The Queen Of the Damned: Vampire Chronicles

by Anne Rice

  "You are my teacher," Armand told him. "You will tell me everything about this century. I am learning secrets already that have eluded me since the beginning. You'll sleep when the sun rises, if you wish, but the nights are mine."

  Into the very midst of life they plunged. At pretense Armand was a genius, and killing early on any given evening, he passed for human everywhere that they went. His skin was burning hot in those early hours, his face full of passionate curiosity, his embraces feverish and quick.

  It would have taken another immortal to keep up with him. Daniel nodded off at symphonies and operas or during the hundreds upon hundreds of films that Armand dragged him to see. Then there were the endless parties, the cluttered noisy gatherings from Chelsea to Mayfair where Armand argued politics and philosophy with students, or women of fashion, or anyone who would give him the slightest chance. His eyes grew moist with excitement, his voice lost its soft preternatural resonance and took on the hard human accent of the other young men in the room.

  Clothes of all kinds fascinated him, not for their beauty but for what he thought they meant. He wore jeans and sweatshirts like Daniel; he wore cable-knit sweaters and workmen's brogans, leather windbreakers, and mirrored sunglasses pushed up on his head. He wore tailored suits, and dinner jackets, and white tie and tails when the fancy suited him; his hair was cut short one night so he looked like any young man down from Cambridge, and left curly and long, an angel's mane, the next.

  It seemed that he and Daniel were always walking up four unlighted flights of stairs to visit some painter, sculptor, or photographer, or to see some special never-released yet revolutionary film. They spent hours in the cold-water flats of dark-eyed young women who played rock music and made herbal tea which Armand never drank.

  Men and women fell in love with Armand, of course, "so innocent, so passionate, so brilliant!" You don't say. In fact, Armand's power to seduce was almost beyond his control. And it was Daniel who must bed these unfortunates, if Armand could possibly arrange it, while he watched from a chair nearby, a dark-eyed Cupid with a tender approving smile. Hot, nerve-searing, this witnessed passion, Daniel working the other body with ever greater abandon, aroused by the dual purpose of every intimate gesture. Yet he lay empty afterwards, staring at Armand, resentful, cold.

  In New York they went tearing to museum openings, cafes, bars, adopted a young dancer, paying all his bills through school. They sat on the stoops in SoHo and Greenwich Village whiling the hours away with anybody who would stop to join them. They went to night classes in literature, philosophy, art history, and politics. They studied biology, bought microscopes, collected specimens. They studied books on astronomy and mounted giant telescopes on the roofs of the buildings in which they lived for a few days or a month at most. They went to boxing matches, rock concerts, Broadway shows.

  Technological inventions began to obsess Armand, one after the other. First it was kitchen blenders, in which he made frightful concoctions mostly based on the colors of the ingredients; then microwave ovens, in which he cooked roaches and rats. Garbage disposers enchanted him; he fed them paper towels and whole packages of cigarettes. Then it was telephones. He called long distance all over the planet, speaking for hours with "mortals" in Australia or India. Finally television caught him up utterly, so that the flat was full of blaring speakers and flickering screens.

  Anything with blue skies enthralled him. Then he must watch news programs, prime time series, documentaries, and finally every film, regardless of merit, ever taped.

  At last particular movies struck his fancy. Over and over he watched Ridley Scott's Blade Runner, fascinated by Rutger Hauer, the powerfully built actor who, as the leader of the rebel androids, confronts his human maker, kisses him, and then crushes his skull. It would bring a slow and almost impish laugh from Armand, the bones cracking, the look in Hauer's ice-cold blue eye.

  "That's your friend, Lestat, there," Armand whispered once to Daniel. "Lestat would have the... how do you say?... guts?... to do that!"

  After Blade Runner it was the idiotic and hilarious Time Bandits, a British comedy in which five dwarfs steal a "Map of Creation" so they can travel through the holes in Time. Into one century after another they tumble, thieving and brawling, along with a little boy companion, until they all wind up in the devil's lair.

  Then one scene in particular became Armand's favorite: the dwarfs on a broken-down stage in Castelleone singing "Me and My Shadow" for Napoleon really sent Armand out of his mind. He lost all supernatural composure and became utterly human, laughing till the tears rose in his eyes.

