February House

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February House Page 36

by Sherill Tippins


  59 “ambitious young men”: Cyril Connolly, “Comment,” Horizon (February 1940): 68–69. In Carpenter, W. H. Auden, 290–91.

  “four of our”: In Carpenter, W. H. Auden, 291.

  “Mr. Auden’s brand”: George Orwell, “Inside the Whale,” March 1940. In Haffenden, W. H. Auden, 29.

  Sir Jocelyn: Carpenter, W. H. Auden, 291.

  very fair: Auden to Spender, [late April–early May?], Berg.

  60 “pro-frog”: Drutman, Good Company, 265.

  a “serious” poet: In Foote, “Auden,” Time, 113.

  Chapter 3

  62 “The house became”: Davis to Gypsy Rose Lee, “Saturday Night” [ca. December 28, 1940], BRC (Series I, b3, f2).

  63 “For concentration”: Auden, “Letter to Lord Byron,” Collected Poems, 106.

  “At last”: McCullers, Illumination, 23.

  plywood partitions: Ibid., 20.

  helped Carson pack: Carr, Lonely Hunter, 116.

  64 Carson got to know: McCullers, “Brooklyn Is My Neighbourhood,” Vogue, March 1, 1941. In McCullers, Mortgaged Heart, 216.

  “always gives me”: Ibid., 216–17

  “The square of the hypotenuse”: Ibid., 216.

  65 “Isn’t it wonderful”: Webb, Richard Wright, 196.

  “had the face”: McCullers, “Brooklyn Is My Neighbourhood,” 218.

  66 “multiple bridal party”: McCullers, Illumination, 23.

  “lean, dark, and haggard”: McCullers, “Brooklyn Is My Neighbourhood,” 219.

  Victor Guarneri: Victor Carl Guarneri interview, June 26, 2003.

  Frankie Abbe: Kathryn Abbe interview, March 16, 2004.

  67 “insane salads”: Auden, Dyer’s Hand, 323.

  “a quarter of five”: MacNeice, Strings Are False, 23.

  on the sofa: Auden, [Essays (6)], Berg.

  68 “sonnie boy”: Carr, Lonely Hunter, 131.

  68 canned green pea soup: Dr. Will Brantley, in “Exotic Birds of a Feather: Carson McCullers and Tennessee Williams,” Tennessee Williams Annual Review, No. 3 (2000), www.tennesseewilliamsstudies.org.

  idea that “‘good’ equals”: Auden, “Mimesis and Allegory,” Complete Works, Prose, 2:85.

  69 “To set in order”: Auden, “New Year Letter,” Collected Poems, 200.

  “one of those”: Britten to Enid Slater, November 7, 1939, in Britten, Letters, 724.

  writing table: Tony Palmer, director, “The South Bend Show: A Time There Was,” BBC broadcast 1979, BPL.

  70 the Devil himself: Fuller, W. H. Auden, 326.

  “a crowd of lost beings”: Auden, “The Rewards of Patience,” Complete Works, Prose, 2:154.

  “George naked”: Carpenter, W. H. Auden, 304.

  “They’re incredibly slow!”: Pears to his mother, October 19, 1940, in Britten, Letters, 863–64.

  71 beg the assistants: Moulton, “Remembering George Davis,” 287.

  “Uncle Wiz”: Carpenter, W H. Auden, 143.

  “civilized meals”: Isherwood, Diaries, 13.

  nearby cafeteria: Benjamin Appel, “Exiled Writers,” Saturday Review of Literature, October 19, 1940, 5.

  “Dear Harry”: Auden to Harry Brown, [ca. October 1940], Berg.

  72 “getting on with the job”: MacNeice, Strings Are False, 114.

  dinner prepared for four: Victor Guarneri interview, June 26, 2003.

  “I have the digestion”: Auden to Chester Kallman, n.d., Berg.

  “There are two things”: In Carpenter, W. H. Auden, 305.

  “a physician”: In Nicholas Jenkins, “Auden Out Loud: ‘A Tribute to W. H. Auden,’” The W. H. Auden Society Newsletter, 7 (October 1991): 13.

