Complete Works of Thomas Hardy (Illustrated)

by Thomas Hardy

  “I don’t know,” said Bathsheba.

  “I’ve never heard of any such thing, ma’am,” said two or three.

  “It is hardly likely, either,” continued Bathsheba. “For any lover of hers might have come to the house if he had been a respectable lad. The most mysterious matter connected with her absence — indeed, the only thing which gives me serious alarm — is that she was seen to go out of the house by Maryann with only her indoor working gown on — not even a bonnet.”

  “And you mean, ma’am, excusing my words, that a young woman would hardly go to see her young man without dressing up,” said Jacob, turning his mental vision upon past experiences. “That’s true — she would not, ma’am.”

  “She had, I think, a bundle, though I couldn’t see very well,” said a female voice from another window, which seemed that of Maryann. “But she had no young man about here. Hers lives in Casterbridge, and I believe he’s a soldier.”

  “Do you know his name?” Bathsheba said.

  “No, mistress; she was very close about it.”

  “Perhaps I might be able to find out if I went to Casterbridge barracks,” said William Smallbury.

  “Very well; if she doesn’t return to-morrow, mind you go there and try to discover which man it is, and see him. I feel more responsible than I should if she had had any friends or relations alive. I do hope she has come to no harm through a man of that kind… And then there’s this disgraceful affair of the bailiff — but I can’t speak of him now.”

  Bathsheba had so many reasons for uneasiness that it seemed she did not think it worth while to dwell upon any particular one. “Do as I told you, then,” she said in conclusion, closing the casement.

  “Ay, ay, mistress; we will,” they replied, and moved away.

  That night at Coggan’s, Gabriel Oak, beneath the screen of closed eyelids, was busy with fancies, and full of movement, like a river flowing rapidly under its ice. Night had always been the time at which he saw Bathsheba most vividly, and through the slow hours of shadow he tenderly regarded her image now. It is rarely that the pleasures of the imagination will compensate for the pain of sleeplessness, but they possibly did with Oak to-night, for the delight of merely seeing her effaced for the time his perception of the great difference between seeing and possessing.

  He also thought of plans for fetching his few utensils and books from Norcombe. The Young Man’s Best Companion, The Farrier’s Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, Ash’s Dictionary, and Walkingame’s Arithmetic, constituted his library; and though a limited series, it was one from which he had acquired more sound information by diligent perusal than many a man of opportunities has done from a furlong of laden shelves.

  CHAPTER IX

  THE HOMESTEAD — A VISITOR — HALF-CONFIDENCES

  By daylight, the bower of Oak’s new-found mistress, Bathsheba Everdene, presented itself as a hoary building, of the early stage of Classic Renaissance as regards its architecture, and of a proportion which told at a glance that, as is so frequently the case, it had once been the memorial hall upon a small estate around it, now altogether effaced as a distinct property, and merged in the vast tract of a non-resident landlord, which comprised several such modest demesnes.

  Fluted pilasters, worked from the solid stone, decorated its front, and above the roof the chimneys were panelled or columnar, some coped gables with finials and like features still retaining traces of their Gothic extraction. Soft brown mosses, like faded velveteen, formed cushions upon the stone tiling, and tufts of the houseleek or sengreen sprouted from the eaves of the low surrounding buildings. A gravel walk leading from the door to the road in front was encrusted at the sides with more moss — here it was a silver-green variety, the nut-brown of the gravel being visible to the width of only a foot or two in the centre. This circumstance, and the generally sleepy air of the whole prospect here, together with the animated and contrasting state of the reverse façade, suggested to the imagination that on the adaptation of the building for farming purposes the vital principle of the house had turned round inside its body to face the other way. Reversals of this kind, strange deformities, tremendous paralyses, are often seen to be inflicted by trade upon edifices — either individual or in the aggregate as streets and towns — which were originally planned for pleasure alone.

