Watch Your Back! d-13
Page 8
Putting his own store of glasses at the place to Tiny's left, Dortmunder said, "Is Murch's Mom coming? If so, we're five, and this is a table for four."
"I only talked to the son," Tiny said, and Stan Murch himself walked in, a glass of beer in one hand, and a little shallow bowl with wavy blue designs on it in the other. "I'm glad my Mom isn't coming," he informed them. "If she could see the traffic in Manhattan. What's this, I got to sit with my back to the door?"
"You get to close the door," Tiny suggested.
So Stan put his glass and his bowl at the remaining spot at the small table and turned about to shut the hall door. When he turned back, Kelp said, "What's the bowl?"
"They say, salt." Stan sat, sipped beer, frowned upon the bowl without affection, and said, "I asked for a saltshaker, they don't have saltshakers here, they got these little bowls."
Leaning forward to look at the grains of white salt almost completely filling the bowl, Kelp said, "That's gotta be wasteful. You won't use hardly any of that."
"They don't throw it out," Stan told him. "I saw on the tables out there, they just leave them around."
Kelp said, "You mean, everybody's fingers in the same salt?"
Stan shrugged. "What are you gonna do? I figure, the alcohol in the beer'll kill the germs. The problem with Manhattan, on the other hand, it's August, nobody's here, it's full of tourists."
Dortmunder said, "Then whadaya mean, there's nobody here?"
"There's nobody here that belongs here," Stan explained. "The real New Yorkers go away for the summer. Right now, there's nobody driving in the city that knows how to drive in the city. You got people now, they're from some other continent, they come here in the summer, they got a special deal, hotel and a car rental, they're so pleased with themselves. They come to New York City to drive a car? Drive a car at home in Yakburg, not here, you'll never figure out what you're doing here, a week in circles, lost, they go home, their friends say, 'So how'd you find New York? they say, 'We didn't. "
"We're here," Tiny said, "for Dortmunder to tell us how he found the O.J."
"I'm ready," Stan said. With thumb and forefinger, he delicately sprinkled a few grains of salt onto his beer, which enthused.
When Dortmunder finished watching Stan and his salt, he said, "Okay, I went in there last night," and he told them about the wedding party and the basement and the SLA and the Medrick family saga.
Kelp said, "A nephew."
"Not one of the better ones," Dortmunder suggested.
Tiny rumbled, "There are good nephews?"
Kelp said, "My nephew Victor isn't so bad."
"Victor," Tiny repeated. "The FBI guy."
"Ex-FBI," Kelp said.
Dortmunder said, "They threw him out. He wanted the FBI to have a secret handshake."
Stan said, "I thought they did have a secret handshake."
Tiny said, "Kelp's nephew Victor is not the point. The O.J.'s nephew Medrick is the point."
"Raphael Medrick," Dortmunder said, taking from his shirt pocket the two folded documents he'd liberated from the O.J.'s safe. "He's in Queens."
"We don't know what he was on probation for," Kelp pointed out.
"Nonviolent," Dortmunder said. "It's probably not that he's mobbed-up to begin with, he's just some schmuck, got in trouble, his family helped out, his uncle wants to retire, you can see it now. It's great for everybody, the old guy can go retire in Florida, the young guy is gonna be fine once he's got some responsibility to be responsible for, the family's gonna keep an eye on him—"
"Sure," Kelp said.
"They always do," Stan said.
Tiny said, "You know, all this is after it's over. It's over."
Dortmunder said, "The O.J.'s still open."
"If you call that open," Tiny said. "But the goods have been bought, Dortmunder, the credit line's used up. The place is a shell, it's going down. What we're supposed to be thinking about is that place on Fifth Avenue, full of good things that Albright is gonna pay us all this green."
"We're thinking about it," Kelp assured him. "We're working on it. Aren't we, John?"
"In a way," Dortmunder said.
"Let's think about it some more," Tiny suggested.
"Definitely," Dortmunder said.
Stan said, "Just for the heck of it, though, why don't we go and take a look at this Raphael?"