  73 a word game: In Carpenter, W. H. Auden, 301.

  “with inarticulates”: Auden to Mina Kirstein Curtiss, n.d., Berg.

  Emerson, Hawthorne: Appel, “Exiled Writers,” 5.

  he learned from: Auden to Spender, 1940, Berg.

  Chester, on the other hand: Auden, “To Chester Kallman, b. Jan. 7, 1921,” in Farnan, Auden in Love, 25–27.

  74 insufficient weaning: Norse, Memoirs, 71.

  bad breath: Farnan, Auden in Love, 36.

  weakness lay: Norse, Memoirs, 63.

  “I am not”: Ibid., 70.

  he fell in love: Farnan, Auden in Love, 45.

  75 with his pinky: Jenkins, “Auden Out Loud,” 13.

  “Wystan is like”: Kallman, notebook, ca. 1939–40, Berg.

  76 Tania noted: Carpenter, W. H. Auden, 312.

  “portrait of pure pride”: Farnan, Auden in Love, 19.

  “came away”: MacNeice, Strings Are False, 114.

  Mary Tucker: Carr, Lonely Hunter, 92–93.

  77 sister, baby-child: McCullers [article on Georgia], n.d., HRHRC (Series 1, b1, f2).

  “if I hadn’t”: Ibid.

  “gobble and gossip”: Drutman, Good Company, 261.

  77 Naval officers: Christine Evans interview, April 25, 2001.

  discreet assignations: Chauncey, Gay New York, 162.

  Brooklyn’s docks served: Frank Reil, “Brooklyn Waterfront,” Brooklyn Eagle (November 4, 1940), 25.

  78 Tony’s Square Bar: Christine Evans interview.

  “vivid old dowagers”: McCullers, “Brooklyn Is My Neighbourhood,” 219.

  79 paid her $4,000: Laura Jacobs, “Taking It All Off,” Vanity Fair (March 2003), 210.

  “larger than Stalin’s”: Preminger, Gypsy and Me, 56.

  “sepia Gypsy”: Lee, Gypsy, 309.

  “Gypsy Voga Lee”: Nat Lefkowitz to A. Robert Mizzy, March 9, 1939, Gypsy Rose Lee Papers, BRC (Series III, b23, f4).

  “Our Very Own”: Lee, Gypsy, 309.

  Billy Herrero: Unidentified newspaper clippings, Gypsy Rose Lee Papers, BRC.

  “Gypsy Rose Flea”: Drutman, Good Company, 78.

  “Money in the bank”: Havoc, More Havoc, 225.

  Turkish cigarettes: Ibid., 228.

  80 just after Gigolo: Lee, Gypsy, 91.

  “almost alike”: Ibid., 93.

  81 “In the candle-lighted”: Ibid., 94.

  “These are poems”: Ibid., 95.

  “You don’t dump”: Ibid., 54.

  82 freshly scrubbed and blooming: Drutman: Good Company, 120.

  “Darlings, please”: George Davis, “Gypsy Rose Lee: The Dark Young Pet of Burlesque,” Vanity Fair 45/6 (February 1936): 51.

  “Make ’em beg”: In Jacobs, “Taking It All Off,” 206.

  83 “Like Eve I carry round this apple”: Ibid., 207.

  “Come on, Gyps”: Drutman, Good Company, 120.

  “need not know”: Davis, “Gypsy Rose Lee,” 51.

  “Whither the New Negro?”: Ibid., 52.

  a new book “skintillating”: Drutman, Good Company, 123.

  “The great thing”: Davis, “Gypsy Rose Lee.”

  84 “I wasn’t naked”: Havoc, More Havoc, 102.

  “Experience not necessary”: Jacobs, “Taking It All Off,” 207.

  “the undisputed queen”: Davis, “Gypsy Rose Lee,” 51.

  four thousand letters of protest: Jacobs, “Taking It All Off.”

  Gypsy’s mother, Rose: Havoc, More Havoc, 207.

  Without her famous name: Preminger, Gypsy and Me, 40.