  Lively voices were heard this morning in the upper rooms, the main staircase to which was of hard oak, the balusters, heavy as bed-posts, being turned and moulded in the quaint fashion of their century, the handrail as stout as a parapet-top, and the stairs themselves continually twisting round like a person trying to look over his shoulder. Going up, the floors above were found to have a very irregular surface, rising to ridges, sinking into valleys; and being just then uncarpeted, the face of the boards was seen to be eaten into innumerable vermiculations. Every window replied by a clang to the opening and shutting of every door, a tremble followed every bustling movement, and a creak accompanied a walker about the house, like a spirit, wherever he went.

  In the room from which the conversation proceeded Bathsheba and her servant-companion, Liddy Smallbury, were to be discovered sitting upon the floor, and sorting a complication of papers, books, bottles, and rubbish spread out thereon — remnants from the household stores of the late occupier. Liddy, the maltster’s great-granddaughter, was about Bathsheba’s equal in age, and her face was a prominent advertisement of the light-hearted English country girl. The beauty her features might have lacked in form was amply made up for by perfection of hue, which at this winter-time was the softened ruddiness on a surface of high rotundity that we meet with in a Terburg or a Gerard Douw; and, like the presentations of those great colourists, it was a face which kept well back from the boundary between comeliness and the ideal. Though elastic in nature she was less daring than Bathsheba, and occasionally showed some earnestness, which consisted half of genuine feeling, and half of mannerliness superadded by way of duty.

  Through a partly-opened door the noise of a scrubbing-brush led up to the charwoman, Maryann Money, a person who for a face had a circular disc, furrowed less by age than by long gazes of perplexity at distant objects. To think of her was to get good-humoured; to speak of her was to raise the image of a dried Normandy pippin.

  “Stop your scrubbing a moment,” said Bathsheba through the door to her. “I hear something.”

  Maryann suspended the brush.

  The tramp of a horse was apparent, approaching the front of the building. The paces slackened, turned in at the wicket, and, what was most unusual, came up the mossy path close to the door. The door was tapped with the end of a crop or stick.

  “What impertinence!” said Liddy, in a low voice. “To ride up the footpath like that! Why didn’t he stop at the gate? Lord! ‘Tis a gentleman! I see the top of his hat.”

  “Be quiet!” said Bathsheba.

  The further expression of Liddy’s concern was continued by aspect instead of narrative.

  “Why doesn’t Mrs. Coggan go to the door?” Bath-sheba continued.

  Rat-tat-tat-tat resounded more decisively from Bath-sheba’s oak.

  “Maryann, you go!” said she, fluttering under the onset of a crowd of romantic possibilities.

  “Oh ma’am — see, here’s a mess!”

  The argument was unanswerable after a glance at Maryann.

  “Liddy — you must,” said Bathsheba.

  Liddy held up her hands and arms, coated with dust from the rubbish they were sorting, and looked imploringly at her mistress.

  “There — Mrs. Coggan is going!” said Bathsheba, exhaling her relief in the form of a long breath which had lain in her bosom a minute or more.

  The door opened, and a deep voice said —

  “Is Miss Everdene at home?”

  “I’ll see, sir,” said Mrs. Coggan, and in a minute appeared in the room.

  “Dear, what a thirtover place this world is!” continued Mrs. Coggan (a wholesome
-looking lady who had a voice for each class of remark according to the emotion involved; who could toss a pancake or twirl a mop with the accuracy of pure mathematics, and who at this moment showed hands shaggy with fragments of dough and arms encrusted with flour). “I am never up to my elbows, Miss, in making a pudding but one of two things do happen — either my nose must needs begin tickling, and I can’t live without scratching it, or somebody knocks at the door. Here’s Mr. Boldwood wanting to see you, Miss Everdene.”

  A woman’s dress being a part of her countenance, and any disorder in the one being of the same nature with a malformation or wound in the other, Bathsheba said at once —

  “I can’t see him in this state. Whatever shall I do?”

  Not-at-homes were hardly naturalised in Weatherbury farmhouses, so Liddy suggested — ”Say you’re a fright with dust, and can’t come down.”

  “Yes — that sounds very well,” said Mrs. Coggan, critically.

  “Say I can’t see him — that will do.”

  Mrs. Coggan went downstairs, and returned the answer as requested, adding, however, on her own responsibility, “Miss is dusting bottles, sir, and is quite a object — that’s why ‘tis.”

