Kiss Her Goodbye

by Wendy Corsi Staub

  WAITING TO STRIKE

  It’s almost time.

  Jen has disappeared into the bathroom upstairs with the two children. The plan has already become complicated. At first, it almost seemed prudent to wait, to search for another opportunity to get to Jen when she’s alone and vulnerable. But that’s starting to become more and more difficult. Especially now that they’ve gone and changed the locks at 9 Sarah Crescent.

  Very clever of Kathleen to do that—or so she believed. Has it given her a false sense of security? Does she think that simply by changing the locks she can keep at bay any threat to her cozy little world? And did Jen assume, when she checked the front door lock just now, that she’s safe because she’s on this side of it?

  Did it never occur to her that the danger she’s instinctively bent on evading might have slipped into the house when nobody was looking?

  Giggling children and their unsuspecting babysitter retreat down the hall. The door is left ajar; voices float down the stairs. She’s reading a story.

  Goodnight, Moon.

  Damn Jen for choosing that book to read tonight.

  Damn her for dredging up memories better left where they belong: buried beneath decades of bitter resentment . . . and blood lust.

  Damn her to hell.

  It’s time to do just that.

  Time to step out of the shadows.

  Goodnight, Moon.

  Goodbye, Jen . . .

  Books by Wendy Corsi Staub

  DEARLY BELOVED

  FADE TO BLACK

  ALL THE WAY HOME

  THE LAST TO KNOW

  IN THE BLINK OF AN EYE

  SHE LOVES ME NOT

  KISS HER GOODBYE

  LULLABY AND GOODNIGHT

  THE FINAL VICTIM

  MOST LIKELY TO DIE

  DON’T SCREAM

  DYING BREATH

  Published by Kensington Publishing Corporation

  WENDY CORSI STAUB

  KISS HER GOODBYE

  ZEBRA BOOKS

  KENSINGTON PUBLISHING CORP.

  www.kensingtonbooks.com

  All copyrighted material within is Attributor Protected.

  Table of Contents

  WAITING TO STRIKE

  Books by Wendy Corsi Staub

  Title Page

  Dedication

  ACKNOWLEDGMENTS

  PROLOGUE

  PART I - OCTOBER

  ONE

  TWO

  THREE

  FOUR

  FIVE

  SIX

  PART II - NOVEMBER

  SEVEN

  EIGHT

  NINE

  TEN

  ELEVEN

  TWELVE

  THIRTEEN

  PART III - DECEMBER

  FOURTEEN

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  EIGHTEEN

  EPILOGUE

  Teaser chapter

  Copyright Page

  Dedicated in heartfelt memory of my cherished friend,

  the gentle Big Man

  Jon Charles Gifford

  8/7/59–7/8/03

  “Here’s to you and those like you.

  Damned few left.”

  And with love to William Pijuan, aka Uncle Bill,

  who bravely carries on.

  And, as always, to Mark, Morgan, and Brody.

  ACKNOWLEDGMENTS

  The author gratefully acknowledges, in reverse alphabetical order for a change, Wendy Zemanski, Walter Zacharius, Steve Zacharius, Mark Staub, John Scognamiglio, Joan Schul-hafer, Janice Rossi Schaus, Laura Blake Peterson, Laurie Parkin, Doug Mendini, Gena Massarone, Kelly Going, Kyle Cadley, and Danielle Boniello.

  PROLOGUE

  August

  Her thoughts, that Tuesday night as she walks along the edge of the road, are mainly occupied by the first day of school tomorrow.

  What she’ll wear, who she’ll have for homeroom, and whether she’ll get third or fourth period lunch. Seniors always get one or the other of the later lunch periods. That’ll be a nice switch. Last year, she had first period; who wants sloppy joes or egg salad at 10:20 in the morning?

  The pothole pocked pavement of Cuttington Road shines in the murky glow of streetlights; the strip of ground that borders it is still muddy from this morning’s hard rain.

