Les Miserables (abridged) (Barnes & Noble Classics Series)

by Victor Hugo

  “But you don’t promise me!” exclaimed Marius.

  “Let me go then!” said she, bursting into a laugh, “how you shake me! Yes! yes! I promise you that! I swear to you that! What is it to me? I won’t give the address to my father. There! will that do? is that it?”

  “Nor to anybody?” said Marius.

  “Nor to anybody.”

  “Now,” added Marius, “show me the way.”

  “Right away?”

  “Right away.”

  “Come. Oh! how glad he is!” said she.

  After a few steps, she stopped.

  “You follow too near me, Monsieur Marius. Let me go forward, and follow me like that, without seeming to. It won’t do for a fine young man, like you, to be seen with a woman like me.”

  No tongue could tell all that there was in that word, woman, thus uttered by this child.

  She went on a few steps, and stopped again; Marius rejoined her. She spoke to him aside and without turning:

  “By the way, you know you have promised me something?”

  Marius fumbled in his pocket. He had nothing in the world but the five francs intended for Thénardier. He took it, and put it into Eponine’s hand.

  She opened her fingers and let the coin fall on the ground, and, looking at him with a gloomy look:

  “I don’t want your money,” said she.

  BOOK THREE

  THE HOUSE IN THE RUE PLUMET

  v

  THE SECRET HOUSE

  TOWARDS THE MIDDLE of the last century, a velvet-capped president of the Parlement of Paris having a mistress and concealing it, for in those days the great lords exhibited their mistress and the bourgeois concealed theirs, had “une petite maison” built in the Faubourg Saint Germain, in the deserted Rue de Blomet, now called the Rue Plumet, not far from the spot which then went by the name of the Combat des Animaux.

  This was a summer-house of but two stories; two rooms on the ground floor, two rooms in the second story, a kitchen below, a boudoir above, a garret next the roof, the whole fronted by a garden with a large iron grated gate opening on the street. This garden contained about an acre. This was all that the passers-by could see; but in the rear of the house there was a small yard, at the further end of which there was a low building, two rooms only and a cellar, a convenience intended to conceal a child and nurse in case of need. This building communicated, from the rear, by a masked door opening secretly, with a long narrow passage, paved, winding, open to the sky, bordered by two high walls, and which, concealed with wonderful art, and as it were lost between the inclosures of the gardens and fields, all the corners and turnings of which it followed, came to an end at another door, also concealed, which opened a third of a mile away, almost in another neighbourhood, upon the unbuilt end of the Rue de Babylone.

  The president came in this way, so that those even who might have watched and followed him, and those who might have observed that the president went somewhere mysteriously every day, could not have suspected that going to the Rue de Babylone was going to the Rue Blomet. By skilful purchases of land, the ingenious magistrate was enabled to have this secret route to his house made upon his own ground, and consequently without supervision. He had afterwards sold off the lots of ground bordering on the passage in little parcels for flower and vegetable gardens, and the proprietors of these lots of ground supposed on both sides that what they saw was a partition wall, and did not even suspect the existence of that long ribbon of pavement winding between two walls among their beds and fruit trees. The birds alone saw this curiosity. It is probable that the larks and the sparrows of the last century had a good deal of chattering about the president.

  The house, built of stone in the Mansard style, wainscoted, and furnished in the Watteau style, rococo within, old-fashioned without, walled about with a triple hedge of flowers, had a discreet, coquettish, and solemn appearance about it, suitable to a caprice of love and of magistracy.

  This house and this passage, which have since disappeared, were still in existence fifteen years ago. In ‘93, a coppersmith bought the house to pull it down, but not being able to pay the price for it, the nation sent him into bankruptcy. So that it was the house that pulled down the coppersmith. Thereafter the house remained empty, and fell slowly into ruin, like all dwellings to which the presence of man no longer communicates life. It remained, furnished with its old furniture, and always for sale or to let, and the ten or twelve persons who passed through the Rue Plumet in the course of a year were notified of this by a yellow and illegible piece of paper which had hung upon the railing of the garden since 1810.

