Les Miserables (abridged) (Barnes & Noble Classics Series)

by Victor Hugo

  He went upstairs again.

  “Come,” said he to Cosette.

  He took her by the hand and they both went out.

  BOOK FIVE

  A SINISTER HUNT REQUIRES A SILENT PACK

  1

  STRATEGIC ZIGZAGS

  JEAN VALJEAN had immediately left the boulevard and began to thread the streets, making as many turns as he could, returning sometimes upon his track to make sure that he was not followed.

  This manoeuvre is peculiar to the hunted stag. On ground where the foot leaves a mark, it has, among other advantages, that of deceiving the hunters and the dogs by doubling back. It is what is called in venery false reimbushment.

  The moon was full. Jean Valjean was not sorry for that. The moon, still near the horizon, cut large prisms of light and shade in the streets. Jean Valjean could glide along the houses and the walls on the dark side and observe the light side. He did not, perhaps, sufficiently realise that the shadowy side escaped him. However, in all the deserted alleys in the neighbourhood of the Rue de Poliveau, he felt sure that no one was behind him.

  Cosette walked without asking any questions. The sufferings of the first six years of her life had introduced something of the passive into her nature.4 Besides—and this is a remark to which we shall have more than one occasion to return—she had become familiar, without being fully conscious of them, with the peculiarities of her good friend and the eccentricities of destiny. And then, she felt safe, being with him.

  Jean Valjean knew, no more than Cosette, where he was going. He trusted in God, as she trusted in him. It seemed to him that he also held some one greater than himself by the hand; he believed he felt a being leading him, invisible. Finally, he had no definite idea, no plan, no project. He was not even absolutely sure that this was Javert, and then it might be Javert, and Javert not know that he was Jean Valjean. Was he not disguised? was he not supposed to be dead? Nevertheless, singular things had happened within the last few days. He wanted no more of them. He was determined not to enter Gorbeau House again. Like the animal hunted from his den, he was looking for a hole to hide in until he could find one to remain in.

  Jean Valjean described many and varied labyrinths in the Quartier Mouffetard, which was asleep already as if it were still under the discipline of the middle age and the yoke of the curfew; he produced different combinations, in wise strategy, with the Rue Censier and the Rue Copeau, the Rue du Battoir Saint Victor and the Rue du Puits l‘Ermite. There are lodgings in that region, but he did not even enter them, not finding what suited him. He had no doubt whatever that if, perchance, they had sought his track, they had lost it.

  As eleven o‘clock struck in the tower of Saint Etienne du Mont, he crossed the Rue de Pontoise in front of the Police Station, which is at No. 14. Some moments afterwards, the instinct of which we have already spoken made him turn his head. At this moment he saw distinctly—thanks to the station house lamp which revealed them—three men following him quite near, pass one after another under this lamp on the dark side of the street. One of these men entered the passage leading to the station house. The one in advance appeared to him decidedly suspicious.

  “Come, child!” said he to Cosette, and he made haste to get out of the Rue de Pontoise.

  He made a circuit, went round the arcade des Patriarches, which was closed on account of the lateness of the hour, walked rapidly through the Rue de l‘Epée-de-Bois and the Rue de l’Arbalète, and plunged into the Rue des Postes.

  There was a square there, where the College Rollin now is, and from which branches off the Rue Neuve-Sainte-Geneviève.

  The moon lighted up this square brightly. Jean Valjean concealed himself in a doorway, calculating that if these men were still following him, he could not fail to get a good view of them when they crossed this lighted space.

  In fact, three minutes had not elapsed when the men appeared. There were now four of them; all were tall, dressed in long brown coats, with bowler hats, and great clubs in their hands. They were not less fearfully forbidding by their size and their large fists than by their stealthy tread in the darkness. One would have taken them for four spectres in civilian dress.