"Well, yeah," Tiny said. "Sure we're gonna go look at Raphael. Just don't think anything's gonna be done about the O.J."
Kelp said, "In that case, why bother to go see him at all?"
Tiny smiled; the others flinched. "Because," Tiny said, "I wish to attract his attention."
17
THERE WERE SO MANY ways in which Preston Fareweather found Beryl Leominster beautiful. Her body was beautiful, hard and trim and as bronzed as an award statuette, with only the faintest little scars here and there to record a lifetime of nips and tucks. Her face was beautiful, if a little blank, but framed by cascades of honey blond hair, penned in a snood at night so it wouldn't "get in the way," as she'd explain. Which was another thing that was beautiful about her — her thoughtfulness. She was eager and knowledgeable in bed, without being too greedy. She was probably within seven or eight years of her declared age, twenty-nine. She was happily spending an ex-husband's money, which wasn't beautiful in itself but created the potential for Preston eventually to wreak some indirect revenge, which was certainly beautiful. But the most beautiful thing about Beryl, in Preston's eyes, was that today was Friday, and tomorrow morning Beryl would go away.
The system was, most vacationers reached the resort on Saturday afternoon, coming down from mainland North America on charter flights. Some were singles; some were couples; some were families. Among the singles, the pairing off was usually accomplished by some time Sunday and frequently involved fraternization between guests and staff, an activity on which management neither beamed nor frowned. Just as often, however, guests would find each other perfectly acceptable. And the most acceptable often was the long-term guest like Preston, who could, in his phrase, "show the ropes" to the lovely newcomer.
Over the following week, the newly minted couples would explore the wonders of the island and of one another, and then, on Saturday morning, the vacationers would leave again, so that the staff had the few midday hours to prepare the rooms for the next week's arrivals. Friday night, therefore, was the moment of truth among many of the pairs at the resort. Was this good-bye? "Would phone numbers and e-mail addresses be exchanged? Would lies be told?
Not by Preston Fareweather. He lived for Friday evening and the truths he would tell the current stand-in for the despicable ex-wives. This week it was the lovely Beryl.
"I've had the most wonderful time, Pres," she murmured in his ear, on her bed on that final Friday, after an evening spent mostly with white wine on the veranda outside her room, contemplating a wonderful moon, barely one-quarter full but gleaming as white as a mime's smile for all that.
"I know you have, my darling," Preston murmured back, left arm curled around her, one eye on the bedside clock. Physically he was spent, but mentally he still had a few moves to make. "And I know," he murmured, "you haven't minded my little japeries."
"Of course not," she murmured, snuggling her button nose in close to the artery so strongly beating in his throat.
"The snake in your underwear drawer."
The chuckle against his throat was lifelike but not entirely realistic. "That was a bit of a surprise," she murmured. "I don't know where you even found a snake on this island."
"It wasn't easy, but it was worth it," he murmured. "Then there was the glass of icewater I 'accidentally' spilled on you sunbathing."
"You are a scamp," she murmured, good humor and forgiveness purring in her voice.
"But you didn't mind, did you?"
"Not really," she murmured. "Not when it's you."
"Not even when I removed your bathing suit top in the swimming pool?"
She reared up a bit, t
o give him a serious but accepting look. "That was going a bit far," she said. "Especially when you carried it all the way here and wouldn't bring it back. If I hadn't been able to borrow that towel, I don't know what I would have done."
"I hope you thanked the person who loaned you the towel."
"Of course I did." Then Beryl gave him a keen look and said, "The woman who loaned me the towel, Pres. I certainly wouldn't borrow a towel from a man."
Innocent, he said, "But why not?"
"Not when I'm with you."
"But you weren't with me. I was here, with your bathing suit top."
"You know what I mean."
"I'm not sure I do."
"Oh, for heaven's sake, Preston," she said, forgetting their private little nickname in her agitation. Sitting up completely, topless again, she said, "We've been together all week, you know we have. You've absolutely monopolized me."
"Monopolized?"