  Towards the end of the Restoration, these same passers-by might have noticed that the paper had disappeared, and that, also, the shutters of the upper story were open. The house was indeed occupied. The windows had “little curtains,” a sign that there was a woman there.

  In the month of October, 1829, a man of a certain age had appeared and hired the house as it stood, including, of course, the building in the rear, and the passage which ran out to the Rue de Babylone. He had the secret openings of the two doors of this passage repaired. The house, as we have just said, was still nearly furnished with the president’s old furniture. The new tenant had ordered a few repairs, added here and there what was lacking, put in a few flags in the yard, a few bricks in the basement, a few steps in the staircase, a few tiles in the floors, a few panes in the windows, and finally came and installed himself with a young girl and an aged servant, without any noise, rather like somebody stealing in than like a man who enters his own house. The neighbours did not gossip about it, for the reason that there were no neighbours.

  This tenant, to partial extent, was Jean Valjean; the young girl was Cosette. The servant was a spinster named Toussaint, whom Jean Valjean had saved from the poorhouse and misery, and who was old, stuttering, and a native of a province, three qualities which had determined Jean Valjean to take her with him. He hired the house under the name of Monsieur Fauchelevent, gentleman. In what has been related hitherto, the reader doubtless recognised Jean Valjean even before Thénardier did.

  Why had Jean Valjean left the convent of the Petit Picpus? What had happened?

  Nothing had happened.

  As we remember, Jean Valjean was happy in the convent, so happy that his conscience at last began to be troubled. He saw Cosette every day, he felt paternity springing up and developing within him more and more, he brooded this child with his soul, he said to himself that she was his, that nothing could take her from him, that this would be so indefinitely, that certainly she would become a nun, being every day gently led on towards it, that thus the convent was henceforth the universe to her as well as to him, that he would grow old there and she would grow up there, that she would grow old there and he would die there; that finally, ravishing hope, no separation was possible. In reflecting upon this, he at last began to find difficulties. He questioned himself. He asked himself if all this happiness were really his own, if it were not made up of the happiness of another, of the happiness of this child whom he was appropriating and plundering, he, an old man; if this was not a robbery? He said to himself that this child had a right to know what life was before renouncing it; that to cut her off, in advance, and, in some sort, without consulting her, from all pleasure, under pretence of saving her from all trial, to take advantage of her ignorance and isolation to give her an artificial vocation, was to outrage a human creature and to lie to God. And who knows but, thinking over all this some day, and being a nun with regret, Cosette might come to hate him? a final thought, which was almost selfish and less heroic than the others, but which was unbearable to him. He resolved to leave the convent.

  He resolved it, he recognised with despair that it must be done. As to objections, there were none. Five years of sojourn between those four walls, and of absence from among men, had necessarily destroyed or dispersed the elements of alarm. He might return tranquilly among men. He had grown old, and all had changed. Who would recognis
e him now? And then, to look at the worst, there was no danger save for himself, and he had no right to condemn Cosette to the cloister for the reason that he had been condemned to the galleys. What, moreover, is danger in presence of duty? Finally, nothing prevented him from being prudent, and taking proper precautions.

  As to Cosette’s education, it was almost finished and complete.

  His determination once formed, he awaited an opportunity. It was not slow to present itself. Old Fauchelevent died.

  Jean Valjean asked an audience of the reverend prioress, and told her that having received a small inheritance on the death of his brother, which enabled him to live henceforth without labour, he would leave the service of the convent, and take away his daughter; but that, as it was not just that Cosette, not taking her vows, should have been educated gratuitously, he humbly begged the reverend prioress to allow him to offer the community, as indemnity for the five years which Cosette had passed there, the sum of five thousand francs.

  Thus Jean Valjean left the convent of the Perpetual Adoration.

