The Yellow Claw gm-1

by Sax Rohmer

  "Yes," she said, hesitatingly; "but—I fear I am detaining you"…

  Of two evils she was choosing the lesser; the idea of being confined in a cab with this ever-smiling Greek was unthinkable.

  "Oh, my dear Miss Cumberly!" cried Gianapolis, beaming radiantly, "it is a greater pleasure than I can express to you, and then for two friends who are proceeding in the same direction to walk apart would be quite absurd, would it not?"

  The term "friend" was not pleasing to Helen's ears; Mr. Gianapolis went far too fast. But she recognized her helplessness, and accepted this cavalier with as good a grace as possible.

  He immediately began to talk of Olaf van Noord and his pictures, whilst Helen hurried along as though her life depended upon her speed. Sometimes, on the pretense of piloting her at crossings, Gianapolis would take her arm; and this contact she found most disagreeable; but on the whole his conduct was respectful to the point of servility.

  A pretty woman who is not wholly obsessed by her personal charms, learns more of the ways of mankind than it is vouchsafed to her plainer sister ever to know; and in the crooked eyes of Gianapolis, Helen Cumberly read a world of unuttered things, and drew her own conclusions. These several conclusions dictated a single course; avoidance of Gianapolis in future.

  Fortunately, Helen Cumberly's self-chosen path in life had taught her how to handle the nascent and undesirable lover. She chatted upon the subject of art, and fenced adroitly whenever the Greek sought to introduce the slightest personal element into the conversation. Nevertheless, she was relieved when at last she found herself in the familiar Square with her foot upon the steps of Palace Mansions.

  "Good night, Mr. Gianapolis!" she said, and frankly offered her hand.

  The Greek raised it to his lips with exaggerated courtesy, and retained it, looking into her eyes in his crooked fashion.

  "We both move in the world of art and letters; may I hope that this meeting will not be our last?"

  "I am always wandering about between Fleet Street and Soho," laughed Helen. "It is quite certain we shall run into each other again before long. Good night, and thank you so much!"

  She darted into the hallway, and ran lightly up the stairs. Opening the flat door with her key, she entered and closed it behind her, sighing with relief to be free of the over-attentive Greek. Some impulse prompted her to enter her own room, and, without turning up the light, to peer down into the Square.

  Gianapolis was descending the steps. On the pavement he stood and looked up at the windows, lingeringly; then he turned and walked away.

  Helen Cumberly stifled an exclamation.

  As the Greek gained the corner of the Square and was lost from view, a lithe figure—kin of the shadows which had masked it—became detached from the other shadows beneath the trees of the central garden and stood, a vague silhouette seemingly looking up at her window as Gianapolis had looked.

  Helen leaned her hands upon the ledge and peered intently down. The figure was a vague blur in the darkness, but it was moving away along by the rails… following Gianapolis. No clear glimpse she had of it, for bat-like, it avoided the light, this sinister shape—and was gone.

  Chapter 31 MUSK AND ROSES

  It is time to rejoin M. Gaston Max in the catacombs of Ho-Pin. Having prepared himself for drugged repose in the small but luxurious apartment to which he had been conducted by the Chinaman, he awaited with interest the next development. This took the form of the arrival of an Egyptian attendant, white-robed, red-slippered, and wearing the inevitable tarboosh. Upon the brass tray which he carried were arranged the necessities of the opium smoker. Placing the tray upon a little table beside the bed, he extracted from the lacquered box a piece of gummy substance upon the end of a long needle. This he twisted around, skilfully, in the lamp flame until it acquired a blue spirituous flame of its own. He dropped it into the bowl of the carven pipe and silently placed the pipe in M. Max's hand.

  Max, with simulated eagerness, rested the mouthpiece between his lips and EXHALED rapturously.

  Said stood watching him, without the slightest expression of interest being perceptible upon his immobile face. For some time the Frenchman made pretense of inhaling, gently, the potent vapor, lying propped upon one elbow; then, allowing his head gradually to droop, he closed his eyes and lay back upon the silken pillow.