  “Oh, very well,” said the deep voice indifferently. “All I wanted to ask was, if anything had been heard of Fanny Robin?”

  “Nothing, sir — but we may know to-night. William Smallbury is gone to Casterbridge, where her young man lives, as is supposed, and the other men be inquiring about everywhere.”

  The horse’s tramp then recommenced and retreated, and the door closed.

  “Who is Mr. Boldwood?” said Bathsheba.

  “A gentleman-farmer at Little Weatherbury.”

  “Married?”

  “No, miss.”

  “How old is he?”

  “Forty, I should say — very handsome — rather stern-looking — and rich.”

  “What a bother this dusting is! I am always in some unfortunate plight or other,” Bathsheba said, complainingly. “Why should he inquire about Fanny?”

  “Oh, because, as she had no friends in her childhood, he took her and put her to school, and got her her place here under your uncle. He’s a very kind man that way, but Lord — there!”

  “What?”

  “Never was such a hopeless man for a woman! He’s been courted by sixes and sevens — all the girls, gentle and simple, for miles round, have tried him. Jane Perkins worked at him for two months like a slave, and the two Miss Taylors spent a year upon him, and he cost Farmer Ives’s daughter nights of tears and twenty pounds’ worth of new clothes; but Lord — the money might as well have been thrown out of the window.”

  A little boy came up at this moment and looked in upon them. This child was one of the Coggans, who, with the Smallburys, were as common among the families of this district as the Avons and Derwents among our rivers. He always had a loosened tooth or a cut finger to show to particular friends, which he did with an air of being thereby elevated above the common herd of afflictionless humanity — to which exhibition people were expected to say “Poor child!” with a dash of congratulation as well as pity.

  “I’ve got a pen-nee!” said Master Coggan in a scanning measure.

  “Well — who gave it you, Teddy?” said Liddy.

  “Mis-terr Bold-wood! He gave it to me for opening the gate.”

  “What did he say?”

  “He said, ‘Where are you going, my little man?’ and I said, ‘To Miss Everdene’s please,’ and he said, ‘She is a staid woman, isn’t she, my little man?’ and I said, ‘Yes.’“

  “You naughty child! What did you say that for?”

  “‘Cause he gave me the penny!”

  “What a pucker everything is in!” said Bathsheba, discontentedly when the child had gone. “Get away, Maryann, or go on with your scrubbing, or do something! You ought to be married by this time, and not here troubling me!”

  “Ay, mistress — so I did. But what between the poor men I won’t have, and the rich men who won’t have me, I stand as a pelican in the wilderness!”

  “Did anybody ever want to marry you miss?” Liddy ventured to ask when they were again alone. “Lots of ‘em, I daresay?”

  Bathsheba paused, as if about to refuse a reply, but the temptation to say yes, since it was really in her power was irresistible by aspiring virginity, in spite of her spleen at having been published as old.

  “A man wanted to once,” she said, in a highly experienced tone, and the image of Gabriel Oak, as the farmer, rose before her.

  “How nice it must seem!” said Liddy, with the fixed features of mental realisation. “And you wouldn’t have him?”

  “He wasn’t quite good enough for me.”

  “How sweet to be able to disdain, when most of us are glad to say, ‘Thank you!’ I seem I hear it. ‘No, sir — I’m your better.’ or ‘Kiss my foot, sir; my face is for mouths of consequence.’ And did you love him, miss?”

  “Oh, no. But I rather liked him.”

  “Do you now?”

  “Of course not — what footsteps are those I hear?”

  Liddy looked from a back window into the courtyard behind, which was now getting low-toned and dim with the earliest films of night. A crooked file of men was approaching the back door. The whole string of trailing individuals advanced in the completest balance of intention, like the remarkable creatures known as Chain Salpæ, which, distinctly organized in other respects, have one will common to a whole family. Some were, as usual, in snow-white smock-frocks of Russia duck, and some in whitey-brown ones of drabbet — marked on the wrists, breasts, backs, and sleeves with honeycomb-work. Two or three women in pattens brought up the rear.