  “I’m a Hollywood floppo”: Havoc, More Havoc, 195.

  85 “money at first sight”: Ibid., 198.

  “There’s a no-talent broad”: Ibid.

  Schiaparelli sheath: Vreeland, D.V., 95.

  “Robert the Roué”: Gypsy Rose Lee Papers, BRC (Series VII, Sub-series 3, b53, f20).

  “I like my men”: Lee to Charlotte Seitlin, July 7, 1941, BRC (Series VI, b45, f18).

  86 “a classic paradox”: Richard E. Lauterback, Life, December 4, 1942, 93.

  three-inch fingernails: Havoc, Pure Havoc, 144.

  fifteen-page description: Scrapbook, 1940, Gypsy Rose Lee Papers, BRC (Series X, vol. 1).

  87 hardly finish reading: Ibid.

  “strange, wonderful places”: Lee, Gypsy, 93.

>   88 Two hundred dollars: Dorothy Wheelock Edson interview, March 16, 2004.

  Chapter 4

  89 “I wrote it”: Lee, in Flanner, G-String Murders, flap copy.

  “That’s admirable”: Janet Flanner interview, March 1, 1972, in Carr, The Lonely Hunter, 123.

  persuaded him: Davis to Lee, “Saturday Night,” [ca. December 28, 1940], BRC (Series I, b3, f2).

  90 complete set of Balzac: Drutman, Good Company, 23.

  Eva Morcur: Gypsy Rose Lee Papers, BRC (Series VI, Sub-series 1, b24, f1).

  engaging a backstage lady’s maid: Havoc, More Havoc, 143.

  “You got your”: Ibid. flambé: Ibid., 101.

  91 “Now, Victor”: Donald Spoto, “Victor Carl Guarneri: An Oral History Interview,” October 20, 1985, WLRC (Series 60).

  lectures on Kierkegaard: McCullers, Illumination, 23.

  Sophie and Boy: Davis to Lee, “Saturday night.”

  one square: Carpenter, W. H. Auden, 304.

  “ever so Bohemian”: MacNeice, Strings Are False, 35.

  92 American draft number: “First Draft Number Is 158,” New York Times, October 30, 1940, 1.

  “conspiracy against our peace”: Verne Marshall, “America Always,” New York, WABC, January 1, 1941, MTR.

  “the uproar”: Mann, Turning Point, 337.

  “Aren’t we happy?”: Ibid.

  93 half-dressed strangers: Edward R. Murrow, “A Reporter Remembers, Part 1,” CBS Radio broadcast (February 24, 1946; original broadcast, August 24, 1940), R85055, MTR.

  harrowing mountain crossing: Marino, Quiet American, 167–69.

  “like a great flag”: Ibid., 168.

  Mahler’s music: Ibid., 164.

  “flat-footed peace hyena”: In Mann, Turning Point, 241.

  “If they want”: Ibid.

  94 “the prince of the Manns”: Carr, Lonely Hunter, 123.

  “subordinate Klaus”: Arthur Lubow, “Third Wheel,” New York Times Magazine, December 28, 2003, 50.

  Klaus’s father: Reich-Ranicki, Thomas Mann, 166.

  “Curiously, I can’t”: Mann, Turning Point, 338.

  95 “after all, the [Fascist] dictators”: Klaus Mann, “Two Confessions,” Decision 1/1 (January 1941): 56.

  “stimulating each other”: Klaus Mann, “Issues at Stake: Decision,” ibid., 8.

  “Do you think”: “Symposium,” ibid., 45.

  “intellectuals” separate from: Ibid., 44–45.

  96 “as far as writers”: Ibid., 45.

  “very cagey”: Isherwood, Diaries, Vol. I, 99.

  press coverage: Seebohm, “Conscripts to an Age,” 5–6, BPL.

  97 “alarmist jealousy”: Ibid., 5.

  “Poète, why are you doing nothing?”: MacNeice, Strings Are False, 27.

  “Just a little statement”: In Isherwood, Diaries, Vol. 1,99.

  98 “black stone on which”: Auden, “The Sea and the Mirror,” Collected Poems, 441.