  Ma always reminds her to walk in the gutter, not the road, on her way home from her job at the fast-food place out on the highway. But she can’t walk in the mud; she’s wearing sandals.

  And anyway, it’s less than half a mile, and there isn’t a lot of traffic on this old, winding back road leading to their apartment complex at this time of night. A year or two ago, there wasn’t any through traffic at all; the only thing out here in the woods was Orchard Arms, a cluster of boxy, stucco, two-story buildings with rectangular wrought-iron balconies cluttered with potted impatiens, tricycles, and hibachis.

  Then bulldozers rolled in and created a development where the woods used to be. They call it Orchard Hollow, probably because of all the apple trees they tore down to make way for the houses. Now, farther down the road, just past Orchard Arms, cul de sacs branch off from Cuttington Road like jeweled fingers on a work-roughened hand.

  Two- and three-story houses with two- and three-car garages sprang up where there used to be only trees and brambles. In the garages are shiny cars and SUVs; in the homes are people who complain about the ruts and poor lighting along the old road that leads to Orchard Hollow. It’s always been bad but nobody other than the apartment complex’s residents ever cared until now. The construction equipment has torn up the pavement worse than ever, but they’re still building back there.

  The new houses have broad decks and brick terraces instead of wrought-iron balconies. They have real yards with raised beds of roses, wide gas grills, and elaborate wooden swing sets. Some of them even have in-ground pools.

  On the hottest days of this summer, as she sat out on the balcony, she could sometimes hear the sound of splashing and gleeful shouts in the distance.

  She often wondered what it would be like to make friends with one of the girls who ride her bus. Then she might be invited over to one of their pools to swim.

  But so far, that hasn’t happened. The girls from the development stick together, and she, as the only kid her age living in Orchard Arms, keeps to herself on the bus. Sometimes she eavesdrops on the other girls’ conversations when they talk about things that interest her. Things like boys at Woodsbridge High and sales at Abercrombie & Fitch over at the Galleria. But when they discuss things to which she can’t relate—like curfews and overly strict fathers and nosy mothers who are always home, always asking questions—well, then she tunes them out.

  She sticks to the very edge of the pavement as she walks, doing her best to pick her way around the puddles that fill the potholes. Her toes are getting wet and dirty anyway.

  Tomorrow, she’ll have to put on regular shoes again for the first time in two months, she thinks with a tinge of regret. Regular shoes and regular clothes. In western New York, the days of sandals and shorts and tank tops are too fleeting as it is—you’d think Woodsbridge High would allow students to wear them through the warm days of early September, but nope.

  What a waste of a pedicure, she thinks, remembering how painstakingly she polished her toenails pearly pink just this morning while she was sitting on the balcony watching the rain.

  She hears a car splashing toward her from behind and steps farther off the road to let it pass.

  It doesn’t pass.

  Gravel crunches beneath the tires as it slows; the headlights illuminate the road before her, casting an eerily long, distorted shadow of herself.

  She wonders, as she turns toward the blind
ing lights, whether it’s somebody she knows from Orchard Arms, stopping to give her a ride.

  Her next thought, a belated thought, is that Ma always tells her to walk facing traffic, not with it, so that she can see what’s coming toward her.

  And her last coherent thought as the car door opens and she is dragged roughly inside is that she never, ever would have seen this coming.

  PART I

  OCTOBER

  ONE

  “Mrs. Carmody?”

  Startled, Kathleen glances up at the orthodontist’s bleached-blond receptionist.

  “Yes?”

  “We need your insurance card again.”

  With a sigh, Kathleen puts aside an issue of Rosie magazine—a relic of a bygone era when there actually was a Rosie magazine—takes her purse from the back of her uncomfortable chair and crosses the crowded waiting room. Her ten-year-old son Curran, absorbed in his Gameboy, is the only one who doesn’t look up.

  Kathleen fishes for the card in her wallet, hands it to the woman, and waits while she examines it, frowns, photocopies it, and frowns again.

  “Is this new insurance?” the receptionist asks.