  Once more he exhaled feebly ere permitting the pipe to drop from his listless grasp. The mouthpiece yet rested between his lips, but the lower lip was beginning to drop. Finally, the pipe slipped through his fingers on to the rich carpet, and he lay inert, head thrown back, and revealing his lower teeth. The nauseating fumes of opium loaded the atmosphere.

  Said silently picked up the pipe, placed it upon the tray and retired, closing the door in the same noiseless manner that characterized all his movements.

  For a time, M. Max lay inert, glancing about the place through the veil of his lashes. He perceived no evidence of surveillance, therefore he ventured fully to open his eyes; but he did not move his head.

  With the skill in summarizing detail at a glance which contributed largely to make him the great criminal investigator that he was, he noted those particulars which at an earlier time had occasioned the astonishment of Soames.

  M. Max was too deeply versed in his art to attempt any further investigations, yet; he contented himself with learning as much as was possible without moving in any way; and whilst he lay there awaiting whatever might come, the door opened noiselessly—to admit Ho-Pin.

  He was about to be submitted to a supreme test, for which, however, he was not unprepared. He lay with closed eyes, breathing nasally.

  Ho-Pin, his face a smiling, mirthless mask, bent over the bed. Adeptly, he seized the right eyelid of M. Max, and rolled it back over his forefinger, disclosing the eyeball. M. Max, anticipating this test of the genuineness of his coma, had rolled up his eyes at the moment of Ho-Pin's approach, so that now only the white of the sclerotic showed. His trained nerves did not betray him. He lay like a dead man, never flinching.

  Ho-Pin, releasing the eyelid, muttered something gutturally, and stole away from the bed as silently as he had approached it. Very methodically he commenced to search through M. Max's effects, commencing with the discarded garments. He examined the maker's marks upon these, and scrutinized the buttons closely. He turned out all the pockets, counted the contents of the purse, and of the notecase, examined the name inside M. Max's hat, and explored the lining in a manner which aroused the detective's professional admiration. Watch and pocket-knife, Ho-Pin inspected with interest. The little hand-bag which M. Max had brought with him, containing a few toilet necessaries, was overhauled religiously. So much the detective observed through his lowered lashes.

  Then Ho-Pin again approached the bed and M. Max became again a dead man.

  The silken pyjamas which the detective wore were subjected to gentle examination by the sensitive fingers of the Chinaman, and those same fingers crept beetle-like beneath the pillow.

  Silently, Ho-Pin stole from the room and silently closed the door.

  M. Max permitted himself a long breath of relief. It was an ordeal through which few men could have passed triumphant.

  The SILENCE of the place next attracted the inquirer's attention. He had noted this silence at the moment that he entered the cave of the golden dragon, but here it was even more marked; so that he divined, even before he had examined the walls, that the apartment was rendered sound-proof in the manner of a public telephone cabinet. It was a significant circumstance to which he allotted its full value.

  But the question uppermost in his mind at the moment was this: Was the time come yet to commence his explorations?

  Patience was included in his complement, and, knowing that he had the night before him, he preferred to wait. In this he did well. Considerable time elapsed, possibly half-an-hour… and again the door opened.

  M. Max was conscious of a momentary nervous tremor; for now a WOMAN stood regarding him. She wore a
Chinese costume; a huge red poppy was in her hair. Her beauty was magnificently evil; she had the grace of a gazelle and the eyes of a sorceress. He had deceived Ho-Pin, but could he deceive this Eurasian with the witch-eyes wherein burnt ancient wisdom?

  He felt rather than saw her approach; for now he ventured to peep no more. She touched him lightly upon the mouth with her fingers and laughed a little low, rippling laugh, the sound of which seemed to trickle along his sensory nerves, icily. She bent over him—lower—lower—and lower yet; until, above the nauseating odor of the place he could smell the musk perfume of her hair. Yet lower she bent; with every nerve in his body he could feel her nearing presence… .

  She kissed him on the lips.

  Again she laughed, in that wicked, eerie glee.

  M. Max was conscious of the most singular, the maddest impulses; it was one of the supreme moments of his life. He knew that all depended upon his absolute immobility; yet something in his brain was prompting him—prompting him—to gather the witch to his breast; to return that poisonous, that vampirish kiss, and then to crush out life from the small lithe body.

  Sternly he fought down these strange promptings, which he knew to emanate hypnotically from the brain of the creature bending over him.

  "Oh, my beautiful dead-baby," she said, softly, and her voice was low, and weirdly sweet. "Oh, my new baby, how I love you, my dead one!" Again she laughed, a musical peal. "I will creep to you in the poppyland where you go… and you shall twine your fingers in my hair and pull my red mouth down to you, kissing me… kissing me, until you stifle and you die of my love… . Oh! my beautiful mummy-baby… my baby."…

  The witch-crooning died away into a murmur; and the Frenchman became conscious of the withdrawal of that presence from the room. No sound came to tell of the reclosing of the door; but the obsession was removed, the spell raised.

  Again he inhaled deeply the tainted air, and again he opened his eyes.

  He had no warranty to suppose that he should remain unmolested during the remainder of the night. The strange words of the Eurasian he did not construe literally; yet could he be certain that he was secure?… Nay! he could be certain that he was NOT!

  The shaded lamp was swung in such a position that most of the light was directed upon him where he lay, whilst the walls of the room were bathed in a purple shadow. Behind him and above him, directly over the head of the bunk, a faint sound—a sound inaudible except in such a dead silence as that prevailing—told of some shutter being raised or opened. He had trained himself to watch beneath lowered lids without betraying that he was doing so by the slightest nervous twitching. Now, as he watched the purple shaded lamp above him, he observed that it was swaying and moving very gently, whereas hitherto it had floated motionless in the still air.

  No other sound came to guide him, and to have glanced upward would have been to betray all.

  For the second time that night he became aware of one who watched him, became conscious of observation without the guaranty of his physical senses. And beneath this new surveillance, there grew up such a revulsion of his inner being as he had rarely experienced. The perfume of ROSES became perceptible; and for some occult reason, its fragrance DISGUSTED.

  It was as though a faint draught from the opened shutter poured into the apartment an impalpable cloud of evil; the very soul of the Eurasian, had it taken vapory form and enveloped him, could not have created a greater turmoil of his senses than this!

  Some sinister and definitely malignant intelligence was focussed upon him; or was this a chimera of his imagination? Could it be that now he was become en rapport with the thought-forms created in that chamber by its successive occupants?

  Scores, perhaps hundreds of brains had there partaken of the unholy sacrament of opium; thousands, millions of evil carnivals had trailed in impish procession about that bed. He knew enough of the creative power of thought to be aware that a sensitive mind coming into contact with such an atmosphere could not fail to respond in some degree to the suggestions, to the elemental hypnosis, of the place.

  Was he, owing to his self-induced receptivity of mind, redreaming the evil dreams of those who had occupied that bed before him?

  It might be so, but, whatever the explanation, he found himself unable to shake off that uncanny sensation of being watched, studied, by a powerful and inimical intelligence.

  Mr. King!… Mr. King was watching him!

  The director of that group, whose structure was founded upon the wreckage of human souls, was watching him! Because of a certain sympathy which existed between his present emotions and those which had threatened to obsess him whilst the Eurasian was in the room, he half believed that it was she who peered down at him, now… or she, and another.

  The lamp swung gently to and fro, turning slowly to the right and then revolving again to the left, giving life in its gyrations to the intermingled figures on the walls. The atmosphere of the room was nauseating; it was beginning to overpower him… .

  Creative power of thought… what startling possibilities it opened up. Almost it seemed, if Sir Brian Malpas were to be credited, that the collective mind-force of a group of opium smokers had created the "glamor" of a woman—an Oriental woman—who visited them regularly in their trances. Or had that vision a prototype in the flesh—whom he had seen?…

  Creative power of thought… MR. KING! He was pursuing Mr. King; whilst Mr. King might be nothing more than a thought-form—a creation of cumulative thought—an elemental spirit which became visible to his subjects, his victims, which had power over them; which could slay them as the "shell" slew Frankenstein, his creator; which could materialize:… Mr. King might be the Spirit of Opium… .