  They stopped in the centre of the square and formed a group like people consulting. They appeared undecided. The man who seemed to be the leader turned and energetically pointed in the direction in which Jean Valjean was; one of the others seemed to insist with some obstinacy on the contrary direction. At the instant when the leader turned, the moon shone full in his face. Jean Valjean recognised Javert perfectly.

  2

  IT IS FORTUNATE THAT VEHICLES CAN CROSS THE BRIDGE OF AUSTERLITZ

  UNCERTAINTY was at an end for Jean Valjean; happily, it still continued with these men. He took advantage of their hesitation; it was time lost for them, gained for him. He came out from the doorway in which he was concealed, and made his way into the Rue des Postes towards the region of the Jardin des Plantes. Cosette began to be tired; he took her in his arms, and carried her. There was nobody in the streets, and the lamps had not been lighted on account of the moon.

  He doubled his pace.

  He arrived at the bridge of Austerlitz.

  It was still a toll-bridge at this period.

  He presented himself at the toll-house and gave a sou.

  “It is two sous,” said the toll-keeper. “You are carrying a child who can walk. Pay for two.”

  He paid, annoyed that his passage should have attracted observation. All flight should be gliding.

  A large cart was passing the Seine at the same time, and like him was going towards the right bank. This could be made of use. He could go the whole length of the bridge in the shadow of this cart.

  Towards the middle of the bridge, Cosette, her feet becoming numb, desired to walk. He put her down and took her by the hand.

  The bridge passed, he perceived some wood-yards a little to the right and walked in that direction. To get there, he must venture into a large clear open space. He did not hesitate. Those who followed him were evidently thrown off his track, and Jean Valjean believed himself out of danger. Sought for, he might be, but followed he was not.

  A little street, the Rue de Chemin Vert Saint Antoine, opened between two wood-yards inclosed by walls. This street was narrow, obscure, and seemed made expressly for him. Before entering it, he looked back.

  From the point where he was, he could see the whole length of the bridge of Austerlitz.

  Four shadows, at that moment, entered upon the bridge.

  These shadows were coming from the Jardin des Plantes towards the right bank.

  These four shadows were the four men.

  Jean Valjean felt a shudder like that of the deer when he sees the hounds again upon his track.

  One hope was left him; it was that these men had not entered upon the bridge, and had not perceived him when he crossed the large square clear space leading Cosette by the hand.

  In that case, by plunging into the little street before him, if he could succeed in reaching the wood-yards, the marshes, the fields, the open ground, he could escape.

  It seemed to him that he might trust himself to this silent little street. He entered it.

  3

  SEE THE MAP OF PARIS IN 1727

  SOME three hundred paces on, he reached a point where the street forked. It divided into two streets, the one turning off obliquely to the left, the other to the right. Jean Valjean had before him the two branches of a Y. Which should he choose?

  He did not hesitate, but took the right.

  Why?

  Because the left branch led towards the faubourg—that is to say, towards the inhabited region, and the right branch towards the country—that is, towards the uninhabited region.

  But now, they no longer walked very fast. Cosette’s step slackened Jean Valjean’s pace.

  He took her up and carried her again. Cosette rested her head upon the goodman’s shoulder, and did not say a word.

  He turned, from time
to time, and looked back. He took care to keep always on the dark side of the street. The street was straight behind him. The two or three first times he turned, he saw nothing; the silence was complete, and he kept on his way somewhat reassured. Suddenly, on turning again, he thought he saw in the portion of the street through which he had just passed, far off in the darkness, something which stirred.

  He plunged forward rather than walked, hoping to find some side street by which to escape, and once more to elude his pursuers.

  He came to a wall.

  This wall, however, did not prevent him from going further; it was a wall forming the side of a cross alley, in which the street Jean Valjean was then in came to an end.

  Here again he must decide; should he take the right or the left?

  He looked to the right. The alley ran out to a space between some buildings that were mere sheds or barns, then terminated abruptly. The end of this blind alley was plain to be seen—a great white wall.

  He looked to the left. The alley on this side was open, and, about two hundred paces further on, ran into a street. In this direction lay safety.