  Daniel had to admit there was a horrible charm to it, the "Me and My Shadow" number, with the dwarfs stumbling, fighting with each other, finally lousing up the whole proceedings, and the dazed eighteenth-century musicians in the pit not knowing what to make of the twentieth-century song. Napoleon was stupefied, then delighted! A stroke of comic genius, the entire scene. But how many times could a mortal watch it? For Armand there seemed no end.

  Yet within six months he had dropped the movies for video cameras and must make his own films. All over New York he dragged Daniel, as he interviewed people on the nighttime streets. Armand had reels of himself reciting poetry in Italian or Latin, or merely staring with his arms folded, a gleaming white presence slipping in and out of focus in eternally dim bronze light.

  Then somewhere, somehow, in a place unbeknownst to Daniel, Armand made a long tape of himself lying in the coffin during his daytime deathlike sleep. Daniel found this impossible to look at. Armand sat before the slow-moving film for hours, watching his own hair, cut at sunrise, slowly growing against the satin as he lay motionless with closed eyes.

  Next it was computers. He was filling disk after disk with his secret writings. He rented additional apartments in Manhattan to house his word processors and video game machines.

  Finally he turned to planes.

  Daniel had always been a compulsive traveler, he had fled Armand to cities worldwide, and certainly he and Armand had taken planes together. Nothing new in that. But now it was a concentrated exploration; they must spend the entire night in the air. Flying to Boston, then Washington, then to Chicago, then back to New York City, was not unusual. Armand observed everything, passengers, stewardesses; he spoke with the pilots; he lay back in the deep first-class seats listening to the engines roar. Double-decker jets particularly enchanted him. He must try longer, more daring adventures: all the way to Port-au-Prince or San Francisco, or Rome, or Madrid or Lisbon, it didn't matter, as long as Armand was safely landed by dawn.

  Armand virtually disappeared at dawn. Daniel was never to know where Armand actually slept. But then Daniel was dead on his feet by daybreak anyway. Daniel didn't see high noon for five years.

  Often Armand had been in the room some time before Daniel awakened. The coffee would be perking, the music going--Vivaldi or honky-tonk piano, as Armand loved both equally--and Armand would be pacing, ready for Daniel to get up.

  "Come, lover, we're going to the ballet tonight. I want to see Baryshnikov. And after that, down to the Village. You remember that jazz band I loved last summer, well, they've come back. Come on, I'm hungry, my beloved. We must go."

  And if Daniel was sluggish, Armand would push him into the shower, soap him all over, rinse him off, drag him out, dry him thoroughly, then shave his face as lovingly as an old-fashioned barber, and finally dress him after carefully selecting from Daniel's wardrobe of dirty and neglected clothes.

  Daniel loved the feel of the hard gleaming white hands moving over his naked flesh, rather like satin gloves. And the brown eyes that seemed to draw Daniel out of himself; ah, the delicious disorientation, the certainty that he was being carried downwards, out of all things physical, and finally the hands closing on his throat gently, and the teeth breaking through the skin.

  He closed his eyes, his body heating slowly, only to burn truly when Armand's blood touched his lips. He heard the distant sighs again, the crying, was it of lo
st souls? It seemed a great luminous continuity was there, as if all his dreams were suddenly connected and vitally important, yet it was all slipping away...

  Once he'd reached out, held Armand with all his strength, and tried to gash the skin of his throat. Armand had been so patient, making the tear for him, and letting him close his mouth on it for the longest time-yes, this-then guiding him gently away.

  Daniel was past all decision. Daniel lived only in two alternating states: misery and ecstasy, united by love. He never knew when he'd be given the blood. He never knew if things looked different because of it-the carnations staring at him from their vases, skyscrapers hideously visible like plants sprung up from steel seeds overnight-or because he was just going out of his mind.

  Then had come the night when Armand said he was ready to enter this century in earnest, he understood enough about it now. He wanted "incalculable" wealth. He wanted a vast dwelling full of all those things he'd come to value. And yachts, planes, cars--millions of dollars. He wanted to buy Daniel everything that Daniel might ever desire.

