Dean Koontz - Fear Nothing

by Fear Nothing(Lit)

  I might have stayed where I was, at the intersection of the trails, with the narrower point of the hill at my back, until the Hummer moved out of the vicinity, rather than risk encountering it in the next hollow. When four flashlights winked far back on the trail that I had followed to this point, however, I ceased to have the luxury of hesitation. I was beyond the reach of these men's lights, but they were approaching at a trot, and I was in imminent danger of discovery.

  When I rounded the point of the hill and ente red the hollow to the west of it, the cat was still there, as though waiting for me.

  Presenting its tail to me, it scampered away, though not so fast that I lost sight of it.

  I was grateful for the stone under me, in which I could not leave betraying footprints-and then I realized that only fragments of my broken sunglasses remained in my shirt pocket. As I ran, I fingered my pocket and felt one bent stem and a jagged piece of one lens. The rest must have scattered on the ground where I had fallen, at the fork in the trail.

  The four searchers were sure to spot the broken frames. They would divide their forces, two men to each hollow, and they would come after me harder and faster than ever, energized by this evidence that they were closing on their quarry.

  On the far side of this hill, out of the vale where I had barely escaped the searchlight, the Hummer be an to climb again. The shriek of its engine rose in pitch, swelled in volume.

  If the driver paused on this grassy hilltop to survey the night once more, I would run undetected beneath him and away. If instead he raced across the hill and into this new hollow, I might be caught in his headlights or pinned by a searchlight beam.

  The cat ran, and I ran.

  As it sloped down between dark hills, the hollow grew wider than any that I had traveled previously, and the rocky swale in the center widened, too. Along the verge of the stone path, the tall cordgrass and the other brush bristled thicker than elsewhere, evidently watered by a greater volume of storm runoff, but the vegetation was too far to either side to cast even a faint dappling of moonshadows over me, and I felt dangerously exposed. Furthermore, this broad declivity, unlike those before it, ran as straight as a city street, with no bends to shield me from those who might enter it in my wake.

  On the highlands, the Hummer seemed to have come to a halt once more.

  Its grumble drained away in the sluicing breeze, and the only engine sounds were mine: the rasp and wheeze of breathing, heartbeat like a pounding piston.

  The cat was potentially fleeter than I-wind on four feet; it could have vanished in seconds. For a couple of minutes, however, it paced me, staying a constant fifteen feet ahead, pale gray or pale beige, a mere ghost of a cat in the moonglow, occasionally glancin back with eyes as eerie as seance candles.

  Just when I began to think that this creature was purposefully leading me out of harm's way, just as I began to indulge in one of those orgies of anthropoinorphizing that make Bobby Halloway's brain itch, the cat sped away from me. If that dry rocky wash had been filled with a storm gush, the tumbling water could not have outrun this feline, and in two seconds, three at most, it disappeared into the night ahead.

  A minute later, I found the cat at the terminus of the channel.

  We were in the dead end of a blind hollow, with exposed grassy hills rising steeply on three sides. They were so steep, in fact, that I could not scale them quickly enough to elude the two searchers who were surely pursuing on foot. Boxed in. Trapped.

  Driftwood, tangled balls of dead weeds and grass, and silt were mounded at the end of the wash. I half expected the cat to give me an evil Cheshire grin, white teeth gleaming in the gloom. Instead, it scampered to the pile of debris and slinked-wriggled into one of many small gaps, disappearing again.

  This was a wash. Therefore the runoff had to go somewhere when it reached this point.

  Hastily I climbed the nine-foot-long, three-foot-high slope of packed debris, which sagged and rattled and crunched but held beneath me. It was all drifted against a grid of steel bars, which served as a vertical grate across the mouth of a culvert set into the side of the hill.

  Beyond the grate was a six-foot-diameter concrete drain between anchoring concrete buttresses. It was apparently part of a flood-control project that carried storm water out of the hills, under the Pacific Coast Highway, into drains beneath the streets of Moonlight Bay, and finally to the sea.

  A couple of times each winter, maintenance crews would clear the trash away from the grate to prevent water flow from being completely impeded.

  Clearly, they had not been here recently.

  Inside the culvert, the cat meowed. Magnified, its voice echoed with a new sepulchral tone along the concrete tunnel.

  The openings in the steel-bar grid were four-inch squares, wide enough to admit the supple cat but not wide enough for me. The grate extended the width of the opening, from buttress to buttress, but it didn't reach all the way to the top.

  I swung legs-first and back-ward through the two-foot-high gap between the top of the grate and the curved ceiling of the drain. I was grateful that the grid had a headrail, for otherwise I would have been poked and gouged painfully by the exposed tops of the vertical bars.

  Leaving the stars and the moon behind, I stood with my back to the grate, peering into absolute blackness. I had to hunch only slightly to keep from bumping my head against the ceiling.

  The smell of damp concrete and moldering grass, not entirely unpleasant, wafted from below.