  “Not since we started coming here in May.” She wonders if the receptionist is new. She’s never seen her here before.

  “Not a new group number?”

  “Nope.” Kathleen sighs inwardly. What is it with insurance? It’s been six months since Matt switched jobs and they moved to western New York, but every doctor, dentist, and orthodontist appointment brings another round of complications.

  The woman spins her chair toward a computer, taps a few keys with her right hand while holding the insurance card in her left. The computer whirs, and she glances up. “It’ll be a few seconds; I just have to check something, Mrs. . . . Katie?”

  Katie.

  A name from the past. Which means that the unfamiliar receptionist is also a name, a voice, a face from the past.

  It’s Kathleen’s turn to frown, in that vague, polite, have we met? manner she’s perfected since the move.

  “You’re Katie Gallagher, right?”

  Not anymore, thank God.

  “I used to be.” Kathleen forces a pleasant smile. “It’s Kathleen Carmody now.”

  “I’m Deb. Deb Duffy, I used to be, but now I’m Deb Mahalski.”

  The name doesn’t ring a bell. Not that it would. Kathleen did her best to block out just about everyone she used to know. It’s easier that way.

  “I thought you moved away years ago,” the woman chatters on.

  Kathleen wants nothing more than to grab Curran and his Gameboy and bolt, but that’s out of the question. This isn’t the first time she’s run into somebody who used to know her. And anyway, the receptionist is still holding her insurance card.

  “I’m . . . I did, but I’m back,” Kathleen murmurs, absently noting Deb Mahalski’s impossibly long, curved, crimson fingernails and wondering how she manages the keyboard.

  “Where are you living now?”

  “Woodsbridge.”

  Kathleen watches the woman glance down at her file on the desk; sees her overly plucked and penciled-in eyebrows rise. “Orchard Hollow? You’ve come a long way since Saint Brigid’s.”

  So that’s it. We were Catholic schoolgirls together in another lifetime.

  “Did you hear they tore down the church and school a few years ago to build a new Wegman’s?”

  “I heard.”

  “That’s your son?” Deb asks, with a nod at Curran.

  “Yes.”

  “I have two girls, three and five.” She gestures her poufy pile of hair, caught back in a plastic butterfly clip, toward a framed photo on the desk. “Do you have other kids?”

  “A younger son. And a daughter. She’s . . . older.”

  “And you’re married?”

  “Mmm hmm.”

  It’s not as though she can dodge the questions. After all, few taps of the computer keys would reveal everything anyone would want to know about her life.

  Not everything.

  Nobody knows everything. Not even Matt. Nor the children.

  And they never will, Kathleen assures herself, clasping her trembling hands into fists within the deep pockets of her corduroy barn coat.

  “I’m home! Sorry I’m late, Jen!” Stella Gattinski calls as she simultaneously steps from the attached garage into her kitchen and out of the brown leather pumps that have tortured her feet all afternoon.

  “It’s okay, Mrs. Gattinski.”

  Jen Carmody, the “bestest and most beautifulest babysitter in the whole wide world,” according to Stella’s two-year-old twin daughters, smiles up from the raised brick hearth in the adjoining family room, where a stuffed animal tea party is in progress.

  The April day the Carmody family moved to Woodsbridge from the Midwest was one lucky day for Stella. Wholesome Jen is terrific with Mackenzie and Michaela, and she’s at the perfect age: about thirteen. Old enough to be responsible for two small children, and too young for dating, driving, and most extracurricular school activities.

  She comes every Wednesday to meet the twins when the day care bus drops them off. Wednesdays are Stella’s late day at school; she’s the French club advisor and that’s the afternoon they meet.

  Before Stella hired Jen, she was forced to rely on Elise Gattinski, aka the mother-in-law from hell, for Wednesday child care. Her own mother used to do it, but ever since Daddy’s death last year, Stella hates to ask her. Mom’s grown increasingly frail; she isn’t up to caring for a pair of twin preschoolers.

