines to learn. New things to keep her busy, body and mind. It’s a relief.
On this first day she tidies up the classroom in a way that old Mr. Greenwood doesn’t, turning the wastebasket so the dent is in the right place, straightening the markers on the dry-erase board and putting them in color order to match Roy G Biv as closely as possible, opening the curtains just so. Lining up the desks into their proper places in neat quadrants, one quadrant of six desks for each high school grade. Kendall creates aisles separating the quadrants to give the teacher room to walk between them, so she can address each grade individually rather than having all twenty-four desks together. It’s the way Kendall likes things.
Nobody’s ever complained.
Nobody even knows.
The desks are ancient and sturdy beasts from the 1950s, recycled by the state from who knows where. It’s a workout moving them all, but Kendall feels better when everything is back to normal. She sees where her old desk ended up, over in the freshman quadrant this year. Now the tenth graders will have an empty seat, unless the rumors are true. There’s a new family in town, according to Nico, though Kendall hasn’t seen anyone new around town yet. Kendall hopes they have a sophomore to fill the spot left by Tiffany, to make things in that section neat again. Though Tiffany coming back would be the best thing, of course. But Sheriff Greenwood and the local news anchors say that’s just not likely. Not after all this time has passed.
Kendall opens the curtains wide enough so that the edges of them hang in line with the sides of the windows. Her irrational fear gets the better of her and she checks the window locks, first struggling to open the windows to make sure the locks are sturdy, then running her forefinger over each lock in the same manner. “All checked and good,” she says. No one is there to hear her, but she has to say it out loud or it doesn’t count.
When she sees students walking up the yard to the little school, Kendall looks over her handiwork. The door creaks open. Kendall moves to her new desk in the senior quadrant, takes out an antiseptic wipe from her book bag, and cleans her desk quickly before anybody can see and make fun. She’s not a compulsive hand-washer, like some. But she likes to know the germ status of her own personal work space at the beginning of a school year. Doesn’t everybody?
Nico spies her and comes over. His straight white-blond hair hangs in his eyes. He’s got his father’s Spanish name but his mother’s Dutch looks. Nico swishes his hair aside and gives Kendall a half grin. Throws his book bag onto the floor and shoves his body into the desk just to the right of Kendall. “These desks aren’t getting any bigger,” he mutters, trying to fit his knees under the metal basin. He leans over and pecks Kendall on the cheek. “Hey. Sorry I was late. You want to go up to Bozeman this Saturday?”
“What for?”
“I gotta look at Montana State. Check out the nursing school.”
The guy behind them snickers. “Nurse Nico.”
“Shut it, Brandon,” Nico says in a calm voice. He whips his arm back without looking, and it connects with the side of Brandon’s head.
“Sure,” Kendall says. “I want to check out their theatre and dance program, just in case.”
Nico flashes a sympathetic smile. “Still no word?”
“No.” The chances of a rural girl with very little formal training in theatre or dance getting into Juilliard are probably less than zero, but Kendall sees no reason not to start at the top.
Kendall idly counts bodies as everyone else files in. She subtracts last year’s seniors and Tiffany Quinn, and adds the incoming freshmen. Ms. Hinkler explains the seating arrangement to the freshmen, new to this building. She also announces to the noisy room that there will be two new students this year, which is practically unheard of. The rumor of the new family must be true. Cryer’s Cross is, apparently, a boom town.
“Looks like it’ll be a full house this year,” Kendall murmurs. Twenty-four students. Perfection.
The two new students enter the room and everyone watches curiously. Ms. Hinkler checks them in and assigns them seats. She directs one of the new students to the senior section. He looks beyond Kendall and frowns.
“Hey,” Kendall says when he stops at the only empty desk, to the left of hers.
The guy mutters something, but he doesn’t look at her. He sits down and puts his backpack on the floor under his desk.
Nico leans over Kendall’s desk. “Hey. I’m Nico. How’s it going?”
The guy nods, almost imperceptibly, but remains silent.
Nico raises his eyebrow.
Kendall laughs. “Okay, then,” she says. “This should be fun.” She studies the new guy. He’s tough-looking and muscular. Medium-brown skin, his hair black and wavy. His clothes aren’t anything special, but they’re clean and neat. His shoes are dusty like everyone else’s. Cryer’s Cross could use some rain.
The other new student, a sophomore girl, has brown skin too, with a spattering of darker freckles across her nose and cheeks. Black wavy hair. They’re both striking. “Is that your sister?” Kendall asks.
The new guy closes his eyes, feigning sleep, arms crossed over his chest. Kendall sighs. She turns her attention to her new desk, rea
ding the graffiti. But it’s already familiar—she’s been reading and memorizing desk graffiti for years now. She knows every desk by heart. She can’t help it. It’s one of those OCD things.
Being Kendall is exhausting.
Once Ms. Hinkler has all the freshmen students checked in, she introduces them to the rest of the class. Like everyone else, Kendall pretty much knows them all. Some of their parents work on the Fletchers’ potato farm. But all eyes are on the transfer students. They are introduced, brother and sister indeed. The girl is Marlena and the guy is Jacián Obregon. Ms. Hinkler stumbles over his name.
“Not JAY-se-un,” he says, suddenly awake again. “Hah-see-AHN.”
Ms. Hinkler blushes. “My apologies.” She repeats it the right way. Jacián Obregon. It sounds like a melody. Or a tragedy.
It’s a boisterous, testosterone-filled day for Kendall, wedged between Nico and Jacián, with stupid Brandon directly behind her and two more guys on either side of him—Travis Shank, and Eli Greenwood, who is the son of the sheriff and grandson of the janitor. It’s always been like this. Kendall’s the only girl her age in the entire town. It figures that when they finally get a new kid in her grade, it’s another guy.
But Nico’s there like always. He’s been her best friend ever since they were babies. He knows about Kendall’s OCD, understands it, and it doesn’t bother him at all. Best guy in the world? Kendall thinks so. She gives him a wide smile when she passes the syllabus to him.