Complete Works of Robert Louis Stevenson (Illustrated)

by Robert Louis Stevenson

  Of skating little need be said; in so snowy a climate the rinks must be intelligently managed; their mismanagement will lead to many days of vexation and some petty quarrelling, but when all goes well, it is certainly curious, and perhaps rather unsafe, for the invalid to skate under a burning sun, and walk back to his hotel in a sweat, through long tracts of glare and passages of freezing shadow. But the peculiar outdoor sport of this district is tobogganing. A Scotsman may remember the low flat board, with the front wheels on a pivot, which was called a hurlie; he may remember this contrivance, laden with boys, as, laboriously started, it ran rattling down the brae, and was, now successfully, now unsuccessfully, steered round the corner at the foot; he may remember scented summer evenings passed in this diversion, and many a grazed skin, bloody cockscomb, and neglected lesson. The toboggan is to the hurlie what the sled is to the carriage; it is a hurlie upon runners; and if for a grating road you substitute a long declivity of beaten snow, you can imagine the giddy career of the tobogganist. The correct position is to sit; but the fantastic will sometimes sit hindforemost, or dare the descent upon their belly or their back. A few steer with a pair of pointed sticks, but it is more classical to use the feet. If the weight be heavy and the track smooth, the toboggan takes the bit between its teeth; and to steer a couple of full-sized friends in safety requires not only judgment but desperate exertion. On a very steep track, with a keen evening frost, you may have moments almost 251 too appalling to be called enjoyment; the head goes, the world vanishes; your blind steed bounds below your weight; you reach the foot, with all the breath knocked out of your body, jarred and bewildered as though you had just been subjected to a railway accident. Another element of joyful horror is added by the formation of a train; one toboggan being tied to another, perhaps to the number of half a dozen, only the first rider being allowed to steer, and all the rest pledged to put up their feet and follow their leader, with heart in mouth, down the mad descent. This, particularly if the track begins with a headlong plunge, is one of the most exhilarating follies in the world, and the tobogganing invalid is early reconciled to somersaults.

  There is all manner of variety in the nature of the tracks, some miles in length, others but a few yards, and yet like some short rivers, furious in their brevity. All degrees of skill and courage and taste may be suited in your neighbourhood. But perhaps the true way to toboggan is alone and at night. First comes the tedious climb, dragging your instrument behind you. Next a long breathing-space, alone with snow and pine-woods, cold, silent, and solemn to the heart. Then you push off; the toboggan fetches away; she begins to feel the hill, to glide, to swim, to gallop. In a breath you are out from under the pine-trees, and a whole heavenful of stars reels and flashes overhead. Then comes a vicious effort; for by this time your wooden steed is speeding like the wind, and you are spinning round a corner, and the whole glittering valley and all the lights in all the great hotels lie for a moment at your feet; and the next you are racing once more in the shadow of the night with close-shut teeth and beating heart. Yet a little while and you will be landed on the high-road by the door of your own hotel. This, in an atmosphere tingling with forty degrees of frost, in a night made luminous with stars and snow, and girt with strange white mountains, teaches the pulse an 252 unaccustomed tune and adds a new excitement to the life of man upon his planet.

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  IV

  THE STIMULATION OF THE ALPS

  To any one who should come from a southern sanatorium to the Alps, the row of sun-burned faces round the table would present the first surprise. He would begin by looking for the invalids, and he would lose his pains, for not one out of five of even the bad cases bears the mark of sickness on his face. The plump sunshine from above and its strong reverberation from below colour the skin like an Indian climate; the treatment, which consists mainly of the open air, exposes even the sickliest to tan, and a tableful of invalids comes, in a month or two, to resemble a tableful of hunters. But although he may be thus surprised at the first glance, his astonishment will grow greater, as he experiences the effects of the climate on himself. In many ways it is a trying business to reside upon the Alps: the stomach is exercised, the appetite often languishes; the liver may at times rebel; and because you have come so far from metropolitan advantages, it does not follow that you shall recover. But one thing is undeniable — that in the rare air, clear, cold, and blinding light of Alpine winters, a man takes a certain troubled delight in his existence which can nowhere else be paralleled. He is perhaps no happier, but he is stingingly alive. It does not, perhaps, come out of him in work or exercise, yet he feels an enthusiasm of the blood unknown in more temperate climates. It may not be health, but it is fun.

  There is nothing more difficult to communicate on paper than this baseless ardour, this stimulation of the brain, this sterile joyousness of spirits. You wake every morning, see the gold upon the snow-peaks, become filled 253 with courage, and bless God for your prolonged existence. The valleys are but a stride to you; you cast your shoe over the hilltops; your ears and your heart sing; in the words of an unverified quotation from the Scots psalms, you feel yourself fit “on the wings of all the winds” to “come flying all abroad.” Europe and your mind are too narrow for that flood of energy. Yet it is notable that you are hard to root out of your bed; that you start forth, singing, indeed, on your walk, yet are unusually ready to turn home again; that the best of you is volatile; and that although the restlessness remains till night, the strength is early at an end. With all these heady jollities, you are half conscious of an underlying languor in the body; you prove not to be so well as you had fancied; you weary before you have well begun; and though you mount at morning with the lark, that is not precisely a song-bird’s heart that you bring back with you when you return with aching limbs and peevish temper to your inn.