"You know what I mean. Ever since your friend Alan introduced us last Saturday, I've felt there was something… I felt there could be something… I just sensed a kind of special — Oh, you know what I mean!"
He stretched lazily on his side of the bed, an overweight but extremely comfortable cat. "You mean we had good fun for a week," he suggested. "Fuck and frolic, a little time out from the cares of everyday life."
She stared at him." What did you say?"
"Frolic," he said, and beamed at her, the cat with the canary feather in the corner of his mouth.
"Well, frolic," she said, distracted, but her agenda would not let her dwell on a passing bewilderment. "That has been wonderful, Pres, of course it has. This last week—"
"Yes, I know," he murmured.
She lay down beside him again. "This last week has been so much more than I could have hoped—"
"Yes, it has."
That his responses were just a little off forced a certain jump-start quality to her own presentation. "Yes," she echoed, then got back to her script: "You'll be staying here another week, won't you?"
"Another week, mm, yes," he murmured, thinking already of what tomorrow might bring.
"How long have you been here, Pres?"
"Oh, when we're in paradise," he murmured, "we never count the days. Forever, I believe." Because he could never tell any of them that he'd been here so far nearly three years, with no end in sight. That might make them a little skittish.
"I've been so sad," she murmured, "at the prospect of our parting tomorrow, I asked at the office if they could squeeze me in for just one more week. Would you like that, if I could stay?"
"Oh, absolutely not," he murmured. "You can't put yourself in a financial fix just for little me."
That response was so off-kilter it got her up to a seated position again. "Financial fix?" She stared at him, not quite sure how she was supposed to handle this one. If he'd agreed to her staying on, he knew, she herself would have mentioned her financial woes and suggested he might help ease her burden in the days ahead, since he so much wanted her companionship, but once he'd mentioned her money troubles himself as a reason for her not to stay, what was she to do?
"We don't care about finances, Pres," she finally decided on. "We care about one another."
"Oh, darling, Beryl," he told her, "by last Monday morning at the latest you were e-mailing friends to find out everything you could about my finances."
"How can you say such a thing?"
"Because you bimbos always do. But you don't—"
"Bimbos?"
"But you don't realize," he went inexorably on, while discreetly moving his arms to protect his privates, just in case she turned out to be one of the physical ones, "that of course I'm doing the same thing. I know exactly how much you're into Mr. Marcus Leominster for, darling Beryl, and I know you don't otherwise have a single asset worth mentioning, other than your singular ass, of course, and I know that one week here husband-hunting is already a strain on—"
''Husband-hunting!"
"I'm afraid, Beryl," he said, chortling by now, "I've wasted an entire week of your dwindling finances, your dwindling time, and if I may say so, your dwindling looks."
"How can you — How can you—"
"Beryl," he said, smiling at her face, which now looked like a wax museum piece in the middle of a major fire, "why on earth would you put up with a fat boor like me except that you wanted to get into my pants? For my wallet, of course."
"You son—"
The phone rang. Beryl stared at it, as Preston rose for the last time from her bed and said, "Timing is everything."
"Timing?" The phone rang again, but now Beryl was staring at Preston. "You know who that is? On the telephone?"
"Of course," Preston said, reaching for his flame red bathing trunks. "It's Alan Pinkleton. He's calling to ask me to play Scrabble."
"Scrabble!"
"Tell him, would you," Preston said, as he moved toward the door, "I'm on my way?"
The phone continued to ring, fading with distance, as he strolled along the bougainvillea-scented wandering concrete path among the bungalows. Pathway lighting was dim and discreet; the air was soft and warm, the night a joy. The fading sound of the telephone made him think for some reason of the song "I Love a Parade," so that's what he whistled as he strolled back to his own little bungalow, where Alan had long since hung up the unanswered phone and where the Scrabble set was already laid out on the table on the veranda.
He was in such a good frame of mind, Preston was, that he didn't even object when Alan, who wasn't supposed to win, won handily.