  The faint clicking sound was repeated.

  Beads of perspiration stood upon M. Max's forehead; his imagination had been running away with him. God! this was a house of fear! He controlled himself, but only by dint of a tremendous effort of will.

  Stealthily watching the lamp, he saw that the arc described by its gyrations was diminishing with each successive swing, and, as he watched, its movements grew slighter and slighter, until finally it became quite stationary again, floating, purple and motionless, upon the stagnant air.

  Very slowly, he ventured to change his position, for his long ordeal was beginning to induce cramp. The faint creaking of the metal bunk seemed, in the dead stillness and to his highly-tensed senses, like the rattling of castanets.

  For ten minutes he lay in his new position; then moved slightly again and waited for fully three-quarters of an hour. Nothing happened, and he now determined to proceed with his inquiries.

  Sitting upon the edge of the bunk, he looked about him, first directing his attention to that portion of the wall immediately above. So cunningly was the trap contrived that he could find no trace of its existence. Carefully balancing himself upon the rails on either side of the bunk, he stood up, and peered closely about that part of the wall from which the sound had seemed to come. He even ran his fingers lightly over the paper, up as high as he could reach; but not the slightest crevice was perceptible. He began to doubt the evidence of his own senses.

  Unless his accursed imagination had been playing him tricks, a trap of some kind had been opened above his head and someone had looked in at him; yet—and his fingers were trained to such work—he was prepared to swear that the surface of the Chinese paper covering the wall was perfectly continuous. He drummed upon it lightly with his finger-tips, here and there over the surface above the bed. And in this fashion he became enlightened.

  A portion, roughly a foot in height and two feet long, yielded a slightly different note to his drumming; whereby he knew that that part of the paper was not ATTACHED to the wall. He perceived the truth. The trap, when closed, fitted flush with the back of the wall-paper, and this paper (although when pasted upon the walls it showed no evidence of the fact) must be TRANSPARENT.

  From some dark place beyond, it was possible to peer in THROUGH the rectangular patch of pape
r as through a window, at the occupant of the bunk below, upon whom the shaded lamp directly poured its rays!

  He examined more closely a lower part of the wall, which did not fall within the shadow of the purple lamp-shade; for he was thinking of the draught which had followed the opening of the trap. By this examination he learnt two things: The explanation of the draught, and that of a peculiar property possessed by the mural decorations. These (as Soames had observed before him) assumed a new form if one stared at them closely; other figures, figures human and animal, seemed to take shape and to peer out from BEHIND the more obvious designs which were perceptible at a glance. The longer and the closer one studied these singular walls, the more evident the UNDER design became, until it usurped the field of vision entirely. It was a bewildering delusion; but M. Max had solved the mystery.

  There were TWO designs; the first, an intricate Chinese pattern, was painted or printed upon material like the finest gauze. This was attached over a second and vividly colored pattern upon thick parchment-like paper—as he learnt by the application of the point of his pocket-knife.

  The observation trap was covered with this paper, and fitted so nicely in the opening that his fingers had failed to detect, through the superimposed gauze, the slightest irregularity there. But, the trap opened, a perfectly clear view of the room could be obtained through the gauze, which, by reason of its texture, also admitted a current of air.

  This matter settled, M. Max proceeded carefully to examine the entire room foot by foot. Opening the door in one corner, he entered the bathroom, in which, as in the outer apartment, an electric light was burning. No window was discoverable, and not even an opening for ventilation purposes. The latter fact he might have deduced from the stagnation of the atmosphere.

  Half an hour or more he spent in this fashion, without having discovered anything beyond the secret of the observation trap. Again he took out his pocket-knife, which was a large one with a handsome mother-o'-pearl handle. Although Mr. Ho-Pin had examined this carefully, he had solved only half of its secrets. M. Max extracted a little pair of tweezers from the slot in which they were lodged—as Ho-Pin had not neglected to do; but Ho-Pin, having looked at the tweezers, had returned them to their place: M. Max did not do so. He opened the entire knife as though it had been a box, and revealed within it a tiny set of appliances designed principally for the desecration of locks!