  On leaving the convent, he took in his own hands, and would not entrust to any assistant, the little box, the key of which he always had about him. This box puzzled Cosette, on account of the odour of embalming which came from it.

  Let us say at once, that henceforth this box never left him more. He always had it in his room. It was the first, and sometimes the only thing that he carried away in his changes of abode. Cosette laughed about it, and called this box the inseparable, saying: “I am jealous of it.”

  Jean Valjean nevertheless did not appear again in the open city without deep anxiety.

  He discovered the house in the Rue Plumet, and buried himself in it. He was henceforth in possession of the name of Ultimus Fauchelevent.

  At the same time he hired two other lodgings in Paris, in order to attract less attention than if he always remained in the same neighbourhood, to be able to change his abode on occasion, at the slightest anxiety which he might feel, and finally, that he might not again find himself in such a strait as on the night when he had so miraculously escaped from Javert. These two lodgings were two very humble dwellings, and of a poor appearance, in two neighbourhoods widely distant from each other, one in the Rue de l‘Ouest, the other in the Rue de l’Homme Armé.

  He went from time to time, now to the Rue de l‘Homme Armé and now to the Rue de l’Ouest, to spend a month or six weeks, with Cosette, without taking Toussaint. He was waited upon by the porters, and gave himself out for a man of some means of the suburbs, having a foothold in the city. This lofty virtue had three domiciles in Paris in order to escape from the police.

  2 (5)

  THE ROSE DISCOVERS THAT SHE IS AN ENGINE OF WAR

  ONE DAY Cosette happened to look in her mirror, and she said to herself: “What!” It seemed to her almost that she was pretty. This threw her into strange anxiety. Up to this moment she had never thought of her face. She had seen herself in her glass, but she had not looked at herself. And then, she had often been told that she was homely; Jean Valjean alone would quietly say: “Why no! why! no!” However that might be, Cosette had always thought herself homely, and had grown up in that idea with the pliant resignation of childhood. And now suddenly her mirror said like Jean Valjean: “Why no!” She had no sleep that night. “If I were pretty!” thought she, “how funny it would be if I should be pretty!” And she called to mind those of her companions whose beauty had made an impression in the convent, and said: “What! I should be like Mademoiselle Such-a-one!”

  The next day she looked at herself, but not by chance, and she doubted. “Where were my wits gone?” said she, “no, I am homely.” She had merely slept badly, her eyes were dark and she was pale. She had not felt very happy the evening before, in the thought that she was beautiful, but she was sad at thinking so no longer. She did not look at herself again, and for more than a fortnight she tried to dress her hair with her back to the mirror.

  In the evening after dinner, she regularly made tapestry or did some convent work in the parlour, while Jean Valjean read by her side. Once, on raising her eyes from her work, she was very much surprised at the anxious way in which her father was looking at her.

  At another time, she was passing along the street, and it seemed to her that somebody behind her, whom she did not see, said: “Pretty woman! but badly dressed.” “Pshaw!” thought she, “that is not me. I am well dressed and homely.” She had on at the time her plush hat and merino dress.

  At last, she was in the garden one day, and heard poor old Toussaint saying: “Monsieur, do you notice how pretty mademoiselle is growing?” Cosette did not hear what her father answered. Toussaint’s words threw her into a sort of commotion. She ran out of the garden, went up to her room, hurried to the glass, it was three months since she had looked at herself, and uttered a cry. She was dazzled by herself.

  She was beautiful and handsome; she could not help being of Toussaint’s and her mirror’s opinion. Her form was complete, her skin had become white, her hair had grown lustrous, an unknown splendour was lighted up in her blue eyes. The consciousness of her beauty came to her entire, in a moment, like broad daylight when it bursts upon us; others noticed it moreover, Toussaint said so, it was of her evidently that the passer-by had spoken, there was no more doubt; she went down into the garden again, thinking herself a queen, hearing the birds sing, it was in winter, seeing the sky golden, the sunshine in the trees, flowers among the shrubbery, wild, mad, in an inexpressible rapture.