  “Unless I am in love”: Auden to Caroline Newton, April 13, 1942, Berg.

  “the extraneous”: In William Logan, “The Truth About Love,” New York Times Book Review, May 23, 1999.

  “rummaging into”: Auden, “The Composer,” English Auden, 239.

  “Traditionally, poems are”: “Poetry,” Time, March 4, 1940, 72.

  “Across East River”: Auden, “New Year Letter,” Collected Poems, 220.

  99 “Where am I?”: Auden, “The Maze,” Collected Poems, 303.

  “Airconditioning . . . Beauticians”: Auden, notebook, Berg.

  “What’s freedom”: Ibid.

  first great admirer: Farnan, Auden in Love, 50.

  clung to the hope: Ibid., 105.

  100 open invitation: Auden to Caroline Newton, November 9 and 18, 1940, Berg. In Gopnick, “Double Man.”

  powerful tool: Auden, “Criticism in a Mass Society,” Complete Works, Prose, 92–93.

  “Time will say nothing”: Auden, “If I Could Tell You,” Collected Poems, 314.

  “three stages”: Carpenter, W H. Auden, 286, quoting Louis Dupré, Kierkegaard as Theologian.

  101 “abandon himself”: Ibid.

  slipping away: Golo Mann, “A Memoir,” in Stephen Spender, ed., W. H. Auden: A Tribute (London: Faber & Faber, 1975), 102.

  “at a special time, special tasks”: In Mendelson, Later Auden, 151.

  102 premiere of a new act: Davis to Lee, “Saturday Night,” [ca. December 28, 1940], BRC.

  103 early riser: Preminger, in Lee, Gypsy, 347.

  cotton housecoat: Havoc, More Havoc, 224.

  “get her ass pounded”: Lee to Lee Wright, February 2, 1941, BRC (Series VI, b45, f18).

  air of authority: Moulton, “Remembering George Davis.”

  104 would confess to George: Davis to Lee, “Saturday Night,” [ca. December 28, 1940], BRC (Series I, b3, f2).

  “For all your”: Ibid.

  “la femme”: Flanner to Lee, 1955, BRC (Series I, b3, f3).

  “Fiddle fiddle”: Davis to Lee, December 26, 1940, BRC (Series I, b3, f3).

  move out to her farmhouse: Ibid.

  “to regard”: Flanner to Lee, 1955, BRC (Series I, b3, f3).

  105 “Miss Bazaaar!”: Norse, Memoirs, 90.

  “malice, callous”: Kallman, notebook, ca. 1939–40, Berg.

  “Upon the porch”: Ibid.

  surrounded by an admiring crowd: Farnan, Auden in Love, 48.

  106 “is always right”: Norse, Memoirs of a Bastard Angel, 67.

  touring with Ziegfeld’s: Lee, Gypsy, 32.

  strip routines of Nudina: Ibid., 257.

  Flossie, who covered: Ibid., 198.

  appalled by the sight: McCullers, Illumination, 53.

  Mrs. George Patton: Carr, Lonely Hunter, 91.

  107 “the poetry of [her] own childhood”: Broadcast interview of Carson McCullers and Tennessee Williams, 1945, HRHRC (Series I, b2, fu).

  “flowering dream”: McCullers, “The Flowering Dream: Notes on Writing,” Esquire, December 1959, 162.

  worn, if the night was chilly: Havoc, More Havoc, 224.

  Hats on the bed: Preminger, Gypsy and Me, 11–12.

  sit together: Reeves McCullers to Carson McCullers, October 16, 1943, HRHRC (Series III, b28, f2).

  108 “I will make”: McCullers, Illumination, 7.

  “first love”: Ibid., 6–7.

  “somewhat limpet-like”: Ibid., 53.

  109 “My friend Carson”: Rowley, Richard Wright, 135.

  “I had bought”: McCullers, Illumination, 32.

  110 “thought truths out”: In Davenport-Hines, Auden, 183–84.

  gorgeous hunk of seafood: Norse, Memoirs, 90.

  her favorite books: McCullers, “Books I Have Known,” Harper’s Bazaar, April 1941, 82.

  experience-of-a-lifetime: Britten, Letters, 900–901.