  It is hard to say wherein it lies, but this joy of Alpine winters is its own reward. Baseless, in a sense, it is more than worth more permanent improvements. The dream of health is perfect while it lasts; and if, in trying to realise it, you speedily wear out the dear hallucination, still every day, and many times a day, you are conscious of a strength you scarce possess, and a delight in living as merry as it proves to be transient.

  The brightness — heaven and earth conspiring to be bright — the levity and quiet of the air; the odd stirring silence — more stirring than a tumult; the snow, the frost, the enchanted landscape: all have their part in the effect and on the memory, “tous vous tapent sur la tête”; and yet when you have enumerated all, you have gone no nearer to explain or even to qualify the delicate exhilaration that you feel — delicate, you may say, and yet excessive, greater than can be said in prose, almost greater than an invalid can bear. There is a certain wine of France known in England in some gaseous disguise, but when drunk in 254 the land of its nativity still as a pool, clean as river water, and as heady as verse. It is more than probable that in its noble natural condition this was the very wine of Anjou so beloved by Athos in the “Musketeers.” Now, if the reader has ever washed down a liberal second breakfast with the wine in question, and gone forth, on the back of these dilutions, into a sultry, sparkling noontide, he will have felt an influence almost as genial, although strangely grosser, than this fairy titillation of the nerves among the snow and sunshine of the Alps. That also is a mode, we need not say of intoxication, but of insobriety. Thus also a man walks in a strong sunshine of the mind, and follows smiling, insubstantial meditations. And whether he be really so clever or so strong as he supposes, in either case he will enjoy his chimera while it lasts.

  The influence of this giddy air displays itself in many secondary ways. A certain sort of laboured pleasantry has already been recognised, and may perhaps have been remarked in these papers, as a sort peculiar to that climate. People utter their judgments with a cannonade of syllables; a big word is as good as a meal to them; and the turn of a phrase goes further than humour or wisdom. By the professional writer many sad vi
cissitudes have to be undergone. At first he cannot write at all. The heart, it appears, is unequal to the pressure of business, and the brain, left without nourishment, goes into a mild decline. Next, some power of work returns to him, accompanied by jumping headaches. Last, the spring is opened, and there pours at once from his pen a world of blatant, hustling polysyllables, and talk so high as, in the old joke, to be positively offensive in hot weather. He writes it in good faith and with a sense of inspiration; it is only when he comes to read what he has written that surprise and disquiet seize upon his mind. What is he to do, poor man? All his little fishes talk like whales. This yeasty inflation, this stiff and strutting architecture of the sentence has come upon him while he slept; and it is not he, it is the 255 Alps, who are to blame. He is not, perhaps, alone, which somewhat comforts him. Nor is the ill without a remedy. Some day, when the spring returns, he shall go down a little lower in this world, and remember quieter inflections and more modest language. But here, in the meantime, there seems to swim up some outline of a new cerebral hygiene and a good time coming, when experienced advisers shall send a man to the proper measured level for the ode, the biography, or the religious tract; and a nook may be found between the sea and Chimborazo, where Mr. Swinburne shall be able to write more continently, and Mr. Browning somewhat slower.

  Is it a return of youth, or is it a congestion of the brain? It is a sort of congestion, perhaps, that leads the invalid, when all goes well, to face the new day with such a bubbling cheerfulness. It is certainly congestion that makes night hideous with visions, all the chambers of a many-storied caravanserai, haunted with vociferous nightmares, and many wakeful people come down late for breakfast in the morning. Upon that theory the cynic may explain the whole affair — exhilaration, nightmares, pomp of tongue and all. But, on the other hand, the peculiar blessedness of boyhood may itself be but a symptom of the same complaint, for the two effects are strangely similar; and the frame of mind of the invalid upon the Alps is a sort of intermittent youth, with periods of lassitude. The fountain of Juventus does not play steadily in these parts; but there it plays, and possibly nowhere else.

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  STEVENSON AT PLAY

  INTRODUCTION BY MR. LLOYD OSBOURNE

  In an old note-book, soiled and dog-eared by much travelling, yellow and musty with the long years it had lain hid in a Samoan chest, the present writer came across the mimic war correspondence here presented to the public. The stirring story of these tin-soldier campaigns occupies the greater share of the book, though interspersed with many pages of scattered verse, not a little Gaelic idiom and verb, a half-made will and the chaptering of a novel. This game of tin soldiers, an intricate “Kriegspiel,” involving rules innumerable, prolonged arithmetical calculations, constant measuring with foot-rules, and the throwing of dice, sprang from the humblest beginnings — a row of soldiers on either side and a deadly marble. From such a start it grew in size and complexity until it became mimic war indeed, modelled closely upon real conditions and actual warfare, requiring, on Stevenson’s part, the use of text-books and long conversations with military invalids; on mine, all the pocket-money derived from my publishing ventures as well as a considerable part of my printing stock in trade.

  The abiding spirit of the child in Stevenson was seldom shown in more lively fashion than during those days of exile at Davos, where he brought a boy’s eagerness, a man’s intellect, a novelist’s imagination, into the varied business of my holiday hours; the printing press, the toy theatre, the tin soldiers, all engaged his attention. Of these, however, the tin soldiers most took his fancy; and the war game was constantly improved and elaborated, until from a few hours a “war” took weeks to play, and the critical operations in the attic monopolised half our thoughts. This attic was a most chilly and dismal spot, reached by a crazy ladder, and unlit save for a single frosted window; so low at the eaves and so dark that we could seldom stand upright, 260 nor see without a candle. Upon the attic floor a map was roughly drawn in chalks of different colours, with mountains, rivers, towns, bridges, and roads of two classes. Here we would play by the hour, with tingling fingers and stiffening knees, and an intentness, zest, and excitement that I shall never forget. The mimic battalions marched and counter-marched, changed by measured evolutions from column formation into line, with cavalry screens in front and massed supports behind, in the most approved military fashion of to-day. It was war in miniature, even to the making and destruction of bridges, the entrenching of camps, good and bad weather, with corresponding influence on the roads, siege and horse artillery proportionately slow, as compared to the speed of unimpeded foot and proportionately expensive in the upkeep; and an exacting commissariat added to the last touch of verisimilitude. Four men formed the regiment or unit, and our shots were in proportion to our units and amount of ammunition. The troops carried carts of printers’ “ems” — twenty “ems” to each cart — and for every shot taken an “em” had to be paid into the base, from which fresh supplies could be slowly drawn in empty carts returned for the purpose. As a large army often contained thirty regiments, consuming a cart and a half of ammunition in every engagement (not to speak of the heavy additional expense of artillery), it will be seen what an important part the commissariat played in the game, and how vital to success became the line of communication to the rear. A single cavalry brigade, if bold and lucky enough, could break the line at the weakest link, and by cutting off the sustenance of a vast army could force it to fall back in the full tide of success. A well-devised flank attack, the plucky destruction of a bridge, or the stubborn defence of a town, might each become a factor in changing the face of the war and materially alter the course of campaigns.

  It must not be supposed that the enemy ever knew your precise strength, or that it could divine your intentions by the simple expedient of looking at your side of the attic and counting your regiments. Numerous numbered cards dotted the country wherever the eye might fall; one, perhaps, representing a whole army with supports, another a solitary horseman dragging some ammunition, another nothing but a dummy that might paralyse the efforts of a corps, and overawe it into a ruinous inactivity. To uncover these cards and unmask the forces for which they 261 stood was the duty of the cavalry vedettes, whose movements were governed by an elaborate and most vexatious set of rules. It was necessary to feel your way amongst these alarming pasteboards to obtain an inkling of your opponent’s plans, and the first dozen moves were often spent in little less. But even if you were befriended by the dice, and your cavalry broke the enemy’s screen and uncovered his front, you would learn nothing more than could reasonably be gleaned with a field-glass. The only result of a daring and costly activity might be such meagre news as “the road is blocked with artillery and infantry in column” or “you can perceive light horse-artillery strongly supported.” It was only when the enemy began to take his shots that you would begin to learn the number of his regiments, and even then he often fired less than his entitled share in order to maintain the mystery of his strength.

  If the game possessed a weakness, it was the unshaken courage of our troops, who faced the most terrific odds and endured defeat upon defeat with an intrepidity rarely seen on the actual field. An attempt was made to correct this with the dice, but the innovation was so heart-breaking to the loser, and so perpetual a menace to the best-laid plans, that it had perforce to be given up. After two or three dice-box panics our heroes were permitted to resume their normal and unprecedented devotion to their cause, and their generals breathed afresh. There was another defect in our “Kriegspiel”: I was so much the better shot that my marksmanship often frustrated the most admirable strategy and the most elaborate of military schemes. It was in vain that we — or rather my opponent — wrestled with the difficulty and tried to find a substitute for the deadly and discriminating pop-gun. It was all of no use. Whatever the missile — sleeve-fink, marble, or button — I was invariably the better shot, and that skill stood me in good stead on many an ensan
guined plain, and helped to counteract the inequality between a boy of twelve and a man of mature years. A wise discretion ruled with regard to the personnel of the fighting line. Stevenson possessed a horde of particularly chubby cavalrymen, who, when marshalled in close formation at the head of the infantry, could bear unscathed the most accurate and overwhelming fire, and thus shelter their weaker brethren in the rear. This was offset by his “Old Guard,” whose unfortunate peculiarity of carrying their weapons at the charge often involved 262 whole regiments in a common ruin. On my side there was a multitude of flimsy Swiss, for whom I trembled whenever they were called to action. These Swiss were so weak upon their legs that the merest breath would mow them down in columns, and so deficient in stamina that they would often fall before they were hurt. Their ranks were burdened, too, with a number of egregious puppets with musical instruments, who never fell without entangling a few of their comrades.