  The instant Jean Valjean decided to turn to the left, to try to reach the street which he saw at the end of the alley, he perceived, at the corner of the alley and the street towards which he was just about going, a sort of black, motionless statue.

  It was a man, who had just been posted there, evidently, and who was waiting for him, guarding the passage.

  Jean Valjean was startled.

  There was no doubt. He was watched by this shadow.

  What should he do?

  There was now no time to turn back. What he had seen moving in the obscurity some distance behind him, the moment before, was undoubtedly Javert and his squad. Javert probably had already reached the beginning of the street of which Jean Valjean was at the end. Javert, to all appearance, was acquainted with this little trap, and had taken his precautions by sending one of his men to guard the exit. These conjectures, so like certainties, whirled about wildly in Jean Valjean’s troubled brain, as a handful of dust flies before a sudden blast. He scrutinised the Cul-de-sac Genrot; there were high walls. He scrutinised the Petite Rue Picpus; there was a sentinel. He saw the dark form stand out in black against the white pavement flooded with the moonlight. To advance, was to fall upon that man. To go back, was to throw himself into Javert’s hands. Jean Valjean felt as if caught in a net that was slowly tightening. He looked up at the sky in despair.

  4

  GROPING FOR ESCAPE

  IN ORDER to understand what follows, it is necessary to form an exact idea of the little Rue Droit Mur, and particularly the angle which it makes at the left as you leave the Rue Polonceau to enter this alley. The little Rue Droit Mur was almost entirely lined on the right, as far as the Petite Rue Picpus, by houses of poor appearance; on the left by a single building of severe outline, composed of several structures which rose gradually a story or two, one above another, as they approached the Petite Rue Picpus, so that the building, very high on the side of the Petite Rue Picpus, was quite low on the side of the Rue Polonceau. There, at the corner of which we have spoken, it became so low as to be nothing more than a wall. This wall did not abut squarely on the comer, which was cut off diagonally, leaving a considerable space that was shielded by the two angles thus formed from observers at a distance in either the Rue Polonceau, or the Rue Droit Mur.

  From these two angles of the truncated corner, the wall extended along the Rue Polonceau as far as a house numbered 49, and along the Rue Droit Mur, where its height was much less, to the sombre-looking building of which we have spoken, cutting its gable, and thus making a new reentering angle in the street. This gable had a gloomy aspect; there was but one window to be seen, or rather two shutters covered with a sheet of zinc, and always closed.

  This truncated corner was entirely filled by a thing which seemed like a colossal and miserable door. It was a vast shapeless assemblage of perpendicular planks, broader above than below, bound together by long transverse iron bands. At the side there was a porte-cochère of the ordinary dimensions, which had evidently been cut in within the last fifty years.

  A lime-tree lifted its branches above this corner, and the wall was covered with ivy towards the Rue Polonceau.

  In the imminent peril of Jean Valjean, this sombre building had a solitary and uninhabited appearance which attracted him. He glanced over it rapidly. He thought if he could only succeed in getting into it, he would perhaps be safe. Hope came to him with the idea.

  Midway of the front of this building on the Rue Droit Mur, there were at all the windows of the different stories old leaden waste-pipes. The varied branchings of the tubing which was continued from a central conduit to each of these waste-pipes, outlined on the façade a sort of tree. These branching pipes with their hundred elbows seemed like those old closely pruned grape-vines which twist about over the front of ancient farm-houses.

  This grotesque espalier, with its sheet-iron branches, was the first object which Jean Valjean saw. He seated Cosette with her back against a post, and, telling her to be quiet, ran to the spot where the conduit came to the pavement. Perhaps there was some means of scaling the wall by that and entering the house. But the conduit was dilapidated and out of use, and scarcely held by its fastening. Besides, all the windows of this silent house were protected by thick bars of iron, even the dormer windows. And then the moon shone full upon this façade, and the man who was watching from the end of the street would have seen Jean Valjean making the climb. And then what should he do with Cosette? How could he raise her to the top of a three-story house?