  111 “The evening or rather morning”: Britten to Antonio and Peggy Brosa, December 20, 1940. In Britten, Letters, 899.

  “We ran for several blocks”: Carson McCullers, “The Flowering Dream” (1959), typescript, August 28, 1958, HRHRC (Series I, b8, £14).

  “I caught Gypsy’s arm”: Ibid.

  112 a thin dusting of snow: New York Times, November 29, 1940, 1.

  wolf collar coat: Stallworthy, Louis MacNeice, 286

  “it is hard to risk”: MacNeice, Strings Are False, 21.

  “to a past”: Ibid., 17.

  “Beloved, we are always”: Auden, “In Sickness and in Health,” Collected Poems, 317.

  Part II. The Bawdy House

  113 “Here, I’m afraid”: Britten to Enid Slater, June 27, 1939, in Britten, Letters, 2: 672.

  Chapter 5

  115 “Every day”: Auden, Paul Bunyan, in Auden and Kallman, Complete Works, 46.

  Snaggle-Tooth, a pimp: Drutman, Good Company, 105.

  116 “like a whirlwind”: MacNeice, Strings Are False, 35.

  116 she was intelligent: Marcel Vertes to Gypsy Rose Lee, [ca. 1941], BRC (Series I, b3, f2).

  117
“We would not think”: Britten to Antonio and Peggy Brosa, December 20, 1940. In Britten, Letters, 899.

  the sanitarium’s superintendent: Seebohm, “Conscripts to an Age,” 19.

  118 “Gypsy did not strip”: In Carr, Lonely Hunter, 119.

  “Underneath an abject”: Auden, “Twelve Songs, VII,” Collected Poems, 140.

  “I’ve got something”: Auden to Britten, [ca. August] 1939, BPL.

  “Dear Benjamin, Nothing”: Auden to Britten, 1939, BPL.

  119 Aaron Copland, who: Britten, Letters, 318.

  120 “I am now definitely”: Britten to Enid and Montagu Slater, December 29, 1938. In Britten, Letters, 603.

  121 organize a new group: Britten, Letters, 907.

  122 “Truth is always”: Britten to Ralph Hawkes, September 8, 1940. In Britten, Letters, 858.

  never be allowed back in England: Britten, Letters, 870.

  “If people want”: Britten to Ralph Hawkes, October 7, 1940. In Britten, Letters, 867.

  123 haunted expressions: Marino, Quiet American, 90.

  three hundred individuals: Ibid., 253.

  “God, what a terrifying”: Isherwood, Christopher and His Kind, 338.

  124 “a diffuse but lusty”: Mann, Turning Point, 272.

  “focus the scattered energies”: Ibid., 273.

  “Paris is now”: “Paris, Germany,” in Drutman, Janet Planner’s World, 50.

  125 “Have a good journey”: Marino, Quiet American, 138.

  “intellectual blitzkrieg”: In Seebohm, “Conscripts to an Age,” 10.

  American Ph.D.’s: Ibid., 9.

  “I like them”: Ibid.

  126 “The list of”: Mann, Turning Point, 338.

  “When this war began”: Klaus Mann, “Issues at Stake: The City of Man,” Decision 1/2 (February 1941): 6.

  to define the moral, legal, and economic: Ibid.

  127 “seen the bogus”: Auden, “Tract for the Times,” Complete Works, Prose, 109.

  128 “I shan’t feel”: Auden to Isherwood, HL (CI 2991).

  “Only your notes”: Auden, “The Composer,” English Auden, 239.

  pompous and awkward: Mendelson, Later Auden, 162.

  129 “always being out”: Auden, “Tract for the Times,” Complete Works, Prose, 109.

  “A solitude”: Auden, “Leap Before You Look,” Collected Poems, 314.

  “It happened”: McCullers, The Member of the Wedding, Collected Stories, 257.

  130 hospitalized in a psychiatric: Carr, Lonely Hunter, 133.

 

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