  "What do you mean, millions!" Daniel had scoffed. "You throw your clothes away after you wear them, you rent apartments and forget where they are. Do you know what a zip code is, or a tax bracket? I'm the one who buys all the goddamned airline tickets. Millions. How are we going to get millions! Steal another Maserati and be done with it, for God's sakes!"

  "Daniel, you are a gift to me from Louis," Armand had said tenderly. "What would I do without you? You misunderstand everything." His eyes were large, childlike. "I want to be in the vital center of things the way I was years ago in Paris in the Theater of the Vampires. Surely you remember. I want to be a canker in the very eye of the world."

  Daniel had been dazzled by the speed with which things happened.

  It had begun with a treasure find in the waters off Jamaica, Armand chartering a boat to show Daniel where salvage operations must begin. Within days a sunken Spanish galleon loaded with bullion and jewels had been discovered. Next it was an archaeological find of priceless Olmec figurines. Two more sunken ships were pinpointed in rapid succession. A cheap piece of South American property yielded a long forgotten emerald mine.

  They purchased a mansion in Florida, yachts, speedboats, a small but exquisitely appointed jet plane. And now they must be outfitted like princes for all occasions. Armand himself supervised the measurements for Daniel's custom-made shirts, suits, shoes. He chose the fabrics for an endless parade of sports coats, pants, robes, silk foulards. Of course Daniel must have for colder climes mink-lined raincoats, and dinner jackets for Monte Carlo, and jeweled cuff links, and even a long black suede cloak, which Daniel with his "twentieth-century height" could carry off quite well.

  At sunset when Daniel awoke, his clothes had already been laid out for him. Heaven help him if he were to change a single item, from the linen handkerchief to the black silk socks. Supper awaited in the immense dining room with its windows open to the pool. Armand was already at his desk in the adjoining study. There was work to do: maps to consult, more wealth to be acquired.

  "But how do you do it!" Daniel had demanded, as he watched Armand making notes, writing directions for new acquisitions.

  "If you can read the minds of men, you can have anything that you want," Armand had said patiently. Ah, that soft reasonable voice, that open and almost trusting boyish face, the auburn hair always slipping into the eye a bit carelessly, the body so suggestive of human serenity, of physical ease.

  "Give me what I want," Daniel had demanded.

  "I'm giving you everything you could ever ask for."

  "Yes, but not what I have asked for, not what I want!"

  "Be alive, Daniel." A low whisper, like a kiss. "Let me tell you from my heart that life is better than death."

  "I don't want to be alive, Armand, I want to live forever, and then I will tell you whether life is better than death."

  The fact was, the riches were maddening him, making him feel his mortality more keenly than ever before. Sailing the warm Gulf Stream with Armand under a clear night sky, sprinkled with countless stars, he was desperate to possess all of this forever. With hatred and love he watched Armand effortlessly steering the vessel. Would Armand really let him die?

  The game of acquisition continued.

  Picassos, Degas, Van Goghs, these were but a few of the stolen paintings Armand recovered without explanation and handed over to Daniel for resales or rewards. Of course the recent owners would not dare to come forward, if in fact they had survived Armand's silent nocturnal visit to the sanctums where these stolen treasures had been displayed. Sometimes no clear title to the work in question existed. At auction, they brought millions. But even this was not enough.

  Pearls, rubies, emeralds, diamond tiaras, these he brought to Daniel. "Never mind, they were stolen, no one will claim them." And from the savage narcotics traders off the Miami coast, Armand stole anything and everything, guns, suitcases full of money, even their boats.

  Daniel stared at the piles and piles of green bills, as the secretaries counted them and wrapped them for coded accounts in European banks.

  Often Daniel watched Armand go out alone to hunt the warm southern waters, a youth in soft black silk shirt and black pants, manning a sleek unlighted speedboat, the wind whipping his uncut long hair. Such a deadly foe. Somewhere far out there, beyond sight of land, he finds his smugglers and he strikes-the lone pirate, death. Are the victims dropped into the deep, hair billowing perhaps for one moment while the moon can still illuminate them as they look up for a last glimpse at what has been their ruin? This boy! They thought they were the evil ones...