  He gave up climbing by the conduit, and crept along the wall to the Rue Polonceau.

  5

  WHICH WOULD BE IMPOSSIBLE WERE THE STREETS LIGHTED WITH GAS

  AT THIS MOMENT a muffled and regular sound began to make itself heard at some distance. Jean Valjean ventured to thrust his head a little way around the corner of the street. Seven or eight soldiers, formed in platoon, had just turned into the Rue Polonceau. He saw the gleam of their bayonets. They were coming towards him.

  The soldiers, at whose head he distinguished the tall form of Javert, advanced slowly and with precaution. They stopped frequently. It was plain they were exploring all the recesses of the walls and all the entrances of doors and alleys.

  It was—and here conjecture could not be deceived—some patrol which Javert had met and which he had put in requisition.

  Javert’s two assistants marched in the ranks.

  At the rate at which they were marching, and the stops they were making, it would take them about a quarter of an hour to arrive at the spot where Jean Valjean was. It was a frightful moment. A few minutes separated Jean Valjean from that awful precipice which was opening before him for the third time. And the galleys now were no longer simply the galleys, they were Cosette lost for ever; that is to say, they seemed like the interior of a tomb.

  There was now only one thing possible.

  Jean Valjean had this peculiarity, that he might be said to carry two knapsacks; in one he had the thoughts of a saint, in the other the formidable talents of a convict. He helped himself from one or the other as occasion required.

  Among other resources, thanks to his numerous escapes from the galleys at Toulon, he had, it will be remembered, become master of that incredible art of raising himself, in the right angle of a wall, if need to be to the height of a sixth story; an art without ladders or props, by mere muscular strength, supporting himself by the back of his neck, his shoulders, his hips, and his knees, hardly making use of the few projections of the stone, which rendered so terrible and so celebrated the corner of the yard of the Concierg erie of Paris by which, some twenty years ago, the convict Battemolle made his escape.

  Jean Valjean measured with his eyes the wall above which he saw the lime-tree. It was about eighteen feet high. The angle that it made with the gable of the great building was filled in its lower part with a pile of masonry
of triangular shape, probably intended to preserve this too convenient recess from a too public use. This preventive filling-up of the corners of a wall is very common in Paris.

  This pile was about five feet high. From its top the space to climb to get upon the wall was hardly more than fourteen feet.

  The wall was capped by a flat stone without any projection.

  The difficulty was Cosette. Cosette did not know how to scale a wall. Abandon her? Jean Valjean did not think of it. To carry her was impossible. The whole strength of a man is necessary to accomplish these strange ascents. The least burden would make him lose his centre of gravity and he would fall.

  He needed a cord. Jean Valjean had none. Where could he find a cord, at midnight, in the Rue Polonceau? Truly at that instant, if Jean Valjean had had a kingdom, he would have given it for a rope.

  All extreme situations have their flashes which sometimes make us blind, sometimes illuminate us.

  The despairing gaze of Jean Valjean encountered the lamp-post in the Cul-de-sac Genrot.

  At this epoch there were no gas-lights in the streets of Paris. At nightfall they lighted the street lamps, which were placed at intervals, and were raised and lowered by means of a rope traversing the street from end to end, running through the grooves of posts. The reel on which this rope was wound was inclosed below the lantern in a little iron box, the key of which was kept by the lamp-lighter, and the rope itself was protected by a casing of metal.

  Jean Valjean, with the energy of a final struggle, crossed the street at a bound, entered the cul-de-sac, sprang the bolt of the little box with the point of his knife, and an instant after was back at the side of Cosette. He had a rope. These desperate inventors of expedients, in their struggles with fatality, move electrically in case of need.

  We have explained that the street lamps had not been lighted that night. The lamp in the Cul-de-sac Genrot was then, as a matter of course, extinguished like the rest, and one might pass by without even noticing that it was not in its place.