  I eased forward, sliding my feet. The smooth floor of the culvert had only a slight pitch. After just a few yards, I stopped, afraid I would blunder into a sudden drop-off and wind up dead or broken-backed at the bottom.

  I withdrew the butane lighter from a pocket of my jeans, but I was reluctant to strike a flame. The light flickering along the curved walls of the culvert would be visible from outside.

  The cat called again, and its radiant eyes were all that I could see ahead. Guessing at the distance between us, judging by the angle at which I looked down upon the animal, I deduced that the floor of the huge culvert continued at an increased-but not drastic-slope.

  I proceeded cautiously toward the lambent eyes. When I drew close to the creature, it turned away, and I halted at the loss of its twin beacons.

  Seconds later it spoke again. Its green gaze reappeared and fixed unblinking on me.

  Edging forward once more, I marveled at this odd experience.

  All that I had witnessed since sundown-the theft of my father's body, the battered and eyeless corpse in the crematorium, the pursuit from the mortuary-was incredible, to say the least, but for sheer strangeness, nothing equaled the behavior of this small descendant of figers.

  Or maybe I was making a lot more of the moment than it deserved, attributing to this simple house cat an awareness of my plight that it didn't actually possess.

  Maybe.

  Blindly, I came to another mound of debris smaller than the first.

  Unlike the previous heap, this one was damp. The flotsam squished beneath my shoes, and a sharper stench rose from it.

  I clambered forward, cautiously groping at the darkness in front of me, and I discovered that the debris was packed against another steel-bar grate. Whatever trash managed to wash over the top of the first grate was caught here.

  After climbing this barrier and crossing safely to the other side, I risked using the lighter. I cupped my hand around the flame to contain and direct the glow as much as possible.

  The cat's eyes blazed bright: gold now, flecked with green. We stared at each other for a long moment, and then my guide-if that's what it was-whipped around and sprinted out of sight, down into the drain.

  Using the lighter to find my way, keeping the flame low to conserve butane, I descended through the heart of the coastal hills, passing smaller tributary culverts that opened into this main line. I arrived at a spillway of wide concrete steps on which were puddles of stagnant water and a thin carpet of hardy gray-black fungus tha
t probably thrived only during the four-month rainy season. The scummy steps were treacherous, but for the safety of maintenance crews, a steel handrail was bolted to one wall, hung now with a drab tinsel of dead grass deposited by the most recent flood.

  As I descended, I listened for the sounds of pursuit, voices in the tunnel behind me, but all I heard were my own stealthy noises.

  Either the searchers had decided that I hadn't escaped by way of the culvert-or they had hesitated so long before following me into the drain that I had otten well ahead of them.

  At the bottom of the spillway, on the last two broad steps, I almost plunged into what I thought at first were the pale, rounded caps of large mushrooms, clusters of vile-looking fungi growing here in the lightless damp, no doubt poisonous in the extreme.

  lutching the railing, I eased past sprouting forms on the slippery concrete, reluctant to touch them even with one of my shoes.

  Standing in the next length of sloping tunnel, I turned to examine this peculiar find.

  When I cranked up the flame on the lighter, I discovered that before me lay not mushrooms but a collection of skulls. The fragile skulls of birds. The elongated skulls of lizards. The larger skulls of what might have been cats, dogs, raccoons, porcupines, rabbits, squirrels.

  .

  Not a scrap of flesh adhered to any of these death's-heads, as if they had been boiled clean: white and yellow-white in the butane light, scores of them, perhaps a hundred. No leg bones, no rib cages, just skulls. They were arranged neatly side by side in three rows-two on the bottom step and one on the second from the bottom-facing out, as though, even with their empty eye sockets, they were here to bear witness to something.

  I had no idea what to make of this. I saw no satanic markings on the culvert walls, no indications of macabre ceremonies of any kind, yet the display had an undeniably symbolic purpose. The extent of the collection indicated obsession, and the cruelty implicit in so much killing and decapitation was chilling.

  Recalling the fascination with death that had gripped me and Bobby Halloway when we were thirteen, I wondered if some kid, far weirder than we ever were, had done this grisly work. Criminologists claim that by the age of three or four, most serial killers begin torturing and killing insects, progressing to small animals during childhood and adolescence, and finally graduating to people. Maybe in these catacombs, a particularly vicious young murderer was practicing for his life's work.

  In the middle of the third and highest row of these bony visages rested a gleaming skull that was markedly different from all the others. It appeared to be human. Small but human. Like the skull of an infant.

  "Dear God."

  My voice whispered back to me along the concrete walls.

  More than ever, I felt as though I were in a dreaniscape, where even such things as concrete and bone were no more solid than smoke.

  Nevertheless, I did not reach out to touch the small human skull-or any of the others, for that matter. However unreal they might seem, I knew that they would be cold, slick, and too solid to the touch.

  Anxious to avoid encountering whoever had acquired this grim collection, I continued downward through the drain.

