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Constance Fenimore Woolson

Page 43

by Anne Boyd Rioux


  beginnings of, xv, xviii, 14, 24, 26–27, 32, 51, 53, 59–74

  commercial vs. artistic success of, 278–79

  contemporary reputation of, xiv, 75–76, 81, 104–5, 125, 141, 145, 150–56, 158, 165, 192, 241, 250, 267, 296, 319, 320–21

  as critic, 130–31

  critical response to, 80–84, 92, 104–5, 109, 125, 128–31, 141–42, 153–56, 158, 176, 200–203, 209–12, 219–22, 236, 241–42, 319, 320–24

  first major phase of, 75–97

  as forgotten author, xiv, 319–20

  HJ’s critiques of, 102, 110, 172, 175, 200, 201, 203, 206, 208–12, 213, 219–22, 233

  HJ’s work critiqued by, 130–31, 152–53, 156, 176

  legacy of, 319–26

  literary friendships of, 90–95, 127, 132; see also specific individuals

  literary philosophy of, 78–79, 109–10, 131–32, 138–39, 150, 250, 279, 283

  monetary motivation of, 24, 60, 71, 74, 121, 174, 240, 262, 272, 278

  poetry of, 35–36, 52, 86–87, 91, 93–95, 101, 128–29, 132

  social limitations on, 22–27

  Woolson, Constance Fenimore, literary works

  “The Ancient City,” 87–89, 91–92, 96

  Anne, 42, 89, 108–13, 116, 121, 136, 150–56, 157, 160, 167, 175, 202, 241, 267, 272, 283, 312

  “At the Chateau of Corinne,” 147–50, 159, 219–20

  “Ballast Island,” 77

  “ ‘Bro,’ ” 141

  “Cairo in 1890,” 251, 254, 254

  “Castle Nowhere,” 77, 82–83, 89, 92–93, 95, 109

  Castle Nowhere: Lake-Country Sketches, 83–84, 92, 108, 200

  “Cicely’s Christmas,” 68

  “Crowder’s Cove,” 103

  “Dorothy,” 255, 259–60, 270

  East Angels, 172–80, 182, 185, 200–203, 211, 216, 219–20, 232, 283, 351

  “The Fairy Island,” 63

  “Felipa,” 88, 141

  “A Florentine Experiment,” 126–39, 140

  “A Flower of the Snow,” 47–48, 71

  For the Major, 121, 157–60, 200, 202, 322

  “The Happy Valley,” 63

  “A Haunted Lake,” 63

  “Hepzibah’s Story,” 51–52, 71–72

  Horace Chase, 99, 278–85, 288, 289, 295, 296, 300, 321

  “In Memorium. G.S.B. February 6, 1871,” 70

  “In Sloane Street,” 273–77

  “In the Cotton Country,” 103, 141

  “In Venice,” 167

  “Jeannette,” 92

  Jupiter Lights, 228–29, 231–36, 237, 240, 241, 267, 272, 273, 279, 280, 283, 351

  “King David,” 89, 105, 141

  “The Lady of Little Fishing,” 77, 81, 82

  “A Merry Christmas,” 68

  “Miss Elisabetha,” 141

  “Miss Grief,” 123–27, 128–31, 135, 138, 146, 148, 150, 156, 313, 324

  “Mission Endeavor,” 77

  “Mrs. Edward Pinckney,” 115–16

  “Neptune’s Shore,” 231–32

  “An October Idyll,” 63

  “Old Gardiston,” 103, 105, 141

  “The Old Palace Keeper,” 140

  The Old Stone House, 22, 26, 27, 34, 35, 45–46, 72–73, 125

  “Peter the Parson,” 77, 80–81, 82, 83, 89, 92

  “Pine-Barrens,” 86–87

  “A Pink Villa,” 231, 232

  “Rodman the Keeper,” 103, 104, 107, 125, 141

  Rodman the Keeper: Southern Sketches, 141, 151, 312

  “St. Clair Flats,” 75, 77, 82, 84

  “Sister St. Luke,” 141

  “Solomon,” 75, 79–80, 82, 84

  “The South Devil,” 141

  “The Street of the Hyacinth,” 145–47, 148, 150

  “Symmes’ Hole,” 23

  “A Transplanted Boy,” 293–95

  Two Women, 94, 101, 128–31, 172

  “Up in the Blue Ridge,” 141

  “A Voyage to the Unknown River,” 87

  “Wilhelmina,” 51

  Woolson, Ellen Alida (sister), 17

  Woolson, Gertrude (sister), 3–5, 8, 9, 12, 13, 17, 116

  Woolson, Hannah Cooper Pomeroy (mother), 4, 6, 10–13, 17, 23, 28, 33, 41, 63, 65, 103, 106–7, 280

  breakdown and grieving of, 3–5, 9, 12, 17, 116

  CFW’s relationship with, 18, 31, 51, 60, 71, 74, 97, 98–99, 101, 108–9, 113, 121–22, 159

  death of, 114–16, 121, 123, 126, 130, 159, 168

  family background of, 8–9

  ill health of, 31–32, 84–86, 98, 99, 108, 114, 116

  marriage of, 5, 11

  Woolson, Hannah Peabody, 6, 19

  Woolson, Hitchcock, & Carter, 15, 33, 54, 60, 235

  Woolson, Julia (sister), 3–5, 8, 9, 12, 13, 17, 116

  Woolson, Thomas, 6

  Woolson Stoves, 6, 14–15

  World War I, 313, 322

  Yonkers, N.Y., 107–8, 114, 116

  Youth’s Companion, The, 73

  Zhukovsky, Paul, 135, 356

  Zoar settlement, 26–27, 59, 63, 85, 260

  Zola, Emile, 236

  ALSO BY ANNE BOYD RIOUX

  Writing for Immortality: Women and

  the Emergence of High Literary Culture in America

  Wielding the Pen: Writings on Authorship

  by American Women of the Nineteenth Century

  Copyright © 2016 by Anne Boyd Rioux

  All rights reserved

  First Edition

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  Book design by Brooke Koven

  Production manager: Anna Oler

  The Library of Congress has cataloged the printed edition as follows:

  Names: Rioux, Anne Boyd, author.

  Title: Constance Fenimore Woolson : portrait of a lady novelist / Anne Boyd

  Rioux.

  Description: First edition. | New York : W. W. Norton & Company, 2016. |

  Includes bibliographical references and index.

  Identifiers: LCCN 2015036833 | ISBN 9780393245097 (hardcover)

  Subjects: LCSH: Woolson, Constance Fenimore, 1840–1894. | Women novelists,

  American—19th century—Biography. | Women and literature—United

  States—History—19th century.

  Classification: LCC PS3363 .R56 2016 | DDC 813/.4—dc23 LC record

  available at http://lccn.loc.gov/2015036833

  ISBN 978-0-393-24510-3 (e-book)

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