  Kurt’s mother is hardly frail and she frequently offers to help out, but Stella always loathed using her as a regular babysitter. Not a week went by when Elise didn’t make some dig about working mothers neglecting their children’s needs—and, even worse, their husbands’ needs. Thank God Stella no longer needs her help, unless she’s in a pinch.

  “Mommy, Jen doesn’t have to leave now, does she?”

  “Yeah, Mommy, she said we can play Candyland again after this,” Michaela promptly joins Mackenzie’s whining. “Can you go back to work?”

  Stella grins. “Sorry, kiddo. You’re stuck with me.”

  There’s a brief commotion, then Michaela breaks off midwail to announce, “Mommy, guess what? Jen rescued a ladybug!”

  “Yeah, the ladybug landed on her arm and I hate bugs so I wanted to kill it but Jen wouldn’t let us,” MacKenzie puts in.

  “She says never kill anything,” Michaela adds, “not even yucky bugs! Because they want to go home to their mommies.”

  “Jen’s right,” Stella says approvingly. “Did anyone call, Jen?”

  “Just Mr. Gattinski.” Jen doesn’t seem to mind Mackenzie’s hands attempting to braid her long blond hair. “He said to tell you he’s got a late meeting and to eat without him.”

  Stella’s grin fades. Another late meeting. That’s the second time this week, and it’s only half-over.

  “Kenz, get your hands out of Jen’s hair,” she says absently, wondering who Kurt’s meeting with tonight.

  His promotion to vice president at Lakeside Savings and Loan seemed like a blessing, coming at the tail end of Stella’s extended maternity leave. But that was almost two years ago, when money was scarce and family togetherness was not. Their household had just doubled in size, sweeping a dazed Stella from busy middle school teacher to invalid on bedrest to stay-at-home mom. Quite honestly, Kurt—with his banker’s hours—was underfoot and on her nerves at that point, anyway.

  Now she’s back to work; he’s a vice president; they’ve got a savings account, a Volvo station wagon, a weekly housekeeper, and this newly built center hall Colonial in Orchard Hollow.

  Not to mention the most adorable little girls on the planet.

  Life couldn’t be better.

  Really.

  After checking the clock on the microwave—5:26 already? —Stella fumbles in her wallet for a twenty and a ten. Jen’s been here since three, and her hourly rate is only eight
dollars, but Stella gives her ten an hour and always rounds up. The twins are a handful. Plus, it’s only one afternoon a week.

  “Girls, get off Jen’s lap so she can stand up,” Stella says.

  Her daughters ignore her.

  Jen giggles as Michaela throws her arms around her and gives her a bear hug.

  Depositing her purse on the breakfast bar, Stella strides across the toy-strewn carpet, money in hand. She deftly plucks a wriggling Mackenzie off of Jen and pries Michaela’s arms from around Jen’s neck.

  “I know you guys love Jen, but she has to go home. Her mommy is probably wondering where she is.” And your mommy is wondering where your daddy is. “Please tell your mom I’m sorry it’s so late, Jen.”

  “Actually, my mom’s not home. She had to take Curran to the orthodontist in Amherst at four and they never get out of there for hours.”

  That’s true. Kathleen Carmody was complaining about it just the other day when Stella ran into her at the supermarket. She mentioned that her older son has had three appointments with Doctor Deare so far and he’s always running behind—and that his waiting room magazines are at least a year old.

  “Maybe I should take up cross-stitch or knitting,” Kathleen said, rolling her green eyes. “I’ve got years of this ahead of me. Our dentist is already positive that Riley”—the youngest Carmody—“is going to need braces, too.”

  But not Jen. Stella finds herself admiring the teenager’s perfectly even white smile. Add that to her wide-set brown eyes, fine bone structure, and willowy build, and she looks like a fresh-faced fashion model. She even has a quirky characteristic on par with Cindy Crawford’s mole and Lauren Hutton’s widely spaced front teeth: a thin streak of white hair running through the golden brown hair of her left eyebrow.