  I expected the cat with the enigmatic eyes to reappear, pale paws meeting concrete with feather-on-feather silence, but either it remained out of sight ahead of me or it had detoured into one of the tributary lines.

  Sections of sloped concrete pipe alternated with more spillways, and just as I was beginning to worry that the lighter didn't contain enough fuel to see me to safety, a circle of dim gray light appeared and gradually brightened ahead. I hurried toward it and found that no grate barred the lower end of the tunnel, which led into an open drainage channel of mortar-set river rock.

  I was in familiar territory at last, the northern flats of town. A couple of blocks from the sea. Half a block from the high school.

  After the dank culvert, the night air smelled not merely fresh but sweet. The high points of the polished sky glittered diamondwhite.

  According to the digital light board on the Wells Fargo Bank building, the time was 7:56 P.m., which meant that my father had been dead less than three hours, though days seemed to have passed since I'd lost him.

  The same sign set the temperature at sixty degrees, but the night seemed colder to me.

  Around the corner from the bank and down the block, the Tidy Time Laundromat was flooded with fluorescent light. Currently no customers were doing their laundry.

  With the dollar bill ready in my hand, with my eyes squinted to slits, I went inside, into the flowery fragrance of soap powders and the chemical keenness of bleach, my head lowered to maximize the protection provided by the bill of my cap. I ran straight to the change machine, fed it, snatched up the four quarters that it spat into the tray, and fled.

  Two blocks away, outside the post office, stood a pay phone with winglike sound shields. Above the phone, mounted on the wall of the building, was a security light behind a wire cage.

  When I hung my hat on the cage, shadows fell.

  I figured that Manuel Ramirez would still be at home. When I phoned him, his mother, Rosalina, said that he had been gone for hours. He was working a double shift because another officer had called in sick.

  This evening he was on desk duty; later, after midnight, he would be on patrol.

  I punched in the main number of the Moonlight Bay Police and asked the operator if I could speak to Officer Ramirez.

  Manuel, in my judgment the best cop in town, is three inches shorter than I am, thirty pounds heavier, twelve years older, and a Mexican American. He loves baseball; I never follow sports because I have an acute sense of time slipping away and a reluctance to use my precious hours in too many passive activities. Manuel prefers country music; I like rock. He is a staunch Republican; I have no interest in politics.

  In movies, his guilty pleasure is Abbott and Costello; mine is the immortal Jackie Chan. We are friends.

  "Chris, I heard about your dad," Manuel said when he came on the line.

  "I don't know what to say."

  "Neither do I, really."

  "No, there never is anything to say, is there?"

  "Not that matters."

  "You going to be okay?"

  To my surprise, I couldn't speak. My terrible loss seemed suddenly to be a surgeon's needle that stitched shut my throat and sewed my tongue to the roof of my mouth.

  Curiously, immediately after Dad's death, I'd been able to answer this same question from Dr. Cleveland without hesitation.

  I felt closer to Manuel than to the physician. Friendship thaws the nerves, making it possible for pain to be felt.

  "You come over some evening when I'm off duty," Manuel said. "We'll drink some beer, eat some tamales, watch a couple of Jackie Chan movies."

  In spite of baseball and country music, we have much in common, Manuel Ramirez and I. He works the graveyard shift, from midnight until eight in the morning, sometimes doubling on the swing shift when, as on this March evening, there is a personnel shortage. He likes the night as I do, but he also works it by necessity. Because the graveyard shift is less desirable than daytime duty, the pay is higher. More important, he is able to spend afternoons and evenings with his son, Toby, whom he cherishes. Sixteen years ago, Manuel's wife, Carmelita, died minutes after bringing Toby into the world. The boy is gentle, charming-and a victim of Down's syndrome. Manuel's mother moved into his house immediately after Carmelita's death and still helps to look after Toby.

  Manuel Ramirez knows about limitations. He feels the hand of fate every day of his life, in an age when most people no longer believe in purpose or destiny. We have much in common, Manuel Ramirez and I.

  "Beer and Jackie Chan sound great," I agreed. "But who makes the tamales-You or your mother?"

  "Oh, not mi madre, I promise."

  Manuel is an exceptional cook, and his mother thinks that she is an exceptional cook. A comparison of their cooking provides a fearsomely illuminating exampl
e of the difference between a good deed and a good intention.

  A car passed in the street behind me, and when I looked down, I saw my shadow pull at my unmoving feet, stretching from my left side around to my right, growing not merely longer but blacker on the concrete sidewalk, straining to tear loose of me and flee-but then snapping back to the left when the car passed.

  "Manuel, there's something You can do for me, something more than tamales."

  "You name it, Chris."

  After a long hesitation, I said, "It involves my dad. .. his body."

  Manuel matched my hesitation. His thoughtful silence was the equivalent of a cat's ears pricking with interest.

  He heard more in my words than they appeared to convey. His tone was different when he spoke this time, still the voice of a friend but also the harder voice of a cop. "What's happened, Chris?