  For his part, Jean Valjean felt a deep and undefinable anguish in his heart.

  He had in fact, for some time past, been contemplating with terror that beauty which appeared every day more radiant upon Cosette’s sweet face. A dawn, charming to all others, ominous to him.

  Cosette had been beautiful for some time before she perceived it. But, from the first day, this unexpected light which slowly rose and by degrees enveloped the young girl’s whole person, wounded Jean Valjean’s gloomy eyes. He felt that it was a change in a happy life, so happy that he dared not stir for fear of disturbing something. This man who had passed through every distress, who was still all bleeding from the lacerations of his destiny, who had been almost evil, and who had become almost holy, who, after having dragged the chain of the galleys, now dragged the invisible but heavy chain of indefinite infamy, this man whom the law had not released, and who might be at any instant retaken, and led back from the darkness of his virtue to the broad light of public shame, this man accepted all, excused all, pardoned all, blessed all, wished well to all, and only asked of Providence, of men, of the laws, of society, of nature, of the world, this one thing, that Cosette should love him!

  That Cosette should continue to love him! That God would not prevent the heart of this child from coming to him, and remaining his! Loved by Cosette, he felt himself healed, refreshed, soothed, satisfied, rewarded, crowned. Loved by Cosette, he was content! he asked nothing more. Had anybody said to him: “Do you desire anything better?” he would have answered: “No.” Had God said to him: “Do you desire heaven?” he would have answered: “I should be the loser.”

  Whatever might affect this condition, were it only on the surface, made him shudder as if it were the commencement of another. He had never known very clearly what the beauty of a woman was; but, by instinct, he understood, that it was terrible.

  This beauty which was blooming out more and more triumphant and superb beside him, under his eyes, upon the ingenuous and fearful brow of this child—he looked upon it, from the depths of his ugliness, his old age, his misery, his reprobation, and his dejection, with dismay.

  He said to himself: “How beautiful she is! What will become of me?”

  Here in fact was the difference between his tenderness and the tenderness of a mother. What he saw with anguish, a mother would have seen with delight.

  The first symptoms were not slow to manifest themselves.

  From the morrow of the day on which she had said:
“Really, I am handsome!” Cosette gave attention to her dress. She recalled the words of the passer-by: “Pretty, but badly dressed,” breath of an oracle which had passed by her and vanished after depositing in her heart one of the two seeds which must afterwards fill the whole life of the woman, coquetry. Love is the other.

  With faith in her beauty, the entire feminine soul blossomed within her. She was horrified at the wool and ashamed of the plush. Her father had never refused her anything. She knew at once the whole science of the hat, the dress, the cloak, the boot, the cuff, the stuff which sits well, the colour which is becoming, that science which makes the Parisian woman something so charming, so deep, and so dangerous. The phrase heady woman was invented for her.

  In less than a month little Cosette was, in that Thebaid of the Rue de Babylone, not only one of the prettiest women, which is something, but one of “the best dressed” in Paris, which is much more. She would have liked to meet “her passer-by” to hear what he would say, and “to show him!” The truth is that she was ravishing in every point, and that she distinguished marvellously well between a Gérard hat and an Herbaut hat.

  Jean Valjean beheld these ravages with anxiety. He, who felt that he could never more than creep, or walk at the most, saw wings growing on Cosette.

  Still, merely by simple inspection of Cosette’s toilette, a woman would have recognised that she had no mother. Certain little proprieties, certain special conventionalities, were not observed by Cosette. A mother, for instance, would have told her that a young girl does not wear damask.

  The first day that Cosette went out with her dress and mantle of black damask and her white crape hat she came to take Jean Valjean’s arm, gay, radiant, rosy, proud, and brilliant. “Father,” said she, “how do you like this?” Jean Valjean answered in a voice which resembled the bitter voice of envy: “Charming!” He seemed as usual during the walk. When they came back he asked Cosette: