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Vril

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by Edward Bulwer-Lytton


  Through one of these doorways I was conducted into a chamber fitted up with an oriental splendour; the walls were tesselated with spars, and metals, and uncut jewels; cushions and divans abounded; apertures as for windows but unglazed, were made in the chamber opening to the floor; and as I passed along I observed that these openings led into spacious balconies, and commanded views of the illumined landscape without. In cages suspended from the ceiling there were birds of strange form and bright plumage, which at our entrance set up a chorus of song, modulated into tune as is that of our piping bullfinches. A delicious fragrance, from censers of gold elaborately sculptured, filled the air. Several automata, like the one I had seen, stood dumb and motionless by the walls. The stranger placed me beside him on a divan and again spoke to me, and again I spoke, but without the least advance towards understanding each other.

  But now I began to feel the effects of the blow I had received from the splinters of the falling rock more acutely that I had done at first.

  There came over me a sense of sickly faintness, accompanied with acute, lancinating pains in the head and neck. I sank back on the seat and strove in vain to stifle a groan. On this the child, who had hitherto seemed to eye me with distrust or dislike, knelt by my side to support me; taking one of my hands in both his own, he approached his lips to my forehead, breathing on it softly. In a few moments my pain ceased; a drowsy, heavy calm crept over me; I fell asleep.

  How long I remained in this state I know not, but when I woke I felt perfectly restored. My eyes opened upon a group of silent forms, seated around me in the gravity and quietude of Orientals—all more or less like the first stranger; the same mantling wings, the same fashion of garment, the same sphinx–like faces, with the deep dark eyes and red man's colour; above all, the same type of race—race akin to man's, but infinitely stronger of form and grandeur of aspect—and inspiring the same unutterable feeling of dread. Yet each countenance was mild and tranquil, and even kindly in expression. And, strangely enough, it seemed to me that in this very calm and benignity consisted the secret of the dread which the countenances inspired. They seemed as void of the lines and shadows which care and sorrow, and passion and sin, leave upon the faces of men, as are the faces of sculptured gods, or as, in the eyes of Christian mourners, seem the peaceful brows of the dead.

  I felt a warm hand on my shoulder; it was the child's. In his eyes there was a sort of lofty pity and tenderness, such as that with which we may gaze on some suffering bird or butterfly. I shrank from that touch—I shrank from that eye. I was vaguely impressed with a belief that, had he so pleased, that child could have killed me as easily as a man can kill a bird or a butterfly. The child seemed pained at my repugnance, quitted me, and placed himself beside one of the windows. The others continued to converse with each other in a low tone, and by their glances towards me I could perceive that I was the object of their conversation. One in especial seemed to be urging some proposal affecting me on the being whom I had first met, and this last by his gesture seemed about to assent to it, when the child suddenly quitted his post by the window, placed himself between me and the other forms, as if in protection, and spoke quickly and eagerly. By some intuition or instinct I felt that the child I had before so dreaded was pleading in my behalf. Ere he had ceased another stranger entered the room. He appeared older than the rest, though not old; his countenance less smoothly serene than theirs, though equally regular in its features, seemed to me to have more the touch of a humanity akin to my own. He listened quietly to the words addressed to him, first by my guide, next by two others of the group, and lastly by the child; then turned towards myself, and addressed me, not by words, but by signs and gestures. These I fancied that I perfectly understood, and I was not mistaken. I comprehended that he inquired whence I came. I extended my arm, and pointed towards the road which had led me from the chasm in the rock; then an idea seized me. I drew forth my pocket–book, and sketched on one of its blank leaves a rough design of the ledge of the rock, the rope, myself clinging to it; then of the cavernous rock below, the head of the reptile, the lifeless form of my friend. I gave this primitive kind of hieroglyph to my interrogator, who, after inspecting it gravely, handed it to his next neighbour, and it thus passed round the group. The being I had at first encountered then said a few words, and the child, who approached and looked at my drawing, nodded as if he comprehended its purport, and, returning to the window, expanded the wings attached to his form, shook them once or twice, and then launched himself into space without. I started up in amaze and hastened to the window. The child was already in the air, buoyed on his wings, which he did not flap to and fro as a bird does, but which were elevated over his head, and seemed to bear him steadily aloft without effort of his own. His flight seemed as swift as an eagle's; and I observed that it was towards the rock whence I had descended, of which the outline loomed visible in the brilliant atmosphere. In a very few minutes he returned, skimming through the opening from which he had gone, and dropping on the floor the rope and grappling–hooks I had left at the descent from the chasm. Some words in a low tone passed between the being present; one of the group touched an automaton, which started forward and glided from the room; then the last comer, who had addressed me by gestures, rose, took me by the hand, and led me into the corridor. There the platform by which I had mounted awaited us; we placed ourselves on it and were lowered into the hall below. My new companion, still holding me by the hand, conducted me from the building into a street (so to speak) that stretched beyond it, with buildings on either side, separated from each other by gardens bright with rich–coloured vegetation and strange flowers. Interspersed amidst these gardens, which were divided from each other by low walls, or walking slowly along the road, were many forms similar to those I had already seen. Some of the passers–by, on observing me, approached my guide, evidently by their tones, looks, and gestures addressing to him inquiries about myself. In a few moments a crowd collected around us, examining me with great interest, as if I were some rare wild animal. Yet even in gratifying their curiosity they preserved a grave and courteous demeanour; and after a few words from my guide, who seemed to me to deprecate obstruction in our road, they fell back with a stately inclination of head, and resumed their own way with tranquil indifference. Midway in this thoroughfare we stopped at a building that differed from those we had hitherto passed, inasmuch as it formed three sides of a vast court, at the angles of which were lofty pyramidal towers; in the open space between the sides was a circular fountain of colossal dimensions, and throwing up a dazzling spray of what seemed to me fire. We entered the building through an open doorway and came into an enormous hall, in which were several groups of children, all apparently employed in work as at some great factory. There was a huge engine in the wall which was in full play, with wheels and cylinders resembling our own steam–engines, except that it was richly ornamented with precious stones and metals, and appeared to emanate a pale phosphorescent atmosphere of shifting light. Many of the children were at some mysterious work on this machinery, others were seated before tables. I was not allowed to linger long enough to examine into the nature of their employment. Not one young voice was heard—not one young face turned to gaze on us. They were all still and indifferent as may be ghosts, through the midst of which pass unnoticed the forms of the living.

  Quitting this hall, my guide led me through a gallery richly painted in compartments, with a barbaric mixture of gold in the colours, like pictures by Louis Cranach. The subjects described on these walls appeared to my glance as intended to illustrate events in the history of the race amidst which I was admitted. In all there were figures, most of them like the manlike creatures I had seen, but not all in the same fashion of garb, nor all with wings. There were also the effigies of various animals and birds, wholly strange to me, with backgrounds depicting landscapes or buildings. So far as my imperfect knowledge of the pictorial art would allow me to form an opinion, these paintings seemed very accurate in design and ve
ry rich in colouring, showing a perfect knowledge of perspective, but their details not arranged according to the rules of composition acknowledged by our artists—wanting, as it were, a centre; so that the effect was vague, scattered, confused, bewildering—they were like heterogeneous fragments of a dream of art.

  We now came into a room of moderate size, in which was assembled what I afterwards knew to be the family of my guide, seated at a table spread as for repast. The forms thus grouped were those of my guide's wife, his daughter, and two sons. I recognised at once the difference between the two sexes, though the two females were of taller stature and ampler proportions than the males; and their countenances, if still more symmetrical in outline and contour, were devoid of the softness and timidity of expression which give charm to the face of woman as seen on the earth above. The wife wore no wings, the daughter wore wings longer than those of the males.

  My guide uttered a few words, on which all the persons seated rose, and with that peculiar mildness of look and manner which I have before noticed, and which is, in truth, the common attribute of this formidable race, they saluted me according to their fashion, which consists in laying the right hand very gently on the head and uttering a soft sibilant monosyllable—S.Si, equivalent to "Welcome."

  The mistress of the house then seated me beside her, and heaped a golden platter before me from one of the dishes.

  While I ate (and though the viands were new to me, I marvelled more at the delicacy than the strangeness of their flavour), my companions conversed quietly, and, so far as I could detect, with polite avoidance of any direct reference to myself, or any obtrusive scrutiny of my appearance. Yet I was the first creature of that variety of the human race to which I belong that they had ever beheld, and was consequently regarded by them as a most curious and abnormal phenomenon. But all rudeness is unknown to this people, and the youngest child is taught to despise any vehement emotional demonstration. When the meal was ended, my guide again took me by the hand, and, re–entering the gallery, touched a metallic plate inscribed with strange figures, and which I rightly conjectured to be of the nature of our telegraphs. A platform descended, but this time we mounted to a much greater height than in the former building, and found ourselves in a room of moderate dimensions, and which in its general character had much that might be familiar to the associations of a visitor from the upper world. There were shelves on the wall containing what appeared to be books, and indeed were so; mostly very small, like our diamond duodecimos, shaped in the fashion of our volumes, and bound in sheets of fine metal. There were several curious–looking pieces of mechanism scattered about, apparently models, such as might be seen in the study of any professional mechanician. Four automata (mechanical contrivances which, with these people, answer the ordinary purposes of domestic service) stood phantom–like at each angle in the wall. In a recess was a low couch, or bed with pillows. A window, with curtains of some fibrous material drawn aside, opened upon a large balcony. My host stepped out into the balcony; I followed him. We were on the uppermost story of one of the angular pyramids; the view beyond was of a wild and solemn beauty impossible to describe:—the vast ranges of precipitous rock which formed the distant background, the intermediate valleys of mystic many–coloured herbiage, the flash of waters, many of them like streams of roseate flame, the serene lustre diffused over all by myriads of lamps, combined to form a whole of which no words of mine can convey adequate description; so splendid was it, yet so sombre; so lovely, yet so awful.

  But my attention was soon diverted from these nether landscapes. Suddenly there arose, as from the streets below, a burst of joyous music; then a winged form soared into the space; another as if in chase of the first, another and another; others after others, till the crowd grew thick and the number countless. But how describe the fantastic grace of these forms in their undulating movements! They appeared engaged in some sport or amusement; now forming into opposite squadrons; now scattering; now each group threading the other, soaring, descending, interweaving, severing; all in measured time to the music below, as if in the dance of the fabled Peri.

  I turned my gaze on my host in a feverish wonder. I ventured to place my hand on the large wings that lay folded on his breast, and in doing so a slight shock as of electricity passed through me. I recoiled in fear; my host smiled, and as if courteously to gratify my curiosity, slowly expanded his pinions. I observed that his garment beneath them became dilated as a bladder that fills with air. The arms seemed to slide into the wings, and in another moment he had launched himself into the luminous atmosphere, and hovered there, still, and with outspread wings, as an eagle that basks in the sun. Then, rapidly as an eagle swoops, he rushed downwards into the midst of one of the groups, skimming through the midst, and as suddenly again soaring aloft. Thereon, three forms, in one of which I thought to recognise my host's daughter, detached themselves from the rest, and followed him as a bird sportively follows a bird. My eyes, dazzled with the lights and bewildered by the throngs, ceased to distinguish the gyrations and evolutions of these winged playmates, till presently my host re–emerged from the crowd and alighted at my side.

  The strangeness of all I had seen began now to operate fast on my senses; my mind itself began to wander. Though not inclined to be superstitious, nor hitherto believing that man could be brought into bodily communication with demons, I felt the terror and the wild excitement with which, in the Gothic ages, a traveller might have persuaded himself that he witnessed a 'sabbat' of fiends and witches. I have a vague recollection of having attempted with vehement gesticulation, and forms of exorcism, and loud incoherent words, to repel my courteous and indulgent host; of his mild endeavors to calm and soothe me; of his intelligent conjecture that my fright and bewilderment were occasioned by the difference of form and movement between us which the wings that had excited my marvelling curiosity had, in exercise, made still more strongly perceptible; of the gentle smile with which he had sought to dispel my alarm by dropping the wings to the ground and endeavouring to show me that they were but a mechanical contrivance. That sudden transformation did but increase my horror, and as extreme fright often shows itself by extreme daring, I sprang at his throat like a wild beast. On an instant I was felled to the ground as by an electric shock, and the last confused images floating before my sight ere I became wholly insensible, were the form of my host kneeling beside me with one hand on my forehead, and the beautiful calm face of his daughter, with large, deep, inscrutable eyes intently fixed upon my own.

  Chapter VI

  I remained in this unconscious state, as I afterwards learned, for many days, even for some weeks according to our computation of time. When I recovered I was in a strange room, my host and all his family were gathered round me, and to my utter amaze my host's daughter accosted me in my own language with a slightly foreign accent.

  "How do you feel?" she asked.

  It was some moments before I could overcome my surprise enough to falter out, "You know my language? How? Who and what are you?"

  My host smiled and motioned to one of his sons, who then took from a table a number of thin metallic sheets on which were traced drawings of various figures—a house, a tree, a bird, a man, etc.

  In these designs I recognised my own style of drawing. Under each figure was written the name of it in my language, and in my writing; and in another handwriting a word strange to me beneath it.

  Said the host, "Thus we began; and my daughter Zee, who belongs to the College of Sages, has been your instructress and ours too."

  Zee then placed before me other metallic sheets, on which, in my writing, words first, and then sentences, were inscribed. Under each word and each sentence strange characters in another hand. Rallying my senses, I comprehended that thus a rude dictionary had been effected. Had it been done while I was dreaming? "That is enough now," said Zee, in a tone of command. "Repose and take food."

  Chapter VII

  A room to myself was assigned to me in this vast edifice. It
was prettily and fantastically arranged, but without any of the splendour of metal–work or gems which was displayed in the more public apartments. The walls were hung with a variegated matting made from the stalks and fibers of plants, and the floor carpeted with the same.

  The bed was without curtains, its supports of iron resting on balls of crystal; the coverings, of a thin white substance resembling cotton. There were sundry shelves containing books. A curtained recess communicated with an aviary filled with singing—birds, of which I did not recognise one resembling those I have seen on earth, except a beautiful species of dove, though this was distinguished from our doves by a tall crest of bluish plumes. All these birds had been trained to sing in artful tunes, and greatly exceeded the skill of our piping bullfinches, which can rarely achieve more than two tunes, and cannot, I believe, sing those in concert. One might have supposed one's self at an opera in listening to the voices in my aviary. There were duets and trios, and quartetts and choruses, all arranged as in one piece of music. Did I want silence from the birds? I had but to draw a curtain over the aviary, and their song hushed as they found themselves left in the dark. Another opening formed a window, not glazed, but on touching a spring, a shutter ascended from the floor, formed of some substance less transparent than glass, but still sufficiently pellucid to allow a softened view of the scene without. To this window was attached a balcony, or rather hanging garden, wherein grew many graceful plants and brilliant flowers. The apartment and its appurtenances had thus a character, if strange in detail, still familiar, as a whole, to modern notions of luxury, and would have excited admiration if found attached to the apartments of an English duchess or a fashionable French author. Before I arrived this was Zee's chamber; she had hospitably assigned it to me.

 

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