  “The Philistines be upon us,” said Liddy, making her nose white against the glass.

  “Oh, very well. Maryann, go down and keep them in the kitchen till I am dressed, and then show them in to me in the hall.”

  CHAPTER X

  MISTRESS AND MEN

  Half-an-hour later Bathsheba, in finished dress, and followed by Liddy, entered the upper end of the old hall to find that her men had all deposited themselves on a long form and a settle at the lower extremity. She sat down at a table and opened the time-book, pen in her hand, with a canvas money-bag beside her. From this she poured a small heap of coin. Liddy chose a position at her elbow and began to sew, sometimes pausing and looking round, or, with the air of a privileged person, taking up one of the half-sovereigns lying before her and surveying it merely as a work of art, while strictly preventing her countenance from expressing any wish to possess it as money.

  “Now before I begin, men,” said Bathsheba, “I have two matters to speak of. The first is that the bailiff is dismissed for thieving, and that I have formed a resolution to have no bailiff at all, but to manage everything with my own head and hands.”

  The men breathed an audible breath of amazement.

  “The next matter is, have you heard anything of Fanny?”

  “Nothing, ma’am.”

  “Have you done anything?”

  “I met Farmer Boldwood,” said Jacob Smallbury, “and I went with him and two of his men, and dragged Newmill Pond, but we found nothing.”

  “And the new shepherd have been to Buck’s Head, by Yalbury, thinking she had gone there, but nobody had seed her,” said Laban Tall.

  “Hasn’t William Smallbury been to Casterbridge?”

  “Yes, ma’am, but he’s not yet come home. He promised to be back by six.”

  “It wants a quarter to six at present,” said Bathsheba, looking at her watch. “I daresay he’ll be in directly. Well, now then” — she looked into the book — ”Joseph Poorgrass, are you there?”

  “Yes, sir — ma’am I mane,” said the person addressed. “I be the personal name of Poorgrass.”

  “And what are you?”

  “Nothing in my own eye. In the eye of other people — well, I don’t say it; though public thought will out.”

  “What do you do on the
farm?”

  “I do do carting things all the year, and in seed time I shoots the rooks and sparrows, and helps at pig-killing, sir.”

  “How much to you?”

  “Please nine and ninepence and a good halfpenny where ‘twas a bad one, sir — ma’am I mane.”

  “Quite correct. Now here are ten shillings in addition as a small present, as I am a new comer.”

  Bathsheba blushed slightly at the sense of being generous in public, and Henery Fray, who had drawn up towards her chair, lifted his eyebrows and fingers to express amazement on a small scale.

  “How much do I owe you — that man in the corner — what’s your name?” continued Bathsheba.

  “Matthew Moon, ma’am,” said a singular framework of clothes with nothing of any consequence inside them, which advanced with the toes in no definite direction forwards, but turned in or out as they chanced to swing.

  “Matthew Mark, did you say? — speak out — I shall not hurt you,” inquired the young farmer, kindly.

  “Matthew Moon, mem,” said Henery Fray, correctingly, from behind her chair, to which point he had edged himself.

  “Matthew Moon,” murmured Bathsheba, turning her bright eyes to the book. “Ten and twopence halfpenny is the sum put down to you, I see?”

  “Yes, mis’ess,” said Matthew, as the rustle of wind among dead leaves.

  “Here it is, and ten shillings. Now the next — Andrew Randle, you are a new man, I hear. How come you to leave your last farm?”

  “P-p-p-p-p-pl-pl-pl-pl-l-l-l-l-ease, ma’am, p-p-p-p-pl-pl- pl-pl-please, ma’am-please’m-please’m — ”

  “‘A’s a stammering man, mem,” said Henery Fray in an undertone, “and they turned him away because the only time he ever did speak plain he said his soul was his own, and other iniquities, to the squire. ‘A can cuss, mem, as well as you or I, but ‘a can’t speak a common speech to save his life.”

  “Andrew Randle, here’s yours — finish thanking me in a day or two. Temperance Miller — oh, here’s another, Soberness — both women I suppose?”