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Closing Costs

Page 35

by Seth Margolis


  Tough, beautiful and independent, Julia Mallet feels her life is nearly perfect. She holds a high-profile executive position in an important advertising firm. She is raising a beautiful little daughter, Emily, without the inconvenience of a husband. And now "The Madison Seven" have come together once again to celebrate her thirty-fifth birthday...and to bring back a past that should have been left dead and forgotten.

  Less than twenty-four hours later, a woman Julia barely knows is brutally and senselessly slain by a faceless psychopath. NYPD Detective Ray Burgess is a man pursued by shadows, a good cop who has stared too deeply into the face of evil, and his obsessive dedication is drawing him closer to Julia, even as a crazed killer strikes again and again.

  The maniac has left a calling card behind that only Julia Mallet can read: the result of a post-hypnotic suggestion inadvertently lodged in six subconscious minds—the dark residue of a harmless party game gone terribly wrong. Now Julia knows without question that one of her six dearest friends is a murderer...and is coming after her next.

  Vanishing Act

  When retail tycoon George Samson appears in detective Joe DiGregorio's office asking for help in faking his own death, the wary private eye knows enough to refuse. Joe D. has been having second thoughts about his move from the Long Island police force, where he'd been a lieutenant, to trying to make it as a private detective in Manhattan. Joe had made the move to be with Alison Rosen, whom he met while working a homicide case on Fire Island (FALSE FACES). Though wonderful in many ways, their relationship is strained by Joe D.'s lack of work and income. The Big City doesn't seem to need one more private investigator.

  But George Samson’s proposition isn't easy to forget. So when Samson is found murdered, the struggling P.I. is convinced that his would-be client found another "killer." Thing is, there's no doubt the man is dead. What happened?

  Intent on the truth, Joe D. offers his investigative talents to the new CEO of Samson Stores, who accepts, and Joe D. embarks on a case that could be the making of his new career—or the end of him.

  False Faces

  Alison Rosen, a young, single Manhattan department-store buyer, first met Linda Levinson seven years ago when both answered the same Village Voice classified ad for a Fire Island "share." Since then, they've been returning to Seaside Harbor every summer weekend.

  One night, after leaving Crane's, the singles bar that often serves as a pickup place, Linda Levinson is found murdered. Is her killer a spurned suitor whose advances Linda rejected? What about the mysterious lover back in the city about whom Linda had spoken but whom Alison has never met?

  Long Island police officer Joe DiGregorio is assigned to work undercover on the case, posing as a yuppie accountant. Together, Joe and Alison, who is unaware of Joe's masquerade, set out to find the murderer before he strikes again. In the process, they find out that Linda was a woman of many secrets—and find themselves falling in love in an atmosphere in which nobody can be trusted.

  Losing Isaiah

  Three-year-old Isaiah has two mothers: and they both want him.

  Margaret Lewin adopted Isaiah as a newborn—and she and her husband, Charles, give the boy all the love a child could want and everything that money can buy. But can even the most loving, caring white family be responsible for raising a black child?

  Selma Richards is the boy's birth mother. When Isaiah was born she was illiterate, unemployed, and a crack addict. Giving up her son was the best thing for both of them—at the time. Now Selma has weaned herself off drugs, has a responsible job caring for another couple's child, and is learning to read. She's not rich and she doesn't live in the best neighborhood, but she's healed herself.

  LOSING ISAIAH raises one of the most complex and emotional moral questions of our times, and keeps you rooting for both women until the inevitable and heartrending conclusion in which one mother ends up losing her son.

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