  "Would you let me go with you? Would you let me see it when you do it?"

  "No."

  Finally enough capital had been amassed; Armand was ready for real action.

  He ordered Daniel to make purchases without counsel or hesitation: a fleet of cruise ships, a chain of restaurants and hotels. Four private planes were now at their disposal. Armand had eight phones.

  And then came the final dream: the Night Island, Armand's own personal creation with its five dazzling glass stories of theaters, restaurants, and shops. He drew the pictures for the architects he'd chosen. He gave them endless lists of the materials he wanted, the fabrics, the sculptures for the fountains, even the flowers, the potted trees.

  Behold, the Night Island. From sunset till dawn, the tourists mobbed it, as boat after boat brought them out from the Miami docks. The music played eternally in the lounges, on the dance floors. The glass elevators never stopped their climb to heaven; ponds, streams, waterfalls glittered amid banks of moist, fragile blooms.

  You could buy anything on the Night Island-diamonds, a Coca-Cola, books, pianos, parrots, designer fashions, porcelain dolls. All the fine cuisines of the world awaited you. Five films played nightly in the cinemas. Here was English tweed and Spanish leather, Indian silk, Chinese carpets, sterling silver, ice-cream cones or cotton candy, bone china, and Italian shoes.

  Or you could live adjacent to it, in secret luxury, slipping in and out of the whirl at will.

  "All this is yours, Daniel," Armand said, moving slowly through the spacious airy rooms of their very own Villa of the Mysteries, which covered three stories-and cellars, to Daniel-windows open to the distant burning nightscape of Miami, to the dim high clouds rolling above.

  Gorgeous the skilled mixture of old and new. Elevator doors rolling back on broad rectangular rooms full of medieval tapestries and antique chandeliers; giant television sets in every room. Renaissance paintings filled Daniel's suite, where Persian rugs covered the parquet. The finest of the Venetian school surrounded Armand in his white carpeted study full of shining computers, intercoms, and monitors. The books, magazines, newspapers came from all over the world.

  "This is your home, Daniel."

  And so it had been and Daniel had loved it, he had to admit that, and what he had loved even more was the freedom, the power, and the luxury that attended h
im everywhere that he went.

  He and Armand had gone into the depths of the Central American jungles by night to see the Mayan ruins; they had gone up the flank of Annapurna to glimpse the distant summit under the light of the moon. Through the crowded streets of Tokyo they had wandered together, through Bangkok and Cairo and Damascus, through Lima and Rio and Kathmandu. By day Daniel wallowed in comfort at the best of the local hostelries; by night he wandered fearless with Armand at his side.

  Now and then, however, the illusion of civilized life would break down. Sometimes in some far-flung place, Armand sensed the presence of other immortals. He explained that he had thrown his shield around Daniel, yet it worried him. Daniel must stay at his side.

  "Make me what you are and worry no more."

  "You don't know what you're saying," Armand had answered. "Now you're one of a billion faceless humans. If you were one of us, you'd be a candle burning in the dark."

  Daniel wouldn't accept it.

  "They would spot you without fail," Armand continued. He had become angry, though not at Daniel. The fact was he disliked any talk at all of the undead. "Don't you know the old ones destroy the young ones out of hand?" he'd asked. "Didn't your beloved Louis explain that to you? It's what I do everywhere that we settle-I clean them out, the young ones, the vermin. But I am not invincible." He'd paused as though debating whether or not he should continue. Then: "I'm like any beast on the prowl. I have enemies who are older and stronger who would try to destroy me if it interested them to do so, I am sure."

  "Older than you are? But I thought you were the oldest," Daniel had said. It had been years since they'd spoken of Interview with the Vampire. They had, in fact, never discussed its contents in detail.

  "No, of course I'm not the oldest," Armand had answered. He seemed slightly uneasy. "Merely the oldest your friend Louis was ever to find. There are others. I don't know their names, I've seldom seen their faces. But at times, I feel them. You might say that we feel each other. We send our silent yet powerful signals. 'Keep away from me.' "