18
RAPHAEL MEDRICK listened to "The Star-Spangled Banner" as he'd recorded it during last winter's Super Bowl — MCXIV? — sung by a nervous girl pop singer with excessive tremolo, an unsteady grasp of key, and not much upper register; cool. His fingers moved on the control panel, adjusting the gains, and the middle range faded, taking with it much of the ambient crowd noise, leaving mainly the aggressive brass sounds, both high and low, like sturdy lines of cathedral columns, with that frightened little voice vaguely wandering among them, a little trapped bird. Nice.
Stop; set coordinates; save; set aside; move on to the Beatles' "Hey, Jude." Strip away high and low, leaving a broody midrange with tatters of a barely recognizable voice and an obsessive baritone rhythm section pulsing forward like a predator fish, eyes flicking left and right, tail flashing behind.
Reset «Jude»; sync with «Banner»; play both. «Jude» had to be speeded up just a bit to blend with the «Banner» tempo, which served to lift the notes of «Jude» just a fraction so that they became dissonant with any melodic line played anywhere in the history of the world. The two treated themes weaved discordantly through each other. Now the ruined cathedral columns were underwater, the forlorn «Banner» singer clearly the dinner the predator «Jude» was hunting for.
"Now we're getting somewhere!" Raphael said aloud, hearing his own voice not through his ears into his brain but first through his skull into his earphones — an effect he was used to by now. Too bad he couldn't mix that doomy sound into the soup. But now he had one more minor adjustment in" tempo to be completed before moving on to the next phase, and a shadow crossed the control panel.
He barely registered it at first. His task here was to complete the match of the first two elements before adding the stutter-stop Gregorian chant he'd already assembled on another CD. But then, as «Jude» and «Banner» approached maximum synchronicity, like a space shuttle docking at the station, memory and observation within Raphael's own brain coalesced, and he thought: Shadow. Moved across the control panel. In my living room.
When he lifted his head, yes, there were people in his room, and no, he'd never seen any of them before. A lot of people — four, in fact — all male and all looking at him, all somehow seeming to disapprove. Why?
I'm not on probation any more, he thought.
Can these people be from Mikey, he wondered?
No, he decided, I can't take time for this, not just this se
cond. I'm at a crucial intersection here, I can't let my concentration be disturbed.
Thus, he held up one finger, showing it to them all: wait. Not being rude, not saying no, I won't talk to you, not saying, I don't see why you have to cluster in my living room, whoever you are, but merely saying: wait.
Upon which he bent over his control panel once more, a scrawny nerd of twenty-four with a pitiful goatee, barefoot, dressed in cutoff jeans and Mostly Mozart T-shirt, whose contact lenses glinted in the light to make him look blind. Over the next seven minutes — though it barely seemed like twenty seconds to him — hunched here in the living room of his tiny underfurnished house at the dead end of a poky side street in remotest Queens overlooking Jamaica Bay, he laid in the Gregorian chant. Since he listened to his work strictly through the earphones, these strangers wouldn't hear any of it, except possibly some faint cricket noises floating up from beside his head. Not that he cared; deeply involved in his collage, he barely remembered he had company until he was done.
There. Finished. At least, the first assemblage of the basic idea was finished. After that, of course, it's easy.
Earphones off, briskly massaging both ears with the palms of both hands because they tended to itch and feel all crumpled after long sessions like this, he at last dropped his hands into his lap, shook his head like a dog coming out of water, looked at his unexpected guests, and said, "Good morning."
"Good afternoon," one of them said — a carrot-haired, edgy-seeming guy, who said «afternoon» as though there were something wrong with afternoons and as though Raphael were to blame for it.
Before Raphael could ask him what was wrong with afternoon, another one, a slope-shouldered, depressed-looking fellow, said, "You are Raphael Medrick, aren't you?"
"After all this time," added a third, a sharp-nosed, impatient type.
"Oh, sure," Raphael said.
The depressed fellow said, "You own the O.J.? The O.J. Bar and Grill?"
Raphael lit up. "Sure," he said, and smiled in relief, because now at least he knew the subject. It wasn't every day you had four complete strangers suddenly in your living room, so it was nice to have some idea of their reason for being here. "Did Mikey send you?"